Letters Of Healing #2 – Letting It Out Is Important Too

I have a bad habit, I’ve acquired over the past few years: I bottle things up so people don’t leave me. Hi, I’m Magz and I have a problem. A two-prong issue, actually, I am not processing my feelings, and I am irrationally concerned about rejection. It’s not good. I was taught to believe by family and society that it was because of divorce, specifically placing the blame on my dad, and to be honest, I believed that for a long time. But that answer leaves all of us who have experienced that or who fear rejection in this weird pseudo-reality of things being out of our control, which doesn’t help. It turns the intensity up all while limiting personal growth. How can you move on if this is baked into your personality, right? I mean, everyone who knows your story will instantly know your flaws – your parent or parents “didn’t love you enough” to stick around. Yeah, this is a toxic bunch of nonsense.

So what has helped me get more clarity on this, honestly, is learning about what makes my mind tick and how I can work with myself to be healthier. For me specifically, learning about neurodivergence, and specifically the possibility of undiagnosed autism or adhd, has helped me understand that there might be more to my penchant for brutal honesty than just being an off-putting person or a bad person. It might be that my brain simply processes differently, yet because I want to fit in – masking, I fall into people-pleasing patterns to “fit in” with those around me. Similar to learning about high-masking autism in females, with adhd, there is a sensitivity to rejection and difficulty with emotional regulation that makes processing the rejection more difficult. I can see these in the ways I have interacted with people throughout my life, especially family members.

I get stuck in these camps of either feeling the need to be brutally honest, especially if I feel an emotional meltdown coming on from bottling everything up, or I clam up and shove it down, no matter how much it hurts to “please” the person. All this does is create a cycle of emotional repression, overwhelm, and meltdown behind the scenes. Loneliness, anger, bitterness, shame, fear of rejection, and pain. This is not what a healthy person looks like.

For too long, I’ve mistaken being “tough” with being healthy. It’s been the one-two punch of finding Elena Carroll’s reflective essays and watching Scrubs for these to start clicking in my brain. I find myself pinballing between being like Dr. Dorian, who lets people like Elliott walk all over him, and Dr. Cox, who shoves it all down and sinks into a pit of loneliness behind the shadows because dealing with my problems makes me feel uncomfortable.

My constant dysfunctional relationship, which gets more unhinged every year, my relationship with my mom is the place where I see all these problematic habits come to the surface. I will bottle something up for a decade, afraid of the confrontation, and then one day I will just explode about something else. To be fair, when I do blow up, it’s usually after my mom has contributed to my anger with a gem of guilt or a little nugget of criticism on some part of my personality. Like recently, I was told she was intentionally withholding her health updates after two concerning ER visits, because I am too “sensitive” to handle anything after I told her it has been scary thinking of being sick because I love her. Yep, I see where I have learned to shove everything down – you can’t be weak and express emotions, that’s for losers.

So where does that leave me? Well, I can either choose Option #1 – be honest about my frustrations and stand up for myself, which comes with consequences, Option #2 – bottle it up and fake a smile, all while my shoulders knit themselves into a stress knot and my jaw clenches like a bear trap, Option #3 – I avoid the relationship for months at a time and pretend like nothing happened. Lately, I’ve been thinking, why can’t I just be honest as it comes, instead of bottling up to the point where I am furious? I don’t live there anymore, there are no consequences for being honest gently, and in the moment that I disagree? That would be healthier, and somehow, over all these years, I forgot how to do this. Because adulthood is lonely. Grief is lonely. Sometimes that fear of rejection and people pleasing is all that you crave just to keep a relationship with a loved one steady, because you miss how easy it was when you were a kid.

I think health, though, might be more important than the illusion of peace, because I have not been managing stress well over the last ten years. My mental health took a toll, and so did my physical health. I’ve stored so much stress in my body, pretending I was happy about things that hurt me because I didn’t want to hear how I was different, not enough like my mom’s family, or weak for being sensitive, or a bad person for getting angry sometimes. I’ve had the same knot at the base of my neck for 5 years, which is not healthy at all. So what am I doing with all these revelations about who I am and what is healthy and what is not? I am slowly shifting through it. I’m taking space and a break from some of my more trying family relationships to get this stress worked out of my body and find my calm again. My husband, friends, and my beloved bun deserve better than for me to let things out of my control take a toll on my mental and physical health. Especially when they are the ones who pick up the pieces when I fall apart.

