Tag: fashion

Aespa’s Supernova MV is an Explosion of Imagination

I wanted to be quick and write this post before their full album release on Monday because the Supernova release has been one of the most fun comebacks they have had I think since Next Level in 2021, which was how I found Aespa initially. This song has dethroned “Supernova Girl” from Zenon: Girl of the 21st Century as my favorite futuristic, y2k, outer-space-themed song. That is no small compliment, I’ve loved that song and the styling of the movie since 1999. That being said, Aespa blew me away with their ‘that tick, tick, bomb’ bridge and funky mix of Portal 2 sounds, reminiscent of the lasers and aerial faith plates, layered over the signature production of Dem Jointz. I wasn’t expecting that signature “Incoming!” line that I find on most NCT albums. This was the fun noise music style I was missing from the current comebacks of Stray Kids, NCT’s solo work, and the releases of girl groups so far in 2024.

Four Distinct Looks

I love a music video with a good costume change, and this one gave me four! The stylist for Aespa hit it out of the park with these experimental yet familiar pieces giving the eye a tasting menu of throwback futuristic pieces yet styled in a way that felt now and new at the same time.

In one short story, we move from streetwear with mesh and bright colors, to light pastel pleather for that space-age feel, to vibrant, shocking, and furry accessories that look like the star exploding, to a y2k jeans look in gray tones as the supernova is complete. The girls are blown into the wind.

My favorite look of them all happens to be Winter’s pink tutu look with platform shoes. She resembles a magical faerie or modern-day superhero without the cringy Hollywood painted-on catsuit. Other details I appreciate are the vampire fangs, pointy nails, intricate braids, colorful eyeliner, bubble hems, dual eye colors, chunky jewelry that looks DIY in a good way, and Gisele’s bedazzled cast.

Imagery of Supernova

Each member seems to have special powers in this music video. Winter can fly, Ningning can fire bend, Gisele can change time, and Karina has superhuman strength. They have the power of the “Supernova” and are a unified force to be reckoned with. I love that Karina falls to earth like an asteroid to open the scene. There is imagery of heat and destruction, darkness and light, brokenness like the dying star, and birthdays like a star reborn through the explosion. They are like a storm but are also a source of power.

Aespa Lore – Returning to Concept

This comeback feels like Aespa’s lore and concept coming full circle where other bands have drifted off into randomness, Aespa is keeping the story of Kwangya, Black Mamba, Naevis, and the real world all in its premise. Some were disappointed with the shift to being in the real world with Spicy (2023) and Drama (2023) as falling prey to the 2000s nostalgia bug sweeping the 2020s.

But I see their comebacks as chapters in one story like Ateez does so well. For Savage and Girls they were in Kwangya, Kosmo, and the Flat. They have fought Black Mamba then coming into the real world with Naevis in My World, continuing the fight in Drama. For now, it seems like Supernova and Armageddon are returning the girls to the other dimension but reborn with powers instead of being consumed by the destruction. I am very excited for May 27th to behold what is in store for their first full album!

Potato Technology: Back to Basics Collection

Almond Ribbed Wrap Top

Materials: 1.5 yards of stretch knit jersey. A remnant cut of fabric. This pattern was self-drafted by draping on myself and adjusting the lines with pen marking. As this was the first garment in this series, there was more trial and error with cutting pieces out of the fabric to reduce waste.

Inspiration: I was inspired by the iconic 1970s wrap dress, designed by Diane Von Furstenburg. I originally planned a wrap dress but scrapped the plan due to a lack of fabric. Because of this, there was probably 1/8 of a yard of fabric left over. With more practice, I’d like to reduce that amount to smaller pieces of scrap leftover.

Cherry Henley Ribbed Top

Materials: 2 yards of stretch knit jersey and 6 buttons. It is a heavier weight jersey and feels like a light sweater. This was a remnant cut. I developed my first official bodice pattern from this process.

