Tag: knitting

Catch of the Day Sweater

In 2025, sardines and other tinned fish became more than just food; they appeared on beaded bags, shirts, and prints. They also made their way to the fiber arts community, which inspired me to make a fish print sweater for Kyle, who enjoys fishing IRL and in video games. I just like the video game version.

The Design Concept

When planning a garment with a colorwork motif, I always consider scale, placement, and repetition. To do this, I use what I learned in art class many years ago – the seven fundamentals of art. So I consider line, shape, color, value, form, texture, and scale. In the catch-of-the-day sweater, it was important to make the fish wearable and to ensure good form and function. How do I make the fish on this sweater make sense? I decided to hang freshly caught fish on the sweater to help with the scale of the art. I placed them in the center, on the front, only to keep the perspective of this in focus. I thought placing more fish would become overwhelming to the eye and become unwearable.

Adding more fish would have required adjusting the scale and the color, meaning I would have simplified the sweater down to two yarn colors only, with sections of fair isle colorwork, which is a smaller, more concentrated technique. But I like the color contrast of using two colors, representing two types of fish with slightly different scale patterns. How big is too big? How do you represent a fish, with their scales and texture? For this, I went to Pinterest to find cross-stitch or knitting colorwork charts for inspiration. I believe I settled on a cross-stitch pattern because it had the detailed lines and scale I was looking for. I wanted the fish to look realistic, although it could be in an imagined world like Animal Crossing New Horizons or Stardew Valley. Whimsical? I think that is the best way to sum it up.

To make my pattern, I used the cross stitch reference and transferred it to graph paper by hand, tweaking some areas to make the inspiration my own. I did this in the same application for my Red Velvet Cosmic Knit Tank project. Next, I needed to determine the scale of the fish within the sweater pattern. It’s important to plan out how many stitches you need to complete the colorwork section across your rows and keep it centered. To do this, subtract the number of stitches in your colorwork pattern from the number of stitches in your row. Divide the sum by two and adjust to keep the stitches on either side equal, to keep the pattern centered. It is also important to note how tall the color work pattern is compared to the garment you are knitting, to allow enough room above and below that the graphic motif makes sense and doesn’t look misplaced on the garment. I think I literally held my pattern up to Kyle’s chest to figure it out.

Fiber Content

For this sweater, I went in a different yarn direction to try something new. I chose a wool and acrylic blend from Knit Picks called Mighty Stitch. It was underwhelming. The yarn, while soft, pills something fierce. It is also a slim worsted weight, which was exaggerated by the large needle size I used – US 10 or 6 mm. This created a breathable, airy sweater, but dang, did it throw off my pattern and design. Eventually, I had to face my fate – I was running out of yarn, and my panel was too narrow. Not exactly the outcome you want after spending a week on the front panel with the intricate fish design. I would rather start over than frog the color work, always.

I had some decisions to make. I originally purchased the Mighty Stitch on sale, but when I ran out of yarn, it was not on sale, and I wasn’t interested in doubling the price of this already too expensive project that was in the process of failing. So like Miss Frizzle recommends, I got ready to “Take chances, make mistakes, get messy!” I went to my closet of yarn and fabric and began to dig through the stash for something else I could introduce into the design. I found a warm-toned gray and neutral black yarn from Big Twist that was also worsted weight. Because the Mighty Stitch is a washable yarn, I felt comfortable combining the two yarns. I had already introduced acrylic yarn to the project through the mint and teal fish, using scrap Big Twist for those sections. Always check your fiber content, though, to avoid incompatible fibers that will make the project hard to care for over time.

Making a Change

The original design was changing from color palette to overall concept. This sweater would need to have color blocking sections now, to stretch the main green color. I decided to not only change up the design, but to change up my technique, opting for crochet on the sleeves to make the sleeves go faster. Knitting is a slow craft, and for some reason, knitted garments for Kyle have this curse of going horribly wrong and also knitting up slowly because of the hiccups. I wanted him to be able to wear this sweater for the bulk of the winter season of 2025-2026, and I was knitting this in August-October, so I took a shortcut. But in my defense, the texture of the sleeves, ironically, looks like fish scales to me. Especially with the gray and black colors!

