I love fall, and I wanted a sweater to celebrate that. But what makes this project even more personal to my taste, is the maple leaf motif at the neckline. Through my dad, I am half Canadian. They are from all over Canada from Saskatchewan to Alberta, and a lot from Ontario. Growing up, because of the nature of divorce and my dad’s messy relationships, I didn’t get to know this side until my twenties, and although it continues to be complicated, I wanted to knit a piece that spoke to my own heritage. Maple leaves seemed like a perfect motif to jump into. With the addition of the tonal yarn, this piece has a lovely fall gradient, that evokes the season, but doesn’t pigeon hole the garment into one season. I wear this in the winter and spring, without feeling out of place.
You may recognize the base of this sweater from my post, ‘Will I Wear a Knit T-shirt?’ and the answer for this project was yes, but, I’d love this even more as a full length sleeve! So as it goes, this project was cast back on to needles to make some sleeves, except, this time I tried a new to me technique – crochet – to create sleeves in the round. I wanted this piece to have a lot of texture, so I experimented with knit and crochet stitches to make this piece, which has a simple design, compared to my other projects feel a bit unique. In the end, I think I ended up with a lovely love letter to a part of me that I don’t always understand but are connected to even when they feel far away.
When I first saw these dragon egg skeins, it was right in the wake of Joann’s closure, I felt a sense of wonder. Like, maybe there was more to see outside the cave, to paraphrase Plato. I began to look at niche and new to me yarn brands, and Noro stole my heart.
The yarn is effervescent, floating on the loveliness of its craftsmanship. The yarn looks hand spun, although it is made on a hybrid machine. It called to me, as a knitter who had stuck to the budget yarn and avoided wool for years because the scratchiness was all I could remember. I didn’t know that wool, in spite of the scratchiness, has unique properties that enhance your stitches and make caring for your sweaters easy. Wool is antimicrobial naturally, meaning you don’t have to wash them consistently like other garments in your closet. They can be spot cleaned and refreshed between wears. The other important thing I was missing out on was the way the wool grips onto itself, it has memory, and a squish that is unlike what I had experienced with my acrylic and cotton based fibers.
Now, the Noro had me from first sight, but how was this self striping yarn to work with? Great actually! I chose the colorway Kori, a cool toned blend of blues and purples, with occasional hints of green, red, and gray.
The pooling was well behaved and the transitions were gradual. The hand spun feel of the yarn did pose some issues for me, when it came to gauge. There were sections that were quite thick and disconcertingly thin. I did cut some of thread like sections out of my yarn, because one snapped on me as I was working with it. This led to some yarn chicken, unfortunately.
My lack of yardage was also my own fault. When I first ordered this yarn, from my local yarn shop, I had planned to make a vest. But once I felt the fabric the yarn created, I wanted a whole sweater. This was not going to be possible with 900 meters of yarn. I had to get crafty, and sourced some yarn from my stash that was a similar color and weight, and most importantly, was a non-super wash wool like the Noro. To mimic the color story of the Sauin, I was careful to splice in the other yarn where the colors made sense and I think it is hard to tell what is the Noro yarn and what is Knit Picks Palette.
So what is it like to wear? A dream honestly. It feels like a vintage sweater, like a wool sweater from the 80s or 90s, a find that would make you do a happy dance if you picked this up at a thrift store. It is minimally scratchy, warm, yet breathable. It’s made me a wool convert and a Noro stan. I want to make this over and over again. What will keep me in check is the price point and availability. Each skein of the Sauin was 35 USD. That is why I chose to add in yarn from my stash to keep this project at 70 USD, instead of 105 or 140 USD, since I am bad at guessing yardage. This yarn brand is incredibly popular, which has made it tricky to get my hands on, but I am seeing that is 2026 the yarn is becoming more common in the US. That makes me happy to see – every knitter and crocheter should give this fiber a try!
I’ve mentioned this before, but as a maker, I revisit a single project many times before it is done. Sometimes I will live with a finished object for a month, a few months, or even a year, and suddenly pick it back up again to adjust something that feels off. Honestly, taking a season or two away from that garment – such as, putting away a dress for the winter, or a sweater while you sweat it out for the summer, can give your mind the space to forget and re-acquaint yourself to the garment like you picked it up from the store. It is a whole new piece again, which can lead to me be less than thrilled with past me and her design choices.
