This is a follow-up to my recent post, ‘Will I Wear a Knit T-shirt?’, where I examined the fibers and wearability of a knit t-shirt and discussed whether this summer knit project could be a suitable option. Since then, I finished and got to wear a new piece of knitwear – my first knit tank top. I wore it in July, in full humidity with highs in the upper 80s to low 90s Fahrenheit. My experience surprised me – I said before that my knit t-shirts are wonderfully comfortable, but have a temperature and humidity limit for me, but the tank top surprised me!
I think it was the high pima cotton content in the Knit Picks Comfy – a 75% Pima Cotton and 25% Acrylic mixture that uplifted the breathability for me. I was melting in the hot sun, but the air flow and temperature regulation were spectacular! This tank had delicate straps but did not have a lacy stitch or open weave. It was constructed with regular knit and purl stitches, with sections that had double layers of yarn due to two sections of colorwork graphics on the front and back.
With Pima Cotton, Silk, Bamboo, or Linen as the primary fiber, or a blend of these natural fibers, I believe knit tanks are just as breathable as woven fabric, and for sure more breathable than moisture-wicking tech fabrics, which are polyester. No, I wouldn’t work out in this top, but there is something to say for a garment that is comfy and breathable for those long summer days. It was a simple stitch-up up only calling for two hanks of 100-gram worsted-weight yarn, about 240 yards, with the addition of 1/3 or 40 yards of the accent yarn, another cotton-acrylic worsted-weight blend from Loops and Threads. You can make a tank like this for 30 USD or less, and this is a size large. So if you have a small amount of yarn, you can do a lot with it!
Do you think a knit tank would be an item you would wear?
I asked myself this question last summer with genuine uncertainty. Knitting is such a cold-weather medium that a knit made to be breathable and light for warm weather seemed, well, a bit like an impractical fashion piece. I think this is an important question to ask of ourselves before we jump on a trend. Whether it is to buy a knit t-shirt or to handknit (which means you are dedicating weeks of work to a project), having the right expectation matters. Trying on a knit t-shirt beforehand helped me visualize what I was in for. Knitwear for all seasons is currently having a moment even in ready-to-wear, which makes this a great time to go try on a piece before committing to a big project.
Wearing my Grandma’s cotton knit t-shirts, although they were two sizes too small, helped me visualize knit as a process to make a fabric instead of a woolly winter garment. That’s what makes knitting and crochet extraordinary skills; they are versatile. The fiber maketh the project. The stitch maketh the airflow. Lacey, open weave? Fantastic for hot and humid days. Not so much for a pair of mittens.
To remedy this, I think fiber acquaintance is a fantastic way to learn whether a knit t-shirt is right for you. When I began knitting in 2012, I knew there was wool yarn and acrylic yarn. That was it. However, there is actually a rainbow of fiber waiting to be discovered, and the lineup sure has expanded in the last 13 years!
Cotton
Linen
Bamboo
Hemp
Pineapple
Lyocell
Rayon
Yak
Alpaca
Camel
Mohair
Cashmere
Silk
Did you know that wool has two unique properties? It helps you regulate temperature and is naturally antibacterial/antimicrobial; therefore, it inhibits bacterial growth naturally on the fiber and prevents odors, which is why it is such a great sock material! Although I wouldn’t recommend wool for summer tops, it is a remarkable fiber. There are two fibers, though, that are breathable and naturally don’t let bacteria and microbes hang around – it’s linen and silk! For fiber education and the chance to feel these materials, I recommend finding a friendly local yarn shop and talking to the experts.
Finally, I do have one possible hiccup with my current selection of hand-knit t-shirts. I can’t wear them in 85 degrees Fahrenheit weather and above with humidity, but I do believe a knit tank would fix this problem, and a lacey stitch technique in future projects will solve this. I don’t like sweating a lot in my handknits, and because I was learning with my first few tees, the knitted cotton fabric is a bit bulky. That’s my error. You know what is so cool about knitting, though? You can unravel the finished garments and try again, so I can rework these finished garments in the future. Anyway, I hope you will consider the knit t-shirt as a warm weather staple in your wardrobe, it’s a lovely way to use crochet and knitting all year round!