The second change I made was adding width to the sides of the front panel to make the sweater a drop shoulder. I then knit the back panel wider from the start, and added a section of gray on the middle to upper back panel. It adds a nice contrast to the overall composition of the sweater, while making the sleeves feel cohesive.

Men vs Women Shoulder Shaping

The shoulders gave me such grief in this project! I’m used to making sweaters for myself and my female form. The bust makes the shoulders rest differently than I realized, and this came back to bite me. For a man’s sweater, the back needs to be longer. Especially the shoulder section on the back of the sweater is going to ride up the back, and be too long in the front. This happened, and I was bamboozled on how to fix it. Enter short row shaping and the principles of perspective and scale.

I learned that I needed to add short rows, meaning only working a section across a row to add length to a specific portion of the back panel, the back middle. To do this, you work back and forth on the section, evenually go back to working across the entire row. In addition, I made the back collar and back ribbing longer to compensate. These simple changes made the sweater appear the same length back and front, draping across the shoulders pleasantly, even if one side was technically longer. It doesn’t matter because of the role of perspective. Magic!

Final Thoughts

I learned a tremendous amount of knowledge from the Catch of the Day sweater, and I am grateful it all came together in the end to make a sweater that Kyle enjoys wearing. I have saved my patterns to attempt this again in the future with better yarn and proper dimensions to make the pattern fit well from the start, instead of scrambling to adjust at the end.

How I am Preparing to Leave Pinterest, if OpenAI Buys Them

I want to start off by pleading with Pinterest, please don’t work with OpenAI. (I know this is purely a rumor, but even so, I think using the internet to voice opinions is important.) I have been using your platform since 2012, and it is so useful! It has become less useful over time, with the “purely financial” decisions of peppering in a multitude of advertising pins and allowing AI-generated art to invade the platform. Even so, it is still a platform I use and love to escape into for inspiration.

Without Pinterest, creative writing projects like Udal Cuain, knitting colorwork projects, sewing projects, and home decor ideas would have been more difficult to source and may not have been on my radar – ever. I’ve even learned simplified versions of songs to play on the piano before I bought proper books, for free through Pinterest. Now what about fandoms? On really difficult days, my Stray Kids board is filled with memes, SKZ Code, captured moments from lives, silly edits, and STAY inside jokes that would not exist in one place to make me smile.

I don’t want to leave Pinterest at all, but there comes a time when we must make a stand for what is right – if you integrate with OpenAI, as rumors have thrown around, many other like-minded individuals, and I will leave because, as artists, we will not stand for the theft being carried out by generative AI of our work. Art is human. Generative AI is regurgitation. Art is for an audience of many; AI-generated art is for an audience of one. Human-made art has emotion; AI-generated art is the result of algorithmic decisions. AI-generated things are not new; they are not groundbreaking. They are human effort and human creativity scraped by these computers and served up as “new” all while consuming vast amounts of electricity and clean water, for nothing but perceived “innovation” that makes these tech bros wealthier. It gives nothing to humanity; it feeds the greed of the few. Alright, that’s enough of looking into the abyss for me.

How do I plan to make this change if Pinterest is bought by OpenAI?

  • Crafting Books
  • Used Books, Magazines, and Catalogs
  • Respectful Fan Accounts on Instagram
  • Physical Notebooks
  • Migrating to Milanote
  • Blogs and Research
  • Building a Creative 3rd Place Elsewhere
  • Creating Your Own Charts
  • Physical Moodboards
  • Acknowledging Frustration
  • Diving into History
  • Utilizing Libraries

Yes, we’ll be going back to analog inspirations, like going back to the 1990s and 2000s. I’ll be crafting even slower, researching longer, and spending more time digging to learn how to do new techniques like fillet crochet or how to paint using gouache paints, but that’s okay. At least it will be honest inspiration. In time, we will all come back together through a new creative community platform, and it will be a bit of a waste of time. So, Pinterest, put these rumors to bed, please, because when it comes to AI, we artists mean business, and you will be left behind.

Thanks for coming to my TED Talk ❤

#79 – Craftivism

This is a new term for me, but it is genius. Craftivism is activism through crafting. It is using your art and everyday things to show what you believe and to speak out against injustice. And to use an internet term, this has completely “changed my brain chemistry” to think of using my knitting to say what I believe, just like art.