Take this vest for example, I began this project in December 2024, wrapping it in February 2025. I wore it a few times, as it stands as a vest that winter and spring, then it was put away for the warm weather. When cool air returned in the fall, I pulled it out of its drawer and set it on my dress form. This vest did not feel complete, it had more to say, even though my hands were weary back in the winter, so I stopped and called this piece done. But its not done, it would be a gorgeous colorful sweater, and it was time to go back to this garment to make it whole.
Now, this was a self drafted piece. A complicated self drafted piece that helped me cut my color work chops in a garment. This was the first sweater I made with such a large color palette and the first time I decided to make a knitted piece with the motivation of telling a story. I wanted to evoke a winter sky, with a moon that was visible on the front and back. A moon with stars, and clouds, floating above a forest. This sweater would not only feature colorful forms across the fabric, it would have texture. I chose to use the ‘seersucker stitch’ as it was labeled from a Pinterest chart, to weave a diamond texture into the fabric for a 3-D plush effect. I chose large and miniature color work sections to create ebb and flow in the color story.
For the bind off, I had grown tired of the classic 1×1 rib, so I tried something a little different! I chose to create tight stripes, knit stitched together. Instead of stockinette which used knit (right side) and purl (wrong side) for it’s classic construction, I decided knit stitch, knitting the right side and wrong side, would stabilize the stitches for a lack of curling in the finished fabric. And it worked! The technique and color changes ground the color palette for a cohesive garment.
Keeping these previous choices in mind, when it came time to add sleeves and a new collar, I chose to employee a new to me technique, crochet. I wanted the sleeves to be made in the round, and be completed quickly so I could wear this piece for most of the winter. Crochet is much easier to do in the round, and to make progress quickly. The crochet stitches allowed me to work in new directions too, so the sweater had vertical texture to contrast with the horizontal lines of the original vest. With sleeves complete, this is one of my favorite pieces to date. It tells a story. The color palette reminds me of Stardew Valley. The cloud on the back reminds me of an episode of Avatar: The Last Airbender when Appa is missing, and Aang thinks a cloud flying above is Appa floating above. I love the variety of colors – gold, navy, magenta, violet, and cream.
This was a labor of love, but I would highly recommend trying a complex project such as this if you are interested in making your own garments. Not only does this piece express my identity, it taught me how to be a better fiber artist. I feel proud each time I wear it. Get inspired and start stitching something from your own imagination!
A project that I have struggled with as a fiber artist, has been the classic cardigan. Like menswear, there is something deceivingly simple yet downright complex. This is my journey to make my first successful cardigan project!
To make this garment, I used 3 Caron Blossom Cakes for a total yardage of 1443, give or take a yard or three left over. I used a 5.5 mm hook and chose a combination of single crochet for the collar and cuffs, and double crochet for the body of the garment. This was my second crochet project, and I’m shocked with how well it turned out, compared to my first knit garments! Crochet is such a forgiving medium, compared to working live stitches between two needles in knitting. It’s simple to pull back progress to correct mistakes, without losing the integrity of the garment. Seaming the garment was far easier, using the hook to single crochet slip stitch the panels together. For the sleeves, it was a straightforward transition to crocheting in the round, compared to how confusing I find knitting in the round to be. In the same way, finding the stitches to pick up for the collar and button band, was a piece of cake!
Honestly, I have struggled with cardigans in the past – including felting a finished garment less than a week after I finished knitting it. It was devastating! The only thing I struggled with in this project was button color, size, and placement. As you can see from the featured photo and this one below, I have changed the color and button placement with wear. The vintage teal buttons I bought secondhand are brittle, one actually snapped in half. These tortoiseshell buttons are darker than I planned to use. I originally wanted to use buttons in a similar color value to the yarn hue, but the contrast is not bad. I think it brings more polish to the finished piece. The tortoiseshell buttons are actually the same I used on my felted cardigan. Always save your notions!
