My go-to in school, during sermons growing up (being honest here), or even while watching television was to have a notebook in hand and to sketch. Usually, my hand would gravitate first to flowers or stars and then sweep towards the runway and I would sketch fashion designs. I did this from 11 years onward until, I think I started sewing which is ironic because you’d think I’d sketch more now. Lately, during phone conversations, I’ve noticed if I’m not doing chores like dishes or folding laundry while catching up with friends and family or knitting, my hand gets an itch to draw. Yesterday as I sat in my husband’s home office while video calling I grabbed random scrap paper and his pen in order to make sweeping gowns. Why? I think old habits and dang, I noticed my listening skills go up when my hands are busy.
I wouldn’t say I struggle to sit still, I think my mind just tends to wander as I conversate with others, and with the random creative energy swirling in my mind, I begin to feel restless. But as I grabbed that familiar pen and began to sketch my mind became clear and tuned to the topic at hand.
I remember my notebooks in school were adorned with dresses, jackets, and full-collections down the side of my history notes interspersed with a flourish of stars and flowers. When I used to watch movies with my mom growing up I would sketch my favorite pieces from the costume design. I think that’s why I fell in love with Joe Wright’s 2005 version of Pride and Prejudice. I know, that the pieces used in the movies are painfully not Regency Era fashion, but those moments of costume design sparked my imagination as a teenager who loved history and fashion.
I didn’t realize I had stopped doing this as a habit until yesterday, and honestly, I don’t want to stop sketching like that again. I think a new goal in 2024 will be to continue sketching when I watch instead of filling my hands with knitting. There’s a special creativity that seems to come from these moments.
Do you like to multi-task like this? What’s your go-to way to relax?
This is a post of gratitude and retrospect, posted about a month too late but that’s alright. It still counts. I bought my sewing machine a year ago (plus a month) and it has transformed my workflow and productivity while reducing headaches and finger strain.
Sewing By Hand
How you may ask? Well, when I started sewing back in the fall of 2020, money was tight as it was for everyone that year, and machines were out of stock so I started sewing by hand through Bernadette Banner’s tutorials. I kept doing this for a year and a half until I was getting sick of the slow pace, eye strain, finger strain, and lack of structure when it came to making strong seams on thick fabric. My stitches were still elementary and my construction was lacking because the literal sewing process was occupying most of my time.
I’m stubborn and self-destructive in my creative process so I refused to give in and buy one until I was working on my A/W 2022 Collection. I was behind, not finishing things the way I wanted, and downright miserable. My husband who is my best friend insisted that I stop the madness and buy a machine and that’s how I ended up with my pal, Señor Senior Singer.
Why a Heavy Duty Machine?
At first, I was scared of using the machine. I have used three other machines and I didn’t understand how they worked. My mom lent me her 2010’s Brother Machine with a computer stitch function. It had a lot of error messages and broke down. My dad brought me a 1960s Sears and Roebuck machine he found in an attic, it has some serious internal mechanical issues. My Aunt Florence gave me her 2000s Brother machine that has been well maintained and through that experience I got a bit acquainted with the machine sewing process. It was still overwhelming though because I lacked the knowledge to know how to get out of a jam of thread or how to reload that pesky bobin. Don’t even ask me about thread tension or needle type, I was lost.
Through this experience I learned durability, strength of sewing, and lack of computerization was what I was looking for. I want to be able to sew through a tightly woven twill for a coat and yet have the durability to know I can sew for many years. I wanted a machine with reliability that I could count on to not have a computer meltdown during the middle of a delicate project.
Sewing Is Fun Again
A year in, I’m incredibly pleased with the Singer Heavy Duty Machine. It came with a download for a comprehensive user manual and the needles are easy to find and affordable. It has allowed me to finish projects with finesse and speed. In doing so I’ve been able to find balance in my life to write, to knit, to draw, to workout with more regularity, manage the house better and be generally less cranky and frustrated by how my time is being used.