What do we do when an item of clothing doesn’t fit? Rehoming is always a good idea, but here is another one – upcycling. What if you could transform that garment into another garment you will wear? Here’s an easy upcycle using one pair of jeans.
The Process
To begin, I cut off the legs of the denim above the knee. This was important. To hem the denim to the same length, including the excess fabric needed to fold over for a waistband, the leg section needed to be longer than what was cropped.
I carefully cut open the side seams, avoiding both the pocket and the rivets. The belt loops were set aside for later.
I then cut the leg pieces to the proper width, adjusting the fit with try ons, before sewing. The top of the section was hemmed for a waistband and the bottom hemmed with the rest of the short.
I sewed this very carefully with my machine. I did break a needle but, it happens just use caution and wear glasses to protect those eyeballs. Always know where your fingers are too when using a sewing machine.
Next I repaired the worn denim around the belt loops and attached the cut off belt loops to a new section and tada: you have a new pair of shorts for summer!
As a yarn enthusiast, sometimes I have many skeins of different yarn that I don’t know what to do with. This happens when I buy sale yarn, find unexpected yarn secondhand, or buy too much of one color for a project. Purchasing the right yardage is definitely a learning process!
So, how can you make your yarn stash go further and use up those skeins you don’t know what to do with? An easy fix I’ve found is to get really scrappy, lean into stripes, experiment with colorwork, and my new favorite – blending yarn by holding two strands of different yarn, even variegated yarn, to make something fresh and inspiring! This has helped me need to destash, donate, or feel weighed down by my yarn inventory.
Once you have a color story, what do you stitch up? There are the tried and true tanks, tote bags, and scrappy cardigans, but what about something outside the box?
Baskets
Small Storage Bags with Zipper
Shorts
Sailor Collar
Overalls
Mini Skirts
Koozies
Tapestry
I get stuck in the idea of knitting as wearables, but it can be used to make so many things, and at the end of the project, you’ll have something truly unique from your own hands!
One of the most satisfying ways I have found to use up random yarn is colorwork. Hints of color with scrap that add a touch of whimsy? Sign me up!
Knitting a dress, how hard can it be right? It was actually pretty managable garment as an intermediate knitter. I would not recommend unless you have made a sweater before but would definitely recommend knitting a dress if you want a soft and stretchy garment that hugs you!
Inspiration
I have made plenty of dresses over the past 5 years, but they have all been cut and sewn from fabric. Knitting kicks it up a notch, asking you to assemble the dress, but make the fabric to boot. I thought it would be silly to try until I discovered some lovely crochet designers on You Tube who make with imagination!
I was inspired by Mama Gwen of TL Yarn Crafts to give designing a knit dress a try. She makes such beautiful dresses all from self-drafted patterns in knit and crochet. Along with Dana from Blondie Knots. Her Coachella scrap two piece outfit helped me have the boost of confidence to try something new.
Materials
Last summer at Joann, before the shenanigans began, I purchased 14 Big Twist Cotton 50g skeins on a sale with the intention of knitting a top. Many months later, this yarn was sitting in my stash with my mind uncertain if the punchy color changing yarn was my cup of tea for a cotton knit top. But a dress? Yes, that could work. Did I have enough yarn though? I’d have to make it so because there was no more being sold.
Because of the circumstances, I decided this dress would be my goodbye to Big Twist.
Design
I knew from sewing, my design would need to be a dress that was either tubular or empire waist to suit my body shape. I decided to knit this on US 7 needles, straight needles. Sometimes I would shift to circular, but this was not knit in the round. With the combination of yarn minders, a measuring tape and patience this dress came together!
To start I knew I wanted the bodice to be the anchor I worked out from so I cast on stitches to work horizontally. From the bodice, I then added one strap to plan the width and placement of the top. I was uncertain how much yardage the skirt would consume, therefore I paused to determine sleeves later.
My plan for the skirt was to knit a section by casting on the bottom of the bodice, adding stitches to increase width until I finished a skein. Repeat and fill out the row by picking up stitches to join the sections vertically into a tube. I continued on, and on until weeks later I had a skirt but panicked that I was not going to achieve my desired length and second sleeve!