What made this a tangible thing for me to get started in community was the Welcome Blanket collection at my local yarn shop. Together, sections of knit and crochet squares would be collected and seamed into blankets, like receiving blankets, to welcome immigrants to the United States. With all the ICE-y conditions out there, it’s swimming against the current in a way that aligns with my beliefs and what we are called to do as Christians – love your neighbor and take care of immigrants. Not to worship power, money, and excuse racism like some so-called “Christians” in my country are doing. Seeing my crochet square stitched together with other like minded indivduals’ fiber art was powerful. It reminded me of how we are stronger together and how doing small things, as a community, makes a difference. I also enjoyed reflecting on my own immigrant heritage and sharing my story of how my family came to the US and why immigration is necessary.

As an American who is not Indigenous, every part of my family tree came from somewhere else. Some of my family came from Germany, I believe, in the early 1900s, since my great-grandmother, who was born in 1912 in the US, spoke German as her first language at home. Some of my family from Ireland left County Cork’s farmland during the potato famine to escape certain death from the genocide of starvation by Great Britain. Some of my family from County Armagh immigrated in the late 1800s to the US, went back to Ireland in the early 1900s, and came back again to the US during the Troubles. The rest of my family came from Canada in the 1960s. If we are not members of Indigenous nations, then we are all here because of immigration. To act like immigration is dangerous, un-American, and unwelcome is not American to me. We all came from somewhere else. Let’s love our neighbors and support them in this new chapter of their lives, which came about because of a very difficult decision.

The second opportunity that brought Craftivism back on my radar was the Melt the Ice hat. This hat was used from protest by Norwegians in the 1940s during the Nazi occupation of Norway. Minnesotans, many of whom are descended from Norwegian immigrants, but now are a rich community of immigrants from all over the world, brought the hat pattern back to raise money for the Immigrant Rapid Response fund, which provides assistance for immediate needs – food, rent, etc. This fundraiser raised $650,000 with a $5 pattern during the Melt the Ice MAL in February 2026. If you are not aware of what has been going on in Minneapolis, there has been violence, there has been death, there has been kidnapping, and unlawful occupation of a city by federal forces in the name of corruption and power. Making the hat felt like there was a healthy place to channel my grief and anger over what is happening while bringing community together – Craftivism is powerful.

Have you ever heard of Craftivism? Would you participate in it?

DIY K-Pop Band Tees Using Embroidery and Knitting

In 2025, one of my goals was to try my hand at crafting my own K-Pop Merch. Some bands are easy to find Merch for, and others, well, you are left to your own ingenuity. The bands I selected to try for this are NCT 127 and NMIXX, which I have tried and failed to find band tees for that I liked. For this project, I used two different techniques – embroidery and stranded colorwork knitting.

NCT 127 Embroidery

My first idea was to pick up a blank T-shirt from the craft section and get to work. The shirt I chose was a Gildan tee from Walmart, which I DO NOT recommend. This shirt is so freaking thin. Horrible quality compared to the blanks I have found at Michael’s, Dollar General, or even Hobby Lobby. But as I was dubious of my embroidery skills, I went ahead with the Walmart shirt as practice. That was the right call, because dang, embroidery is not as straightforward as it looks.

For this project, you will need: an embroidery hoop, embroidery floss bundles, a marker or pen to sketch your design on your shirt, and backing like embroidery interfacing or a fabric scrap that I used (because I forgot that the embroidery needed a backing).

For the design, I chose something simple. The song, the band, and a little imagery. I love their early album Cherrybomb (2017), but the song is almost 10 years old now, and it’s kinda hard to find any NCT Merch with it at this point. Seemed like the perfect option for a first try. I wasn’t expecting my stitches to be so tight; I felt like I was fighting myself across the whole piece. This was because I forgot about the backing for stability, and all this embroidery on this poor quality shirt, yeah, it wasn’t great. Afterwards, I added a backing to the embroidery with a scrap piece of another t-shirt.

Is it my best work? No. But is it a start for making better projects in the future? Yes! And I wear it anyway in the garden and as a sleep shirt.