I’m passionate about fashion and this year my desire for the craft has grown. I feel a hunger to level up my skills and create more complicated and beautiful things. The technical part of the sewing process was lifted off my shoulder by Señor Senior Singer and without the space again to get creative, I know I wouldn’t have made as many strides in design and execution as I was able to do. Because honestly, I would have quit in 2023 without the machine. I was so burnt out by the drudgery that is sewing by hand with our modern fabrics.
Thank you, Señor Senior Singer for being in my life a whole year! It’s been a fantastic ride and I can’t wait to see where we taking our sewing together next year!
These outfits are a mix of handmade pieces and things I’ve picked up. Where I live it was a chilly fall, complete with snow and blustery, rainy days which is fine by me because I love cozy clothing. The weather provided the chance to get more wear out of my sweaters and knit accessories before winter even began!
Fall and Winter are my preferred seasons to build an outfit in simply for the textures, silhouettes, and possibilities. I like patterns, obviously. But I like pattern with darker colors which is not the best for those hot summer days when a lighter color is best. It’s been fun to build a wardrobe with a color palette this year. I’ve paid more attention to my silhouettes, particularly when it came to adding pants to my closet. I prefer options – baggy, flared, tailored, skinny, athleisure, etc. Give them all to me so I can play around with a new look.
This was my most ambitious project yet and I’m happy to say it’s done! And on schedule too because the deadline in my head was by the end of 2023. I didn’t think I would get there, especially with other projects, but it happened!
It’s funkier than I first designed, and it’s also a dress now which is fun and unique to my wardrobe. I don’t have any sweater tunics or dresses like this. I’m excited to play around with styling this piece as winter is yet to come. It’s still autumn technically which makes me want to jump for joy because I’ll be able to enjoy this piece all season long instead of partially or not at all like some of my former projects.
The clearance section of a fabric store may be my biggest design inspiration. It is in the bolts of discounted fabrics from seasons past that you can find some real gems in my opinion. My brain gets a break from the items deemed trendy or seasonal for a moment to look for something new and at a reasonable price to justify taking a chance on something new. That is how I took a chance on this two-sided scuba fabric that is hot pink and light pink. Not really my cup of tea! But it was 2 USD per yard and honestly a fascinating texture and weight. It was worth the leap to try something new, so I did!
Now, do I always have a garment idea in mind when I pick out these cuts? Nope. Should I? Probably. But some magic can happen as they hang out in my fabric stash like inspiration finding its way to me, which is quite fun.
For this cut, in particular, I was a scuba newbie. The weight was hefty with a bit of stretch, so it needed to be a garment that could handle the heavier textile. The two-sided nature provided two color palettes in one. I considered a jacket, a coat dress maybe? The thing that was working against my creative brain was the Barbie movie. I did not want to make a Barbie cosplay, simply because Barbie was not my favorite toy. I was an American Girl Doll and a Fashion Polly girl through and through. Making a Barbie-inspired garment would not be authentically me nor would it be something I would wear because, did I mention I don’t really wear pink? Yeah, I don’t love pink, especially hot pink, so why did I buy hot pink fabric fabric? I think I like pushing myself to a place of adventure with the clothes I make. I don’t want to make boring clothes if my skills will allow me to do so. No matter what I did with this fabric it was not going to be boring.
One day I saw this photo of Hyunjin on Instagram and it hit me, why does this pink scuba fabric half to be made into a feminine Barbie cosplay? Hot pink looks fantastic in a masculine silhouette. Making a neutral garment, like a pair of pants could be just the thing I need to make this fabric feel accessible to me and my own personal style. A pink dress felt too on the nose for me to get any wear out of and that is a big thing for me. I don’t want to make things I am not going to wear just for the heck of it. Maybe one day if I have a way to sell things that aren’t my personal style but right now that would be a poor use of resources and excess clutter my closet doesn’t need.
