Potato Technology 2205 Collection Part Three
Unrelatabilty and 2025 Holiday Campaigns
I had plans originally to write about Ralph Lauren Christmas on its own, but then I saw two advertisements, one from local brand Steel City and another from Banana Republic, so bizarre that I knew I would be here. Hopefully not ranting too much, for the goal of this discussion for me is to think more deeply about the subtle oddities in my culture, I see weaving themselves in, like they are normal. Overconsumption, cultural appropriation, and the cosplay of wealth.
Banana Republic’s Holiday Edit
So what does fippery have to do with it? Fippery is another word for ostentatious; it’s showy. Frivility in dress or style. I also find the attitudes of these two brands, and I do want to write about exactly that. Banana Republic has always been in my mind, a bit ridiculous. But with every re-watch of Seinfeld, I see J. Peterman in Banana Republic’s threads, but their recent holiday commercial pushed me over the edge. They are that nonsense.
The holiday commercial is set in Ireland, County Cork, and I know I haven’t been to Ireland in 20 years, but dang, nothing about this commercial felt authentic. They play a cover of “Linger” from the Cranberries over the holiday scene in a pub, wandering around the town, finding a telephone booth with Irish Gaelic on the sign. They are all wearing vaguely Irish clothing, but really it looks like cast walked through a Premium Outlets on their way to Castletownshend, Cork. There are lovely Irish Christmas songs and many other songs by Irish bands that would have captured the spirit of the season better than a breakup song. No shade to the Cranberries, I love them. There were better Cranberries songs to pick. Personally, I would have looked at Dreams, Ode to My Family, and I Can’t Be With You to capture the nostalgia of the season with a non-traditional song.
Moving beyond the music, there was nothing really Irish about this ad. We barely see the town, we barely see the people, or the ancient beauty of Ireland. Think about movies such a Waking Ned Devine or Banshees of Inisherin – the landscape is a character, so is the music, and community. Ireland felt warm, not in temperature, but in the warmth of the people. The land feels like there is magic just under the surface, an imagination unbreakable, and a spirit that carries the culmination of all those who came before in an essence that makes you want to know more. The sweaters are intricate, made with the intention of preserving heritage crafts. Just take a look at Banana Republic’s holiday page compared to Blarney Woolen Mills, which is based in County Cork! The source material was right there. I guess what I am trying to say is obvious: Banana Republic’s collection is the fast fashion version of Irish style, don’t fall for it, no matter how they try to sell you on the “luxury” of it all. Now, what really bugged me about this ad was, in my opinion, the cultural appropriation of it all.
There is a fairisle sweater in this Irish collection, which is actually a Scottish heritage craft from the Shetlands. This sweater contains wool from Italy, being sold as an Irish-inspired sweater. You couldn’t even use Irish wool? Or include iconic Aran sweaters? Fisherman sweaters like the iconic one from When Harry Met Sally? The Donegal Wool sweater and sweater vest, straight up annoy me because these are again Italian wool. There is a wonderful mill in Donegal called McNutt that could have supplied true, authentic craftsmanship. We still have our clothing pieces from this store and Blarney Woolen Mills, 20 years later. I don’t like Ireland, which has been used for centuries, been the butt of the joke for centuries, being used again to peddle some lackluster clothes.
Gap, Inc. is a huge brand; they should have invested in sustainable Irish materials and supported the local Irish economy by using Irish craftspeople to create this collection. But just like J. Peterman, they come and see, then they steal other cultures’ designs to make a quick buck from subpar clothing. Look at the prices! The Banana Republic sweaters, made in Italy with Italian wool, versus the Blarney Woolen Mills sweaters made in Ireland from Irish wool, both made from merino wool, too. Local is better. Also, look at the craftsmanship of the Blarney sweaters; those cables are stunning and also affordable. Shame on you, Gap!
Steel City, What Are You Doing?
Actually, to quote the Big Fat Quiz Show, “You slag!” Steel City is a brand no one outside of the Pittsburgh area will know about, and that’s okay. Small businesses are great, and when this brand first started, they were cool. Their claim to fame was hyper-local graphic tees of beloved cultural things such as Turners Tea, the Stillers (aka the Steelers), Kennywood, Mr. Rogers, the Pens (Pittsburgh Penguins), and nostalgia. Over time, though they have expanded, which is great, creeping out to the suburbs of Cranberry and Ross Park Mall, and that is where things have taken a bizarre turn. In 2022, I went to their location in Cranberry Township and was appalled by how tissue-paper-thin the new items were. We had bought pierogi and Potato Patch shirts, which were of great quality, but the new stuff was off. The prices, quite higher than before, and I was no longer interested in their stuff.