Red Velvet Knitting

My desire for Red Velvet Merch was entirely motivated by the confusing announcement in April 2025 that members Yeri and Wendy did not renew their contracts with SM Entertainment, but Red Velvet was not disbanding. They have become one of my top girl groups after their release of Cosmic in 2024, so it seemed only appropriate to use the album Cosmic as my muse for a cotton knit tank with stranded colorwork. It’s a bit easier to find Red Velvet Merch on sites like Teepublic, from which I have bought a shirt. This project was more about expressing my love for this album, and I hope that Cosmic will not be their last release as a group.

You will need: a pencil, pen, graph paper, and stitch markers. (Along with your basic knitting supplies – needles, yarn, scissors, tapestry needle)

To start, I searched Pinterest for album artwork and a logo. I found a lot of options to use as a compass for the project, but decided the simplest option would be best. I opted for one color to keep the floats simple. To make my colorwork charts, I always use graph paper and a pencil to be able to adjust the marks that I transfer from the image. Once I am happy with my design, I trace over it in pen and use a pencil to cross out the lines of the pattern as I complete the project to mark my progress. To understand the dimensions of the image as I worked, I also marked the “canvas” with stitch markers. It is also important to note your garment construction and how that relates to your chart. I made this tank knitting bottom up, so I began working on my colorwork from the bottom of the chart.

I am thrilled with how this project turned out! As my first stranded colorwork project with this complex of a design, it was far easier than I thought to complete. You just have to plan out your image and be patient with your floats. Try not to hold too tightly and remember that blocking will help the tension relax.

The Search for Affordable Yarn – A Review

When my go-to yarn, Big Twist, was temporarily discontinued in 2025, I felt adrift in a sea of unfamiliar yarns with unfamiliar prices. Which raised an interesting question: what will be my new tried and yarn? I thought I would share this journey with short reviews of the yarn I explored in search of a new favorite.

Yarn Criteria:

What am I looking for in a yarn? Big Twist was my favorite for a few key reasons – affordability, quality, color range, and ease of accessibility. Big Twist had a large selection of colors in a worsted weight that did not split easily or snag in knotted tangles. The skeins contained 380 yards, selling for 4.49 USD, which made sweater projects affordable. It was easy to source in person. Now I am not looking for in-person yarn purchases like I used to. It’s just not possible at this time.

Wool of the Andes

Wool, worsted weight, has a large color range, and can also be purchased in a superwash variety. This yarn is a Knit Picks, made from Peruvian Highland Wool is sold for 4.99 USD per 110-yard skein. I like how sticky this yarn is. When it is stitched up, it stays in place and has great stitch definition. It’s not too itchy. I am sensitive to wool, and I find this yarn to be fine. I also used the superwash for a hat, so that could be where the extra scratchy feeling came from. I think this is a great yarn for budget wool, and for beginners, the best part is that it arrives in a skein, not a hank that you have to unwind. Yes, I would buy this again. I just purchased this for an upcoming rabbit-related project.

Mighty Stitch

Silky and soft. This yarn had great sheen for an 80% acrylic, 20% wool fiber. It was labeled as worsted, but I found it to be too thin compared to my other worsted yarns, which created some issues in my project. This Knit Picks yarn is 7.99 USD for 208 yards. When I purchased this yarn, it was on sale, but still more than I am used to paying for acrylic. Due to the thinness of the yarn, I failed to meet the gauge. I found myself using a lot more than I thought I would. The most disappointing thing was the way it slides out of knots, which was a problem for the colorwork and color blocking sections. The yarn also doesn’t respond well to my husband’s beard. I found this out because I knit him a sweater, and the top was falling apart where it caught on his beard. Would I buy again? No. I don’t trust it not to pull out of the weave, and I felt let down by the price for the experience.

Lion Brand Pound of Love

I found these oversized yarn skeins at Michael’s, and I was thrilled. Lion Brand is a fantastic budget yarn that I used before on a previous sweater project. At 1020 yards for 11.99 USD, this yarn has been a game-changer for experimentation. I can try new projects, have room to mess up, or be able to make gifts, blankets, etc, on a budget. It does not split. I can knit or crochet easily, and it meets the gauge. My only negative critiques are the color range and the composition of the fiber. I wish there were more colors; the range is small compared to Knit Picks or Big Twist. I also wish acrylic were not made from plastic. I wish this were wool, and was kinder to the environment. Yes, I will buy this again. It is the best budget acrylic yarn I have found that is easy to purchase and would be a great beginner yarn to learn with.

