Socks Are Madness

This is a story of a winding road. It is not just passion that makes us try new and difficult things, but also the desire to fit in. Sometimes the road is bumpy, and bumpier still than we expected.

Last winter, I began a journey; at the time, I did not realize how technical this would be, and oh, how I miss the naive wonder of that time. I started my quest to make socks. The sock does not appear technical from the outside. It is a tube of knit fabric which we slip on our feet, most every day. Due to the Industrial Revolution, socks can be knit by machine with ease and speed. This has suspended our connection to the technology that first developed the sock—hand knitting.

In our modern day, socks are affordable and accessible. They are for sale everywhere in a myriad of textures, weights, and styles. We have socks for athleticism, socks for leisure, socks for style. They are boring, mundane Christmas gifts of childhood, and puppets with googly eyes. But what does it take to make a sock by hand?

I gave this a shot last year, and it challenged me! I cataloged my experience in Socks, A Journey, and Socks: An Update, where I began knitting socks flat on straight needles and three months later gave circular knitting a try. My first flat knit socks were made top down, in a tube style that negates the heel flap and requires sewing the sock into a tube. They are loose in fit but warm and great socks to wear around the house. My advanced tries, knitting in the round and turning the heel, were more of an adventure. My tension was tight, and my heel flap a nightmare, unable to be duplicated into a second sock, for how off script my technique became. I didn’t grasp the why of what I was doing and therefore messed up the pattern.

This summer, I went to a local yarn shop where I began my journey to sock more traditionally. I picked up a pair of small-gauge double-pointed needles and sock sock-making kit with proper sock yarn of wool and nylon, to do it “properly” and oh my, did this bomb. The toe-up pattern, new to me from my previous projects that were cuff down, pushed me far out of my depth. I sank instead of swimming. The four double-pointed needles and my uncoordinated hands created tension and laddering in the knit, which looks exactly as it sounds. I tried three times to knit a few centimeters before the stitches fell off the needles, the sock falling off with the stitches. In desperation, as the needles were 29 USD and the sock kit 29 USD, I was feeling very silly and wasteful purchasing new needles and new yarn that I couldn’t do anything with.

So I pivoted to my trusty straight needles until I saw my mom later that weekend, and she lent me a pair of small-gauge, small-circumference needles to finish the sock. Still baffled by the heel flap and the vague instructions on the pattern, I tried German short rows for shaping the heel. In a fortnight, I completed the first of the two socks. I cast off and handed it to Kyle to try on, and the size was all wrong. I tried to frog it back into a skein of yarn, but the splitty yarn tangled, ripped, and became a ball of knots. It was over, and I was furious with myself for wasting time, money, resources, and, honestly, hurting my eyes squinting to see my tiny stitches for almost two weeks to accomplish nothing.

Socks are madness. And maybe I should stop beating myself up about my failure when socks are one of the hardest things to make by hand. I am an overachiever and a perfectionist, so this type of failure cuts me deep. I obsess, I rage, and I fall apart in the madness of learning something that may take years to execute once, not even perfectly. But you know what? I have made good socks before! Comfortable, almost perfect for what I was looking to achieve, socks. But I rejected them as being good because I was embarrassed at how I made them. I didn’t follow the right techniques, I used the “wrong” yarn, and I didn’t turn the heel.

Sometimes I have major imposter syndrome as a knitter. I feel like a fraud because I don’t use the exact same patterns, same tools, same yarn as everyone else on the internet. But why is that a bad thing? I’ve listened to other knitters in podcasts discuss how the sameness of knitting is making it boring. Apparently, at Rhinebeck or other knitting events, it is easy to see the same sweater throughout the sea of people, and that is a new thing. Listening to knitters, who have been knitting long before 2020, when I really started knitting consistently, knitters used to do their own thing. Yarn suggestions in patterns were exactly that – a suggestion.