Because this cardigan is made from Caron Blossom Cakes, it is a combination of cotton and polyester, and is quite breathable for how chunky and fuzzy the yarn is. Now, the crochet stitches are certainly helping, but I am impressed by how comfortable this yarn is to wear. It tempts me to buy more, in a different colorway to make another sweater or cardigan. I have pause though. All the color offerings are vibrant. What if two garments with this yarn style is too much?
Overall, I loved my experience making this garment and wearing it. It’s a solid cardigan for Fall and Spring, with appropriate layering I’m sure I would feel warm enough in Winter too.
Have you crocheted a cardigan before? What was your first crochet project? Have you worked with Caron Blossom Cakes?
I wanted to make a cardigan that celebrated our garden, with a yarn inspired by Beatrix Potter, that was made from wool, and featured a fair isle design. To do this I used Pacific Knit Co’s farm doodle deck and Knit Picks’ Chroma Worsted Weight yarn in the colors Beatrix and New Leaf. The Chroma yarn has become a fast favorite of mine for its durability and delicious halo. The yarn is comprised of 70% super wash wool and 30% nylon. This was a bit of a stash busting project, and a splurge. I wished to use up three skeins of deadstock New Leaf, finding the pink-orange-white of Beatrix was the perfect spring-inspired color palette upon which to build. Using a gift card from Christmas, I purchased 6 skeins of Beatrix, although I had to repurchase more with this project using thirteen skeins in total. Not cheap! But worth the splurge to create a piece I plan to wear for the rest of my life that celebrates the garden we have created here at our new house. It’s our in-town farm, as our friend calls it.
The bulk of this project was done on US 8 straight needles, and seamed together using a 5.5 mm crochet hook. The bottom ribbing was created using a US 4 circular needle. The size reduction of 1.5 mm, changed the gauge to create this floral ruffle along the bottom edge. At complete accident! But I like it. In addition, I used mostly stockinette stitches, with 1×1 ribbing at the cuffs, collar, button band, and bottom hem, and the seersucker stitch for added texture, in between color work sections. Will I add buttons? I am uncertain. The original plan was to use buttons, and have purchased buttons, yet I like to wear my garments first beforehand, to see if I want to wear the garment closed. Since yesterday was the Summer Solstice, I have a while to wait!
This garment took approximately 4 months to complete, along side other sewing, crochet, and knitting projects.
The first in a new series called, Drawing the Seed Catalogs. We obviously have a lot of seed catalogs kicking around, what better way to put them to use? And the best part? Being able to find muses to draw without using my phone. 😁
Nmixx is a relatively new K-pop band, debuting in 2022 under the label JYP Entertainment. Comprised of six members – Lily, Haewon, Bae, Sullyoon, Jiwoo, and Kyujin, they are young but immensely talented. Nmixx had a rocky start, similar to Stray Kids, who share the same label, being panned as noisy and chaotic. As time passed, Nmixx developed its sound to a polished mix-pop with killer vocals. In 2026, they are finally getting the respect they deserve, and I am thrilled to see it!
They first came on my radar in 2023, thanks to their song ‘Love Me Like This’, but I didn’t become a fan, or NSWER as their fandom is called, until 2024 with their Fe304 album series.
Fe304: BREAK released in January 2024, with songs such as Dash, Run for Roses, and Soñar to help me get through the chaos of moving. Fe304: STICK OUT, released in August 2024, was the soundtrack of our trip up to Erie. Fe304: FORWARD hit just as we broke ground on the garden in 2025, and this album, some days, carried me through running that tiller in the mud and stubborn grass shag. From High Horse to Slingshot, this album changed something in me, lifting Nmixx to my favorite girl group (sorry, Aespa). Nmixx scratches a creative chaos in my mind that fills me with joy.
Bring a fan, I thought it would be cool to get some merch, which became quite difficult in 2025. With Nmixx being in their third year, there was a lack of offerings in the US, and those pesky tariffs from the head idiot in charge. So, I decided to get creative like I did with my Cosmic Tank.