But as targeted ads go, I keep seeing their stuff everywhere, and it has gone in some random places. There was a motorcycle and a desert aesthetic to their pieces now? Okay, odd. Neither of these things has anything to do with Pittsburgh. I guess the name is the only connection? Next, I got ads for quiet luxury workwear pieces, the local graphic tees, now behind a t-shirt club paywall. It felt soulless, and I was incredibly disappointed. I thought in the beginning maybe they were going to make the items in Pittsburgh, but they are made overseas. This morning, though, I got an ad that straight up felt out of touch.
Seriously? In this economy? With the amount of destruction the fashion industry creates on our planet? Honestly, Steel City, what the flipping heck are you doing? This brand is neither relatable nor cool anymore. Wasteful consumption is not in style, no matter what the internet says.
Ralph Lauren Christmas
Now, Ralph Lauren isn’t promoting this; this is just a TikTok trend, and I just wanted to drop my two cents. I’ve spent the last five years chasing the nostalgia of old Christmas, Christmas before everything hurt. Before people died. When I was a kid, things were simple. No matter how much you spend, decorate, chase – this aesthetic is not going to fix what is broken in your heart. I encourage you to seek out authenticity this Christmas. Volunteer time at shelters, donate supplies, check on neighbors. Call those friends or those family members you haven’t seen in so long and connect once again. The Home Alone house is stunning, but remember, what brings the true Christmas spirit is the relationships reconciled for the Old Man and Kevin on Christmas morning. People over things, always.
What If Game of Wool Celebrated Design and Craftsmanship?
If you missed it, I made a Game of Wool Bingo card for episodes 1-3, because in my opinion, this show should not be taken seriously. I’ve given up watching, interacting with recaps, etc. I’m not going to watch beyond episode 3, and that is because hate-watching is validation in the attention economy of 2025. That got me thinking, what do I wish Game of Wool was instead of what it is? Game of Wool, just like Project Runway, I have notes!
No Kits or Internet Dressing Projects
I don’t want any themed-making kits sold per episode. They have been doing this for the episodes I have watched, each week partnering with a big yarn company, honestly making kits that serve no purpose other than a cash grab. I also don’t want to watch weekly episodes with challenges that create useless items. Useless from a practical and technical standpoint.
- Crochet and knit swimwear is dumb. You can’t wear it other than for a photo shoot, which places it in the “internet dressing” category. It’s for a photo. It’s not even practical for a music festival. But it does resemble a “Coachella” look.
- A crochet deck chair had potential, but it was not used within the materials provided or the time frame.
- A dog sweater with a required hat is not kind or practical for dogs. The sweater is comfortable, but the hat is not comfortable for the dog. Again, it is for a photo. Washability was not discussed either.
- The mohair sweater was the only challenge that was the closest to being a useful challenge, for design teamwork and wearability, but they ruined it with the ridiculous time frame.
- A couch cover is useless, because I have thought about constructing one for my own couch to stash bust, but it’s just not practical for anything other than a showpiece. Which is how they judged it, so a lot of wool was wasted to make a big, useless swath of fabric.
- The fair isle vest misrepresented a heritage craft of the region they were filming in. Why not just film a historical film set in the Renaissance, and put the actresses in Victorian corsets without a chemise, tight-laced? Same level of idiocy to be flashy!
This Game of Wool presents everything that late-stage capitalism is in relation to crafting and hobbies, thanks to greed, social media, and the attention economy. The British farmers could use the income; how about sourcing locally? What about sustainability and slow fashion? Yeah, 12-hour challenges do not represent anything but hustle culture. Girl boss, slay!
How Would I Fix It?
- Real experts, not these two ladies.
- Either all amateurs or all expert contestants. Pick a lane. Either be the Bake-Off or be Project Runway and offer a CFDA mentorship kind of prize.
- Bring in a real mentor to help in the wool barn.
- Take them on field trips to see wool being processed, dyed, and spun. Same with flax for linen.
- Tell the story of why textiles matter and why fair trade for the animals, farmers, and ethical standards matter.
- Explain why local matters for the economy and the ecology of the region.
- Teach the history of cottage industries.
- Teach the history of how knitting has changed the world, such as the development of textile machinery and the creation of the binary code. Essentially, fill in the gap of what Sci Show failed to do.
- Set real challenges that teach, showcase the skill of the fiber artists, and show innovation.