People were designing more and experimenting instead of knitting in the homogenized way we see today, which is one of the ways I feel like an outsider. I don’t want to knit the same things as everyone else, but I also want to be good at the craft, and it leaves me in this push-and-pull tension. It became clear to me, though, that my search to “fit in” with the proper sock kit and the expensive needles didn’t make me a better maker. It was honestly a bit of a handicap. So I guess my takeaway is to be yourself?

I don’t want to stagnate in my skills, but if I can find my own technique to make socks and other garments with the “non-standard” tools and yarn, then is it really stagnation or just getting creative with where my skill level is at? I’ve been pondering this a lot and have more thoughts on this from both the point of view of a knitter and a sewist. But that will have to wait for next time.

#78 – Can You Feel Optimism in 2025?

This is a bit of a follow-up to my discussion of cultural boredom from earlier this year, a little update to my creative slump, and exciting developments for my hunt to replace my reliable crafting supplies. The world still feels like it is on fire, but I think I am learning how to thrive again. It takes me a long time to process things, so maybe that’s why?

Spaghetti and Gnarly

Le Sserafim released a song that captures the wonderfully nonsensical world of a good K-pop song. Spaghetti is catchy, silly, and makes me crave spaghetti, so that’s what I am cooking tonight. It is what I remember the music videos of K-pop to look like when I took the plunge in 2022. It was fun, and in the last few years, it has lost some of its luster with darker concepts, instead of cute, and a bit uninspired. Although I’m fully into K-pop, it has been repetitive and bland for most of 2025. Except for my favorites – Stray Kids and Nmixx. Enter Gnarly by Katseye. A song that is so jarring it’s bad but also amazing, it’s been a weird one for me, the thesis of this year, it has felt like. “Everything is gnarly.” A phrase that has carried me through bizarre headlines and life’s bumpy road this year. For me, Gnarly was going to be the song that typified what I remember feeling in 2025, until Bleep by Stray Kids dropped in August. But now, I hope I will remember moments that feel like the upbeat wonder of Spaghetti. What about Golden? I desperately need to compile notes for K-pop Demon Hunters because that has been such a gift.

Big Twist at Michaels

Big Twist is back at Michaels, for real, and it’s kind of silly to admit this, but it feels comforting. There’s a Joann Knit and Sew Shop section in the store, and like, maybe it was a bad dream? I mean, all the crafting drama definitely happened this year between private equity, tariffs, and Sci Show declaring the arrival of physicists to help the knitters. The familiarity was maybe all my neurodivergent mind needed to just relax a bit? Now the fabric is not good, but it could get better in time. I’m choosing to be hopeful, I mean, the recent US election showed a strong rejection of the Trump Administration, so as people have said all year, if it can get worse, it can get better. And for me, who hates change with a passion, I’ve learned that if it disappears, it can come back. I just need to work on my patience. I have found a second local yarn store in my own state, and a great local fabric shop. I’d say I’m pleased to the point that I am not missing Joann like I thought I would.

Stitches for Identity

I believe I am finally moving out of the depressed forest that is being laid off due to personal and global trauma. I’ve been listening to Kitchen and Jorn’s Losing Followers Podcast, where they have been talking through the post-Buzzfeed time of their careers. I was in a toxic job at Great Dane Trailers in the late 2010s, and it was freeing yet terrifying to lose that job. Listening to Jen and Kristin talk through the transition of leaving a job that demanded all of them, to be free from that monster, but also lose all connection to the project they built from the ground up, has been a balm to me. When I was laid off, I lost my app and my content calendar, my magazine contribution. I was wrecked, and I didn’t know how to process that for years. I felt like a loser. I dove into crafting, and for years, those stitches of thread and yarn gave me meaning.

The blog, though, and finally this year uploading my manuscript to this website this year connected me back to what makes me feel like me. I have always been drawn to writing, and not having that or a way to work towards something bigger than just sharing my creations on social media was gnarly. But this blog and your community have helped me find my way back. I mean, heck, Udal Cuain and my original blog, where I shared chapters, was the portfolio that landed me the corporate job. Although it’s gone, what I learned and experienced stayed with me and has made me grow into who I am now. This has been a full circle.