Loops and Threads Soft Classic

Before Big Twist fully came back in Fall 2025, I thought Loops and Threads may be Michael’s brand expression of Big Twist, after they acquired Joann’s IP and the yarn vendor contracts, so I gave it a shot, and I have some mixed feelings. The color range is large, which I like. Some of the shades are lovely, and some are a bit garish. Some of the yarn dyeing is odd. Some of the texture of the acrylic fiber is also odd. It can be a bit limp, almost too soft. I love the mushroom and curry color ways. The black yarn I purchased, however, smelled like a cheap pleather purse- a bit fishy and a bit like burnt hair. I still can’t get the smell out of the yarn with airing out, Febreeze, and laundering. Maybe it was the chemical dye? For this reason, I have some pause. But you can’t beat the 3.99 USD price and 354 yards per skein. Let the creativity reign! Yes, I will buy again.

Palette

Palette Fingering Weight yarn from Knit Picks is a 100% Peruvian Highland wool yarn that has become my go-to winter accessory yarn. With its lightweight ply, I combine it with other yarns to create marled and warm hats, mittens, and socks. The hat to the left is three strands of Palette held together on US 7 needles. The hat to the right is made with two strands of worsted-weight acrylic (Big Twist) and one strand of Palette. It’s a non-superwash and has a lovely squish to the skeins. This yarn is already skeined up, no Hanks to unravel, and contains 231 yards for 5.49 USD per ball of yarn. I will rebuy. I actually panicked on New Year’s Eve, that I had drained my whole stash, to find they were at the bottom of a tote bag.

Caron Cakes

I have worked with two Caron Cake varieties in 2025 – Blossom Cakes and Big Cakes. The Blossom Cakes are a blend of 61% cotton and 31% acrylic fibers. They are variegated, worsted-weight cakes of 481 yards that sell for 14.99 USD per cake. They tend to do a BOGO sale at Michael’s, so I get them on sale, or else I would be less enthused about this item. The Big Cakes are also worsted-weight acrylic yarn, which is self-striping. I love the quality of the yarn, but the striping is a bit tricky. I am currently using them for blankets, but I did consider separating the sections of color to make something different. The Big Cakes contain 603 yards, which are sold for 14.99 USD. On a sale, you can make a blanket for a great price. For this reason, I will try the cakes again, with the proper project. They are complicated, and without a plan, they feel like a waste of money. With a good plan, they are a great resource.

Final Thoughts:

I found more options than I expected last year, and this led me to actually be happy that I had to find a new option for my tried-and-true yarn. Moving forward, I don’t have a sole favorite; instead, I feel like a nuanced palette of tastes is the better way to describe it. If you are a new knitter or curious about trying some of these yarns, I hope my thoughts helped. These are all my opinions, and all the yarn was purchased with my own money.

Unrelatabilty and 2025 Holiday Campaigns

I had plans originally to write about Ralph Lauren Christmas on its own, but then I saw two advertisements, one from local brand Steel City and another from Banana Republic, so bizarre that I knew I would be here. Hopefully not ranting too much, for the goal of this discussion for me is to think more deeply about the subtle oddities in my culture, I see weaving themselves in, like they are normal. Overconsumption, cultural appropriation, and the cosplay of wealth.

Banana Republic’s Holiday Edit

So what does fippery have to do with it? Fippery is another word for ostentatious; it’s showy. Frivility in dress or style. I also find the attitudes of these two brands, and I do want to write about exactly that. Banana Republic has always been in my mind, a bit ridiculous. But with every re-watch of Seinfeld, I see J. Peterman in Banana Republic’s threads, but their recent holiday commercial pushed me over the edge. They are that nonsense.

The holiday commercial is set in Ireland, County Cork, and I know I haven’t been to Ireland in 20 years, but dang, nothing about this commercial felt authentic. They play a cover of “Linger” from the Cranberries over the holiday scene in a pub, wandering around the town, finding a telephone booth with Irish Gaelic on the sign. They are all wearing vaguely Irish clothing, but really it looks like cast walked through a Premium Outlets on their way to Castletownshend, Cork. There are lovely Irish Christmas songs and many other songs by Irish bands that would have captured the spirit of the season better than a breakup song. No shade to the Cranberries, I love them. There were better Cranberries songs to pick. Personally, I would have looked at Dreams, Ode to My Family, and I Can’t Be With You to capture the nostalgia of the season with a non-traditional song.

