On Friday morning, I woke up to a shocking announcement as a NCTzen, Mark Lee of NCT 127, NCT Dream, and NCT U did not renew his contract with NCT and SM Entertainment, effective April 8, 2026. Just like that, everything has changed once again in NCT. For context, NCT is a very complex project with multiple subunits and a large roster of band members. The NCT sub-unit that I follow closely is NCT 127, the eight-member (used to be nine, until 2024) boy band consisting of Taeyong, Mark, Yuta, Johnny, Haechan, Jaehyun, Doyoung, and Jungwoo. Mark is one of the main rappers, a key part of the sound of these groups, a songwriter with Taeyong for NCT 127, and the leader of NCT Dream. NCT 127 is about to celebrate its 10th anniversary on April 9th – why is this happening?
As a NCTzen, nothing has felt normal in the group since 2024, when leader Taeyong began his military service. While he was gone, NCT 127 released one group comeback album and various solo projects, including Mark’s solo album in 2025. The solo projects have felt like a welcome distraction, as Jaehyun (2024), Doyoung, and Jungwoo (2025) began military enlistment. My favorite solo project so far has been Yuta’s J-Rock style albums that evoke the rock and metal music I loved in high school. Not even the solo projects could distract from the disturbing news, on August 28, 2024, that former member Taeil was no longer a member of NCT due to sexual assault allegations, with SM terminating his contract a few months later. Taeil was convicted in 2025, and is currently serving a prison sentence, a very short prison sentence, unfortunately. So in summation, NCTzens have been through a roller coaster of emotions since 2024.
With Taeyong’s return to group activities for 2026, this was supposed to be a new beginning, not another goodbye. I’m hoping that, in time, more will be revealed as to why Mark is departing so suddenly. I thought his solo album was good; inspired by his faith, it was a light shining in the darkness of 2025. I know that SM is a company with messy dynamics. Three EXO members recently went to court against SM over a contract dispute, and Red Velvet members Wendy and Yeri recently left SM, while remaining members of the band. Mark’s departure from both the band and the company is uncharted waters, and I’m sad. I hope all is well and that whatever is next for Mark, he will be blessed.
This is not the first departure in K-Pop for 2026; it has been an ever-growing list. So far, Danielle from New Jeans, Manon from Katseye (hiatus), Heeseung from Enhyphen, and JYP have departed or changed their roles, in the case of JYPapi. In tricky times such as these, the K-Pop world has one solution: direct hatred towards Stray Kids – and I am so fed up with the hate. In the wake of Mark’s announcement, I saw posts calling for Stray Kids to be next. Wishing all kinds of ills of the members and the group. Why is Stray Kids always the scapegoat? (Also, Jennie. Stop hating on Jennie.)
So, general K-Pop fans who like to dunk on Stray Kids, what has this toxic behavior accomplished for you? The AI-deep fakes have led to legal action by JYP Entertainment in two countries. Stray Kids won major awards, completed the biggest world tour, and wrote multiple hits in response to your hate. Such as God’s Menu, the entire No Easy, aka “noisy” album, S-Class, Comflex, Ceremony, and Phoenix, to name a few. As Bang Chan says in their song, 3RACHA, “They always say the same excuses. While they’re complainin’, we’re producin’.” So can everyone just hush and enjoy the variety in K-Pop?
To a more positive note, I am really enjoying the new BTS album, Arirang. Now, I became a fan of K-Pop at the start of 2022, with my introduction to BTS being Dynamite and Butter. Two songs I quite enjoy, but I didn’t get to experience the true BTS or a full band comeback experience until now, and dang, after a long military hiatus, I’m starting to get the BTS hype. See Army – Stays and Army can co-exist peacefully. Arirang has range. I appreciate the mellow beauty of Swim, and the haunting melancholy of Merry-Go-Round. Aliens, FYA, and Hooligan have been in my head for days. For me, BTS has an interesting duality to their vocal range. Compared to the “racha” subunits I am used to from Stray Kids, or the structure of an Ateez or NCT song, where the rappers and vocalists have clear parts, BTS flows. I’m still learning what each member sounds like, and I’m constantly surprised to learn who is doing what part. I’m excited for what the future holds for BTS, cause yeah, I get the hype now.
It’s a relief, actually, to see that in spite of military interruptions, BTS came back as one cohesive team. What has felt so heavy about Mark’s departure from NCT has been the military service and the removal of the evil one. Can we just get a breath? Will this band still be the same by the time everyone is reunited again, like BTS? I sure hope so.
I want to start off by pleading with Pinterest, please don’t work with OpenAI. (I know this is purely a rumor, but even so, I think using the internet to voice opinions is important.) I have been using your platform since 2012, and it is so useful! It has become less useful over time, with the “purely financial” decisions of peppering in a multitude of advertising pins and allowing AI-generated art to invade the platform. Even so, it is still a platform I use and love to escape into for inspiration.
Without Pinterest, creative writing projects like Udal Cuain, knitting colorwork projects, sewing projects, and home decor ideas would have been more difficult to source and may not have been on my radar – ever. I’ve even learned simplified versions of songs to play on the piano before I bought proper books, for free through Pinterest. Now what about fandoms? On really difficult days, my Stray Kids board is filled with memes, SKZ Code, captured moments from lives, silly edits, and STAY inside jokes that would not exist in one place to make me smile.
I don’t want to leave Pinterest at all, but there comes a time when we must make a stand for what is right – if you integrate with OpenAI, as rumors have thrown around, many other like-minded individuals, and I will leave because, as artists, we will not stand for the theft being carried out by generative AI of our work. Art is human. Generative AI is regurgitation. Art is for an audience of many; AI-generated art is for an audience of one. Human-made art has emotion; AI-generated art is the result of algorithmic decisions. AI-generated things are not new; they are not groundbreaking. They are human effort and human creativity scraped by these computers and served up as “new” all while consuming vast amounts of electricity and clean water, for nothing but perceived “innovation” that makes these tech bros wealthier. It gives nothing to humanity; it feeds the greed of the few. Alright, that’s enough of looking into the abyss for me.
How do I plan to make this change if Pinterest is bought by OpenAI?