Inspiration: 1900s men’s buttoned henley baselayer tops from the gold rush era in the United States. Think “old western” dramas, Deadwood, or Red Dead Redemption. I cut it oversized to carry the theme of it being a men’s garment. During the cutting process, I was able to utilize almost all the fabric with only 2-inch scraps being left over.

Stormy Seas V-Neck Tunic Top

Materials: 2 yards of stretch knit jersey. To utilize as much of the fabric as possible, I chose to get creative with my pattern cutting. To do this, I pieced together the bottom and portions of the sleeves to use up almost all of the remnant, with 2in or less scrap pieces left over.

Inspiration: I was inspired by the design lines of early medieval tunics. I like the simplicity of the lines and the lengthening effect it has on my proportions. For more information about Viking Age tunics, I recommend checking out Project Broad Axe for historical recreations and additional background on the history of Viking Age tunics.

Getting Creative with My Stash: The Black Raspberry Slip Dress

I’ve been challenging myself to be a more frugal sewist this year, using up my stash of fabric and resisting buying fabric that catches my eye. It has been harder than I thought. Mood Fabrics is pretty relentless with its advertisements, Hobby Lobby’s every two-week fabric sale calls, and Joann Fabrics sends me flyers and coupons on the regular, but I had this feeling I needed to be more budget-conscious this year and it is starting to make sense why (more on that later).

To do this, I rolled up my sleeves and dug into my storage closet, to my Gram’s quilting fabric stash and got creative. These two fabrics spoke to me, but the yardage of the ditzy floral was small maybe a half yard? This is the most frustrating thing about using deadstock fabrics, vintage or remnants, you get the yardage left and that’s that. I wanted to play around with bias tape finishing with a contrast fabric, which I thought the black floral would compliment the ditzy floral. Originally my plan was to make a camisole top, but the more I thought about I questioned if I would wear it and with what? Instead, I pivoted and used the rest of the black floral to lengthen the top into a dress. To keep it cohesive I color-blocked the fabrics – black floral straps, ditzy floral bodice, black floral skirt, and lower ditzy floral skirt.

This was a new style for me, I usually stick to one fabric but this was fun and from this experience, I feel more inspired to design garments from a scrapy style. It opens up a whole crayon box of possibilities for remnants, smaller yardage purchases, pattern mixing, and contrast piping! This is going to be a fun new world!

I decided to draft my own pattern for this dress by draping the bodice on the form. I created the straps by joining the pieces of bias tape at the top of the triangle bust piece for a seamless transition and to add strength. I added a side zipper to tailor the garment closer to the body but account for the zero amount of stretch in this fabric. It reminds me of a slip dress but I feel more comfortable in it because it is a cotton fabric. There is more structure and opacity. The dress has a more casual vibe where I can style it with a t-shirt underneath if I desire to.

I think subconsciously, I was inspired by Lorelai Gilmore’s dress styling in these episodes. I love her style and I have found that the styles she wears on the show suit my body type and personality more than Rory’s dresses. It’s a dress style I hope to experiment with more by using different fabrics and textures.

Garments I Want to Try Making Again

Two summers ago, in 2022, I tried my hand at making dresses and separates with some mixed results. Some pieces I loved but had fit issues, some were poorly constructed and just fell apart, and some were made with the wrong materials for the project and were doomed to fail from the start. But as a new sewist who is self-taught, it was the only way I was going to learn, by experimenting and making and then doing it all over again.

In 2024, I’ve seen a huge jump in my skill level. I’m beginning to feel comfortable with the craft and I’m wiser about my fabric choices, which makes me think about these former projects. Could I make a better version of them? Have I leveled up my skills enough to do these projects justice and have them in my closet for years to come?

The Blanket Dress

Original Materials: Cotton Flannel, Satin Blanket Edging

Issues: Sleeves fall down and fabric stretches with wear. Not enough structure and bad pattern matching.

