Peachtober 2026 Final Days
The Deer, Bedford, and a Spider Bite
What’s the worst travel experience you’ve ever had?
I don’t go to the Outer Banks anymore, for a lot of reasons. Price for one, the cost of beach house rental is insanely high. When I went in the past I was still a student, my parents split the rental with several other people, including my extended family. Now as an adult I’m still amazed they could afford it, but the economy wasn’t in shambles as it is now. I digress.
Another reason I no longer go is because of several bad trips back to back years, literally getting there felt like a white knuckle ride on some occasions. There were always accidents to contend with. Traveling on I-95 through Virginia can be dicey. there is a large volume of traffic and beachgoing caravans mixed with local commuters, add in a tunnel and there were problems.
Where things began to take a turn was the succession of problems leaving Pennsylvania. The first bad year, began an hour on the road, we got a call from my grandparents inquiring if we could pick them up in WV. They were ahead of us, on the side of the road on I-79 after hitting a deer. The deer did not make it sadly, as it goes with wildlife crossing interstates, but I am thankful they were unharmed aside from a smashed up car.
The next year, my grandparents rode with us to the Outer Banks. Everything was going well until we stopped at the Bedford exit of the Pennsylvania Turnpike. Tragedy struck as my grandma fell on uneven ground, and badly hurt her face on the concrete. In her words, “she smashed her face.” She had the best comedic timing in times of stress, for being such a serious person. Thankfully, we able to get her to a local hospital and she made a fully recovery. I still dislike that exit though, the Midway rest stop feels cursed.
After that, I began hating that trip. It felt like we were in suspended reality on that 10 hour drive between safety and catastrophe. It’s not a drive I enjoy doing anymore. Too much baggage, without including my mom’s spider bite in the night or how many OBX Hospital visits we’ve had.
Peachtober 2026 Week Three
It’s Not the Pattern Designer’s Fault, It’s Your Lack of Curiosity
I think that one of the best things to come out of the internet is thoughtful discussion, albeit few and far between, but those rogue moments of principle sure are great. I experienced this over the weekend, when in a bit of a mood, I decided to pick up a fiber art project and queue up a Mark Vogel video. I love his content, he is as wordy as my grandma, with the love of music to boot. He has this way of challenging without being confrontational, and inspiring me to want to keep improving on fiber arts and interpersonal communication, just like she did.
This video though, challenged me in a way I did not see coming, and helped me synthesize some petty feeling I was carrying, that were rather useless. A few years ago, when I began this blog, hot takes were still a bit of a novelty, but now it feels like hot takes are the way we communicate in 2026, with common sense and self-control the delicacy appreciated by a few. How did a few years take something we all grew up knowing how to do, having common sense and self-control, and turn the behavior on its head to be an acquired taste?
That is why, I don’t share all the opinions I have anymore, some of my takes are straight up dumb and I don’t want to make a fool of myself. I did this in the beginning of my blogging, and now I cringe to think of the catharsis out there on the internet, which is why some of my posts have been changed to private. Anyways, writing is a journey. But, one thing I have shared, at least I think I have, is my indifference to PetiteKnit patterns. Not that I have purchased one to know if they are good or not, just that the ubiquitous PetiteKnit patterns have cluttered my feed and have become odious to me by how many people are making them. Yes, that is a very petty opinion, and I say, yes I agree with you. I don’t think I am correct, but it’s how I feel.
When I first discovered knitting Youtube and knitting podcasts, I was inundated with PetiteKnit this and PetiteKnit that.
This was around the time of the Cumulus O-neck blouse, the Sophie scarf, the Frankie, the Olga, the Ivy, the Maggie Cardigan, etc. The Sophie scarf in all its iterations and the Frankie are the two trigger points for me where I began to have negative feels towards the name PetiteKnit, I could feel myself tuning out or rolling my eyes when I heard someone talk about the next cast on being Sophie or Frankie. But I never sat with myself to figure out why had this reaction.