Crafting Books
Used Books, Magazines, and Catalogs
Respectful Fan Accounts on Instagram
Physical Notebooks
Migrating to Milanote
Blogs and Research
Building a Creative 3rd Place Elsewhere
Creating Your Own Charts
Physical Moodboards
Acknowledging Frustration
Diving into History
Utilizing Libraries
Yes, we’ll be going back to analog inspirations, like going back to the 1990s and 2000s. I’ll be crafting even slower, researching longer, and spending more time digging to learn how to do new techniques like fillet crochet or how to paint using gouache paints, but that’s okay. At least it will be honest inspiration. In time, we will all come back together through a new creative community platform, and it will be a bit of a waste of time. So, Pinterest, put these rumors to bed, please, because when it comes to AI, we artists mean business, and you will be left behind.
Last week, I shared my anticipation for Ateez’s first 2026 comeback, Golden Hour: Part 4. This album exceeded my expectations! It may be a short 5-track extended play, but it hits you like a flavor bomb. I had expressed boredom with the recent direction of their music, and I still hold this opinion of some of the music from Golden Hour: Part 2 and Part 3, but I am starting to see the vision.
Ghost
Ghost blends the traditional Ateez sound and production with the new thematic explorations of Golden Hour: Part 3 and In Your Fantasy Edition. There was an 80s sound to some of the songs in Part 3 that was okay, but not my favorite. Bringing the two artistic elements together feels like Ateez’s full circle. This song was a great opening for the album to bridge the transition of where they have been creatively and where we are going. Without it, Adrenaline and Ghost would feel jarring, in my opinion.
There’s no way out, 경고하는 메시지 Don’t say it out, 네 귀에 속삭이지 되돌리기엔 이미 늦어버렸지 Know you want it more, more than me
[Chorus:] Now, you see that I’m a ghost When the lights get low 네 진심의 끈을 풀어 Now, you see it in your soul When I get so close 감촉만 새기고 가
Adrenaline
I love this song! It’s one of those title tracks that I replay, over and over, and don’t get bored – for real. Adrenaline reminds me of some of my favorite past Ateez title tracks – Wonderland, Guerrilla, Hala Hala, Say My Name. Yeosang being front and center for the chorus is what we were asking for. I love how his voice pairs with San and Yunho. This song was less formulaic. It isn’t a build just to Mingi rapping or Junho hitting an impossibly high note. Hongjoong is still captain but sprinkled in, yet because he writes their music, you can feel his presence in the tone and character, a lot like Taeyong (NCT 127) or Bang Chan (Stray Kids).
The pre-chorus is my favorite part of the song. It builds before the beat drop, with four different members and their unique styles, increasing the tension in the song like adrenaline building in your body. It was such a clever detail to make the song come to life.
[Pre-Chorus: Yeosang, Yunho, San, Seonghwa] I can feel it go, flushin’ through my veins 시동 걸어 막 활활 타오르게 I can feel it go, runnin’ through my veins Buzzin’ up my neck, pumpin’ adrenaline I can feel it go, flushin’ through my veins 시동 걸어 막 활활 타오르게 I can feel it go, runnin’ through my veins Buzzin’ up my neck, pumpin’ adrenaline (Let’s go)
I have been underwhelmed by San’s contributions in recent years, as just the dude being used as the muscle eye candy instead of utilizing his voice. Finally, his singing is back, and he kept his shirt on. This was a gimmicky part of Ice on My Teeth that I didn’t care for because I’m not into women being objectified, and I don’t want men objectified either.
NASA
Some of the lyrics of this song are a little cringe, like referencing Apple Stock, but I think that is because NASA is also an American agency, so it felt a bit US-centered, but I get it for the theme. I’m probably projecting all my current political frustration on these lyrics because this song is good. It’s a slow burn, satisfying earworm. I love the stage performance for KBS, in their space suit-inspired outfits. There is this lovely, quiet moment on a bridge with what you assume is “space” sound. I would love for them to make more music like this song. It’s unlike anything else in their discography.
[Pre-Chorus: Wooyoung, Jongho] 뱉어 난 gold and silver 만들어, masterpiece 가치는 안 변하지 It’s ’til I rest in peace Turn up I fly, so higher than the sky We go 저 우주까지 올라, going up
[Chorus: Yunho, Yeosang, Wooyoung, *San*, Seonghwa] Shoot for the stars like NASA, always going up like my stack Ready on your mark, go faster, shoot for the stars like NASA
On The Road
This is a solid song, not my favorite, but melodically good. A breath of fresh air after two songs with big energy. It’s a song that I think will grow on me in time until I love it. It’s chill, but explores themes that they have always been good at exploring. Melodically, it reminds me of Wave, The Ring, and maybe Django.
[Pre-Chorus: Yunho, Seonghwa] Can’t stay behind 다시 시작인 것처럼 We live our lives ‘Cause I’ma go down this road tonight
[Chorus: Wooyoung, San, Jongho] Go left, go right I’ma go down this road tonight That’s right, it’s time ‘Cause, nothing won’t make me change my mind Oh-oh-oh Oh-oh-oh Oh-oh-oh Yeah, we’re goin’ down this road tonight
This happens to me often with B-sides from K-pop. For example, when Aespa released Armageddon in 2024, my favorite songs were Supernova and Armageddon, but now in 2026, I love Bahama and Live My Life. The same with Nmixx and their Fe:304 Forward album from 2025, I loved Know About Me, and Slingshot, but now Ocean is a song I never skip.
Choose
The sentimental favorite. I recently used this song to share my ‘Melt the ICE’ hat on Instagram for the ache of this song’s emotion. I choose to stand with my neighbor, and this song excels in making me feel love. It was a great choice to end the album, a bit of a lighter production song after the EDM of Adrenaline and NASA. I believe this song was released as a single for the seventh anniversary of ATINY, the Ateez fandom.
We can be forever lost under velvet skies Fall together closer ‘Cause I would choose you And I’m trying, I’m trying, it’s you, nobody
We can stay forever even in quiet nights Run together closer ‘Cause I would choose you And I’m trying, I’m trying, it’s you, nobody
Going into 2025, I was seriously questioning my Atiny allegiance. Like, how many albums do you have to skip to not consider yourself a fan anymore? I mean, it happened to me with TOP. Thankfully, it was really just one and a half, but it felt like a long time of being in an Ateez desert, waiting for the pirate ship to sail overhead. If you are looking for something a little different to listen to, give Golden Hour: Part 4 a try!
On February 6, Ateez will release their fourth installment of the Golden Hour series. I am excited, after a year and some change of not loving the direction of their sound, will this bring back my hype for Ateez? I hope so!
