The race track of chipmunks, and the gymnasium of squirrels. Drawn in chalk pastel.
Tweed Yarn Sweater Vest
The sweater vest. It was on my radar but did not become an item I dreamed of until I saw a lookbook from Steal the Spotlight styling Friends-inspired outfits, inspired by Chandler, the sweater vest king. I continued down the rabbit hole and to Katie’s K-pop Comeback Fashion review and I was done for. K-pop fashion, Korean fashion, and the sweater vest were a layering piece I knew I was going to make. Maybe it is the color combinations or the accessories, but how these sweater vests are styled across different boyband concepts just got me. It felt fresh and fun, not preppy or stuffy.



A year later, I was ready to tackle this project. After making a few sweater projects, and learning how to pattern from garment construction, I felt like I had a good understanding of the shape needed to make the sweater. At Joann’s, I found a non-wool tweed yarn and I knew this was the yarn I wanted to start with. It looked like garments I love from Irish Aran Jumpers and was a way to bridge my heritage and this new world I was exploring through K-pop. I like the garments I design to have a story and intentionality behind them.
The New Technique


With US Size 8 needles in hand and one skein of Big Twist tweed yarn awaiting a new form, I began by casting on 65 stitches. Working my way up I did the basic knit-purl stitch and gradually binding off on either side when I reached my desired length for the armhole. I chose to make a cropped sweater vest to accentuate my waist and break up my long torso. The big moment though came when I did some research and made the decision to branch out and knit the shoulder and neckline on two sets of needles. This required knitting, casting off in the middle, and continuing to knit on a second set of needles. It worked!
Learning new techniques is always worth the time and the trial because eventually it clicks and you have something new, you didn’t think you could do, but you can!
Making two instead of four pieces on my straight needles was a time-saver! Honestly, I see why having a teachable spirit is important in all aspects of life because I thought I had a good technique before, but dang, two pieces are such a better experience. Four pieces was a mental game, and I got bored. Hence why my previous sweater projects have taken months and months, and months because I distract myself with palette cleanser projects and then avoid finishing the four-piece projects.
Afterward, I sewed the two pieces together and knit two 65-stitch pieces of ribbed trim for the bottom. I liked how rustic the sweater looked without the ribbing on the neckline and armholes. It looks like an old-fashioned piece, and a bit like armor. Which is cool.
Sweater Vest Fits of 2023


This is how I have styled the finished garment so far! I like it over my black flannel and charcoal jeans for a moody look. It styled surprisingly well over this DIY project where I added a flared skirt to a cropped graphic long-sleeve shirt. This is where I saw the armor aesthetic come through. In 2024 I look forward to playing around with it even more!
Some things I plan on either finding or making, are basic layers I can wear under this vest. Currently, I have my flannels, that random diy-tunic, and maybe some long-sleeve tees but I’m not certain if they are long enough to layer out the bottom of the vest. This is the struggle of adding a brand new item to your wardrobe – how do you integrate it and style it well without buying a bunch of new things? Yeah, I’m figuring that out and until I do it’s going to be some time before I think I can make a truly amazing outfit with this piece. But I’d rather do this responsibly and be a patient person instead of draining my bank account for instant gratification. (Age has done me well in that respect because I used to do the opposite!)
2024 Project Update:
Since finishing the garment, I have either lost weight or the vest has stretched a bit from wear and one wash. It was not sitting well on my waist anymore but ballooning out so I took it in. I took it in at the arm hole seams and gradually took in the waist at the back so the garment has a back center seam which is not the look I was going for but the fit is on point again. Lastly, I knit another section of ribbed trim to lengthen the garment to keep it from riding up, in doing so I made the ribbed trim addition of 60 or 55 stitches, I forgot to take note when I made it, to pull the waist in even more. I like the fit and plan to make another version of this garment with a smaller adjusted pattern.
Selkie Dresses and the AI-Generated Backlash
People are ticked off regarding Selkie’s use of AI in their Valentine’s Day release, and I have to say, I can see their point! (Also, cupid, again? What is up with these dramatic “love-inspired” releases for 2024?)
Selkie made a creative, design choice. A big choice that may not have been the wisest decision for their brand reputation. As of three days after the announcement, the comment section is not pleased by the decision to use AI-developed patterns for their fabric instead of human artists to develop patterns for their newest crop of iconic dresses.