It’s been freeing to admit to myself and loved ones that I was depressed by that career loss. Starting over again has been confusing, but it’s not all figured out yet. There is still time to find a new place where I belong. I’m in the process of recalibrating, and that is a direction in itself. I feel freed from the weight of “monetizing my hobby” and the impossible summit of creating a small business as someone who truly is not cut out for the accounting or marketing parts.

Unmasking and Coping for the First Time

Truly, though, as I reflect on this year, getting serious about health – mental, physical, and emotional – for the first time has contributed to the feeling of optimism I have leaving 2025 that I did not have entering 2025. I have healthier boundaries in relationships, more honesty about how I’m doing, and whether I am feeling overstimulated. I recently got into rebounding, aka a fancy term for jumping on a miniature trampoline for cardio. Wow, I like this for my mind! It resets me, and it’s helping me get stronger. I used to feel ashamed of who I am. I didn’t understand why I felt so different, nor did I know how to communicate burnout without pushing friends and loved ones away. Being unmasked was tumultuous for the first couple of months, but now I never want to put that neurotypical mask back on.

How has 2025 changed you? I think it has made me unapologetically empathetic. Bolder to say I disagree with wrong because the stakes have been higher than ever in my lifetime. I hope to carry that forward into 2026, because I think the opposite of late-stage capitalism is community, so let’s burn it down with empathy. Thank you, dear reader, for spending time with me today. I wish you love and kindness.

I Am My Own Crafting Worst Enemy

This is an unplanned part three of my “Drafting Shortalls From Scratch” because I did not succeed in making my overalls for winter. Although I have made shortalls twice this summer, a few silly, but very human mistakes, led to the project going awry. This is what I think went wrong:

  • Flew too close to the sun when tailoring
  • Planning < No Plan
  • Lack of Focus
  • Measure Once, Cuss Twice
  • I kinda hate sewing when it feels this hard
  • Putting too much pressure on myself
  • Not Buying Enough Fabric
  • Not Mocking Up
  • Not using my Patterns when I’m stuck
  • Research the Basics

It’s so easy to think we’ve got this and be too confident when going into a project. With knitting, this approach of fearlessness had led to some great projects, but with sewing, this artistic type of approach crashes and burns. Sewing is fabrication, as weird as that sounds. I think I was prepared to sew such complex tailoring projects, such as my shortalls, this summer, because I spent the spring building a screened-in porch with Kyle. Woodworking is very similar to sewing, I learned! It is about measuring, planning, creating things in a specific order, and constructing something that is built to last. When we started working on the porch, I never imagined how much it would teach me about garment construction. But it gave me a template to focus on. Who knew that woodworking would be such an inspirational experience for me?

So why am I sharing this? I am really struggling to accept that sewing is not coming easily to me; no matter how much I practice, it continues to challenge me. I’d like to invite you to join me in not giving up on those things in our lives that are hard.

Part Two: Sewing Overalls Step by Step

I’ve been looking at how to make a custom overalls pattern, based on drafting techniques, which I began with this post: Drafting Shortalls from Scratch. But how to construct them? Well, that’s what I plan to explore today! To do this, yesterday, I cut out another pair of overalls, this time for the fall-winter-spring season, to retrace my steps.

Step One

With your pieces cut out according to your measurements, you should have four leg pieces – two front and two back. The next two bib pieces should be cut out, with the back piece cut a bit differently to accommodate the straps. This is to anchor the straps at the middle of your shoulders to keep the overalls securely on your frame.

Step Two

I like to begin with the pants or shorts portion of an overall project, because they are foundational to the silhouette. I like to pin the leg pieces together to try on before sewing. Remember to leave several inches of the outer thigh seams pinned for the flies and buttons.

Once you know that the pieces will fit, with seam allowance accounted for, I begin sewing the leg pieces together, leaving out the crotch seam and the top part of the inseam, to attach the two pieces as one pair of pants. After these have been sewn together and I have tried them on, I will move on to the bib.

Step Three

For less bulk, I like to cut the seams of the crotch portion and leg seams that will join together, with pinking shears, to make my hems less thick. This lets the sewing machine, or your hand sewing needle, pass through the seam with ease, and is more comfortable to wear.