I discovered Ateez in 2022, not long after their “Don’t Stop” single was released. I was hooked and dove head first into the lore, the sound, the vibes. From their debut Pirate King through the ebbs and flow of Hala Hala, The Wave, Wonderland, Say My Name. I was impressed by their unconventional sound. Their vocals have depth, and the dancing true rhythm. The World was my first album series release to take in.
Each part of this trilogy is a sonic treat. The World Part One drops us in a secret resistance announcing itself. Part Two, follows the members while they navigate the covert mission in the world, and Part Three is the showdown where you learn about a secret school they escaped from. Bouncy will forever be my favorite release. It was such a fun time for Kpop.
In between The World and Golden Hour, the Ateez animal plushies were released. These “Aniteez” live on a floating pitate ship, sailing the skies. All in true concept form.
Next Golden Hour Part One released with a real world flair and explored LA and Mexican flair which I loved. Work helped me process buying a house. Siren and Arriba helped me get through the endless unpacking. This, on top of all their past discography, had me on the edge of my seat for whatever was next!
That would be Golden Hour Part Two, and the disappointing “Ice on My Teeth” title track and just okay B-sides that did not grab me. This had never happened to me as an Atiny! With anticipation, I hoped the next release would be a favorite – but it wasn’t. 😵💫
Golden Hour Part Three, was not as bad as Part Two, but dang I just didn’t vibe with it. That is the frustrating thing about art, if a piece of art doesn’t connect with you, you feel like you are stuck on the outside looking in.
But then, Golden Hour Part Three – In Your Fantasy Edition dropped and it sparked my interest again. I gave Lemon Drop another listen, and started to get the different musical format and style. I felt less like a fake Ateez fan, because after two straight releases of not getting it, I began to wonder – am I still a fan? Did I grow out of it?
So, with all that context, when I saw the trailer for the upcoming Golden Hour Part Four, and, I am seriously excited! It sounds like old Ateez but with the new sythesized into a great offering. I think my inner Atiny, may be on its way back!
From the preview Ghost reminds me of b-sides from The World era. Adrenaline has the emotion and power of Hala Hala, Guerilla, Wonderland, etc that pulled me in initially. Nasa, is reminiscent of Wave and the Golden Hour Part One era. On the Road, seems to be the synthesis of where their music explored in Golden Hour Part Three era but in a new way that I connect with. It reminds me a bit of The World Part Three as well! Choose is something new, I’m ready to give a try. It doesn’t sound like Ateez, more like NCT or a Stray Kids Japanese release – and that’s not a bad thing. 😃
I can’t wait to hear the full album and see if this is the missing piece that connects their discography into one melodious note, instead of a stunning concerto ending in a discordant crescendo.
So it’s 2026, and if you’re online, there is a good chance you have seen the 2026 to 2016 posts. The nostalgia for 2016 is real, even making me look at one of the most volatile years of my life through rose-colored glasses. But even though the 2010s were full of change for me, beginning with my junior year of high school, and ending with 2019, globally leading us into the pandemic. How weird is that? I got my license, my high school diploma, traveled to Europe, graduated from college, got married, moved out, had my first job (more like jobs), tried to have a career, reunited with my dad, met my siblings, moved out of state, wrote a novel, and lost several loved ones in 2016. My family fractured – it was so much personal change! But even so, I miss the optimism of the hipster era. I miss the simplicity of the pre-AI era and the pre-social media domination of our world. We were less logged in, less screen addicted. I’ve been drawn to watching Portlandia again, yearning for a coffee shop to spend the day in while listening to indie music, a simpler time. This week, I’ve found myself walking down memory lane in the form of 2010’s alternative music. Bands I haven’t thought of for a decade – The Joy Formidable, Phantogram, Joywave, Bear Hands, Sir Sly, etc. But one band, I determined in this holiday, into nostalgia I will not listen to again, even though they were a band I loved in the 2010s – Twenty One Pilots.
This is a bit of an oddball post. I haven’t listened to Twenty One Pilots since 2018, but for a three-year stretch, they were my favorite band. I collected merch, CDs, and ate up the lore. The para-social relationship was built on mental health struggles, faith, and being “quirky” felt comfortable. I mean, this was the mid-2010s and the height of the “not like other girls” trope. I relished in the alternative feel of their music, what I now understand to be noise music, and the darkness I felt in my own life craved the outlet to plug into. Josh understood my shyness, and Tyler understood the anxiety and depression I was feeling at the time. It felt safe because they were “Christians” and their music had “biblical references,” but they were also questioning everything and challenging the void. I didn’t see at the time how much un-aliving yourself idealization there was in the nihilistic moments of their music. The more I listened to their music, the more depressed I felt, and that is where I began to wake out of the dream I was walking in. I haven’t seen them or their music the same way since.
I think right now, with all the ways Christianity is being watered down, misused for political manipulation, and trampled upon by religious fundamentalists, I don’t want to listen to a band that is “somewhat Christian” again. That is not an estimation of their music either; that is what I found when I looked at the TOP subreddit today. That sentiment reminded me of what turned me off the most from their music, Tyler’s waffling. Or should I say deconstructing? That was another discussion I found on the subreddit. Now it is only fair to discuss this, with my own struggles out in the open. There were some things that came to light in recent months about someone I know, who is a pastor, which contradict the Bible, and it made me furious. Combine that with the DHS sharing misquoted scripture to claim their racism and violence as a “holy” thing turned me into this character.
What has my spiritual life been like in 2025 and now in 2026? Clinging to who I know God is in the midst of all these evil, power-hungry syncophants. Have I been reading my Bible daily? No, I have been a slacker. Have I been praying consistently? Yes, more than I have been reading my Bible. Have I been avoiding Christian culture? Yes. Where have I found myself gravitating towards? People who are acting out their faith and non-believers acting in ways that mirror what the Bible calls us to do. Never in this muck and mire have I wanted to imagine a world without God. If anything, it has made me crave God’s presence in this world with more frequency. It has to be a real connection. Faith is not a feeling, and it is not something you choose one day and rip apart the next. It calls for trust and for submission to align every part of your life under what you believe in. Faith is telos. Faith does not exist in a vacuum, nor do our relationships. Some days, having faith in good triumphing over evil feels like an extremely radical thing. There is no space for indecision.
Now, Tyler is allowed to feel and think what he wants, as long as he is not hurting anyone. I don’t care. But do I think he is a good example? No. There is an immaturity to his faith. A fence sitting that is only hurting him. As Earl Smooter says in Sweet Home Alabama, “You can’t ride two horses with one ass, sugarbean.” My need for conciseness and clarity is, for sure, part of my neurodivergence. I like it when people communicate directly. Honestly. I prefer the path laid out by another favorite artist.