How do you manage stress? Do you struggle with people pleasing or bottling up emotions? Have people ever told you to change who you are to fit their standards?

Please, Please, Please Adapt These

This post is inspired by current Wuthering Heights and Jane Austen adaptation discourse, in particular, the thoughtful discussion of the Regency Rumours podcast that sparked my musings. Which novels would I love to see adapted that have not been made into a movie or streaming show?

My list will be organized by author, since for some, there are multiple books I am featuring. I will try my hardest to tease the story without giving spoilers so that you can enjoy these stories on your own. Let’s jump in!

Elizabeth Lim

It started with Spin the Dawn, concluding with Unravel the Dusk. Now I find myself fully enveloped in another masterpiece of Chinese fairytale-inspired adventure fantasy – Six Crimson Cranes. The sequel, The Dragon’s Promise, and the prequel, Her Radiant Curse.

Why? These stories have imagination, action, twists, and flawed characters that experience growth. They live in both a fantastical world and also feel tangible to our everyday life.. Although magic is a driving force, the experiences of the plot feel incredibly human. Family, love, freedom, and facing down injustice, these are real-world issues placed in a far-off land.

I think these stories need grandeur, like C-dramas and the imagination of other magical favorites, like the school in Scotland with the magicians. Spin the Dawn features sewing, a dangerous competition, a perilous journey, a curse, a Kingdom in danger, and a main character facing crushing grief. Six Crimson Cranes features the confusion of adulthood, the consequences of our choices, looming corruption, and the fear of losing it all.

I think these two duologies – The Blood of the Stars duology (Spin the Dawn/Unravel the Dusk) and Six Crimson Cranes duology (Six Crimson Cranes/The Dragon’s Promise) would make excellent mini-series. Like the concise one or two-season format of K-Drama shows. With her Radiant Curse either being a separate show or a movie. I believe Elizabeth’s work will be beloved for generations to come for her imagination, unique settings, and plot pacing. Please, someone, adapt these stories and adapt them well.

Judy I. Lin

You know what really bugs me about the creative world? How can we can’t have nice things. That we compare and put down. I think it is idiotic for readers to compare Lin and Lim for their work of reimagining Chinese fairytales when Judy I. Lin created a magic system unlike anything I’ve encountered before – tea. But some people like to yuck my yum and say Lin is a lesser Lim, and to that I say, you’re missing out. A Magic Steeped in Poison and A Venom Dark and Sweet would translate well to film. Think Avatar: The Last Airbender and Murder on the Orient Express, but in a Chinese fairy tale. These books sing!

What if you needed to solve a murder, while sneaking into a national competition, with a skill you have to master overnight, and you have an undeniable connection with a person who may or may not be responsible for your demise? It’s just so dang good.

Susanna Kearsley

I have read most of Susanna Kearsley’s body of work. She is my favorite historical fiction author. Her romance-filled stories are closed-door, but charismatic, like a satisfying slow burn of a Jane Austen novel. The first book I encountered of her work was The Shadowy Horse, set near Hadrian’s Wall at an archaeology dig. This book feels a bit like Jurassic Park, Indiana Jones, and The Banshees of Inisherin. A movie would be great for a Halloween watch.

What about a cozy Cornwall mystery? Featuring a cozy rom-com protagonist, like a Kathleen Kelly who has a connection to the town and the house she rents that is stronger than she would ever imagine. The romance in this one gets me every time. Will they actually get together?! I’ve read this multiple times, and I am still on the edge of my seat. A movie of this would be lovely.

What about the Jacobean period, vaguely pirate in nature? What about romance, a castle, and the intrigue of spies? How about a two-book arc over several points of view, generations apart? Could history truly come to life from the relics of the past? I wish I could weave a story together with the same ease as Susanna can. This would be excellent as a mini-series with elaborate costumes.

With the rise of historical dramas in Hollywood and beyond, I think Susanna Kearsley’s stories should be shared in this way. Fans of Outlander would be intrigued, as well as Austenites, Bridgerton fans, and costume lovers.

Kayla Cagan

Were you an art kid? Did your parents ever discourage you from pursuing a career built on your artistic passions? Has your home life been disrupted by that one relative who is selfish and dysfunctional? Have you ever felt trapped in your hometown?