How do you join pants? Well, you leave the top of the inseam open so that those two inseams will line up together, making the two legs join at the top where the pelvis is. Remember this is a bifurcated garment, so you want your final shape to be two tubes, joined to make one tube at the top. I’ve messed this up several times; it’s okay even if you sew it wrong the first thousand times. That is what mockups and seam rippers are for!

Step Four

For the bib of these overalls pictured above, they were cut into short pieces, so I just had to join these pieces together. I added a facing to the inside of the bibs, which is just a piece of the fabric’s right side facing inside, so that the bibs are finished cleaner around the neckline.

I inserted the straps between the facing and the bib for a clean and secure stitch. The straps were finished with a loop on either side of the front bib to tie around, instead of the metal fastenings. I was inspired by Lucy and Yak Dungarees.

Step Five

The final touches are the bias tape, the side buttons, and the five pockets. I find the bias tape the most mundane thing; therefore, I choose to do that next, which is a 1-2″ ribbon of the fabric used to finish the raw edges still exposed on the sides.

Step Six

Next, I created the flies on either side by folding over the fabric to make the button placket and button hole placket. This was planned out when I cut out the overalls. After making the button holes and finishing them with either the machine or by hand, I mark out on the other side where the holes overlap to mark for buttons.

Step Seven

Finally, I sew the pockets. I chose a large, half-rounded bib pocket on the front, two smaller rectangle pockets on the backside, and medium side pockets sewn across the hip. Next? Enjoy your creation and feel a sense of accomplishment. You did something hard, and probably felt lost at times, but you persevered to learn a new skill. It’s not cringeworthy to try. So go for it! ❤

I Found A Local Yarn Store!

If you have been following my blog this year, you will know that I was feeling a bit frustrated, that I didn’t have a local yarn store to turn to after Joann closed – but that’s no longer the case! I found a local shop thanks to the Yarn Discovery Tour of North Eastern Ohio. How wonderful is that!

As a Western Pennsylvania resident, it was a little bit of a drive, but not too far to visit the lovely Three Sheep Gallery and Workshop of Boardman, Ohio. This yarn shop had so much for me and my mom to check out – spinning wheels, weaving looms, yarn brands galore, project kits, needles, hooks, etc. I picked up a sock kit with a superwash merino and nylon blend fingering weight yarn that is self-striping. I was excited to try this sock kit because it came with a free pattern from Urth Yarns. This sock pattern has been full of surprises, some good and some challenging. It is a toe-up sock pattern, based on traditional Turkish sock design.

I’ve never made a toe-up sock before, I’m excited to learn new techniques, but here is where I am struggling. I bought double-pointed needles, on recommendation for sock knitting, and they are wonderful needles, but dang, the combo of a new sock technique and new tools has been frustrating. I’m getting laddering on the sock every time I start over, and I feel a bit on the edge of tears because these needles were expensive – 21 USD! On top of the sock kit for 29 USD for 100 grams of yarn and a PDF pattern. I feel a lot of pressure, from my own mind, because I was not paying attention to the price and feel like I made a mistake, but I need to remember that new skills take time. With patience and practice, the skill will come in time.

The second project I purchased was a scarf kit with two yarn hanks of worsted weight wool and a pattern from Urth Yarns, that my mom also purchased so we will have matching scarves! I’m so excited. The biggest blessing of this day was the opportunity to share what I love with my mom, my Scott, and my Kyle. I am truly grateful for all that these guys did to make this a great day of bonding for my mom and I, and for the four of us. It’s been a heavy few weeks after losing our beloved Sully, and getting a day to explore a new yarn store, learn about weaving, and getting to meet the lovely owner of Three Sheep was a bright spot after days of gray.

Apathy and Fear – The Worst Cocktail

It drifts in, like a high pressure system. Clouds stratify, and all seems well. We don’t know that the pallid tone maybe the one that may drain the life from us, until we are as pale as a corpse.