- Do a challenge that involves unravelling sweaters for yarn and teach the world about this amazing, sustainable possibility.
- Task the fiber artists to design patterns, and explore what goes into design and proper pattern writing, because it is a technical skill.
- Make things that will be auctioned off for charity.
- Bring in people as guest judges who will bring professional connections and opportunities for the fiber artists.
- Set realistic deadlines, and slow down the pace of the show. Follow a timeline like Mind of a Chef that explores moments of cooking over an entire season.
- Let the makers make, unencumbered by the pace of the internet. Take note from Bernadette Banner and other makers out there that celebrate true craftsmanship and sustainability in the heyday of microplastics.
I’m tired of this show discounting a skill that has been tossed aside as a Grandma hobby since the Industrial Revolution. In these weird and wacky times, slow fashion and an appreciation of craftsmanship are in short supply in the media. This show had such potential! But they are truly chasing the money over integrity.
Game of Wool Bingo Card
As a knitter, a crocheter, and a fan of shows such as Bake Off and Project Runway, I am hate watching Game of Wool. Yes, it is that mediocre. It’s frankly, shocking how unlikeable the judges are portrayed, and how blatantly the production is profiting off the design kits, while not openly compensating the designers. It’s been a disappointment for sure. So here’s a bingo card to make your watch through a bit more fun!
Socks Are Madness
This is a story of a winding road. It is not just passion that makes us try new and difficult things, but also the desire to fit in. Sometimes the road is bumpy, and bumpier still than we expected.
Last winter, I began a journey; at the time, I did not realize how technical this would be, and oh, how I miss the naive wonder of that time. I started my quest to make socks. The sock does not appear technical from the outside. It is a tube of knit fabric which we slip on our feet, most every day. Due to the Industrial Revolution, socks can be knit by machine with ease and speed. This has suspended our connection to the technology that first developed the sock—hand knitting.
In our modern day, socks are affordable and accessible. They are for sale everywhere in a myriad of textures, weights, and styles. We have socks for athleticism, socks for leisure, socks for style. They are boring, mundane Christmas gifts of childhood, and puppets with googly eyes. But what does it take to make a sock by hand?
I gave this a shot last year, and it challenged me! I cataloged my experience in Socks, A Journey, and Socks: An Update, where I began knitting socks flat on straight needles and three months later gave circular knitting a try. My first flat knit socks were made top down, in a tube style that negates the heel flap and requires sewing the sock into a tube. They are loose in fit but warm and great socks to wear around the house. My advanced tries, knitting in the round and turning the heel, were more of an adventure. My tension was tight, and my heel flap a nightmare, unable to be duplicated into a second sock, for how off script my technique became. I didn’t grasp the why of what I was doing and therefore messed up the pattern.
This summer, I went to a local yarn shop where I began my journey to sock more traditionally. I picked up a pair of small-gauge double-pointed needles and sock sock-making kit with proper sock yarn of wool and nylon, to do it “properly” and oh my, did this bomb. The toe-up pattern, new to me from my previous projects that were cuff down, pushed me far out of my depth. I sank instead of swimming. The four double-pointed needles and my uncoordinated hands created tension and laddering in the knit, which looks exactly as it sounds. I tried three times to knit a few centimeters before the stitches fell off the needles, the sock falling off with the stitches. In desperation, as the needles were 29 USD and the sock kit 29 USD, I was feeling very silly and wasteful purchasing new needles and new yarn that I couldn’t do anything with.
So I pivoted to my trusty straight needles until I saw my mom later that weekend, and she lent me a pair of small-gauge, small-circumference needles to finish the sock. Still baffled by the heel flap and the vague instructions on the pattern, I tried German short rows for shaping the heel. In a fortnight, I completed the first of the two socks. I cast off and handed it to Kyle to try on, and the size was all wrong. I tried to frog it back into a skein of yarn, but the splitty yarn tangled, ripped, and became a ball of knots. It was over, and I was furious with myself for wasting time, money, resources, and, honestly, hurting my eyes squinting to see my tiny stitches for almost two weeks to accomplish nothing.
Socks are madness. And maybe I should stop beating myself up about my failure when socks are one of the hardest things to make by hand. I am an overachiever and a perfectionist, so this type of failure cuts me deep. I obsess, I rage, and I fall apart in the madness of learning something that may take years to execute once, not even perfectly. But you know what? I have made good socks before! Comfortable, almost perfect for what I was looking to achieve, socks. But I rejected them as being good because I was embarrassed at how I made them. I didn’t follow the right techniques, I used the “wrong” yarn, and I didn’t turn the heel.