Piper Perish and its sequel, Art Boss, will pull on your heartstrings. The desire to pursue our dreams is a journey we can all empathize with. This coming-of-age story would make a great two-part movie set or a small mini-series. The art, the fashion, the settings! It could be fierce.

Annie Gray

Adapt a cookbook? With a historical interpreter. Yas queen. Mrs. Crocombe is that girl. She ran the kitchen at Audley End in the mid to late Victorian Era, a position also held by men. It was a great responsibility to prepare, plan, and manage the food systems on site and beyond in Audley End’s local produce. She had to keep up with trends and changing fancies, all while providing elegant meals for the family and their guests. In addition, cooking for the staff.

The restaurant world is a wonderful canvas to build a show upon. This would appeal to fans of Downton Abbey, The Mind of A Chef, The Bear, Great British Baking Show, and Chef’s Table.

Elizabeth Kostova

Alright, this last book is technically in progress. The rights have been sold, but nothing has moved forward for a movie or series. This could be a horror masterpiece.

This story pulls me in, to the point of drowning in the world that feels too real for comfort. It is Dracula, unlike the world has seen him before. It needs to be played out on screen.

My Spring 2025 Soundtrack

Turning grass into unearthed soil – The Tiller

Chirping – Robins

Battleground – Stray Kids

K.K. Oasis

A cut hitting rock – The Shovel

A trickle of water – The Rain Barrel

Staple Jam – The Upholstery Stapler

Cutting Fiberglass Screen – Utility Knife

Slingshot – Nmixx

Glug Glug – Watering Can

Coughing – Garden Tone

Disgust and Fear – The Big Earthworm

K.K. Adventure

My Place

Stalling on Tall Grass – The Mower

Booms that Shake My House – Tannerite from Reckless Community Members

Ice Cream Cake – Red Velvet

Cinema – Lee Know & Seungmin

Humming and Cool Air – The Window A/C

Shock and Gasp – Acid Reflux in the Middle of the Night

Great British Bake Off Theme

Know About Me – Nmixx

Buzzing of Bees

Mia Pulling on the Carpet – Bunny Teeth

Frustration, Fear, and Worry – Trump’s Non Stop Executive Orders

Autism Awareness Content – Fighting The RFK Jr Ignorance

#71 – Caramel

Luscious, warm, a decadent note that makes a dessert sing in perfect harmony. I used to crave this in candy bars, a Twix, or perhaps a scoop of Bruster’s Chocolate Turtle ice cream.

The Great British Bake Off opened my eyes to Banoffee Pie and the simple luxury of making a caramel without instructions. The process is a beautiful as the finished product. A melting sugar and butter, finished with cream.

The Caramel Macchiato taught me what coffee can do beyond ice cream sundaes and candy confections. It can be comforting, a delight to grab between classes, or an awful first job.

But how does one enjoy something they can not eat? I’ve been stumped on how to recreate this treat since my dairy-free lifestyle began, until I picked up a pint of dairy-free Phish Food from Ben & Jerry’s. It had the marshmallow fluff (which I discovered I could eat again this past winter) and ribbons of soft caramel. Caramel that tasted like the real thing.

I began to search for knowledge on blogs and Reddit until I found a recipe so simple I had to give it a try.

  • 1 can of coconut milk
  • 3/4 cup brown sugar
  • 1/4 tsp kosher salt

It was so simple. Melt the ingredients together on medium-low, then boil and reduce for 20 minutes. Let cool in a glass jar and store in the fridge. I made it last night and it was marvelous!

I found Vanilla Bean Oat Milk ice cream at the store for a sundae, and bam, I was a kid again, making an ice cream sundae with my grandparents on a summer evening.

What is a flavor that takes you home? Is there a food you haven’t had in a while that will comfort you in these trying times? Make it, your inner child will thank you.

#70 – The Cold, Patience, BBC Pride and Prejudice

This winter, it’s wildly beautiful with it’s near constant snow accumulation (uncommon for where I live) and icy drops in temperature where we spent a month or so below 32 Fahrenheit. These rhythms of snow, ice, and cold fronts entering the atmosphere on a Friday and lasting all weekend led to many weeks of waiting, being still, escaping to my Stardew Valley farm. Waiting for the winter to pass, knitting away my boredom.