Apathy. The silent assassin that numbs the senses to right and wrong. A comfortable sweater of indifference to our worries, we check out. But it doesn’t just numb us to what hurts us, it numbs us to all things, even joy. Disassociating will not make what is weighing on you better. Choosing to be a part of the background, to escape the foreground and its perils, is not going to rescue your mind from the monsters waging war. Because that is what apathy does, it makes you forget that you are making a choice not to care, and makes you feel like the world is victimizing you, when instead, this path you chose, yourself.

Fear. It’s powerful. It motivates us like nothing else, because no matter what is going right in our life, the looming fear of our mortality and of the inescapable henchman named pain will get us in the end. There is nothing that can change that. It eats at us, not knowing when the bad will come. Fear isolates. Fear keeps us closed off in suburbs. Fear drives a big SUV, that is 6 feet off the ground, in a tank that blocks from view the child you are about to run over. Fear, closes off communities from connection, to protect us from the unknown devil living next door. Paranoia holds us at arms length. The faces we see everyday, can’t be trusted. Fear will keep us safe. Fear is gerrymandering a map to neutralize the unknown, to grasp at the concept of control, before the phantom slips through our fingers. Fear censors history, because it is too weak to look at the failings of our ancestors.

I’ve seen fear and apathy take good people and turn them into feckless sycophants to the current guard. I’ve seen money and security divide us, when connection would save us. And now, I’ve witnessed first hand how easy people are swayed, and it sickens me, even a trusted friend can fall to its charisma. I’ve now seen first hand, the cleverness of fear and apathy to destroy compassion, moral truth, and justice for the chance to be saved. For the sake of the job. Comfort, instead of doing what is right. I always wondered why people in the past let dictators and evil groups turn their necks to ignore genocide and racism, but heck, even those you think are good, will trade it all for a coin. We are fallen, flawed humans, with a penchant for destruction, war, and hate. I don’t want to see another good one fall prey to the evil of the shadows, because they are in pain.

It’s ironic how we have been too arrogant in my culture to believe we could not fall as far as those of the past. We have progressed past those silly people of yore. Too long have ignored the power of an individualistic culture and problematic policies which seek to isolate, and haughtily believed would not get us one day.

Apathy and Fear. Don’t drink from their cup. We must cling to empathy, even on the days the weight of the world feels like it is going to break us in half. It wants to but it can’t because love conquers all things. Fear is a liar. It spends its time creating shadows that loom above, but will always disappear in the light. It’s not easy to care. But it is important that we stay the course in love, in empathy, and refuse let go of ethics. For without those, what do we have other than a mortal bag of bones and a never ending hamster wheel?

#76 – Boredom in 2025

The biggest trend I think I’ve seen this year is the sentiment that everything feels boring right now. Whether it is fashion, film, or books, the art of storytelling is supposedly dead. This phenomenon has even crept into my unpredictable and exciting world of K-pop, and up until yesterday, I’d say I agreed. But as I sit here, I would like to put forth a different thesis.

Escapism from the Super Massive Blackhole

What if everything feels boring because you are running on empty? This year was the first time since discovering K-pop in 2022 that I felt bored and indifferent to my favorite bands. Some of this was due to outside forces beyond my control, like controversies, military service, and straight-up evil in the case of Taeil. Yet, some of this boredom, I believe, was caused by how much I was leaning on these safe spaces to find joy when nothing felt joyful or safe. There has been a constant pulse of uncertainty, like tectonic tremors, making us all question the point of it all. There is such a dreary air. A hopelessness, especially in people my age and younger, who are not able to reach milestones due to broken systems. Since I discovered the band Stray Kids, I run to their music for a safe place. But in 2025, I had stretches of time where even SKZ had no appeal. I had listened to every release over and over again until even their most addictive tracks had no appeal. I couldn’t believe how much I was craving a new album until a week before Karma released. As the week progressed, I could feel a hunger for a happy distraction. This year has been the first time my usual pick-me-ups have felt numb, and I wonder if one prong of this boredom we seem to be feeling isn’t coming from this exact situation.