I give life to my words (Yeah, I’m doing what I say) I reach heights from the dirt (Yeah, I’m doing what I say) You know I bite the way I bark (Yeah, I’m doing what I say) (Doing what I say, doing what I say)
Creed by Stray Kids
Decision matters. Being aligned with what you believe in, in every aspect of your life, which takes being truly honest with yourself, will bring mental peace. Mental peace was something I never personally felt from their music. I could feel the overthinking, tearing at the seams, the complete drifting in the current. It could be dressed up with lore or cringing lyrics, but the identity was never solid. Taking time away from their music gave me such relief. Ironically, my time of being part of the Clique was followed by a period of listening to mostly worship music for a few years before landing in K-pop. I think I personally matured out of the place where the Clique remains, waiting for identity. Where their leader remains. I think it is easier to not confront ourselves than it is, to have these times of personal crossexamination. But I think it’s a poor witness for your faith to never pick a side. How can something so integral to your life, your worldview, be left with unresolved doubt? What a loose end.
Deconstruct with integrity. Affirm your faith with integrity. I’m all in favor of confronting the church for its cowardice over injustice in America. Jesus showed us how. So did his servant Paul. But to leave it as a vague, Blurryface, is immature thinking. Through my research for this post, my searches for a clear answer about Tyler’s faith left me with more questions. Like a politician, it is vague and hard to define. Answers offered were that he can’t put it into words, he is wrestling, still defining, or can’t put it into words. What? More digging led to answers outlining TOP’s music as his way of communicating his search for understanding. To explore doubt by supposing a world without God – well, that’s why I found their music so dark! I am actively shaking my head. Again, there needs to be more maturity in songwriting, creative writing, philosophy – something to explore these themes with more nuance. I am just not impressed. Especially when you contrast Tyler’s exposition of his faith and the world we are living in, to the faith journeys of J.R.R. Tolkien and C.S. Lewis. In summation, I find the faith and doubt of TOP to be cliché and played out. Go deeper. Tell us what you believe in, like fans have requested, concerning the genocide in Gaza.
Now, TOP fans, this is my opinion, and everyone is entitled to their own opinion. None of this was written as an attack on you or your favorite group, just my honest reflection on a time of my life where Twenty One Pilots spoke to me. I’d say really the only part of this “lore” I’ve listened to is these four albums – Twenty One Pilots (2009), Vessel (2013), which was my favorite, Blurryface (2015 the album I started with, and Trench (2018), which I disliked so much I sold my concert tickets and donated my merch. You, Clique, have popularity on your side. I know I am in the minority, but I’m also in the minority of thinking Taylor Swift is a terrible songwriter, and that hasn’t stopped me.
What kind of music did you enjoy in the 2010s? Has your music taste changed? Thanks for spending time with me today, dear reader. Until next time ❤
I had plans originally to write about Ralph Lauren Christmas on its own, but then I saw two advertisements, one from local brand Steel City and another from Banana Republic, so bizarre that I knew I would be here. Hopefully not ranting too much, for the goal of this discussion for me is to think more deeply about the subtle oddities in my culture, I see weaving themselves in, like they are normal. Overconsumption, cultural appropriation, and the cosplay of wealth.
Banana Republic’s Holiday Edit
So what does fippery have to do with it? Fippery is another word for ostentatious; it’s showy. Frivility in dress or style. I also find the attitudes of these two brands, and I do want to write about exactly that. Banana Republic has always been in my mind, a bit ridiculous. But with every re-watch of Seinfeld, I see J. Peterman in Banana Republic’s threads, but their recent holiday commercial pushed me over the edge. They are that nonsense.
The holiday commercial is set in Ireland, County Cork, and I know I haven’t been to Ireland in 20 years, but dang, nothing about this commercial felt authentic. They play a cover of “Linger” from the Cranberries over the holiday scene in a pub, wandering around the town, finding a telephone booth with Irish Gaelic on the sign. They are all wearing vaguely Irish clothing, but really it looks like cast walked through a Premium Outlets on their way to Castletownshend, Cork. There are lovely Irish Christmas songs and many other songs by Irish bands that would have captured the spirit of the season better than a breakup song. No shade to the Cranberries, I love them. There were better Cranberries songs to pick. Personally, I would have looked at Dreams, Ode to My Family, and I Can’t Be With You to capture the nostalgia of the season with a non-traditional song.
Moving beyond the music, there was nothing really Irish about this ad. We barely see the town, we barely see the people, or the ancient beauty of Ireland. Think about movies such a Waking Ned Devine or Banshees of Inisherin – the landscape is a character, so is the music, and community. Ireland felt warm, not in temperature, but in the warmth of the people. The land feels like there is magic just under the surface, an imagination unbreakable, and a spirit that carries the culmination of all those who came before in an essence that makes you want to know more. The sweaters are intricate, made with the intention of preserving heritage crafts. Just take a look at Banana Republic’s holiday page compared to Blarney Woolen Mills, which is based in County Cork! The source material was right there. I guess what I am trying to say is obvious: Banana Republic’s collection is the fast fashion version of Irish style, don’t fall for it, no matter how they try to sell you on the “luxury” of it all. Now, what really bugged me about this ad was, in my opinion, the cultural appropriation of it all.
There is a fairisle sweater in this Irish collection, which is actually a Scottish heritage craft from the Shetlands. This sweater contains wool from Italy, being sold as an Irish-inspired sweater. You couldn’t even use Irish wool? Or include iconic Aran sweaters? Fisherman sweaters like the iconic one from When Harry Met Sally? The Donegal Wool sweater and sweater vest, straight up annoy me because these are again Italian wool. There is a wonderful mill in Donegal called McNutt that could have supplied true, authentic craftsmanship. We still have our clothing pieces from this store and Blarney Woolen Mills, 20 years later. I don’t like Ireland, which has been used for centuries, been the butt of the joke for centuries, being used again to peddle some lackluster clothes.
Gap, Inc. is a huge brand; they should have invested in sustainable Irish materials and supported the local Irish economy by using Irish craftspeople to create this collection. But just like J. Peterman, they come and see, then they steal other cultures’ designs to make a quick buck from subpar clothing. Look at the prices! The Banana Republic sweaters, made in Italy with Italian wool, versus the Blarney Woolen Mills sweaters made in Ireland from Irish wool, both made from merino wool, too. Local is better. Also, look at the craftsmanship of the Blarney sweaters; those cables are stunning and also affordable. Shame on you, Gap!