I decided to pull a teal yarn from my Landscape Painting with Yarn project. This hue pulled the cool tones into harmony in a pleasing way. I used two skeins of this teal color and then finished with the original Water Lily tonal yarn. I finished the second sleeve and tried on the piece with relative ease. There was one fit issue – plunging neckline. But it was a lovely, cozy knit from scratch dress!
The final touches to this project were addressing the neckline and the sleeves which were set too deep. I cast on to the neckline to fill in the gap and provided structure to the straps with several rows of decreases to give the dress a cap sleeve befitting my vision.
Final Thoughts
I am definitely making more dresses with knit! It’s far more pleasant than sewing if you want a comfy yet elegant style. You have both control of the drape and the fabric design. It’s your world, as Bob Ross would say.
This project was more than a goodbye to Big Twist, it was a new chapter for me. I began this journey 5 years ago to learn how to make and now I feel empowered by knowing I can make my own clothes, not just with fabric but with skeins of yarn and needles. It has been a wonderful journey of discovery!
If you want to knit a dress, I’d say go for it! If you’re a beginner, make one but not as your first project – you will be overwhelmed by the sheer amount of time this project took. It was weeks of work that as a beginner, would have scared me. In time I know you can do it though! ❤
Do you ever get stuck in start mode when beginning a new thing?
Like you’re wandering through a maze of ideas. Maybe it’s the planning stage, too many ideas, not enough organization? It’s weird. I feel such a rush when I have multiple WIPs on my needles. The satisfaction of binding off stitches and slipping that garment onto my body makes every week of work worth it!
The void though, between new idea and casting on a new project, is a shape shifting process. The indecision sets in.
What yarn should I use?
Do I have a color palette
Stockinette or a new stitch?
Texture?
Colorwork?
Do I have an inspriation garment in mind?
Have I thought about how I want to garment to fit?
How much positive or negative ease should I plan for?
The next phase is choosing needles, selecting the amount of yardage, and gauge swatching the stitches to inches ratio to calculate the size of the garment.
It feels as important to start with the correct amount of stitches as it does to pour a concrete foundation evenly. I think this is why I get stuck in neutral instead of shifting into gear – when you get a creative idea sometimes the final design outcome is a little fuzzy.
So how do I get out of it and move forward with my design? I sketch, even simply shading the colors together in simple patterns helps me see if the image in my head will fit the realized garment. I also start working with the room to frog the yarn and begin again.
That is my favorite thing about fiber art, you can tear out and begin again without ruining your materials. Even though the first stitches feel like concrete the process is flexible.
Do you get stuck in planning? How do you move your mind forward? Thanks for spending time with me today. You are amazing and I hope you know that you are loved. Until next time. ❤
Do you ever look at an item you want to buy and think, how hard can that be to make? Well, that’s exactly how we got here.
Floor Culture
I’ve been moving my sewing room around, I took down my sewing table and moved to the floor. Which I know sounds extreme, but seriously, sitting on the floor is underated. My back and hips don’t get tight and my posture is improving. In the West, I think we have been foolish to move away from sitting on the floor and should acknowledge how wise other cultures are to sit on the floor for health and posture.
I have a wicker chair that is good for sitting in when I want a break from the floor, but what I was missing was an in between piece of furniture that I could move depending on my needs. I settled on a floor cushion that could be used as a seat, a workspace, folded up in a cushion or rolled into the corner for yoga to add more stretch breaks to my life.
Quick Fix
But here’s the catch, I decided I needed this piece of furniture on a whim and that’s what I am trying to remove from my purchasing decisions – less impulse purchases. I want to become less of a consumer and use what I have, so I thought could I make what I want? Similar cushions for sale online were 100-400 USD and with the tarriffs looming, I was feeling a bit nervous to buy something.
But then I remembered my Mom made a pouf, she knit the cover. I’d watched Morgan Donner make things from her scrap and fashion a mattress from braided fabric. I had also begun saving my fabric scraps and sorting them into bags that were taking over my crafting closet. I just had to settle on the cover fabric and design.
Design and Materials
A large rectangle seemed like the ticket with corners I could sew crisply and easily stuff at the end. There was this one extra wide cut of fabric I bought from Joann’s last summer which caught my eye. It’s a fabric I bought because I enjoyed the design but didn’t want to wear it. It looks a bit like denim and had a lovely swirl pattern that I thought, would compliment the lavender paint of the room. With the fabric sorted, it was time to tackle the pattern and stuffing!