To be honest, I think this could be why K-pop Demon Hunters exploded in popularity; it was new and fun when things seemed darker than ever. Same thing with Twice and their Lollapalooza performance, it was a night where everything felt normal for a second.

Have I Entertained You?

This attention economy is reminding me of that iconic line from Gladiator, and I don’t like what it is doing to art, music, storytelling, fashion, all of it. There is no room to reflect and craft something beautiful. We are pushing things too fast. I’ve been reflecting on this for a while. I see commentary on trends, relating to fashion, which usually goes something like – there is nothing new, everything and nothing is trending, yada, yada, yada. Sprinkle in a bit about clothing quality from the past, and the brain rot of the algorithm, which is killing creativity and subcultures because of a curated vitality. Like it’s a beast unleashed upon modernity, instead of stopping to think critically about it.

It’s obvious after some consideration that making things for vitality is not the same as making something to stand the test of time. Modern romance novels are being created for TikTok vitality first, and quickly, to keep up with the lazy decision of publishing houses to invest in AI over true writers. We blame the current author pool for a lack of creativity instead of holding publishing houses accountable for ruining their reputation through unethical practices. Because, truly, as an author, why would you feel inspired to create a story like Jane Austen when this is the current state of publishing? You could make a true work of art, and be rejected because they would rather steal work to create the same story through AI, or the publisher doesn’t want to take a chance on a good story when the algorithm is fickle and shallow.

Boring People Are Bored

AI is doing exactly what I expected; lazy people are becoming lazier, except that it is currently being rewarded. We used to know how to entertain ourselves. We used to know how to create, enjoy, and take pleasure in things, but I think AI is a snare that is making people boring, and it doesn’t have to. AI is an easy way out of daily life. It can be a friend, a relationship you don’t have to nurture, but is hollow. It can create art, but you will have no artistic skill of your own as a result. It can write you a book, without telling a story. It can create a music video, like JUMP for Blackpink, without any effort from the actual talent, and create a nightmare image of Rose with Jungkook’s facial structure. Do you see the pattern? It’s like cheating your way through school; it produces nothing and wastes precious resources, like time, or in the case of AI, drinking water and electricity.

Cringe > Innovation

What I have seen as the most flagrant accusation of boredom has been the dissonance of innovation and cringe. Let’s take, for example, Ceremony. It’s a song that has no chorus until the end of the song. It’s layered, has high production value, and features something new for Stray Kids and boy band offerings. But what do I see online? It’s awful. Stray Kids are braggy and loud, no talent. K-pop is boring; everything sounds the same. Except, Stray Kids, it’s too experimental. No wait, it sounds like all their other songs, yawn….etc. How can we have the audacity to complain about being bored while we punish bands for taking risks? It’s not just Stray Kids, I have seen similar criticism being launched at Nmixx, NCT, Ateez, Twice, Aespa…the list goes on.

It’s no different when it comes to the world of fiber arts. People complain about how crochet and knitting are getting boring and want new things to make, because everyone is knitting the same things, yet don’t branch out from a few massive pattern makers, like Sari Noorland, Petite Knit, and Andrea Mowry, to name a few. There are so many smaller creators crafting joyful patterns that would disrupt the slump, but no one wants to stand out these days.

I think as this year enters its final act, we should decide what we value more: being entertained? Or being authentic? Do you want to truly discover something new? Do you want to dig deeper for something fresh? It requires us to act, to search, and to participate, because we are allowing ourselves to become boring people, and it is spreading across culture, where it will stay unless we choose to be interesting again. I get it. This year has been demoralizing, and it’s made me feel like giving up many times, but there is always a reason to keep going. What if your big idea is the thing that makes this dull and dreary world sparkle again? You could be the change we need, so stop scrolling and find something that ignites passion in your heart once again!

#74 – Ain’t That Just the Way

So this week started off amazing. My mom and I began finding a healthy way forward, for real this time. Nothing shoved under the rug to deal with later. No festering. No harsh talk, instead patience, love, realness. It was truly an answer to prayer that I learned, required me to put into action what I was feeling.