Steel City, What Are You Doing?
Actually, to quote the Big Fat Quiz Show, “You slag!” Steel City is a brand no one outside of the Pittsburgh area will know about, and that’s okay. Small businesses are great, and when this brand first started, they were cool. Their claim to fame was hyper-local graphic tees of beloved cultural things such as Turners Tea, the Stillers (aka the Steelers), Kennywood, Mr. Rogers, the Pens (Pittsburgh Penguins), and nostalgia. Over time, though they have expanded, which is great, creeping out to the suburbs of Cranberry and Ross Park Mall, and that is where things have taken a bizarre turn. In 2022, I went to their location in Cranberry Township and was appalled by how tissue-paper-thin the new items were. We had bought pierogi and Potato Patch shirts, which were of great quality, but the new stuff was off. The prices, quite higher than before, and I was no longer interested in their stuff.
But as targeted ads go, I keep seeing their stuff everywhere, and it has gone in some random places. There was a motorcycle and a desert aesthetic to their pieces now? Okay, odd. Neither of these things has anything to do with Pittsburgh. I guess the name is the only connection? Next, I got ads for quiet luxury workwear pieces, the local graphic tees, now behind a t-shirt club paywall. It felt soulless, and I was incredibly disappointed. I thought in the beginning maybe they were going to make the items in Pittsburgh, but they are made overseas. This morning, though, I got an ad that straight up felt out of touch.
Seriously? In this economy? With the amount of destruction the fashion industry creates on our planet? Honestly, Steel City, what the flipping heck are you doing? This brand is neither relatable nor cool anymore. Wasteful consumption is not in style, no matter what the internet says.
Ralph Lauren Christmas
Now, Ralph Lauren isn’t promoting this; this is just a TikTok trend, and I just wanted to drop my two cents. I’ve spent the last five years chasing the nostalgia of old Christmas, Christmas before everything hurt. Before people died. When I was a kid, things were simple. No matter how much you spend, decorate, chase – this aesthetic is not going to fix what is broken in your heart. I encourage you to seek out authenticity this Christmas. Volunteer time at shelters, donate supplies, check on neighbors. Call those friends or those family members you haven’t seen in so long and connect once again. The Home Alone house is stunning, but remember, what brings the true Christmas spirit is the relationships reconciled for the Old Man and Kevin on Christmas morning. People over things, always.
For two years, I’ve been mulling over how to dive into Stray Kids and their music, the way I’ve done with other K-pop artists, like aespa, Ateez, and i-dle. I sipped my toes in with My Tagline and Skz Hop Hip Tape, but I have not shared anything deeper, because dang, this band can be controversial, fan wars suck, and I also deeply love their music. It’s got me through rough patches and high highs; it is probably my neurodivergent special interest. It’s a spiderweb of music, funny moments, and an overall safe place to land, thanks to elements like Chan’s Room. Borrowing the Song-A-Day challenge format and filling out my own card seemed like the perfect way to get back into K-pop deep dives. (Then I hope – I can finally get myself to write about Kpop Demon Hunters!)
DAY 1 – My first experience with the eight-member Korean boy band, Stray Kids, was their song Maniac (2022). Shortly after Maniac and its album, Oddinary, were released in March 2022, the algorithm served me the Maniac music video, and my taste in music has been transformed. For good, I’d say!
DAY 2 – Case 143, released in October 2022, was my first official comeback experience. With the release of Maxident, I discovered Skz Code, compilations of funny moments, memes, etc. I dipped my toes into the world of Stay and haven’t looked back. Case 143 is one of their songs that challenges song structure, the whole way through. It’s complex.
DAY 3 – Creed. I think this because Karma was released at a time (August 2025) when I felt lost, pissed off, and in need of a song that captured how fed up I was feeling about the world. But I needed a song that was not one of my old standbys of Breaking Benjamin, Evanescence, System of a Down, or Nightwish. Stray Kids, no matter what emotion they explore, always have light in the darkness. I listened to this song like an emotional release through August, September, and in the culmination of stress in October. It just scratched that part of my brain that needed a song to echo all my big feelings.
DAY 4 – Novel is a fantastic, underrated song with a great high note. It’s from The Sound (February 2023), a Japanese release, so it flies under the radar until you dig into their discography. I found it this year while listening to the full The Sound album while tilling the garden.
DAY 5 – My favorite SKZ record is Want so Bad by Minsung, also known as Lee Know and Han. I love this song for its music, the happy feeling it brings me when I listen to it, and the thrill of these two pals getting to write a song just the two of them. This is not because I am shipping them. I’d also argue this song would be lovely in a K-drama similar to The Potato Lab or Business Proposal. It is instant dopamine, give it a listen! My final thought is, listening to this song again, Lee Know’s song Youth from the SKZ Hop album feels like a sequel to this song in their discography, which is varied and, to be honest, vast for only being a band for 8 years.
DAY 6 – Haven is a song about identity and courage, being yourself, and it is so comforting. All I want is the space to be myself. This song was released in 2020, but it didn’t hit my radar until 2024, when they performed it at Lollapalooza in Chicago, and it was like it hit me in my core. I felt like I had found a little virtual home in their music. A haven, literally. I’ve always felt like an outsider – a stray.
DAY 7 – My Pace is a no-skip; it is a song that, when it plays, I must listen and soak up all the vibes of this anthem. I love Changbin’s barking, aggressive rap lines. I want to jump around. It was another stunner from Lollapalooza that I hadn’t appreciated in its true form until I watched them perform it on a big stage. My Pace is an original, from their early days back in 2018, when Stray Kids were still rookies. They have always been good and always deeper than the “noise music” or “braggy” accusations.
DAY 8 – Divine, you have bewitched me body and soul, and I love you most ardently. There is not a boring song on ‘Do It’ (November 2025), to be clear, but this new song, Divine, has eclipsed Do It for me. Divine’s music video is such a fun ride if you like vintage Asian cinema or stories like Smallville, Lord of the Rings, etc. They face down a dark force and defeat it, turning their enemies into the scales of a sweeping dragon in a painting. The song showcases a Korean legend, with the lesson being not to escape away from reality too far and neglect your responsibilities. There is an old school hip-hop feel, random noises, and the electric energy of God’s Menu and Thunderous.