Time Passing Marked By Candles

We made a balloon arch for my birthday, a Brooklyn 99 high honor, and I decorated the living room with Stardew Valley garlands, making the time lost to snow and ice marked with something to remember.

In this waiting, I’ve had unwelcome house guest of Winter, the lingering cold. I had a troubling cold over Christmas, with sinus pain that kept me awake through the night. I thought it was gone as we entered January but I realize now the cold retreated but hovered in the shadows throughout the long mid-winter until Valentine’s Day when it re-animated and gave me some of the worst congestion, ear-aches, and sinus pain I can remember. I couldn’t lay down without the sinus pressure pain building, I couldn’t sleep. I felt miserable.

The Grim Night

I think the hardest part of feeling sick is the mental part. The patience to do nothing, and let go of the goals in your  mind. It’s boring! There was a few days of utter boredom. Knitting felt like too much, taking naps would trigger the sinus pain, and I remember   feeling useless, empty, and void of joy.

I felt deeply frustrated. Why was I going through a second round of this? Why is this happening to the point that I can’t write, or work on my projects, I can’t even keep up with my share of the housework. How long until I feel normal again?

When we lack health, it is the only thing we crave. It truly is more valuable than money. As I go further into adulthood, I growing in appreciation for the little things like health, a boring day where you feel great, and you tend to forget this feeling looking back on it. It blends with the others, but those ordinary moments are what give us such rich life.

Like those mild days of the year, those 60s or low 70s and sunny days, they blur in the background of the weather extremes, but really those days were probably the most mood boosting of the year.

Shall the Shades of Pemberly Be Thus Polluted?

One of the few things that gave me joy during that week of sickness was BBC’s Pride and Prejudice 1995.

It was my first watch. I’ve read the book and watched the 2005 version, but this series had escaped me. I think I put it off because I though it was a hipster scheme. How could this one be so much better than the 2005 movie? With its soundtrack and cinematography? The hype was real, it’s spectacular.

It’s a series I could watch again, and again, for those nature shots and the beautiful furniture. The costumes are true regency in design, compared to the 2005 version. Each character is flushed out like book and it is simply a treasure. 😍

Nothing Nice to Say

February and January to be honest have been a challenge for me creatively. I haven’t known what to write about without it sounding like I am complaining. There is a lot of crap going in the world and it’s been a struggle for me to keep my eyes fixed on the good.

When I’m in this mood, like I was during our house buying process in May 2024, I struggled to write on here as well. I didn’t want to complain and also didn’t feel inspired because of the distractions. And so, time passes.

In this time I’ve been listening, reflecting. I’ve been enamored by the latest Bible Project series. I’ve been waiting for the final blow for Joann’s which happened. I’ve been researching new sources of yarn and fabric, keeping my eyes and ears open for new brands to fill the void.

I started reading again – beginning with an attempt to re-read Crime and Punishment which I shelved for now after Semyon Zakharovich Marmeladov‘s long rant in the bar. I was feeling too sick at that point to envelope myself in that misery and pivotted to Six Crimson Cranes by Elizabeth Lim.

I have filled my days with the soundtrack of Aespa, Stray Kids, and Red Velvet. We even started a new K-drama, Crash Landing on You, which I’d like to write about along with Business Proposal and Extraordinary Attorney Woo.

We’re re-watching Only Murders in the Building and laughing our way through Impractical Jokers. All the while I’ve been working on several knitting WIPs that I look forward to sharing! Along with a Mia update, she is one happy bun, and has become a cuddly little friend who desires our company. My heart is full. 🥰

I hope wherever you are in the world, you are feeling healthy, loved and know how much I appreciate you, reader, who spend time with me here. I wish you a lovely weekend!

Character Design: Mabel Mora and Her Sweaters

Going into the show, Only Murders in the Building, I knew the concept of the show was intriguing. It’s set in New York City, in a classic building, where whodunnit murders take place which the trio solve through their of the time true-crime podcast. The age difference between Selena Gomez and the other two leads Martin Short and Steve Martin gave the story layers from the trailer alone. I was pleasantly surprised by the character design and the costuming which layered depth to each character’s story, like a real person would express through the clothing items they choose.