I journaled all my raw feelings, and sat with what these words on paper showed me – I wanted more. I wanted realness, and nothing less. We each reaches this point at the same time, and it got better. Over last week, it got much better. Kinder. I even spent time with her on Sunday.

Monday morning though, life decided things were too good. Our family dog, Sully, became extremely sick. He had been dealing with some health issues over the past year, but it fell apart over night. He died on Tuesday. I am heartbroken, but crying together with my mom instead of on own like we did for other big losses.

I think the most challenging part of losing a pet is that sense of home you associate with them. He was my safe place for 14 years, all of my adulthood so far, and his steady love will always be missed.

Have you lost a pet? What helped you heal? I’m going to try to get back on track with writing next week, but yeah, life just keeps getting weirder, everyday.

I Learned How to Crochet

The 2020s have brought many trends and crafts to my attention, but the one craft that has caught my attention, and kept me craving the ability to do it, has been crochet. I love the loops, the lace holes/open weave of its stitching structure, the texture, the projects’ talented crocheters’ design, and most importantly, the granny square projects! I am a colorful knitter, and the granny square scratches that artistic place in my brain. It brings me instant happiness.

In Spring 2024, I made my first attempt to crochet, and it was doomed from the start. I bought a cheap hook, neither ergonomic nor very hooked. The hook failed over and over again to grab the loops. The yarn over motion became yarn slip away, which made the process of learning how to execute crochet stitches dang near impossible! I was busy, not in the headspace to learn a new skill. My frazzled mind became evident in my tight, tortured stitches so snug the hook would not easily pull up a loop. So I set aside my desire for crochet for over a year.

During that time, I recentered my mind and learned new skills that I can see now, in hindsight, that made learning crochet in July 2025 so much easier! I slowed down my sewing and focused on fiber arts, mainly knitting, in the year that followed. During this year of reset, I tried new things that prepared me to be a better student of crochet. I knit socks, I learned colorwork, circular knitting, and explored new fibers and stitches. I learned how to work with my tension, and adapt to a looser weave for colorwork and circular knitting. I learned how to pick up stitches and new ways to construct knit garments. I suspended what I thought yarn crafting was, opening my mind to new techniques, which I believe prepared me to learn a completely different approach – crochet.

Why is crochet such a big jump from knitting? Well, I think for me, because I learned knitting first, my muscle memory was guiding my approach. My brain was shifting into its comfort zone when I would pick up that first crochet hook and reject the notion of using one tool, instead of two needles. My thinking was rigid, just as it was when I first began my language learning journey into the world of Japanese. When learning, we have to hold what we know and what we have done loosely, all while inviting a new guest to the party. A teachable spirit is really a mind of hospitality for the new skill.

I think a good teacher and good exposure also help. When I first tried to learn in 2024, I went to a former neighbor who crocheted and asked her for advice. She let me borrow a book, but didn’t offer much more than that. Although we were in the same town, on the same street, we never crafted together, and when I asked for advice when I got stuck, but she didn’t respond. It sucked. This time around, I went to a tried and true source – TLYarnCrafts, the wonderful Toni Lipsey. Her tutorials saved me when I got overwhelmed by the instructions in my library book. My library was a great source of inspiration, though – I borrowed ‘A Modern Guide to Granny Squares’ by Celine Semaan and Leonie Morgan. This book helped me understand the magic loop and had lovely diagrams to get me started.

Three other crafters who helped me get excited to crochet are YouTube creators – Lizfoolery, Blondie Knots, and Mark Vogel. Mark’s recent granny square vest project was so lovely, I was determined to learn crochet just to make that piece. But it’s not just wearables that have motivated me. I want to make a seashell basket, a flower bookmark, a fish potholder, a pie purse, and blankets! The classic Chevron to replace the one that my great-grandma made, which was lost in 2021, and the star blanket by Betty McKnit. I have also downloaded the hexi-granny cardigan pattern from TLYarnCrafts for a fun, cool weather wearable.