Sometimes I have major imposter syndrome as a knitter. I feel like a fraud because I don’t use the exact same patterns, same tools, same yarn as everyone else on the internet. But why is that a bad thing? I’ve listened to other knitters in podcasts discuss how the sameness of knitting is making it boring. Apparently, at Rhinebeck or other knitting events, it is easy to see the same sweater throughout the sea of people, and that is a new thing. Listening to knitters, who have been knitting long before 2020, when I really started knitting consistently, knitters used to do their own thing. Yarn suggestions in patterns were exactly that – a suggestion.
People were designing more and experimenting instead of knitting in the homogenized way we see today, which is one of the ways I feel like an outsider. I don’t want to knit the same things as everyone else, but I also want to be good at the craft, and it leaves me in this push-and-pull tension. It became clear to me, though, that my search to “fit in” with the proper sock kit and the expensive needles didn’t make me a better maker. It was honestly a bit of a handicap. So I guess my takeaway is to be yourself?
I don’t want to stagnate in my skills, but if I can find my own technique to make socks and other garments with the “non-standard” tools and yarn, then is it really stagnation or just getting creative with where my skill level is at? I’ve been pondering this a lot and have more thoughts on this from both the point of view of a knitter and a sewist. But that will have to wait for next time.
A Procrastinator’s Temperature Blanket Guide
Did you know that you can find daily highs and lows in a database to use for temperature blankets? I didn’t either until a year ago. (Yes, this project post is long overdue.)
I learned this from the lovely Toni Lipsey of TLYarnCrafts, which saved me when I spontaneously decided to make a temperature project last year for Christmas…after Thanksgiving.
I am a last-minute Christmas gift maker, along with many people out there. I am not special or organized, but I’d like to change the second one. Anyways!
What is a temperature blanket?
It is a fiber-based project, knit or crocheted, whose color palette and sometimes its pattern are determined by the daily weather of a specific location over a certain time span. I thought you had to track every day, but you do not, which is amazing because you can make this project on a whim. Although the actual work time will be longer than you may expect, it was for me.
It’s a fantastic stash-busting project or a way to use colorful yarn you may not put together in the same project. You can do whatever you want, and that is what makes this project such a special one. Your color changes will be different depending on what date range you choose and where you live.
It’s like a fiber fingerprint of a certain time, a memory, crafted into fabric.
The traditional date range is a year of weather, usually highs, which is what I did with my first project, but you can do whatever you want, and isn’t that amazing? You can do lows, weather patterns, etc. I had the idea of honoring a family member’s birthday by researching the temperature on their birthday every year since they were born. It truly is a free-form, fascinating way to engage with crafting and nature!
Materials, Temperatures Recorded, and Yardage
I chose to stash-bust my backlog of half-used acrylic skeins for a random color palette, but it can be whatever you like. You can use wool, cotton, or alpaca. You can plan an entire color palette that is unique to your design sensibility. I think an ombre in the same color family would be lovely if you can find the yarn swatches to do this. I think that with the right design eye, this usually random-looking project can look exquisitely planned out.
I believe the most important part of the project is getting the data recorded down into a spreadsheet or notebook, whatever fits your crafting style, so that you can see what temperature ranges are the most common and therefore which ranges will be the most common through the piece. I had a really tough time deciding this, and in hindsight, I wish I had tallied how many of each I had before knitting, because for one color, I almost ran out! It would have been so much easier to have swapped the colors I was using according to the yardage I had instead of choosing at random. I think that is why crafting practice and crafting community are so vital to this work, because sometimes you don’t know until you try, and sharing our experiences informs the greater knowledge for us all.
For my temperature data, I am an analog gal, so I recorded my temperature highs in a notebook and checked off each day as I went to keep track of my progress. I highly suggest doing this in some capacity because otherwise, you are going to have to count rows, and checking off progress in a spreadsheet or notebook is just quicker.
If you are a beginner knitter or crocheter, might I also recommend Caron or Big Twist acrylic yarn for this project? The value for yardage and lack of splitting of these yarns make a huge difference for a first crafting experience, so that this project easily transforms from a skein of yarn to a lovely blanket made with your own hands.
Would you make a temperature blanket? Have you ever tried to make one before? Did you enjoy your experience?
Planning the Final Makes of 2025
It’s that time of year when the holidays kick in, motivating me to dream of all that I can make before Christmas. But this year I am doing this a little differently.
Stitch/Life Balance
I started working and planning earlier. I usually think about what I want to make around Thanksgiving, a month or less before Christmas which is an impossible deadline. Last year I made a temperature basket and pushed to finish it in three weeks, it was tedious and down right miserable.