I measured the fabric into two large rectangles and four slimmer sections to form the sides. These I sewed inside out to leave only one end open to stuff. I sewed this by hand over the course of a day, I’d say in total the sewing portion of this project was the easiest part. What lay ahead next was tricky, blister inducing and stressful.
Stuffing and Scraps
I had bags upon bags of scrap fabric in varying sized pieces ready to be repurposed into stuffing, but the thing with fabric cabbage is that it’s not uniform. Which means there will be a lot of cuts to make. This I foolishly chose to do with my old fabric scissors, instead of using my rotary cutter and mat. I wish I had. The repetitive cutting motion wore a blister on my thumb and aggrevated an old injury on my finger joint.
My hands were tired, weak, and wrecked by the end of day one. Worse the cushion was 1/3 full. Not what I was expecting! How could it take that much stuffing?! With my bags of fabric scraps depleted, I moved on to new sources of cushion comfort. Such as yarn that I was given secondhand, which I had no creative plan for. This yarn was a super bulky, acrylic yarn, about 300 yards left, and perfectly fluffy for stuffing. I cut this into pieces and carried on auditing my stash.
I repurposed some old clotbes into stuffing, a blanket Mia’s little bunny chompers had chewed into swiss cheese, and more leftover yarn floating around my sewing room. Yet, I still lacked the floof I was after so I broke down and browsed the interweb. I knew polyfill was an option, but it’s also polyester and the point of this was to repurpose and use up things, not go to Walmart for polyfill, which happened to stretch very little. When I made a bolster pillow for our couch out of an old sheet, I went through 5+ bags of it. Whuch made me wonder, are there alternatives to polyfill on the market? There are! I found a small business, selling cotton filling that shipped. This got me to comfortable fluff, I still need a bit more but I’m going to revisit it later.
Voila! A piece of furniture made (mostly) from what I had in my house that used up some trash in the process. I am pleased. 😁
Like I said in my 2025 So Far Has Been a Creative Slump, I am sharing the projects I’ve hidden away in my closet and the photos buried in my gallery. It’s time to catch up on this blog on what I’ve been sewing, because it’s been a journey of new discoveries.
Go With the Flow
In 2022, Kyle gave me a unique birthday present. He curated a mystery box of fabric for me to do my own “Project Runway” challenge – one of those fabrics was this sheer wheat colored criss-cross fabric. It has lived in my stash ever since. It was a fabric that scared me but intrigued me. It’s a stretch mesh burnout pattern, and for over a year, I was baffled at how to sew it without destroying it.
Even so, after I sewed it into a garment, how would I apply it? Would it be a garment that would be sewn layered on top of an opaque fabric? What would that look like? Should I use a high contrast fabric or something similar in tone? It stumped me. I lived with it a bit more in my stash, and it came with me through the move and into the fall once more. In 2024, after two years, I had an idea – sheer layering. A garment I could wear under or over other pieces to add dimension and disguise the oatmeal color that I was concerned would wash me out.
My decision was to make a shirt. I thought making it a “basic” would provide the most opportunity to style it in my wardrobe. I sewed the delicate fabric with my machine very slowly. I relaxed the tension of the thread and progressed delicately, ready to hand-sew at any moment of panic. It was not terrifying; it was possible.
Structure of a Bodice – Armor
Many years ago, back in 2021 (four years ago, what?!) I crafted a structured dress, based on Lizzie Bennet’s dress, when Charlotte Lucas announces her marriage to Mr. Collins. It was a vest and a skirt, with buttons and a collar. It was ambitious but rubbish, yet a project I can’t stop thinking about how I could have made it better.
Enter this fabric and this bodice shape. It looks like an armor piece made of vintage ditzy flower fabric, lined with muslin. I wanted to reclaim what I learned in 2021, but try again in 2025, since the failure of my early projects made me shrink back to “easy” projects. I’ve made things that have challenged me a little bit, but not a true experiment. Constant growth is painful. Think of your body after consistent workouts, you’re going to hurt. It’s part of the process of getting stronger, and it feels at times like a negative experience. That feeling ground me down. I was tired of the learning experiences that felt more like loss and waste than an expression of crafting and artistry. It’s human, it’s passion, how can we not want the fruit of our labor to produce something good?