Now, right off the bat for me, I can see a contradiction in this decision just from an aesthetic standpoint. Selkie is a dress brand that took off in popularity in 2020, selling fantasy puff romantic dresses that evoke another time. They are fanciful, sometimes with corsetted bodices, other times they have high regency waistlines, but mostly they look like a dress to galavant around Versailles in with Marie Antoinette. They are not modern in the dream they sell, they have an intrinsic historical imagination.
They are princess dresses. Ladies of prestige in the modern time when none of them feel like princesses. Since the 1990s, we have seen a steep decline in formal fashion in our day-to-day life. Case in point, billionaire tech boys wear hoodies and t-shirts, not suits and hats like Carnegie and Vanderbilt. In 2020, this came to a head as remote work and social distancing created a new space of absolute nothingness when it came to fashion.
What was the point? You could wear pajamas and as long as you weren’t on a Zoom call, who would know? It was negligible. With face coverings, makeup became superfluous. Selkie, cottage-core, dark academia, etc. These movements in fashion revealed something deeper in our collective psyche. Although wearing pajamas and hanging out on our couches seemed like a dream, in reality, we were missing the fantasy of spectacle and splendor. Selkie is the typification of this.

AI pops the dream bubble. Suddenly the clouds of tulle and puff sleeves that carried us into a dream world of palaces, picnics, and girlhood, evaporate underneath us and the lifestyle falls back to reality. As much as AI sells a dream of fantasy, it is a tool of reality. The reality of cutting corners, fast fashion, and jobs being cut from creatives is to cut costs because AI is cheaper. But cheaper is not always cheerful. In the case of a lot of AI art and AI work, you are getting what you pay for. It’s not the real deal, something is just a bit off.
I’ve watched several videos in 2023 of creators I watch putting AI to the test, and in each case when it came to AI having to work in our space, in the humanities, it couldn’t hang. The results were surreal, not real. In these videos, AI was used to interpret history, recreate art in a historical style, create portraits in photography, show examples of historical dress, and give advice on how to give yourself a makeover. In each experiment, the AI was not able to replicate the human experience and seemed to get confused by things involving the story of humans.
With Selkie’s historical aesthetic being a key to its branding, it is not surprising to me that AI seems out of the aesthetic wheelhouse. This is an interesting reaction to me because it has appeared since the turn of the 20th century that we as humans have been lusting over technology as the ultimate fantasy until we have it and then the intoxication fades away like blood alcohol and late-night attraction.

It is an interesting time for fashion brands for sure because I think this may be the era that humanness and authenticity to the world the brand is selling may prove to be more valuable than gold. I appreciate the commitment to humanness and personal ethics that consumers are voicing. Especially when it comes to human artists. We can’t change the fact that AI is a thing and it is easy to replace humans with technology, all we can do is voice our opinion and make choices based on what we believe.
I’ve looked through the comments on Selkie’s newest release and there were echoes of disappointment and displeasure from consumers, a lot of them being artists themselves. There was a different tone in these comments than the commonplace cancel culture of our current age, there was genuine sadness. Like when a parent isn’t mad, just disappointed.
The criticism was delivered respectfully but firmly. This gave me hope that we can begin discussing things online with more frankness and kindness than in recent years. If you are a big proponent of AI, I ask dear reader that you don’t take my thoughts on the subject of AI personally. Maybe you can be the one to show us all what makes it great? 🙂
I Found My Missing Manuscript
I have exciting news! Yesterday, while I was transferring larger video files from my phone to my Google Drive, something amazing happened. Honestly, it was one of the most surreal things I can remember happening to me.
As the files transferred, a folder with several documents that I swore were deleted, showed up in my cloud. At first, I thought they must be just showing the recent files I had looked at because, to be honest, I don’t go into my drive very often. I saw old work documents I deleted and Udal Cuain. So, as a joke, I clicked on it expecting my drive to tell me that the file did not exist anymore. But to my surprise, that’s not what happened!
I found every draft version of my unfinished manuscript from 2018 – Udal Cuain in this folder. It had the original version, the version with an updated timeline and calendar, the version when I divided the document into two books, and the draft where I began revising and changed the beginning.