DAY 9 – Just one favorite B-side? That’s cruel. The b-sides are where Stray Kids really shine. I guess if I can only choose one, Leave (November 2023). It’s such a bop. It’s one of their softer, melodic songs that, in my opinion, marked the new era of Stray Kids. By 2023, they were fine-tuning their sound, and I could see where the possibilities could be long-term. The way they share the lyrics across the song, they truly are one band. One sound. Also, that chorus, “Lalalala la Lalalala x3, I’m missing you.” It’s haunting and beautiful. I could see how this band would be one I would keep listening to, as long as they want to put out music.
DAY 10 – LALALALA from the November 2023 album, Rockstar, is magnetic. LALALALA is language play. The original Chinese character Rak, pronounced slightly between la and ra (To the best of my understanding, I am not an expert.) and represents emotions – fear, sadness, anger, and happiness. The song’s journey gets rid of the rest until only happiness remains. Using the repetition of “Feel the rock” and “Let it rock” to bridge the gap between east and west, delicately weaving together this metaphor. The dance, oh, how I wish I could do it. The beat is so catchy. Such a good hype song!
DAY 11 – I’m a sucker for a Seungmin soundtrack. If I had a clear bias in the group (I’m an OT8 bias for reference), Seungmin would most likely be my bias wrecker for how I have grown to appreciate his vocal range since 2022. For all eight members, my favorite OST would be ‘Why?’ from January 2024, but overall, I am enamoured by My Destiny by Seungmin and the growth of his voice over the years. There is nowhere to hide in My Destiny; it is all vocals. So again to the haters, if you think Stray Kids are phonies, they are most certainly not! My Destiny is a romantic song with a subtle melody, perfect for the K-drama, The Potato Lab (March 2025).
DAY 12 – Ceremony (August 2025) is the best workout song, full stop. Try listening to it while doing cardio. The song doesn’t have a chorus until the end; it just keeps building and circling. It will push you, but it will feel like an exhilarating party.
DAY 13 – Parade is a Japanese release from the Hollow album (June 2025), which I’d love to see them circle back to with a music video. A full-scale production with a real parade, a band, confetti, floats, and excitement. Something like Ceremony would be fun.
DAY 14 – When Hollow (June 2025) came out, it changed me. It melted me, and I cried listening to the lyrics. Like ‘Golden’ and ‘This Is What It Sounds Like’, it broke me. One of my loved ones and I were fighting, and I was worried about their health. A former friend was really piling on their problems, and I was drained and feeling lonely. This song got it.
DAY 15 – I love singing along to Surfin’ even though I can only sing half the words, but dang, what a masterpiece from Lee Know, Changbin, and Felix back in 2021 from the No Easy album. It’s summertime. It’s upbeat. It’s got a rhythm that echoes the cadence of the waves and sea breezes. It’s one of a kind.
DAY 16 – I’d love to see them perform ‘Slash’ from Deadpool and Wolverine (August 2024) live on tour, or maybe a festival performance. I don’t think they have ever performed it. It was released quietly with the Deadpool and Wolverine theater release. To the best of what I’ve gathered from people who saw it, Disney didn’t even put it in the movie…because they suck. But like, what about a tiger, dual sword-wielding, superhero? Yes.
DAY 17 – I’d be interested in them re-releasing Hellevator (2017) with the music production and style they have now. It’s a fantastic song, but it does feel a bit 2010s and Chainsmoker-y in the production, as was popular at the time. No shade to the original.
DAY 18 – I’ve been trying to save God’s Menu (June 2020) and have no duplicates, but the opening sequence of God’s Menu goes
어서 오십시오 eoseo osibsio
이 가게는 참 메뉴가 고르기도 쉽죠 i gageneun cham menyuga goleugido swibjyo
and sounds like Changbin is saying “shit show.” I’ve shared this song with a loved one, and they literally have remarked, “Ah, it’s the shit show song” upon hearing it. Still the funniest misheard lyric for me.
DAY 19 – S-Class (June 2023) from the 5-Star Album was not my jam the first time around. It took multiple tries, and feeling a bit lost, until this song won me over. It was so different in structure. But that whistle, the chorus, and the music video eventually got me excited. Now this is one of my favorite title tracks for its signature Stray Kids randomness.
DAY 20 – Tortoise and the Hare (September 2020) for me is the most meme-worthy song because of one simple chorus swap – I know, you know, we know, Lee Know. This was reprised in the song Jjam in July 2024 from the album ATE. It is one of my favorite little easter eggs, especially when Lee Know encourages it with random Tortoise and the Hare references.
DAY 21 – Okay, this might be a weird pick to play for grandparents, but they were both into music. I’m choosing my maternal grandparents for this. Papa was in a quartet, and Grandma was a pianist who also taught. If I could catch their interest with good vocals, solid music, and the romance of the song, I could have opened the door to showing them more. My choice, if they were still here, is Waiting for Us from the album Oddinary (March 2023).
DAY 22 – Cheese is a go-to sing for me when I have chores to do around the house and zero motivation. This song is from No Easy (2021) and has so much attitude. I love it. This song has a misheard lyric for me – “Hook ya? Cheese!” It’s also a song that makes me think of my dog Sully, who loved cheese.
DAY 23 – Since I already used God’s Menu, and I refuse to duplicate with this many songs to choose from, I say Thunderous from No Easy (2021). This song has swagger. I listened to this song second, after Maniac, with maybe God’s Menu or Venom afterwards. Upon watching the Thunderous music video, I thought, “How freaking cool is this band?!” I’d never heard a band blend modern and traditional with such skill before.
DAY 24 – DLMLU or Don’t Let Me Love You (2023) is one of their great, slightly problematic love songs. They do a fantastic job of capturing the dysfunction of relationships, and this song is just that, a song fighting the undeniable pull the narrator feels. It’s got a great beat, and doesn’t get the attention of other Stray Kids songs, such as I Like It or Collision. Honorable mention: Venom (2022), which gets sidelined for Maniac but is complex, satisfying, and has a fun music video.
DAY 25 – In 2023, the University of Illinois Urbana-Champaign covered All In by Stray Kids at a halftime show, and it was so flipping satisfying. I have been waiting for their music to show up like this, and when it did, I was over the moon. All In is a high-energy Japanese release from October 2020.
DAY 26 – Cover Me from 2023’s Rockstar album stood out for many reasons, one of them being the harmonizing, the slow pace, and the one-take high note from Seungmin that is phenomenal. But the lyrics got me; they captured the feelings I’ve felt for so long. Being the kid on the fringe. All my friends had two parents, didn’t live with their grandparents, had siblings with the same mom and dad, didn’t have childhood trauma, and now I understand the outside thing I felt was also because of neurodivergence. I’ve never quite fit anywhere, only in passing, and this song gets all of those feelings. Thank you, Hyunjin, for this gem.