I made this dress slowly, over several weeks, while working on other projects, while being sick. It was a slow, steady, careful process to make a dress that would bring me joy from the creation and the wearing. The other thing I had to wrestle with, in this project, was shaking off the demons of my Lizzie Bennet dress. It was a dress I felt pretty in, but that I took a lot of crap for my appearance when I wore it out. It was structured, fitted, and flowy. The waist was not perfectly matched to the small of my waist, due to my lack of tailoring knowledge. This dress prompted a stranger to ask me when I was due, and then doubled down that I looked pregnant. I wasn’t pregnant, so to her, I looked fat. Thanks lady.
It was rude and such a breach of boundaries. Don’t ask random strangers if they are pregnant; wait for them to clearly tell you. It feels like a slap in the face for so many toxic culture reasons, the main one is the unwanted comment on your body with the double standard of “pregnancy being the most beautiful,” but don’t look pregnant, aka don’t be fat, because the zeitgeist is fat-phobic. I got rid of the dress and don’t have any photos saved of the dress; that’s how much this experience ruined the dress for me. I lacked the confidence to brush it off. I didn’t understand my body’s proportions and lines, therefore, I blamed my body and myself for the dress not working, instead of my tailoring skills being the problem.
2025 Style – Layering and Reclaiming
I chose to confront this feminine dress style once again. I knew it would clash with the natural lines of my body. I don’t have an hourglass body shape, which this fit and flare dress calls for. I’ve been scared to wear it, but I am challenging myself to try. I layered the sheer shirt I made in 2024 with this dress and a belt to create balance. It’s going to take time to get comfortable, for sure.
The dress not only has this flowy skirt, but it is fully lined, and the front gathering has been tracked down with stitches to reduce waist bulk. I also added eyelets and lacing at the back of the garment to define the waist, Lastly, I added a belt to my waist, which I don’t enjoy wearing, but the effect of pulling the eye to the waist should reduce unwanted comments, I hope. I like the contrast of these garments together. They have flow and structure. Together they create a complete thought, and in my opinion, look like designs with a point of view, which is what I am aiming for in my designs 2025.
This collection was about upcycling, trying new techniques, and making things that expressed what I like wearing based on previous designs I have made, but with a twist. The items I designed were 75% sourced from existing materials. They were upcycled from items in my closet, hand-me-downs from my mom or grandparents. They were made from destashed yarn I acquired or fabric that had been in my stash for a long time. I focused more on creating with natural materials like wool, linen and as always, I love cotton.
Vests were made from pillow cases and flannels. I re-worked a sweater from the existing sweater and leftover yarn. I dyed denim, deconstructed denim, and made some interesting new shorts and skirts. I combined leftover flannel from Christmas stockings to create a plaid and denim kilt. I used the cut-off sleeves of flannels from my vest projects to create a skirt from four flannel sleeves. I dove deeper into the world of trousers with two new patterns – a floral and railroad stripe. With each pair, I experimented with fastenings and pockets. I constructed my first “Mr. Darcy” shirt from teal linen using Bernadette Banner’s instructions for the body. I put my own spin on the collar, choosing a wider collar similar to a sailor collar that is popular in anime and J-fashion.
This was the first season I experimented with colorwork in knitting. I made a knit star motif hat from yarn that was leftover from my Magic of Scrap Yarn Cardigan. I made leg warmers, a squirrel motif mitten, and a melange of acrylic and wool to create this ear flap hat that reminds me of medieval European helmets. Although this season of creation was chaotic, I’m not sure if I even included all the projects I worked on, it was a time of great learning. It taught me that fashion design is more than taking raw material and cutting it into a new form.
Great design utilizes new and old. Fashion is about reusing, not wasting, and making things beautiful with careful craftsmanship. It does not mean it needs to be expensive, or need to be made by a great master couturier, it just needs to serve a purpose. We have lost sight of the purpose of fashion, but these projects of upcycling have reminded me that fashion is more than shopping, it is more than consumption, it is about the materials, the vision, the function.
One Rabbit Riot 