To wrap up, I’ve been crocheting for two weeks now and have made two wonky granny squares, a pair of crochet stays/vest that is 90% done, and a sweater that is cast on with a few inches complete. It feels surreal and also so natural. I love crocheting! Maybe because it is new to me, but I look forward to getting a few rows done each day. It’s become my fun crafting, where I can relax and get lost in the rhythm of loops and yarning over.

Have you ever crocheted? What helped you get through the process of beginning to do the thing? I hope you have a lovely day, dear reader. Thanks for spending a little time here with me in this [I hope] cozy corner of the internet. You make these little moments of reflection an exciting part of my making process. ❤

Can I Make Mid-Size Overalls from 1 Yard of Fabric?

Do you ever think of something you’ve accomplished and wonder if you could do it even smaller? Well, I set a challenge for myself. A year ago, I wrote about creating a summer dress with a button-front from less than 1.5 yards of fabric. That post inspired this one, as this summer I was able to squeak out a pair of shortalls (overall shorts) from a yard of 59″ stretch twill from Mood Fabrics. This was not my first overall attempt, but I think my most ambitious because this yardage was for a pair of shorts with some abundant pockets, but I changed my mind after seeing a variety of overalls styled for spring and summer. I’ve owned this style before in denim. My favorite version I’ve purchased was a pair of vintage ’90s denim shortalls that were baggy and breathable for those swampy summer days. The more fitted versions I’ve found in stores in recent years are not my cup of tea, because for me, overalls are best when they are oversized.

When I cut these overalls out, I had just completed my draft of an overalls pattern from 2 yards of 44″ cotton twill from Kokka Fabrics, and I was itching to make more without fabric shopping, so I went for a dig in my fabric/yarn closet. It’s more of an antique clothing press, to be fair. This is where I found my gold – 1 yard of 59″ across cotton twill in a fun pattern, sturdy enough for a bottom weight garment with just enough fabric to cut the shorts, the bib, the straps. That was all I could muster for sure. I set aside the project and got to work on my Kokka Fabric project, which taught me so many things about sewing overalls that I had overlooked in past attempts.

Firstly, the back bib is not a rectangle. Secondly, a facing for the bib makes the project feel more professional. Thirdly, the buttons on the side need to be properly assembled with the fly for the right stability. Finishing the edges with twill tape made from the project’s fabric helped create a crisp look. Fourth, the overalls need pockets in order for the garment to sit well on the body. Lastly, I did not accomplish these with my 1-yard of fabric overalls. I took some shortcuts.

I ran out of fabric for the pockets, the fly, and the twill tape. To remedy this, I kept the shape to a romper style and less of a traditional overall. The bib is rectangular on both the front and back. The pockets were added from a previous project; I upcycled shorts into pockets. The side does not have any fastening, instead I sewed up the seam and let the boxy cut of the shorts and stretch of the fabric help me compensate for my lack of fabric.

So if this project is a pair of overalls that is not a traditional overall, but more of a romper, why am I writing about this?

Well, because the finished product is a wonderfully comfortable garment, practical for many things – gardening, sewing, cooking, knitting, farmers market, apple picking, cleaning, walking in the woods, going to the beach, etc – and I made it without being an expert. I made this garment through hand sewing, so you don’t even need a sewing machine if it’s out of your current budget. I purchased this fabric on sale for 10 USD/yard. I used less than a spool of thread, and repurposed the pockets from an item in my closet that I didn’t want to wear anymore. Have you seen the price of overalls? They are expensive, even the short version. A low-quality version will still set you back 30 USD.

I made these with 10 USD of fabric for a midsize frame, so this is accessible to all of us, not just the slim people. A lot of popular and cheap DIYs on the internet are made for very small bodies, which makes me nervous that if I try it, it will be expensive, but this wasn’t. Making these overalls was incredibly rewarding, too. These aren’t even the best pair I’ve made this summer, I’ll share the other ones soon! But these ones will have a special place in my heart because they are unique, comfortable, and made with my own hands. So if you have an idea of how you could make something by hand, make it happen! It’s a lot easier than you think, a great learning experience, and there are tons of resources here online to help you succeed!

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