Nmixx’s lore is based on water imagery; there is a whale on their lightstick, sea creatures, boats, and a water drop font. The font was my jumping off point. I went to Michael’s and picked up water-inspired colors – a cool purple, deep blue, and a variegated blue and white to mimic light dancing on the ocean. Three songs from the album Fe304:Forward caught my attention – Ocean, High Horse, and Know About Me, which features the girls going on an under-the-sea journey on this boat spaceship. The color palette of the album is similar to the colors I chose to knit with. I knew that for the color work, I wanted to evoke waves, incorporate ocean imagery, and feature the water drop font.
I chose to freehand a chart for the font using graph paper and an image I pulled from the internet from Nmixx promotional posts. The waves were more, see what I felt as I knit, the seahorse came from pure Pinterest roulette. The original chart was a cross-stitch seahorse that I adapted to knitting, on graph paper, later adding a stamp border to help the floats stay anchored. No pun intended. This was my first project using three colors at a time, and wow, it was brutal. On the front, I wanted the blues to create highlights and shadows, like a water drop would have. This led to some crazy tension issues and wild floats on the back.
Another issue I ran into was scale, particularly with the font. To achieve the bubbly curves, I made my scale rather large, stretching across two pieces of graph paper, and maybe this is just inexperience, or possibly I made my chart too complex, but I noticed myself ad-libbing stitches instead of following the chart due to all the mistakes I made. It turned out just fine, but it was not executed exactly how I wanted it to be. I’m pleased with the waves on the bottom and how they wrap around the tank. The back, I am lukewarm towards. I like the placement of the seahorse, for “High Horse” and the stamp for the journey they embark on, but the racer back is a little messy, since I was freehanding this pattern. But hey, the only way to get better is to practice.
Compared to my Red Velvet project, I felt confident that I could execute something to bring me joy and capture the spirit of the Fe304: Forward album. I love how this piece is one of a kind. No one else has this t-shirt or artwork, it’s a nerdy piece of knitwear for my special interest – kpop. ☺️
With this being my third merch project, I’m excited to see what speaks to me next. I’ve considered a Stray Kids Karma project and an Aespa Armageddon logo etched into a sweater. That one is going to be a big project, the logo is so intricate that when I attempted to sketch the chart last year, it was spread across four sheets pf graph paper. Maybe an Ateez project? Who knows. I do know that making your own art, and combining it with something you are passionate about, is a fantastic experience. Your passion becomes this physical object you can show off, and hopefully, bring a little sunshine to the world around you.
Okay, as a millennial, I can’t hear the word pivot without thinking of this scene from Friends. But, silliness aside, Ross was correct; you have to pivot and pivot well. The longer I sew, the more agitated I get when I make foolish cutting or measuring mistakes in my garments. Like my shortalls from last year, I tried them on over the weekend because it is feeling warm and springlike here, and I was shocked by how poorly I fit the shorts. The top portion of the shorts fits excellently, but not the shorts. No one wants weird bunching when it comes to shorts, and that was exactly the problem!
At first, I went through the stages of grief – denial, anger, bargaining, depression, and finally acceptance that no matter how delusional I chose to be, these shortalls are uncomfortable. I would not wear them. This made me feel so many regrets. The pink overalls I drafted completely from scratch, using a special fabric featuring corgis and bread from a Japanese fabric brand called Kokka Fabric, sourced from my local fabric shop, Firecracker Fabrics. The second pair was cobbled together as a challenge of fabric and repurposing. The fabric was 1 yard of 59″ cotton twill from Mood Fabrics, and the pockets were sourced from a pair of shorts in my closet. I refused to scrap these. But what could I do to fix these? With all the patterns at play, adding in a new fabric sounded scary. Cutting these into bags or future quilting projects was throwing in the towel too soon for me.
My solution came to me one night, as I was washing my face; I didn’t have to make a drastic change. I had to address the problem – the way I cut the curve of the pants. I could remove the section that divided the fabric into legs, and transform the shortalls into pinafore dresses with a few cuts and stitches! It was a success! The shorts are now a skirt, by cutting away the curved line and sewing a straight seam on the back and front of the skirt. I also made a quick swap to the back bib of the brown floral pair, adjusting the square bib to the triangle shape of the pink ones. This adjusted the fit of the dress in an excellent way. The purpose of the triangle, I believe, from the fit change on my garment is to eliminate gapping between your shirt and the back bib, so the fit follows the line of your body.