DAY 27 – Rama Giant! That’s how Han’s recording sounds, and I love it. It’s supposed to be “I’m a giant.” I also love this music video, as the meaning is deeper than it seems. Han’s sneeze. The clever line of “do re me fa King giant!” This title track, Giant came out in October 2024, on an album of the same name. I’m not over this song. It was one of my most listened to albums of 2025. It’s a Japanese release, so it gets less notoriety, but that’s okay. I hope one day they add it to the regular set.
DAY 28 – Domino is iconic. It’s also a great car jam because there is no weird stuff in the background, as Kyle says. He doesn’t like how much chaos, sirens, etc, they add to the back track for driving, and I get it. It does create mental chaos. Domino, from No Easy (2021), has been a favorite since my first listen. The cadence, the creativity. I just love listening to it, but especially in the car on a zippy and winding road.
DAY 29 – Chan’s solo, Railway (2024), would be my choice for a superhero theme, maybe an odd choice, but I could see it working for a complex, maybe misunderstood superhero? Watching Smallville has shown me the levels, and somewhere underneath, Clark Kent is here in this song, in the moments when he feels like an outsider. Maybe a show where both Railway and Escape were the title credits and ending credits? That could be satisfying.
DAY 30 – Night (2024) is an original soundtrack, but dang, this song is so good. It’s like a rock opera. The guitar, the piano, the range of the vocals, and the orchestral swell of it all into a final crescendo. This song could easily be just a song for an album. I really want them to keep exploring J-rock and these big opus-type songs. It brings everything I love about classical music into the mix. I crave more.
DAY 31 – Chk Chk Boom has currently dethroned Miroh for me as the Stray Kids anthem, please Stay, don’t hate me. It’s just been the song that has had such massive reach for the past year with awards, the Dominate tour, and even the satisfying feature of Ryan Reynolds in the music video. It shows how much they have accomplished, and it is also a fantastic song.
Phew! I did it. That was a lot of decisions, and I could probably keep revising and revising. I truly love their discography; it’s self-produced, written by them, and choreographed by them. They recently won the Daesang (album of the year) at MAMA 2025. They broke the Billboard 200 record for No. 1 album debuts with Karma, and extended the record to 8 with Do It. It’s truly impressive. In this world of increasing convenience, AI slop, and conformity, you can still excel and be yourself. That’s what they have done.
The biggest trend I think I’ve seen this year is the sentiment that everything feels boring right now. Whether it is fashion, film, or books, the art of storytelling is supposedly dead. This phenomenon has even crept into my unpredictable and exciting world of K-pop, and up until yesterday, I’d say I agreed. But as I sit here, I would like to put forth a different thesis.
Escapism from the Super Massive Blackhole
What if everything feels boring because you are running on empty? This year was the first time since discovering K-pop in 2022 that I felt bored and indifferent to my favorite bands. Some of this was due to outside forces beyond my control, like controversies, military service, and straight-up evil in the case of Taeil. Yet, some of this boredom, I believe, was caused by how much I was leaning on these safe spaces to find joy when nothing felt joyful or safe. There has been a constant pulse of uncertainty, like tectonic tremors, making us all question the point of it all. There is such a dreary air. A hopelessness, especially in people my age and younger, who are not able to reach milestones due to broken systems. Since I discovered the band Stray Kids, I run to their music for a safe place. But in 2025, I had stretches of time where even SKZ had no appeal. I had listened to every release over and over again until even their most addictive tracks had no appeal. I couldn’t believe how much I was craving a new album until a week before Karma released. As the week progressed, I could feel a hunger for a happy distraction. This year has been the first time my usual pick-me-ups have felt numb, and I wonder if one prong of this boredom we seem to be feeling isn’t coming from this exact situation.
To be honest, I think this could be why K-pop Demon Hunters exploded in popularity; it was new and fun when things seemed darker than ever. Same thing with Twice and their Lollapalooza performance, it was a night where everything felt normal for a second.
Have I Entertained You?
This attention economy is reminding me of that iconic line from Gladiator, and I don’t like what it is doing to art, music, storytelling, fashion, all of it. There is no room to reflect and craft something beautiful. We are pushing things too fast. I’ve been reflecting on this for a while. I see commentary on trends, relating to fashion, which usually goes something like – there is nothing new, everything and nothing is trending, yada, yada, yada. Sprinkle in a bit about clothing quality from the past, and the brain rot of the algorithm, which is killing creativity and subcultures because of a curated vitality. Like it’s a beast unleashed upon modernity, instead of stopping to think critically about it.
It’s obvious after some consideration that making things for vitality is not the same as making something to stand the test of time. Modern romance novels are being created for TikTok vitality first, and quickly, to keep up with the lazy decision of publishing houses to invest in AI over true writers. We blame the current author pool for a lack of creativity instead of holding publishing houses accountable for ruining their reputation through unethical practices. Because, truly, as an author, why would you feel inspired to create a story like Jane Austen when this is the current state of publishing? You could make a true work of art, and be rejected because they would rather steal work to create the same story through AI, or the publisher doesn’t want to take a chance on a good story when the algorithm is fickle and shallow.
Boring People Are Bored
AI is doing exactly what I expected; lazy people are becoming lazier, except that it is currently being rewarded. We used to know how to entertain ourselves. We used to know how to create, enjoy, and take pleasure in things, but I think AI is a snare that is making people boring, and it doesn’t have to. AI is an easy way out of daily life. It can be a friend, a relationship you don’t have to nurture, but is hollow. It can create art, but you will have no artistic skill of your own as a result. It can write you a book, without telling a story. It can create a music video, like JUMP for Blackpink, without any effort from the actual talent, and create a nightmare image of Rose with Jungkook’s facial structure. Do you see the pattern? It’s like cheating your way through school; it produces nothing and wastes precious resources, like time, or in the case of AI, drinking water and electricity.
Cringe > Innovation
What I have seen as the most flagrant accusation of boredom has been the dissonance of innovation and cringe. Let’s take, for example, Ceremony. It’s a song that has no chorus until the end of the song. It’s layered, has high production value, and features something new for Stray Kids and boy band offerings. But what do I see online? It’s awful. Stray Kids are braggy and loud, no talent. K-pop is boring; everything sounds the same. Except, Stray Kids, it’s too experimental. No wait, it sounds like all their other songs, yawn….etc. How can we have the audacity to complain about being bored while we punish bands for taking risks? It’s not just Stray Kids, I have seen similar criticism being launched at Nmixx, NCT, Ateez, Twice, Aespa…the list goes on.