I think deep down I was concerned it was jealousy from her success, and I mean envy for the incredible careers Mette Wendelbroe Okkels has had would be reasonable. A doctor and the biggest pattern designer of this decade? Yeah, that is intimidating!
I think there is a lot of confusion too about where then name comes from. You see this very thin, white woman, from Sweden in these picture perfect places and it feels like another rich influence flaunting their privilege and a possible fascist ideology in this post-2024 US election landscape. But that’s not where the name comes from, she began designing baby patterns. Petite referring to small humans. She is not a Taylor Swift, she is just really good at what she does and the 2020 lockdown boosted sales.
So if it’s not jealousy, than what is my gripe? Well, when Mark Vogel was musing on an odd comment he received about his stockinette project. Specifically, that if it’s “stockinette” no one needs an update, he shared some thoughts that convicted me and clarified for me where my PetiteKnit burnout was coming from.
(For context, a lot of PetiteKnit patterns have stockinette, it’s a timeless finish and something I like in my own projects. Especially since I am not yet versed in cabling. Stockinette is common, but not boring, as the commenter supposed. Most store bought “professional” knits utilize stockinette.)
There is a trend in particular with knitters who share their work on the internet to be focused on “store-bought” looking knits. Which is not why I knit, I knit to create things I can’t find at the store. But for a lot of 2026 knitters, they want it to look store bought, and they want to make things that are trendy. This has created a boom of projects from just a few pattern designers flooding my feed, and everyone’s knitting feed realistically, with a repetition of names:
- The Lakes Pullover by Ozetta
- My Favorite Things Knitwear
- PetiteKnit Frankie or PetiteKnit Olga
- Andrea Mowry
- Ranunculus Sweater by Midori Hirose
- Kutovakika by Veronika Lindberg
- Sari Nordland
- Caitlin Hunter
The popularity is not the fault of the designers, it is their success for their hard work, what is actually bugging me is the sheeple nature of humans. When I hear one of these designs being mentioned it is usually with the intention of making it exactly as the designer did for their sample, like down to the color, the yarn brand, an exact replica. Over and over, and over again, as the algorithm spreads these trends, and we see the same project replicated ad nauseum, until our minds snark at the mention of these designs and their creators.
I’m not the only one who feels this way, a lot of the snark you see online about these designs echoes this sentiment, particularly when it comes to Rhinebeck, a sea of the same sweater, but instead of approaching this feeling with thoughtful contemplation, the snark is turned into vicious critiques of the creatives who made the patterns. We as humans are so good at tearing each other down, and getting upset at the pattern designers instead of being frustrated at the knitting influencers and overly-online knitting culture that is algorithmically flattening the creativity of the craft, is misguided and wrong. Like most good things, internet trends and virality, followed with this longing to be apart of something is making us make the same things.
That’s what I have caught myself doing. I am so bored and resentful, I don’t want to see the same thing over and over again. I want to see some original thought! Try a new yarn, or color! Experiment instead of copy and pasting the crumbs of the sample until there is no flavor left to behold. Be creative! The pattern was supposed to be a tool for that, not an AI prompt for you to shut your brain off and steal someone else’s work.
Quiet Luxury and store bought quality knit patterns, now merging with the need for basics in a recession is influencing the sad beige knitting trend we snark about, not PetiteKnit. I’m not afraid to say I had it all wrong. I’m glad there are positive and respectful creators out there like Mark, who encourage us to think deeper and respect one another. So let’s be kind knitters, and stop snarking on PetiteKnit from a reformed snarker, who has grown. Because you know what I learned while researching this post? PetiteKnit has a ton of interesting patterns that I’ve never heard of before! There is personality and variety, that social media drowned out and that’s a shame, so go forth curious my friend to make something new!
Etsy, I’ve Had It With You
This is not a shock, Etsy in 2026 sucks. It has been going downhill for a while, but the drop off in our current time is abysmal.