2024 Plan: Choose a cotton shirting with more body and keep the plaid pattern or if I stuck with the light cotton flannel, I would add a lining to give structure. Pattern match when cutting out pieces because I can tell I didn’t try at all! Add tie to the back shoulders to keep the sleeves on my shoulders. Add a button placket or zipper to fit the dress to my body better. I would make the bodice even, because I can see how each side of it is a different length.

Will I make this again? Most likely! It is one of my favorite pieces from my early designs.

Amalfi Coast Girl Slip Dress

Original Materials: A very lightweight polyester silk that I found on clearance at Joann Fabrics.

Issues: Very thin, made me paranoid. Being a slip dress I felt uncomfortable, like I forgot to get dressed.

2024 Plan: Lining! I would line this 100% now because that was just silly. I would pick a better fabric though, this one was hot and difficult to sew. I would also fix the bunching in the skirt and fit the bodice better because it looks messy.

Would I make this again? Yes! Potentially this summer if I find the right fabric.

“Linen” Two Piece Set

Original Materials: Vintage Quilting Cotton from my Gram’s stash. Snaps and buttons (because button holes scared me).

Issues: Not real buttons, this was a hassle. The shirt was a bit short and too boxy. The shorts were an absolute mess because I didn’t have a french curve or a proper pattern to make shorts from. The seat was too narrow and the the rise too short, the waist band I didn’t fold over so it provided no structure. A side zip and snaps were an okay closure but they never felt truly secure.

2024: I would buy the cotton gauze fabric or buy linen for the look I wanted. The quilting cotton made this feel like pajamas and it made a little unsure about wearing it out. I would make a proper fitting pair of shorts this time and a real button holes. Other than that, I’m quite pleased with my original idea.

Would I make this again? Yes, it was chic and comfy, if only it had been constructed better I may still have it.

Cropped Cardigan and Ruffle Skirt

Original Materials: Two upcycled pillow cases and a hand-me-down dress I cropped into a cardigan.

Issues: The pillowcase was stained and see through. The cardigan was made from a fast fashion piece that was terrible quality that made it feel weird on the skin. I like the appearance of this look more than I did wearing it.

2024 Plan: Opaque quilting cotton or shirting to feel comfortable. Knit the cardigan in a cotton yarn or a linen yarn to make it versatile for Spring, Summer, and Fall.

Would I make this again? Yes, it’s already on my to do list. I would wear this for so many things.

Silk-ish Halter and Wrap Skirt

Original Materials: A satin polyester from Joann Fabrics. Snaps and a tie made from the fabric.

Issues: My halter top gaped, it was poorly draped and did not feel secure at the back snaps or neck snaps. The skirt did not have enough volume. I didn’t feel like myself in it.

2024 Plan: I would properly drape the bodice and add bust cups potentially to the top. I would also not make it a two piece look because I wouldn’t wear the pieces separately. The fabric was nice and I would use something like it again, although I would love for it to not be polyester.

Would I make it again? No, it doesn’t fit into my wardrobe. I would use a similar fabric again for a dress, but not a halter dress.

1990’s Inspired Princess Seam Dress

When we were living in Meadville in 2019 and I was getting into thrifting, I found a lovely 1990s dark purple velvet princess seam dress. It was longsleeved and midi length with a scoop neck and stretchy velvet knit that draped lovely from the waist. I could tell from the label it was vintage. It had a different attitude. The dress reminded me of dresses I wore as a kid that were so special yet accessible.

I was thrilled. It was a comfy dress that I would style with lace-up boots, tights or leggings, and a moto jacket. It made me feel special during a period of my life where nothing felt that special. In 2019, I was bored, stuck in a dead-end job, looking for a new purpose, navigating some drama with my dysfunctional family, and getting used to a new city. It was a weird time.

Over the years my body changed and I donated it back but it continued to live in my head, wishing that I had kept it, so much so that the first dress I ever designed was a recreation of the piece which I talked about in #3 – First Sewing Project. Comparing the pieces I made side by side, I can see the growth in my skills and understanding of fabric which makes me pleased to see.