Moving beyond the music, there was nothing really Irish about this ad. We barely see the town, we barely see the people, or the ancient beauty of Ireland. Think about movies such a Waking Ned Devine or Banshees of Inisherin – the landscape is a character, so is the music, and community. Ireland felt warm, not in temperature, but in the warmth of the people. The land feels like there is magic just under the surface, an imagination unbreakable, and a spirit that carries the culmination of all those who came before in an essence that makes you want to know more. The sweaters are intricate, made with the intention of preserving heritage crafts. Just take a look at Banana Republic’s holiday page compared to Blarney Woolen Mills, which is based in County Cork! The source material was right there. I guess what I am trying to say is obvious: Banana Republic’s collection is the fast fashion version of Irish style, don’t fall for it, no matter how they try to sell you on the “luxury” of it all. Now, what really bugged me about this ad was, in my opinion, the cultural appropriation of it all.

There is a fairisle sweater in this Irish collection, which is actually a Scottish heritage craft from the Shetlands. This sweater contains wool from Italy, being sold as an Irish-inspired sweater. You couldn’t even use Irish wool? Or include iconic Aran sweaters? Fisherman sweaters like the iconic one from When Harry Met Sally? The Donegal Wool sweater and sweater vest, straight up annoy me because these are again Italian wool. There is a wonderful mill in Donegal called McNutt that could have supplied true, authentic craftsmanship. We still have our clothing pieces from this store and Blarney Woolen Mills, 20 years later. I don’t like Ireland, which has been used for centuries, been the butt of the joke for centuries, being used again to peddle some lackluster clothes.

Gap, Inc. is a huge brand; they should have invested in sustainable Irish materials and supported the local Irish economy by using Irish craftspeople to create this collection. But just like J. Peterman, they come and see, then they steal other cultures’ designs to make a quick buck from subpar clothing. Look at the prices! The Banana Republic sweaters, made in Italy with Italian wool, versus the Blarney Woolen Mills sweaters made in Ireland from Irish wool, both made from merino wool, too. Local is better. Also, look at the craftsmanship of the Blarney sweaters; those cables are stunning and also affordable. Shame on you, Gap!

Steel City, What Are You Doing?

Actually, to quote the Big Fat Quiz Show, “You slag!” Steel City is a brand no one outside of the Pittsburgh area will know about, and that’s okay. Small businesses are great, and when this brand first started, they were cool. Their claim to fame was hyper-local graphic tees of beloved cultural things such as Turners Tea, the Stillers (aka the Steelers), Kennywood, Mr. Rogers, the Pens (Pittsburgh Penguins), and nostalgia. Over time, though they have expanded, which is great, creeping out to the suburbs of Cranberry and Ross Park Mall, and that is where things have taken a bizarre turn. In 2022, I went to their location in Cranberry Township and was appalled by how tissue-paper-thin the new items were. We had bought pierogi and Potato Patch shirts, which were of great quality, but the new stuff was off. The prices, quite higher than before, and I was no longer interested in their stuff.

But as targeted ads go, I keep seeing their stuff everywhere, and it has gone in some random places. There was a motorcycle and a desert aesthetic to their pieces now? Okay, odd. Neither of these things has anything to do with Pittsburgh. I guess the name is the only connection? Next, I got ads for quiet luxury workwear pieces, the local graphic tees, now behind a t-shirt club paywall. It felt soulless, and I was incredibly disappointed. I thought in the beginning maybe they were going to make the items in Pittsburgh, but they are made overseas. This morning, though, I got an ad that straight up felt out of touch.

Seriously? In this economy? With the amount of destruction the fashion industry creates on our planet? Honestly, Steel City, what the flipping heck are you doing? This brand is neither relatable nor cool anymore. Wasteful consumption is not in style, no matter what the internet says.