I used to find amazing things on the site. The best coat I’ve ever own from an indie designer from Shanghai. A cool elephant print messenger bag from Thailand. An intricate glass bead necklace from a glass artisan in Estonia. Vintage buttons from Ohio. Handmade wind chimes to honor the passing of my family dog from a shop in Maryland.
But there is no replacement for what was. 7 years ago I purchased a moonstone ring from an artist in India, but through my moves I have misplaced it. Frustrated with myself for not being more careful, I went on Etsy to see if I could find a similar piece and I thought I had. The seller said they were from my home state and prominently displayed certification on their listings, so I went ahead and purchased a new ring.
That’s when I realized I got got by the new Etsy. The ring did not ship for over a week, no message from the seller at all after purchase, and when it did ship the origin was not from Pennsylvania but from New York City, a port city, a drop shipper paradise. Then the ring arrived, looking nothing like the listing.
The stone was plastic, flat, lower than the metal setting, clear instead of the milky hue of moonstone, and loose in its setting. The ring came in a cheap plastic bag like you won it out of a gachapon machine. This was a trinket, not the certified small business jewelry I thought I ordered. This was a Alibaba or Temu special delivery from an Etsy seller cosplaying as a handmade artist who probably stole the product images on their site.
Why is this the way now? I just want to go back to the days of easily being connected with real artists and not people stealing and scamming to make a buck. I hope the person really needed that money.
I’m not bothering to contact Etsy, they will do nothing. They created this situation by rewarding AI and drop shippers, while silencing the makers who made their company a household name. Instead I have deleted my account and the start of a shop, I have had in limbo on the back end since 2020 because Etsy is not a place I want to be a part of anymore, as a seller or a customer. It is hollow.
Costuming an Enigma: River Tam
How does one tell the story of a one who is difficult to understand? An unknown, yet is a crucial piece of Firefly. That is River Tam. Alliance fugitive, genius, and younger sister of Simon Tam. Also, she is a young adult woman who is still finding her way. She is a talented dancer and that elegance and beauty brings tension to the reality that she is no longer just a girl, she can kill you with her brain and carries trauma, more vast than her years in the ‘verse.
Upon my first watches of the Firefly series, I thought River’s style was based on convenience, an amalgam of hand-me-downs from Kaylee, Inara, and Zoey. But with a more recent re-watch, I don’t think this is the case. River has clear vision for what she wants, and yes the first few days may have been hand-me-downs, but with a show tasked with telling so much is such a small window, everything is intentional. The costume designer, Trpcic, had a fantastic canvas to do what the story needed – tell us who River is without spoiling what she would become in her story arc. She is a girl who loves dresses, the freedom of comfort, flowy silhouette, and the protection of big combat boots.
Her clothes dance with her, gliding and twirling in those rare moments where River can soak in the simple pleasures of being free to exist as a human and not a weapon. You can see all that she craved from her time as an imprisoned experiment of the Alliance – color, nature, warmth, dreaming. Bohemian clothing is associated with a romanticism and idealism of the world free to exist in peace, love, and harmony. All things River has been deprived of by her captors. But when she is aboard the Serenity, she is given another chance at life. She is alive again. She is healing. Pink is an optimistic color, flowers a symbol of new hope. In the movie, when she can no longer ignore her trauma, and must confront it, River changes to darker colors. Her silhouettes stay romantic and delicate but in deeper colors. They communicate a maturity, she has passed from the arrested development state we find River in at the beginning of the story, to the woman who is accepting her new reality but choosing her path through it.