The most relatable to my taste is Mabel Mora because she not only “knits” as a plot device for “Bloody Mabel” but also wears clothing that looks like someone who knits. Her knitwear throughout season one looks like pieces made by someone who enjoys knitting. They are not your typical off-the-rack sweaters and appear to be knit by hand instead of machine. What makes it feel real to me is the weight of the yarn compared to the knitting needles shown in her apartment. The needle she says would be her self-defense weapon of choice is a thicker needle, for bulky weight yarn. My guess would be somewhere between a size 11 and size 13 needle which is appropriate for bulkier projects.

The wooden knitting bowls, the needles, and the unusual designs of the sweaters featured in this scene speak to the craftsmanship of a hand-knit sweater and place Mabel’s knitting needle in her world. They appear to be knitting which is not always the case in TV shows or movies that feature acts of knitting, the best example of this being Gromit from the Wallace and Gromit series.

Although we don’t see this craft as often in Mabel’s scenes as we see her paint or sketch, the evidence of this hobby is peppered throughout the show from her infamous dream, her carrying the needle in her bag when she jumps tie-dye guy or what lands her the moniker “Bloody Mabel” in season two. Movies and TV shows of the last five years have fallen into a telling not showing manner of character development. For example, in the 2022 remake of Persuasion, Anne Elliot breaks the fourth wall to tell views that she and Frederick Wentworth are “exes” instead of developing the story through interactions, long drawn-out glances as we see in Emma (2020), or Pride and Prejudice (2005 & 1995).

Only Murders in the Building did not take the bait, and instead showed what a 20-something knitter would wear in New York City winter – her handmade sweaters made with yarn colors that look like you could buy them from your local yarn shop. It was a clever character hobby to give Mabel as knitting was growing in popularity with people my age and beyond in the last decade, truly exploding in popularity with the rise of crochet in the 2020s. Every sweater she wears in seasons one and two looks like something you could find a pattern for on the site Ravelry.

It was such a great way to add nuance to Mabel’s character, because how many characters in TV shows knit that aren’t older? She’s a girl with a troubled and complex history, you would expect her to be a party girl or have a dark streak, like the characters of Effie Stonem, Serena Van Der Woodsen, or Jenny Humphrey, but instead, she paints, she knits, she is relatable in a plot that can be quite over the top compared to reality. Mabel is a character I can relate to, which pulled me in from the start to a show that doesn’t feel like it is a modern TV show because of how thoughtful the writing is. It never feels like a cash grab and that has given me hope that maybe this time of reboots and CGI reliance will go out of fashion for stories that once again feel handmade, like a good hand-knit sweater.

Have you watched Only Murders in the Building? Did you like it?

I Tried Watching Nana

Aside from Haikyuu and One Piece, Nana was the most recommended Anime I have watched. It was mainly recommended in fashion discourse in the TikTok fashion sphere and on YouTube for its spin on street style, punk, 90s fashion, and accessorizing with elaborate detail.

These fans praise creator Ai Yazawa’s Nana for its Vivienne Westwood references and innovative looks. As I expected, the fashion was inspiring. It captures the 90s and early 2000s Japanese fashion in a way that makes my heart warm because that’s how I first got into fashion—watching ANTM’s Cycle 3 and their finale trip to Tokyo. But there was one hiccup—I can’t get into the story.

Nana is a Work of Art

Now before Nana stans click out, I can explain why I am not a fan but can appreciate the artistic duality of the storytelling, while critiquing the worldview of the narrative.

I’ve previously mentioned that I’m not an anime fan, that I had watched Fruits Basket and some Trigun and it was enjoyable but did not grip me the same way a Kdrama can. Since then I have started watching Haikyuu and fell in love with the anime style and its storytelling in Haikyuu’s seasons. Going into Nana, I was excited to watch a new anime style. The artwork is different, older, and grittier like a film noir.

The storytelling was unique, and non-linear at the beginning, and featured two storylines of Nana O. and Nana K, a duality that Ai Yazawa put a lot of thought into. Her passion is clear from the art style, the complicated characters, and the darkness of human life that she explores. I appreciate the inner monologues of the characters, and the way that they feel real because they are flawed, and downright annoying sometimes, but I couldn’t find myself rooting for any character and walked away from the series after two attempts to watch through.