October 2020
March 2024

The left dress nailed the color but everything else about it was jacked up. The sleeves were poofy, and the skirt and bodice were draped well but I know the construction was questionable because it was the second item I sewed ever. I think if I can find this fabric again I’d like to recreate it with my current skill set. The dress on the right I cut out with my own drafted pattern piece based on my measurements. I cut it out in two pieces and sewed it with a zig-zag stitch with medium to low tension and tapered the waist with four princess seam darts. I also reinforced the shoulder with a second layer of fabric that anchored the shoulder seam.

I think I’m going to get a lot of wear out of out of my new princess seam dress. I’ve worn this dress over a few days when my local weather shifted from a warm stretch of 70 degrees Fahrenheit to a rainy, cool 50s and 40s. Because this dress is a polyester stretch knit jersey yet is lightweight, it was comfortable on a warm day. Yet when it cooled down I was able to pop on a sweater and found it easy to style with a pair of boots.

With a sweater, this dress looked like a skirt and it has transformed my approach to how I want to wear my clothing. It may seem elemental, but I’ve usually been a pants and top girl in the winter reserving dresses for the summer, but as my style evolves I’m finding that layering and pattern clashing is something I feel most like myself in.

Long story short, my new me-made dress has surpassed my love for the original, thrifted dress. I love the animal print and the fact that this was a remnant fabric from Walmart yet I believe looks like it came from a higher-end fabric store.

I’m excited to continue designing items in this silhouette and utilizing my own paper patterns which has been a huge step in achieving my vision for the garments I make. I’ve also been working in a lot of stretch fabric this year to gain more knowledge and improve my skills to keep growing as a designer. Without the practice and determination to keep going, not to mention patience because mastering any skill takes so much longer than the internet wants us to believe, this would be a different dress. It would not fit me well, it would not be constructed well, it may not have even made it through the sewing process, and would have been scrapped.

That is why practice is so important. And you know what the real big moments are? Not just your successes but being able to look back at the failures, and the mistakes, and see how far you have come. Such as this dress that I made in 2021, which although the design was cute, fell apart because I didn’t understand how to properly construct stretch fabric nor did I understand how to choose the right fabric for a garment for it to be successful. But now I get it and now I understand how to fix it and if I decide to remake it, I could! And that brings me a whole lot of joy!

Stashbusting in 2024: Color Palette Knitting

A goal I have in 2024, is to go through my yarn stash and use what I have to create unexpected pieces. A lot of my yarn has been sitting on my yarn shelf for a year so I decided to try a new approach to my design process – to create a garment from a color palette. I chose these five yarns to make a striped and joyful sweater that encapsulates the coolness of a winter landscape, yet the minty green hints at the spring yet to come.

This project was a journey! I didn’t quite know where it was going to end up. At first, my plan was to make a striped cardigan, but I worried about the sleeves. I thought the stripes would be too busy if carried on to the arms. I also had fears of playing yarn chicken. So I pivoted to an unusual piece because of how cool the bodice looked over a t-shirt. In the climate I live in there is no reason to wear an acrylic yarn vest over a t-shirt, but I couldn’t get the image of that out of my mind, so I made a “t-shirt” looking sleeve with the light gray yarn. For length and a bit of vintage flair, I added a peplum that took this piece to a place of whimsy that brings me joy.

When I look at this piece, I smile. When I wear this piece, I am filled with joy and sunshine. It is the first piece of knitwear I have designed that I think would show wonderfully on the runway and that is freaking cool! Lastly, I added a navy blue collar to the neck opening and gathered the neckline slightly so that it sat on my shoulders properly. The peplum was knit in two pieces where I continued the pattern and knit the sections wider than I needed to pleat it. Now that I’ve blocked the piece in the dryer it floats over the body and looks so effortlessly.