Now, sewing is not the only place to pivot, obviously. Problem-solving is a fundamental part of the creative process. Projects rarely work out the way you want, from knitting to cooking to building a piece of furniture. In this fast fashion, consume and donate, culture poisoning my country’s culture, we are losing the art of problem-solving. This has been exacerbated by the rise of AI and ChatGPT. Why think at all? Why imagine, ponder, or research? Why try if you aren’t going to get “expert” results? That is what the rise of optimization culture is creating: the fear of trying. But you have to try to become an expert. AI is not an expert; it is a thief, stealing the knowledge of humans who have spent years and decades striving to know, unafraid to try and fail. It’s literally the scientific method. So if you are an impressionable person, who is growing up in this current era, don’t give up your creative ability for AI to do it for you. You will lose crucial thinking and creative skills if you don’t exercise your mind and problem-solve on your own. Just do it.
I’ve been sewing for five and a half years, and yes, it took me close to that amount of time to learn these helpful tips. The skill of taking a needle and thread to fasten pieces of fabric together is one of the most complex technologies I’ve ever learned, and yeah, some of the more obvious things can go over your head because there is so much to learn. Even with half a decade of sewing experience, I am still a rookie. Here are four things I have learned about sewing recently that have changed my sewing experience from a laborious struggle to a relaxing craft I want to do.
Needles
I knew I needed to change out my sewing machine needle consistently (which I usually forget to do), but did you know you should change out your hand needles often? Nope, I did not. I recently began changing my needles after each large project or after two small projects, and wow, the difference in hand fatigue is mind-blowing! My issue with sewing by hand has been the wear and tear on my hands, particularly some on my finger joints, which felt exhausted after hours of pushing the needle through the fabric – apparently that’s not how it is supposed to be. The needle should glide; cheap needles or needles that are dulled from use will not do this. I feel like a silly goose.
Now that I know and have experienced the difference between fresh needles and started purchasing DMC needles from my local fabric shop, I am sewing more. Most importantly, my hands are happy, my stitches are small and straighter – it’s like night and day. The needle glides into the fabric and through to the other side with minimal pressure, my thread is not getting tangled, and I am sewing with more efficiency. If you sew, go change your needles.
Shear Maintenance
Did you know you should oil and sharpen your fabric shears? I did not. It’s such a simple concept, though. Own thing, use thing, repair thing, use thing more. Repeat. What’s silly is that, in our disposable culture, I thought fabric scissors had a lifespan and had to be replaced once they dulled from wear. But regular maintenance, like a car, keeps them around and working well.
I keep my scissors crisp by cutting aluminum foil from time to time. I oil my shears with a towel, very carefully. Please don’t cut yourself like I did the first time.
Know About Me: Fabric Edition
Kill the doubt, I don’t want it, kill the fear, I don’t want it Kill the rule, I don’t want it, kill the end, I don’t want it
Let me show you that, show you that, mm-mm Know about me…
Let me show you that, show you that, mm-mm Know about me (know about me, that’s that)
– Nmixx, Fe:304 Forward
Researching fabric is important, but when you are first getting started, you feel overwhelmed and like you’ll never be able to cram all this knowledge into your head. There are a lot of fabric types! With two main families – woven and knit that separate into a myriad of options that will make your head spin. But truly, what will make your head spin more is not buying the proper fabric for the project at hand, with one caveat being in the beginning. When you are truly beginning, you just gotta see what is cheap or available because you are going to mess up – don’t use the good or expensive stuff to keep yourself from heartbreak.
I’ve started researching any fabric I am looking at to know if this textile will be applicable for the idea I have in my head, and pivot based on the information I glean. I thought it would be time-consuming, but it’s not. It saves money and fabric from being wasted in the chaos of choosing an incompatible fabric for your garment plan. You don’t want a stretch when you need a structured fabric. When you need opaqueness, a sheer fabric would throw a wrench in your plans. Fabrics, like people, have their own character, attributes, and talents. It’s more of a matchmaking process than just adding to the cart.