I’m not a huge fan of dresses, even though I have tried to like them in my twenties, they’re not for me. So if I consider incorporating her looks into my style, I have a bit of a road block when I see the over sized, pink dresses. What I do appreciate about River’s style is the Bohemian flair, knit and crochet details, and excellent taste in boots. I also like how she wears her hair. It’s how I’ve worn my hair for most of my life. I am inspired to knit pieces that she would wear and have incorporated sheer layering tops into my wardrobe this fall as well as a pair of Doc Marten look a-likes. I would like to dress like her, because I feel a kinship with River. Sometimes being neurodivergent, feels like you are stuck in your head, in a place no one can reach you. She is one of my favorite female characters for her realness. She is a strong female who is sometimes complete paralyzed by her struggles, she needs her community to bring her back from the brink, that’s real life. We are not lone wolves, lone wolves don’t survive. We need our pack.
Peachtober 2026 Week Two
The Style of Kaylee Frye
There are many fashion icons from the Y2K era, many that have mentioned on the blog like Lizzie McGuire, Lorelai Gilmore, Phoebe Buffay, Zenon Girl of the 21st Century, etc. They are known for their wacky combos and closet staples that continue to appear in fashion trend look books. One character though, that typifies the 2000’s style for me in both past nostalgia ephemera and present sewing plans, is Kaywinnet Lee Frye of 2002’s Firefly.
Now, if you think this is crazy, I think you are overlooking the details of this style that mixes utilitarian work wear with pattern, floral embroidery, all while layering pieces in a fashion that keeps this style futurist and retro at the same time. Costume Designer, Shawna Trpcic, had a lovely eye for detail when crafting the style of Kaylee. She is an accomplished ship-mechanic, but she is also young, from a rural planet, and has a love of nature even though she spends most days in space travelling the ‘verse.
For most characters who would be styled this way from the 2000s, they would be the typical “not-like-other-girls” archetype, but Kaylee is not. She is a girls girl. She wishes to be as lavishly adorned as Inara, and as wonderfully adored by a partner as Zoey is by Wash. She is strong and delicate, gentle and brave. She is ying and yang, a great nod to the the mix of east and west in the show, as well as space and western. There is a pleasant tension that weaves this story together. She is nurturing to River, spunky to Jayne, unwavering in her standards when Mal or Simon talk out of turn, and respectful of Book.
By making Kaylee a multi-dimensional character, Trpcic had a lot of ground to cover, to explore these sides of Kaylee in 14 episodes and a movie. How did she make such a dent? I believe it is in the details. Kaylee wears a version of coveralls throughout the story. Sometimes these are long sleeved, or more of a vest style. These earthtone greens and browns, have a warmth to them, like Kaylee. In the show, Kaylee is always wearing a warm color palette. Pinks, creams, aqua, etc. It is later on in Serenity, where she wears cooler tone pinks, dark gray-green, and cool tone brown. In the show, Kaylee wears earth-toned accessories, delicate necklace, funky print tops, brown belts, coral flip flops, sheer pink gloves. There is lightness in what she wears, even if it is a twill coverall or an exaggerated poofy dress. Even her floral dress with embroidery from the flashback, has lightness, with the voluminous sleeves. You can see a common thread throughout every look.
Her style grounds the show in reality, there is a world beyond the ship, among all these planets. It is bohemian, and she is a free spirit. If the show had focused too much on the space-futurism, Kaylee would not belong in this world. Her love of strawberries would be untethered from reality. Her hammock in the engine room, brings that carefree spirit of a ship on the water, or a beach somewhere out there in the ‘verse, away from the alliance. Her parasol carries history, of a time before planet hopping and Alliance subjugation, before Reavers. She embodies that peace we feel surrounded by nature, even though most of the nature she sees, is floating by the windows of Serenity. The darkness of space never changes her, like Sandy Cheeks from Spongebob, she is thriving in an abnormal environment.
What I love the most is how femme the style is, even though her job is supposed to be masculine, the gender is removed and the person shines. I like that she is herself with grease on her face or a frilly cupcake dress at the Shindig. I wish we had more time with her to learn more about her background, and see her shine in her effortless looks. Fourteen episodes was not enough! I hope the animated reboot will carry the same spirit forward for Kaylee, with even more looks I want to recreate.