It was all there, but it shouldn’t be. I clearly remember deleting it. I remember deciding I never wanted to work on it again. And dang, after looking through all the work I put into this story over two years, I am so glad that whatever glitch happened, did happen because I regretted deleting it. I really did.
I looked at the word count yesterday, around 124,000 words or 250+ pages single-spaced. There’s too much work there to abandon. I have to revise it, right? If I took out the dark directions it drifted towards and reengineered those motifs to a place that reflects who I am instead of who I was trying to be, it could work. It could really work!
I already had a non-fiction book idea I was planning to write this year, so I guess, what is one more project? 🙂
I’m grateful and excited to get started on the revising process because this shouldn’t have happened and I am pleasantly surprised that it did. It makes those lost years of confusion and wandering in a desert of shut doors feel like they were all for something important, something that started that I should have never given up on just because I got a job.
I never thought I would see that project again, and in some way, that’s what I needed for a time, but in 2023, I began to question if I made the right choice abandoning it. I wish I hadn’t but learned to accept that I made a choice and that was that. It’s taught me to keep hold of things, and wait and see instead of making snap decisions. I guess it’s maturity. But, I’m getting a second chance here and that’s pretty freaking awesome!
Lanterns in the Sky
In this watercolor painting, I wanted to explore the magic of lanterns being released into the night sky.
Honey Bee | 01
A study of a honey bee, building honey comb and filling the cells with golden stores.
To Rest and Not Wonder
Toss and turn.
Crash and hiss.
Waves break upon my mind’s own sigh.
I see distortion, of water in senseless motion.
I want to find an oasis,
the peace of pillow and sheets.
To rest and not wander.
Wondering whether I meant anything to you?
It’s rising in my mind.
Will I find a break in the tide?
Pondering my queue of regret, does 1:30’s Captain sail forward or back?
History wakes so I can’t sleep. Missing you.
The idea of you,
seems bigger than my eye shut.
But I’m a princess when you’re a pirate.
My sword, my cuts, sink our hope of steady winds.
Will I find a break from this tide?
I see distortion when words don’t take motion.
It’s bigger than the wind in the sails.
Hair in my eyes, hiding my hunger, my hunger to cut lines.
1:30’s Captain by the water of senseless fortune
I want an oasis!
The peace of pillow and sheets.
I miss you.
Proverbs 17:17
I have this new widget on my phone, the verse of the day, and what I love about this new widget is that I can’t accidentally close out the notification like I can with the Bible App’s push notification. I’ve done that so many times by accident and it frustrates me because I like having the verse of the day reminder at the top of my phone. Why do you ask? These verse-of-the-day notifications are sometimes like a voice in the wilderness, paraphrasing Isaiah 40:3. It cuts through the chaos, the world’s inhumanity, and all that life throws at us. It reminds me to stop and remember who stands beside me through every moment – Jesus.
Today’s verse of the day is a verse I remember from childhood, it was the theme verse of my Bible cover. It was shortened to include the first phrase of the sentence – “a friend loves at all times” and featured a cartoon-style illustration of a group of kids with their arms around each other like they were posing for a photo. They were united in love for one another. I liked that case because it reminded me that I could feel the fellowship I longed for being an only child with my friends. I could get a taste of the community my friends and cousins had instead of feeling like the odd one out.
It wasn’t until much later, it could easily be my Bible read-through in 2020-2021, that I understood there was more to the verse. There is more to this verse, and the entire second half of a sentence that fills me with emptiness not because I am an only child, but understanding what the verse means – family united. Recently there has been a lot of family in my life again and it has taken me some time to get used to having people around again.
In the last ten years, my family has seemed more like Coyote to my Road Runner.
There has been a lot of betrayal, suspicious decisions, and big divides. When I read that verse this morning I was struck by how I associate friends with the security of family and family with the cloak of the adversary in my life. The villain mostly instead of the place I run to. Am I really that jaded? Cause that sounds jaded and not like a person in a healthy place. I shouldn’t be scared of family, but I am. I don’t want to get hurt again. I don’t want to be let down.
A longtime friend and I just ended our friendship and the weirdest part about the whole thing has been the rollercoaster of emotions flooding my mind. I feel grief like she died, but she didn’t our relationship did. I feel like I lost my sister, but ironically what sent me running for the hills in our disagreement was how much she began to remind me of my sister, my dad’s youngest. We have different moms. We have a lot of baggage and the relationship is quite toxic.