Create Better
I had better out comes with smaller projects, like mittens for my mom. This year I am also using distinct inspirations, so the projects are easier to execute well.
Started Earlier
I started my Christmas planning in August and began work in September, a first for me. I am debating on whether to gift a fully completed sweater or keep it, it was made without a clear goal and is a cozy crochet cardigan. If I choose to gift it then, I actually started in July which is the ideal timeline for me. I would like to start making as early as possible next year.
Holding Projects for January
I have made one Halloween project, but other than that I have been focused on making for other people this fall and it feels great. No stress.
There are several projects in my mind, but I am holding them for later. January feels like this depressing months of “after” all the excitement of the holidays. This usually includes a lapse of creativity too. I tend to push myself to make all my winter stuff in fall. To be honest, it’s dumb.
It can frost as late as June where I live, and snow in earlier May. It is cold for at least the first quarter of the year so why limit my timeline?
I am hoping this new creative strategy will lead to better makes and a happier maker.
Soul Crushing Dread
I am struggling this week to not feel down. The Federal Government shutdown and Pennsylvania Government shutdown is causing havoc for a lot of people. SNAP benefits are being paused Nov 1, so is a program in Pennsylvania which helps people pay for heating costs. You can see the blood of the RSF genocide in Sudan from space. ICE is being spotted more in my state. Every thing is gnarly, to quote Katseye. There are some personal things being worked through behind the scenes, that can drag me down, and I just feel sad. My heart is heavy. I would like evil to disappear. As corny as it sounds, I’d like world peace for Christmas.
I hope you are doing well, and know that you are loved. Hang in there. I am struggling as a sensitive person in these overstimulating times.
Forest Creature Hat
Have you ever wanted to look like you emerged from a cozy video game? Maybe you’d like to wear a hat that reminds you of spooky season? Behold my new crochet adventure, not my first hat, but the second stitched together for this autumnal season.
This hat is inspired by the pointed witch hats, either sewn or made from yarn, that make an appearance in October, either in patterns that I see advertised or inspiration sources online. I didn’t want to make anything too witchy. I am not aiming to be a witch; I am looking for something fantastical. My hat is more of an allusion to the pointed, wide-brimmed headwear, while also aiming to be something a bit historical, rural, maybe hobbity in form.
The inspiration image I used for this project is a hat from Animal Crossing: New Horizons – the frugal hat. It is a subtle nod to a scarecrow, while it could belong in the wizarding world. I chose to crochet this project for the ability to sculpt the hat in a way that is freeform. I love how crochet lets you create without managing all the stitches on a needle; instead, I was able to switch from the hat portion to the bill with ease. I crocheted onto the side of the hat and used varying stitches of single crochet, double crochet, and granny stitch to add the frilly volume to the bottom.
Another reason I chose to crochet, over knitting this hat, was to provide the hat with more structure than knit stitches. Crochet stitches have more body to them. This was a scrap project, using leftover yarn from my first sweater dress, now a cardigan, made in 2023. Which was also scrap yarn, from a previous scrap yarn project – my cat ear beanie from 2024. As time passes, and I make more things, I love seeing how projects are connected through materials over time, because scrap yarn is kind of magical. It’s always worth it, in my opinion, to hold on to the extras for these random projects that call for just a little bit of yarn.
Finally, this hat project was inspired by one other seasonal topic, the state of my country. It just never stops right now….ahhhh!!!
Am I living in the 1950s? No, but dang was this what McCarthyism was like? I’m sick of the FBI telling Black Americans not to mourn Assata Shakur. Charlie Kirk is being touted as a martyr by MAGA and the primarily white church, tainting the message of the gospel with that Nationalist sham of a funeral, complete with Hitler-esque photos by the orange man. It’s getting ICY in a lot of places nationwide. So, I made a witch hat, because the Salem Witch Trials of 1692 and 1693 were not about witchcraft.
Instead, they were about religious extremism, sumptuary laws, xenophobia, and social tension. It was profitable to report your neighbor as a witch. You could gain financial and political power by reporting people who did nothing wrong. So I made a witch hat, because I am done with the injustices being played off as not that serious, and I am tired of our own political witch hunts. I feel helpless and angry all the time because of the Idiocracy. So I made a hat to try to do something creative with my feelings.
This forest creature hat, named by my sibling, was designed by me and created using worsted-weight acrylic yarn with a 5.5 mm crochet hook.
One Rabbit Riot 