My favorite look is the green coverall, with the aqua silk coat, brightly patterned top, parasol, and flip flops. This combo has staying power. It feels like a combo you could buy today from the bohemian, Free People, and was something that fit in the 1990’s/2000’s. Work wear is timeless, which is why I have been slowly adding overalls to my wardrobe, store bought for now as I figure out what style is best for my body type, but I have plans to clone my favorite additions, and hopefully sew my dream garment – these sleeveless green coverall with the teddy bear patch. I have the fabric, now I need the motivation to cut the pattern out.
Now what about shoes? As I mentioned there are flip flops, but other than that, she mostly wears boots. Which grounds the look even more into reality. She is climbing stairs to get from the bridge, to the hold, to the engine room, kitchen or her bunk. They walk when they are docked on planets. She also plays basketball with the others when traveling from port to port, on board the ship. The boots, although a bit heavy for that, remain a wise choice for this woman on the go. In some ways, her wardrobe is not as much mechanic as nomad. She is ready for the next place, a uniform for whatever crazy adventure Mal signs them up for next. She collects souvenirs along the way, like the patches, the jacket, parasol, and embroidered tops. An actual curated bohemian gal, that slowly created this style over time. It is why she feels so authentic.
Peachtober 2026 Week One
Time to Switch My Clothes Around
Every Spring and every Autumn, I would hear this phrase, from my mom, and my grandparents. It would follow with a flurry of activity. Sweaters unpacked from the “chifferobe” and piled onto the bed. Shorts and short sleeve shirts, carried from the drawers, to their cold weather slumber. Uno reverse, and the opposite dance began when the breezy warmth breathed life back through the open windows. As a kid, I enjoyed seeing all the clothes out of their drawers where I could look with curiosity at their clothes so different from my own. I didn’t understand the practicality, honesty, until this year, many, many years later.
Since we moved to Georgia almost a decade ago, we have been without proper dressers which sounds insane, I know. We’ve lived in some places with nice closets, that made storage simple. But we have lived in others where the closets were downright unusable. We’ve used moving totes, fabric dressers from Amazon, cube storage, and zipper totes for comforters. It’s an imperfect system, requiring a lot of digging through bins to find what you are looking for.
I think I have been so pre-occupied with simply organizing these bins, I didn’t think about moving my clothes around seasonally. That was until we bought our house and faced another closet that was challenging. I had hoped our house would have good storage, but that is something, I am learning, that you have to customize to your taste. This place has okay storage in the bedroom, but the problem remains that we need needed more storage like those proper dressers. Of course those are expensive and time consuming to make, the closet being bigger would have let us kick the can farther down the road, instead, God provided a really neat solution.
Our neighbors offered us a chest, a large cabinet really that can either be upright or laid down longways like a trunk. It’s an older piece, that with the dark stain patina, I think looks like a vampire coffin. This chest fits six of these large quilt storage totes! Which means I finally have my “chifferobe” storage piece. The chifferobe name makes me smile because this was not a wardrobe, this was a long trunk that sat at the foot of my grandparents bed, now it lives in my old bedroom at the foot of the bed I sleep in. My mom and grandparents also used trunks to do this. Steamer trunks to be specific, that my great, great grandparents used to immigrate from Ireland to America. Restored to the former glory and it such a convenient way to store clothing for the season.
On the left and in the featured image are the steamer trunks, and to the right, blocked by a suitcase is the cedar chest at the foot of the bed, that Kyle is using as a desk.
Maybe you don’t need to declutter so often, as often as influencers do. Perhaps, you just need a organizing system that makes your closet smaller and manageable for the season you are in, either in a four season climate, or in a state of mind. Putting things into a longer term storage, sort of like moving items out of your backpack in Stardew Valley, into a chest, takes those items out of your daily mental load, without getting rid of them. It’s very clever. Do you store things seasonally? Would you give this a try?