I knew I wouldn’t be able to make a hot pink pair of jeans like Hyunjin is wearing, I simply don’t have a jeans pattern in my stash, but I do have a menswear trouser pattern. I chose to use that instead of free-handing a jeans pattern so this garment would have the best chance of success. Jeans have an incredible amount of details that make them distinct and classic. The pants I drafted were going to be far more simple as these would be my first attempt at sewing my own trousers. It was a big moment!
I altered the menswear trouser pattern I had for a better fit by raising the rise for a higher-waisted fit. I did this to fit my waist better and to give more room to my hips. I was nervous these were not going to fit me right because I was grading the pattern to my own design so I cut a generous seam allowance around each piece. (A little too generous I will find out later.) This fabric cut like butter and did not make a mess, which was a huge victory after my Jack Sparrow Inspired Coat corduroy left a layer of fluff on my floor that I still find remnants of today.
To match the crotch lines better, I tried something new from my previous shorts projects and sewed the front and back seams first and then I worked the inseams, working my way out the outside leg seams last. I don’t know if this is the proper technique for sewing trousers but it worked well for this project. I tried them on and the pants fit well, a little wonky at the front because I left too much seam allowance, but they looked like actual pants that an actual person would wear. It was around this point that I realized I needed to do more than just sew two leg tubes together, these trousers would need pockets, fastening, and belt loops to be a properly finished garment.
I recently learned how to make button holes which I shared in My First Buttondown Shirt and with this newfound knowledge I decided to go in a Spicy direction, literally like the Aespa Spicy M/V, I was going y2k! What was cooler than popstar fashion when I was a kid? Nothing. I wanted these to feel like Destiny’s Child or a backup dancer for Proto Zoa would wear.
I decided the best way to accomplish this would be to make cargo pockets for a funky twist and place them higher like you would normal pockets, to hide the weird fit around the front of the pants. These pockets I designed to be usable, big enough for my phone, and secure, with proper button closures. This was my first attempt at cargo pockets and belt loops and I have to say, they were not as scary to make as I thought, especially with the use of my heavy-duty sewing machine.
Final Thoughts
So as far as my first pair of proper pants, not just lounge pants, I am supremely pleased with how they fit. I can see the flare leg starting at the knee. I like how they fall around my hips. I like the length and the rise of the waistline. The pockets were stronger than I anticipated and the belt loops were functional, which came in handy because these pants were a bit big and continued to stretch as I wore them. Styling them was a bit of a challenge, as I realized I didn’t own much in my existing wardrobe that paired well in color and proportion to the silhouette of these pants. Shoes were also a challenge, I opted for a pair of Converse high tops since I believe they go with almost anything.
This is where things got interesting. I wanted to show my mom and my excitement bested my judgment. I unwisely decided to wear these pants out and about for a day of running errands in Wexford. This was my first mistake. My second mistake came from my unwise decision to cut the pieces with an extra seam allowance that made the front of the pants fit weird. The waistband was a bit big which I thought I could remedy with a belt. It did work for a bit until the fabric began to stretch, and stretch it did! The belt stopped working which was awkward, as every few minutes I had to adjust the belt.
My third mistake was not inserting a zipper to take the waistband in, which I should have planned for. I got excited and sewed the seams before I remembered the zipper. This scuba fabric showed every hole, whether pin or needle, therefore seam ripping and inserting the zipper worried me because the fabric was weaker in those spots. I was concerned the pants would rip (foreshadowing) so I left the pants as is to depend on that belt for structure. The side was the only place to put the zipper because the front was fitting so weirdly I did not want a zipper shining a big spotlight on that error.
