Tag: SM Entertainment

#80 – Departures in K-Pop, SKZ Haters, and Arirang

On Friday morning, I woke up to a shocking announcement as a NCTzen, Mark Lee of NCT 127, NCT Dream, and NCT U did not renew his contract with NCT and SM Entertainment, effective April 8, 2026. Just like that, everything has changed once again in NCT. For context, NCT is a very complex project with multiple subunits and a large roster of band members. The NCT sub-unit that I follow closely is NCT 127, the eight-member (used to be nine, until 2024) boy band consisting of Taeyong, Mark, Yuta, Johnny, Haechan, Jaehyun, Doyoung, and Jungwoo. Mark is one of the main rappers, a key part of the sound of these groups, a songwriter with Taeyong for NCT 127, and the leader of NCT Dream. NCT 127 is about to celebrate its 10th anniversary on April 9th – why is this happening?

As a NCTzen, nothing has felt normal in the group since 2024, when leader Taeyong began his military service. While he was gone, NCT 127 released one group comeback album and various solo projects, including Mark’s solo album in 2025. The solo projects have felt like a welcome distraction, as Jaehyun (2024), Doyoung, and Jungwoo (2025) began military enlistment. My favorite solo project so far has been Yuta’s J-Rock style albums that evoke the rock and metal music I loved in high school. Not even the solo projects could distract from the disturbing news, on August 28, 2024, that former member Taeil was no longer a member of NCT due to sexual assault allegations, with SM terminating his contract a few months later. Taeil was convicted in 2025, and is currently serving a prison sentence, a very short prison sentence, unfortunately. So in summation, NCTzens have been through a roller coaster of emotions since 2024.

With Taeyong’s return to group activities for 2026, this was supposed to be a new beginning, not another goodbye. I’m hoping that, in time, more will be revealed as to why Mark is departing so suddenly. I thought his solo album was good; inspired by his faith, it was a light shining in the darkness of 2025. I know that SM is a company with messy dynamics. Three EXO members recently went to court against SM over a contract dispute, and Red Velvet members Wendy and Yeri recently left SM, while remaining members of the band. Mark’s departure from both the band and the company is uncharted waters, and I’m sad. I hope all is well and that whatever is next for Mark, he will be blessed.

This is not the first departure in K-Pop for 2026; it has been an ever-growing list. So far, Danielle from New Jeans, Manon from Katseye (hiatus), Heeseung from Enhyphen, and JYP have departed or changed their roles, in the case of JYPapi. In tricky times such as these, the K-Pop world has one solution: direct hatred towards Stray Kids – and I am so fed up with the hate. In the wake of Mark’s announcement, I saw posts calling for Stray Kids to be next. Wishing all kinds of ills of the members and the group. Why is Stray Kids always the scapegoat? (Also, Jennie. Stop hating on Jennie.)

So, general K-Pop fans who like to dunk on Stray Kids, what has this toxic behavior accomplished for you? The AI-deep fakes have led to legal action by JYP Entertainment in two countries. Stray Kids won major awards, completed the biggest world tour, and wrote multiple hits in response to your hate. Such as God’s Menu, the entire No Easy, aka “noisy” album, S-Class, Comflex, Ceremony, and Phoenix, to name a few. As Bang Chan says in their song, 3RACHA, “They always say the same excuses. While they’re complainin’, we’re producin’.” So can everyone just hush and enjoy the variety in K-Pop?

To a more positive note, I am really enjoying the new BTS album, Arirang. Now, I became a fan of K-Pop at the start of 2022, with my introduction to BTS being Dynamite and Butter. Two songs I quite enjoy, but I didn’t get to experience the true BTS or a full band comeback experience until now, and dang, after a long military hiatus, I’m starting to get the BTS hype. See Army – Stays and Army can co-exist peacefully. Arirang has range. I appreciate the mellow beauty of Swim, and the haunting melancholy of Merry-Go-Round. Aliens, FYA, and Hooligan have been in my head for days. For me, BTS has an interesting duality to their vocal range. Compared to the “racha” subunits I am used to from Stray Kids, or the structure of an Ateez or NCT song, where the rappers and vocalists have clear parts, BTS flows. I’m still learning what each member sounds like, and I’m constantly surprised to learn who is doing what part. I’m excited for what the future holds for BTS, cause yeah, I get the hype now.

It’s a relief, actually, to see that in spite of military interruptions, BTS came back as one cohesive team. What has felt so heavy about Mark’s departure from NCT has been the military service and the removal of the evil one. Can we just get a breath? Will this band still be the same by the time everyone is reunited again, like BTS? I sure hope so.

Aespa’s Supernova MV is an Explosion of Imagination

I wanted to be quick and write this post before their full album release on Monday because the Supernova release has been one of the most fun comebacks they have had I think since Next Level in 2021, which was how I found Aespa initially. This song has dethroned “Supernova Girl” from Zenon: Girl of the 21st Century as my favorite futuristic, y2k, outer-space-themed song. That is no small compliment, I’ve loved that song and the styling of the movie since 1999. That being said, Aespa blew me away with their ‘that tick, tick, bomb’ bridge and funky mix of Portal 2 sounds, reminiscent of the lasers and aerial faith plates, layered over the signature production of Dem Jointz. I wasn’t expecting that signature “Incoming!” line that I find on most NCT albums. This was the fun noise music style I was missing from the current comebacks of Stray Kids, NCT’s solo work, and the releases of girl groups so far in 2024.

Four Distinct Looks

I love a music video with a good costume change, and this one gave me four! The stylist for Aespa hit it out of the park with these experimental yet familiar pieces giving the eye a tasting menu of throwback futuristic pieces yet styled in a way that felt now and new at the same time.

In one short story, we move from streetwear with mesh and bright colors, to light pastel pleather for that space-age feel, to vibrant, shocking, and furry accessories that look like the star exploding, to a y2k jeans look in gray tones as the supernova is complete. The girls are blown into the wind.

My favorite look of them all happens to be Winter’s pink tutu look with platform shoes. She resembles a magical faerie or modern-day superhero without the cringy Hollywood painted-on catsuit. Other details I appreciate are the vampire fangs, pointy nails, intricate braids, colorful eyeliner, bubble hems, dual eye colors, chunky jewelry that looks DIY in a good way, and Gisele’s bedazzled cast.

Imagery of Supernova

Each member seems to have special powers in this music video. Winter can fly, Ningning can fire bend, Gisele can change time, and Karina has superhuman strength. They have the power of the “Supernova” and are a unified force to be reckoned with. I love that Karina falls to earth like an asteroid to open the scene. There is imagery of heat and destruction, darkness and light, brokenness like the dying star, and birthdays like a star reborn through the explosion. They are like a storm but are also a source of power.

Aespa Lore – Returning to Concept

This comeback feels like Aespa’s lore and concept coming full circle where other bands have drifted off into randomness, Aespa is keeping the story of Kwangya, Black Mamba, Naevis, and the real world all in its premise. Some were disappointed with the shift to being in the real world with Spicy (2023) and Drama (2023) as falling prey to the 2000s nostalgia bug sweeping the 2020s.

But I see their comebacks as chapters in one story like Ateez does so well. For Savage and Girls they were in Kwangya, Kosmo, and the Flat. They have fought Black Mamba then coming into the real world with Naevis in My World, continuing the fight in Drama. For now, it seems like Supernova and Armageddon are returning the girls to the other dimension but reborn with powers instead of being consumed by the destruction. I am very excited for May 27th to behold what is in store for their first full album!

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