In the final days of our friendship, I was freaked out once I saw how much our friendship had grown into a toxic state mirroring my relationship with my sister. The crossover from a safe friendship to a toxic family dynamic frightened me. Ironically since we had to part ways because we couldn’t seem to right our problems, I have been grieved about losing a “sister” figure in that friendship. Even though the friendship was unhealthy for a long time, I felt a sisterhood with her because she wasn’t actually related to me, and I overlooked the ways we were unhealthy for each other because it is safer to cling to this faux-sister thing than to leave it behind. I completely wish my friend well and want her to find a support system that works better for her because the toxic dynamic that we brought out in each other was no good for anyone.
And yet, I find myself feeling like that little kid again with the Bible cover hoping I find a new community even though I do have a community right in front of me, but some of that community involves family. I’m definitely supposed to learn something here.
So, why am I sharing all this? When I saw this verse pop up on my widget I was struck by how serious this is for our communities and our world. Family should not be the ones who hurt us, but they can and they do, on varying levels of seriousness, some being very, very serious levels. God gave us the structure of family and of friendship. They are inherently good things. But we use them for bad because we are fallen humans. We are capable of creating unrepairable damage, where I stand with several family members and it sucks knowing that we may never be able to repair this on Earth.
I think being a Peacemaker, as God calls us to be is more than just finding reconciliation, I think it’s also about filling those gaps in society. Some people have family members who have done evil things and their actions and continued choices have made it impossible to reconcile on Earth as it stands, it’s all in God’s hands for now. Being a peacemaker does not mean forcing insincere apologies, or forcing families back into dangerous, even deadly situations. Being a peacemaker challenges us to bring God’s kingdom here. To love, to comfort, to fill the gaps, and to show who God is and what He freely gives to us all if we accept Him. None of us have earned it or deserve it and that’s not the point. The point is to glorify God and allow Him to transform our lives and our world. Being a willing vessel is what is important.
I was watching a documentary last night called Jonathan & Jesus, it’s on Amazon Prime, and in it, Jonathan Roumie met with the leader of Civil Righteousness, Jonathan Tremaine Thomas, and spoke about what being a peacemaker is and I was struck by how much daily myself and the world around me misses the point of what that means. Especially for me, I think of my family. It’s like we have divorced ourselves from acknowledging that is part of the Christian life. But in the early church, Christians were the peacemakers, the outposts of hope in dire situations like plagues. There are a lot of things, I remembered, that we are missing the plot about. Some days it feels overwhelming to think about creating change, even in my own life not just in my community, or my country.
This verse of the day really humbled me. The documentary humbled me. The words of Jonathan Roumie, Brandon Flowers, Alice Cooper, Jonathan Tremaine Thomas, Francis Chan, etc humbled me. But also filled me with hope and purpose. A reset. I’m resetting a lot this month, I guess between my schedule and my focus. That’s why I love the verse of the day, God speaks through this app and through documentaries, His voice is everywhere as long I listen.
Wearing a Full Potato Technology Outfit
What I’ve wanted since I started my sewing journey was to be able to wear a head-to-toe outfit of my designs. Now have I technically done this before wearing a dress I made? Yes, but a higher level of skill is needed to wear an entire outfit of sportswear separates, crafted with my own self-drafted patterns. This was the level up in my sewing I wanted and in Fall 2023, I achieved it!
Lightweight Corduroy Trousers

In Trying Something New – Hot Pink Scuba Fabric I mentioned I was working on a trouser pattern, and although the pink scuba pants didn’t work I learned an important lesson about designing pants – fabric choice! I revised my trouser pattern, referencing the dimensions of one of my existing pants in my closet and chose a better fabric. This paisley pattern corduroy is lightweight and strong, with a bit of stretch. This fabric took the stitches far more effectively than the scuba. The weave is different and therefore the stitches did not have to cut through and pull through the fabric as it did with the scuba’s texture. Lightweight corduroy gave me the drape I wanted with the opacity and structure I was looking for. Hopefully, the longevity too!
I’ve worn these pants three times and they are going strong. I’ve even altered them to take the waist and add a zipper fly and they fit excellently. In addition to the trousers, I crafted a matching belt and belt loops to adjust the waist as needed.