It’s no different when it comes to the world of fiber arts. People complain about how crochet and knitting are getting boring and want new things to make, because everyone is knitting the same things, yet don’t branch out from a few massive pattern makers, like Sari Noorland, Petite Knit, and Andrea Mowry, to name a few. There are so many smaller creators crafting joyful patterns that would disrupt the slump, but no one wants to stand out these days.
I think as this year enters its final act, we should decide what we value more: being entertained? Or being authentic? Do you want to truly discover something new? Do you want to dig deeper for something fresh? It requires us to act, to search, and to participate, because we are allowing ourselves to become boring people, and it is spreading across culture, where it will stay unless we choose to be interesting again. I get it. This year has been demoralizing, and it’s made me feel like giving up many times, but there is always a reason to keep going. What if your big idea is the thing that makes this dull and dreary world sparkle again? You could be the change we need, so stop scrolling and find something that ignites passion in your heart once again!
This post is inspired by current Wuthering Heights and Jane Austen adaptation discourse, in particular, the thoughtful discussion of the Regency Rumours podcast that sparked my musings. Which novels would I love to see adapted that have not been made into a movie or streaming show?
My list will be organized by author, since for some, there are multiple books I am featuring. I will try my hardest to tease the story without giving spoilers so that you can enjoy these stories on your own. Let’s jump in!
Elizabeth Lim
It started with Spin the Dawn, concluding with Unravel the Dusk. Now I find myself fully enveloped in another masterpiece of Chinese fairytale-inspired adventure fantasy – Six Crimson Cranes. The sequel, The Dragon’s Promise, and the prequel, Her Radiant Curse.
Why? These stories have imagination, action, twists, and flawed characters that experience growth. They live in both a fantastical world and also feel tangible to our everyday life.. Although magic is a driving force, the experiences of the plot feel incredibly human. Family, love, freedom, and facing down injustice, these are real-world issues placed in a far-off land.
I think these stories need grandeur, like C-dramas and the imagination of other magical favorites, like the school in Scotland with the magicians. Spin the Dawn features sewing, a dangerous competition, a perilous journey, a curse, a Kingdom in danger, and a main character facing crushing grief. Six Crimson Cranes features the confusion of adulthood, the consequences of our choices, looming corruption, and the fear of losing it all.
I think these two duologies – The Blood of the Stars duology (Spin the Dawn/Unravel the Dusk) and Six Crimson Cranes duology (Six Crimson Cranes/The Dragon’s Promise) would make excellent mini-series. Like the concise one or two-season format of K-Drama shows. With her Radiant Curse either being a separate show or a movie. I believe Elizabeth’s work will be beloved for generations to come for her imagination, unique settings, and plot pacing. Please, someone, adapt these stories and adapt them well.
Judy I. Lin
You know what really bugs me about the creative world? How can we can’t have nice things. That we compare and put down. I think it is idiotic for readers to compare Lin and Lim for their work of reimagining Chinese fairytales when Judy I. Lin created a magic system unlike anything I’ve encountered before – tea. But some people like to yuck my yum and say Lin is a lesser Lim, and to that I say, you’re missing out. A Magic Steeped in Poison and A Venom Dark and Sweet would translate well to film. Think Avatar: The Last Airbender and Murder on the Orient Express, but in a Chinese fairy tale. These books sing!
What if you needed to solve a murder, while sneaking into a national competition, with a skill you have to master overnight, and you have an undeniable connection with a person who may or may not be responsible for your demise? It’s just so dang good.
Susanna Kearsley
I have read most of Susanna Kearsley’s body of work. She is my favorite historical fiction author. Her romance-filled stories are closed-door, but charismatic, like a satisfying slow burn of a Jane Austen novel. The first book I encountered of her work was The Shadowy Horse, set near Hadrian’s Wall at an archaeology dig. This book feels a bit like Jurassic Park, Indiana Jones, and The Banshees of Inisherin. A movie would be great for a Halloween watch.
What about a cozy Cornwall mystery? Featuring a cozy rom-com protagonist, like a Kathleen Kelly who has a connection to the town and the house she rents that is stronger than she would ever imagine. The romance in this one gets me every time. Will they actually get together?! I’ve read this multiple times, and I am still on the edge of my seat. A movie of this would be lovely.
What about the Jacobean period, vaguely pirate in nature? What about romance, a castle, and the intrigue of spies? How about a two-book arc over several points of view, generations apart? Could history truly come to life from the relics of the past? I wish I could weave a story together with the same ease as Susanna can. This would be excellent as a mini-series with elaborate costumes.
With the rise of historical dramas in Hollywood and beyond, I think Susanna Kearsley’s stories should be shared in this way. Fans of Outlander would be intrigued, as well as Austenites, Bridgerton fans, and costume lovers.
Kayla Cagan
Were you an art kid? Did your parents ever discourage you from pursuing a career built on your artistic passions? Has your home life been disrupted by that one relative who is selfish and dysfunctional? Have you ever felt trapped in your hometown?
Piper Perish and its sequel, Art Boss, will pull on your heartstrings. The desire to pursue our dreams is a journey we can all empathize with. This coming-of-age story would make a great two-part movie set or a small mini-series. The art, the fashion, the settings! It could be fierce.
Annie Gray
Adapt a cookbook? With a historical interpreter. Yas queen. Mrs. Crocombe is that girl. She ran the kitchen at Audley End in the mid to late Victorian Era, a position also held by men. It was a great responsibility to prepare, plan, and manage the food systems on site and beyond in Audley End’s local produce. She had to keep up with trends and changing fancies, all while providing elegant meals for the family and their guests. In addition, cooking for the staff.
The restaurant world is a wonderful canvas to build a show upon. This would appeal to fans of Downton Abbey, The Mind of A Chef, The Bear, Great British Baking Show, and Chef’s Table.
Elizabeth Kostova
Alright, this last book is technically in progress. The rights have been sold, but nothing has moved forward for a movie or series. This could be a horror masterpiece.
This story pulls me in, to the point of drowning in the world that feels too real for comfort. It is Dracula, unlike the world has seen him before. It needs to be played out on screen.
One Rabbit Riot 