Ask a human. Ask a reputable website. Don’t ask ChatGPT. OpenAI is a little busy now with its Department of War contract, but don’t worry, they “promise” not to do mass surveillance or help create automatic weapons.
Hand Posture
I learned this final tip from Abby Cox and Nicole Rudolph during a TikTok Sewing Tutorial Reaction video. Sewing hand posture will determine your sewing experience. Whether you can sew for hours or for half an hour before you need a break. I used to sew with a hand-straining posture that created wrist, hand, and finger discomfort. Pulling the needle to the side, horizontally, reduces strain compared to pulling upward. It uses a light wrist flicking motion. Similarly, holding the fabric to the side with your wrist loosely bent will keep your hands relaxed and reduce hand strain. I have applied this new hand posture to my sewing, and it was a game-changer. I’m not surprised that I was doing it wrong. I am self-taught, but dang, the ability to sew a pair of pants by hand without hand strain was incredible!
I hope these sewing tips help you as much as they helped me. I wish you happy sewing!
Have you noticed I am not sewing as much as I used to? As Marie Kondo instructs, if it doesn’t bring you joy, let it go. That’s been my relationship with sewing, honestly, since 2024. Sewing and I had hit a rough patch in our relationship. No longer in the euphoric beginning, nor going deeper and bonding through the big sewing wins. We were burned out in the grind of sewing, striving to be better but lacking the proper knowledge to do so. Therefore, we’ve been on a break – off and on since 2025, and it’s been good.
It’s given me time to reflect on what I want to pursue, sewing, specializing, and what I feel like I should make because of the internet. It’s given me time to ponder what drives me to make my own clothes. When I began sewing, I was intrigued by historical styles, and then I drifted into more feminine items like dresses, blouses, and skirts. Shorts and pants were made and quickly cut up for scrap because they were such enigmas for my mind to understand. On this break, I’ve given myself room to figure out what I like to wear, which is key to sewing your own clothes. You can chase all the trendy patterns and styles, but if you don’t want to wear them, then you have a very expensive wardrobe of your own sweat equity that is useless to you. My desire was to break this cycle.
Going into 2023, I wasn’t sure what to make anymore or what I wanted to sew, but I felt this compulsion to keep going because I was so committed to this new hobby. A hobby I wanted to become my future career. It’s been in the midst of the slowdown that my artistic point of view has recalibrated. I like pants (trousers), overalls (dungarees), denim (dungarees), comfortable silhouettes like that of Lucy & Yak, and that is what I want to make.
This has only intensified since the Trad Wife trend co-opted the flouncy dresses, giving me the ick at the thought of associating with something I have always strived to avoid. Growing up in communities dominated by the Reformed Presbyterian church (a denomination I do not belong to and never shall) and Christian Nationalism spreading its snakey tendrils throughout the Christian bubble – I want nothing to do with the Trad Wife and all it represents.
That brings us to the present day, March 2026. After 2 years of sitting in my fabric stash, I finally started to cut the trouser fabric I bought to make my own pants in 2024. Too intimidated by my own past failure, I let it hide in my crafting closet, all of 2025, for fear of failing again. I did fail at pants in September 2025 with another fabric, so it was not unfounded fear. But what is the point of living in fear, especially for something so small? Would I learn that I am not very good at sewing? Sure, and who cares?! Is crafting a competition? No. It’s about making incremental steps towards success through practice.
For my birthday, Kyle gave me two garments from Lucy & Yak, something I had dreamed of since 2019. A pair of denim dungarees and a pair of corduroy pants. And you know what I thought of looking at them folded? What a lovely thing to take a pattern from. Use brown craft paper or wrapping paper, and feel free. I traced methodically, marking the seam allowance, and back from the front pattern piece. I carefully laid out my pattern, mirroring the right and left pieces for the front and back. Then, over two weeks, I slowly sewed these pants together by hand with a fresh sewing needle, which makes all the difference. Don’t be cheap like I used to be; buy new needles regularly to save your hands. Sew with courage, because this might be the time it all clicks. What if you never let yourself succeed? That would be more terrible than failing again at doing the hard thing.
I wish you happy sewing and good-fitting pants that make you smile every time you wear them.
One Rabbit Riot 