Struggles with the Story

Misogyny and the age of consent, are two things I was not expecting to be major storylines in this tale but there it was. It was hard to watch the disrespect and absolutely dangerous decision-making of Nana K in 2024 as an American with some of the headlines we have had of assault on college campuses and by powerful people in the culture. Me Too changed things and made this normality of the 1990s and 2000s a thing that was no longer going to be passively tolerated. For that, I am thankful to be living on this side of the 2010s and its cultural upheaval because when I encounter stories where the female characters are not being respected and accepting this toxic masculinity and normal, as the viewer it is outrageous.

My standard is now the ladies of Brooklyn Nine-Nine who demand respect and get it because the male characters on the squad are respectful. The characters of Gina Linetti, Rosa Diaz, and Amy Santiago have ambition, and desire love, but understand they are enough and don’t need guys to make them whole. I didn’t see that in my watch of the Nana show. They also support each other with maturity, and Nana K is simply not mature and despite Nana O’s heart, it can’t make up for the deficit, in my opinion. I know that their friendship is hailed for its feminism but I think the best friendships in storytelling have two mature people who have grown and developed into characters that have depth and true, selfless love for each other.

This show felt triggering for its realistic depiction of toxic relationships in both friendships and romantic relationships, which dug up memories from my teens and twenties of feeling lonely by the cloud of darkness bad relationships held me in. Like Skins UK, I could feel the pain, the emptiness, and the struggle in my veins by how emotionally charged the story is. But as Effie can send me into a depressed spiral, I felt the same from Nana. Art should make you feel, but not harm efforts to have good mental health, so as I made the decision to stop to protect my peace, I encourage you to have healthy boundaries with shows that can trigger you, dear reader. It doesn’t mean you are a wimp or that the show is bad, just that it isn’t a good fit for you because it is damaging your calm, to quote Jayne Cobb, from Firefly.

Girlhood, Dark Romance, and the Pick Me Girl

Something that may be holding me back from embracing Nana could be my culture and similar western media I have already grown up with which taught me the same lessons through their stories. As I mentioned before I see many parallels between Skins UK and Nana. They are both edgy, the characters are working through their own pain and finding their own solutions like by dulling the pain with alcohol or love. There is the female friendship in Nana like Meredith and Cristina in Grey’s Anatomy and the toxic relationships in Gossip Girl with the complicated friendship of Blair and Serena.

I found Grey’s Anatomy and Gossip Girl during the end of high school and watched both into college, a time that is full of turbulence. Something that Nana nailed, and I think if I had found Nana first it maybe the coming of age guidebook for me that Grey’s Anatomy and Gossip Girl were during those weird years. I think that both Gossip Girl and Grey’s Anatomy have more character arcs for their female protagonists than Nana, with Serena Van Der Woodsen being the only one I’d say didn’t grow much at all. Blair, Meredith, and Cristina all show tremendous growth by the end of their stories. (Yes, I know Grey’s Anatomy carries on but Sandra Oh left the show in 2014 and I personally stopped watching in 2019 so Grey’s has an end to me.)

Meredith Grey grows from a pick-me girl who lets her romantic relationships determine her fate with self-destructive bend to a healthy, open, confident woman who has family that support her emotionally and professionally at Seattle Grace. Cristina Yang realizes she needs people, that life is not about being an island. She balances her professional ambition with a new compassionate bedside manner and learns how to be vulnerable while being an incredibly strong person.

Blair Waldorf begins the show as a girl who is scheming, afraid to be herself, and afraid to fail and ends the show as a confident woman who knows what she wants and is willing to stand up for herself, support others, and create community in her world instead of tearing others down to make herself feel better. She may love Chuck Bass, but she is willing to walk away from him when he treats her as less than human. I wanted to see this from Nana, and I didn’t.

What I did see was a similar dark romance trope that permeates Twilight, toxic relationships that are abusive, not romantic, and not something women need to endure for love. A good cultural discussion that came out of the It Ends With Us press tour was producer, Justin Baldoni’s commitment to the message of abuse and making sure no interview was complete without raising awareness for an evil that persists in our world. It was in stark contrast to Blake Lively’s cheeky glamorization of this movie, refusing to go there and talk about the serious issues.

That’s what I wanted from Nana, there to be some force that would stop the mistreatment of these women and bring some hope to the story for these women to truly thrive.

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