Recreating a VS Cowl Neck Sweater

I had a favorite sweater in college from Victoria’s Secret. It was a black drapey knit sweater, boxy shaped, and featured an exaggerated cowl neck that could be worn off the shoulder. I wore it for a long time until I lost it and I haven’t quite found another one like it. I wanted to make a 2023 version of it that bridged the gap between sweater and sweatshirt.
Enter this cranberry stretch fabric that was warm but with a texture that looked like a sweatshirt. I went into the unknown and decided to make a cowl neck for the first time and I’d say it turned out just as I wished. I don’t like wearing things off the shoulder anymore therefore I made the cowl neck opening smaller than the inspiration piece. I added cuffs as a cuffed bottom to encourage the garment to hang in a boxy fit but not ride up as I move through out my day. It does as it is asked. I’ve worn this piece with jeans, leggings, and these corduroy pants and I have to say it’s pretty dang versatile.
The only thing I wish I could change is the few sections of seam where I was fighting with my sewing machine. I had a mishap with a stitch and had to stitch rip the seam. Unfortunately I caught a small piece of the fabric and caused damage to the cuff. Other than that unfortunate event, I’m properly chuffed. These two pieces moved my sewing skills and design portfolio in the direction I am aiming for – tailoring, construction, bigger projects, head-to-toe looks.
A Study of Mittens
To develop a pattern I could rely on I’ve been studying mittens. Different shapes, proportions, and ribbed versus knit-purl have been tested to see what I like to wear and make. It’s been a fun journey! A journey where I’ve learned how pattern development involves skill refinement.
October 2022
The brown mitten was developed first. It was a project on a whim to make better hand-warming devices than I had before. In the Fall and Winter of 2021, I made mittens out of cheap, bulky weight yarn that while soft looked like whales breaching out of the water instead of hand-shaped mittens. They lacked dexterity, polish, and honestly, lacked taste. They were ill-fitting because they were a prototype and I tried wearing them but tossed them at the end of the season to try again. Enter the brown mitten.
The brown mitten had a good shape. It was created from a worsted weight yarn on size 7 needles compared to the previous bulky yarn on size 11. The brown had even stitches, warmth, and potential! I got so excited that I forgot to write my project notes and boldly decided to make the second one later. This never happened. This mitten floated in my cold-weather accessory bin until I let it go.
August 2023
Next, I worked on the black rib knit mitten. Instead of a knit-purl structure I made a crucial error and decided to make the entire mitten, not just the cuff, with a rib knit. Why was this an error? Well, the tension across the yarn was stiff and this made the mitten difficult to wear. It also looked messy because I had to reduce my stitches to achieve that curved shape at the top. When you are developing a pattern you are improvising and experimenting so as you can guess my reduction led to uneven ribbing and wonky texture.
It was not my best work and harkened back to that weird breaching whale shape. Not a fan!
September 2023
The Blue Sheep mittens were a wonderful delight! I picked up a blue tweed yarn at Joann’s on a sale and began making things that made me happy, like this recreation of my Blarney Woolen Mills gloves from the early 2000s. My mom and I bought matching sheep gloves in this color when we visited in 2001. As they wore out we repurchased them online until Blarney Woolen Mills stopped offering them.
I don’t currently have the understanding of how to make gloves so I tried recreating them in mitten form. They worked well except for the fact that I made them too wide at the top and too short at the bottom. I added a piece at the bottom to make the cuff longer. The little sheep brought me so much joy! Unfortunately, I forgot to take notes on this one too, and was unable to make a matching one. I recreated the blue tweed mittens in another batch that I scaled too big and passed them on to my husband because they were simply too big for my hands.
November 2023
The hot pink mittens are my gold standard. The fit is sublime. The shape is lovely and yes I took notes and changed my order of construction in order to make mittens that match in size and shape. I now knit the mitts first, so four in total, then the cuffs, and lastly the thumb pieces. Then I sew them together at the same time. This system works. The proportions are perfect for my hands and have truly saved this study of mittens from feeling like a multi-year flop!
Project Takeaways
- Always take notes of your stitch count and needle size to make the project repeatable!
- Never stop between mittens, trust me you will not go back to finish the second.
- Cute details like sheep or other motifs are kind of awesome! I plan to experiment with this technique in the future.
- Reduction speed will affect the shape and potential wonkiness of the mitten, proceed with caution.
- Mittens are actually a great beginner project. They are quick and easy.