Ralph Lauren Christmas

Now, Ralph Lauren isn’t promoting this; this is just a TikTok trend, and I just wanted to drop my two cents. I’ve spent the last five years chasing the nostalgia of old Christmas, Christmas before everything hurt. Before people died. When I was a kid, things were simple. No matter how much you spend, decorate, chase – this aesthetic is not going to fix what is broken in your heart. I encourage you to seek out authenticity this Christmas. Volunteer time at shelters, donate supplies, check on neighbors. Call those friends or those family members you haven’t seen in so long and connect once again. The Home Alone house is stunning, but remember, what brings the true Christmas spirit is the relationships reconciled for the Old Man and Kevin on Christmas morning. People over things, always.

What If Game of Wool Celebrated Design and Craftsmanship?

sheep in a field

If you missed it, I made a Game of Wool Bingo card for episodes 1-3, because in my opinion, this show should not be taken seriously. I’ve given up watching, interacting with recaps, etc. I’m not going to watch beyond episode 3, and that is because hate-watching is validation in the attention economy of 2025. That got me thinking, what do I wish Game of Wool was instead of what it is? Game of Wool, just like Project Runway, I have notes!

No Kits or Internet Dressing Projects

I don’t want any themed-making kits sold per episode. They have been doing this for the episodes I have watched, each week partnering with a big yarn company, honestly making kits that serve no purpose other than a cash grab. I also don’t want to watch weekly episodes with challenges that create useless items. Useless from a practical and technical standpoint.

  • Crochet and knit swimwear is dumb. You can’t wear it other than for a photo shoot, which places it in the “internet dressing” category. It’s for a photo. It’s not even practical for a music festival. But it does resemble a “Coachella” look.
  • A crochet deck chair had potential, but it was not used within the materials provided or the time frame.
  • A dog sweater with a required hat is not kind or practical for dogs. The sweater is comfortable, but the hat is not comfortable for the dog. Again, it is for a photo. Washability was not discussed either.
  • The mohair sweater was the only challenge that was the closest to being a useful challenge, for design teamwork and wearability, but they ruined it with the ridiculous time frame.
  • A couch cover is useless, because I have thought about constructing one for my own couch to stash bust, but it’s just not practical for anything other than a showpiece. Which is how they judged it, so a lot of wool was wasted to make a big, useless swath of fabric.
  • The fair isle vest misrepresented a heritage craft of the region they were filming in. Why not just film a historical film set in the Renaissance, and put the actresses in Victorian corsets without a chemise, tight-laced? Same level of idiocy to be flashy!

This Game of Wool presents everything that late-stage capitalism is in relation to crafting and hobbies, thanks to greed, social media, and the attention economy. The British farmers could use the income; how about sourcing locally? What about sustainability and slow fashion? Yeah, 12-hour challenges do not represent anything but hustle culture. Girl boss, slay!

How Would I Fix It?

  • Real experts, not these two ladies.
  • Either all amateurs or all expert contestants. Pick a lane. Either be the Bake-Off or be Project Runway and offer a CFDA mentorship kind of prize.
  • Bring in a real mentor to help in the wool barn.
  • Take them on field trips to see wool being processed, dyed, and spun. Same with flax for linen.
  • Tell the story of why textiles matter and why fair trade for the animals, farmers, and ethical standards matter.
  • Explain why local matters for the economy and the ecology of the region.
  • Teach the history of cottage industries.
  • Teach the history of how knitting has changed the world, such as the development of textile machinery and the creation of the binary code. Essentially, fill in the gap of what Sci Show failed to do.
  • Set real challenges that teach, showcase the skill of the fiber artists, and show innovation.
  • Do a challenge that involves unravelling sweaters for yarn and teach the world about this amazing, sustainable possibility.
  • Task the fiber artists to design patterns, and explore what goes into design and proper pattern writing, because it is a technical skill.
  • Make things that will be auctioned off for charity.
  • Bring in people as guest judges who will bring professional connections and opportunities for the fiber artists.
  • Set realistic deadlines, and slow down the pace of the show. Follow a timeline like Mind of a Chef that explores moments of cooking over an entire season.
  • Let the makers make, unencumbered by the pace of the internet. Take note from Bernadette Banner and other makers out there that celebrate true craftsmanship and sustainability in the heyday of microplastics.

I’m tired of this show discounting a skill that has been tossed aside as a Grandma hobby since the Industrial Revolution. In these weird and wacky times, slow fashion and an appreciation of craftsmanship are in short supply in the media. This show had such potential! But they are truly chasing the money over integrity.

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