A new technique I used for this sweater was to knit one side at a time. I knit I believe 60 stitches across and began my striping pattern, switching colors after three rows. Next, I bound off stitches at my desired armhole position and carried on to the neckline where I again bound off stitches which made the shoulder more narrow than the rest of the garment. I then continued to knit down the back of the piece, mirroring the neckline by casting on a new row. I continued on to the armhole where I again, cast on more stitches and then followed the piece down to match the length of the front.

I did this a second time on the other side, mirroring the original. It is important to make sure you are mirroring so that the two pieces will match up knit side + knit side or else one side will be inside out – which is easier to do than you think! I ruined a previous project by doing that and had no choice but to rip it out. That’s okay! It’s all a part of the learning process!

If you’re a knitter or crocheter, I hope this project inspires you to get creative with your stash and make something out of the box. Or if you’re an artist, a maker, or just a human reading this, get creative with what you have! It is a fun journey. Thanks for taking time with me today! I hope you know that you are worthy, you are loved, and you are special to me. Until next time ❤

Acne Studios Fall 2024: Johnny & Jonny

To be honest, before Johnny of NCT was appointed as a brand ambassador and flew out for Paris Fashion Week, I had no idea what Acne Studios was. Zip, nothing, nada. But holy moly, I love their style. Acne Studios is a Swedish luxury brand, based in Stockholm. Their creative director is Jonny Johansson, so there is a lot of Johnny’s involved here which is kind of funny to me, but anyway, I’d have to say Jonny is becoming one of my favorite creative directors of the time!

This collection is sculptural, wearable, and a lot of fun for showcasing a lot of neutrals. The knitwear is utilized refreshingly with cuffs on the dresses, full-length asymmetrical zipper coats, and a turtleneck crop top bustier. It showcases how versatile and capable the craft of knitting is.

My other favorites are the handbag dresses, the orange version is pictured below, for the kitschy zip-top closure and surreal nature of this design. It was out of the box and that is what these shows should be about. It is a fantasy. All these pieces fit in a fantasy world that can become our world, because of the attention to detail to make them still wearable. I’m a fan now!

I.N. and Sean McGirr

Sean McGirr’s debut collection at Paris Fashion Week 2024 – Womenswear Fall/Winter 2024-2025 show was the most anticipated collection for me because of how bored I was by Sarah Burton’s creative direction. Sarah Burton took over after the death of Alexander McQueen in 2009. Although Sean McGirr’s appointment to Alexander McQueen has been a controversial move, and that’s fine, that is an opinion but not my opinion. I think he has talent and his debut collection, and for me, it has injected a new interest in the Alexander McQueen brand. If I.N. from Stray Kids had not been appointed as a Global Ambassador for the brand, I probably wouldn’t be as excited either, to be honest, I love the collaboration and how I.N. looks in the McQueen silhouettes.

Now, this collection was exciting for one reason, it was weird and was a refreshing expression of knitwear, dresses with pockets, suits, turtlenecks, and what should be worn – like broken glass! I loved how bizarre the fur turtlenecks were for covering the face and the goblet-esque shape. Pockets on the chest for dresses and jackets just seem cozy and a challenge to the norm. The exaggerated and absurdly oversized sweaters are fun and stylish despite the possibility of swallowing the silhouette of the wearer. I think we worry too much about how our bodies look at all times and the usual silhouettes of this collection are a challenge to the standard, I would love for this to go mainstream. I’m sick of leggings and the tight-fitting clothes of recent years. Give me more of this.

Little details that I appreciated the most were the ties at the ankles and arms on suits, the tie bag show covers, and the use of fluffy textures on the front of the body mixed with delicate tulle. I enjoyed the knit skirts, broken glass textures, the pairing of tailoring and oversized drapes that break up the lines of the body in odd ways, and the mix of shine and floof for lack of a better term. I’m optimistic about the future for McQueen under McGirr’s direction. His show was well designed and I loved the music.

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