Herein lies my final boss of mistakes, the fabric versus my thread tension. It was a mele. With thick fabric, I raise the thread tension because it helps the needle sew through the thicker fabric. Being unfamiliar with scuba I didn’t know how the scuba would respond. The scuba did not like the high tension nor did it like being sewn. I was able to get the pants, the pockets, the waistband, buttons, and belt loops on, but there were times I could barely get a needle through. The tension came back to bite me in the butt as my wear test went on. By the end of the day, I was incredibly thankful we headed home early. The thread on structural seams, like the main ones in the front, back, and sides had begun to rip through the fabric. The seams were on their last leg.
I’ve never had this happen with a project before! I was incredibly frustrated as this project took days to sew. My fingers were scratched up from the pins and the needle accidentally stabbed me as I hand sewed the buttons. There was no way to fix them, they were toast.
And so ends the journey of the pink pants. They had a good day out. A one-time adventure. They were good pants that deserved better. In my short time with them, they taught me a lot. Thank you pink pants and random scuba fabric. I will never purchase scuba again!
I’m currently working on a big knitwear design project. Probably the most ambitious project that I have taken on yet in my time designing knitwear and fabricating sweaters. It is a sweater coat with varying stripes that I have knit in sections over the past few months. I’m currently three months into this project, and per my working style, I’ve worked on smaller projects alongside this big project to keep me stimulated and my motivation high.
This was my progress at the end of September. I had the entire bodice done and sewn together at the shoulder seams, back seam, and under the arms until the point of the sleeve opening. Because I sew, this process of knitting makes more sense to my creative brain than the knitting in the round process. If this type of knitting drives you nuts, it’s only going to get worse so I warned you. 🙂
September Progress
October Progress
In October, I honestly futzed around with the hood and collar and that was about it. I knit one other body panel so two out of four were done and drafted collar and hood patterns, over and over again. I initially expected to make more progress in October and to have just the sleeves left going into November. That didn’t happen.
It was that dang collar and hood section, that kept me in this place of indecision and design frustration. I initially made a collar with a normal stitch, not a ribbed which looks a bit cleaner. I think I was concerned about the collar looking cohesive and was afraid that a solid collar in rib instead of a knit-purl stitch with a stripe would look less cohesive. It looked odd actually. The stripe was good, but the flat collar which began to roll on the end looked ineffectual for a collar. After I sewed it in I carefully cut the collar away which was discouraging from a progress perspective, until I realized the stitched of the collar remained (because I was afraid of snipping the wrong yarn and destroying the shoulders) and the neck opening had this lovely fit and structure now. The shoulders were slightly gathered up to the neck opening and the fit was fantastic now! It just needed a new collar.
I had an idea – what if instead of a collar I went straight to a hood. I had been watching a lot of Gilmore Girls throughout October, seasons four and five to be exact which spanned the years of 2003-2005, peak 2000s fashion. And you know what was popular during this time? The duster! I had an idea, what if the hood was just one piece of this puzzle, what if I made it longer, much longer, added a hood, a rib trim around all the edges with a button closure! A funky duster the likes of Sookie, the Olsen twins, Lindsay Lohan, and even Lorelai herself would have worn during this time.
I knew I wanted to keep the stripe theme going, something that looked labor-intensive and expensive, like a bohemian duster or sweater coat that would be featured in an Anthropologie campaign. I wanted the hood to carry on that stripe motif to make it feel integral to the garment, not an add-on.
Last October, I learned how to draft hood shapes for several outerwear pieces that I crafted for my loved ones as a part of my Potato Technology’s Autumn/Winter 2022 Collection so I am pretty comfortable with the shape and sizing scale for a hood on an outerwear garment. The thing I underestimated though was how tricky it would be to form the hood as I went, as you do with knitting, instead of cutting the hood shape out of fabric. This kicked my butt. I spent a weekend making one half of a hood out of yarn and it was so cursed. When I took it off the needles it didn’t look like the hoods I had created out of fabric and thread. It was lumpy, too short, and not going to work for what I needed.
Once again, I got my scissors out cut the bind off loose, and proceeded to wind the yarn back into a ball. That is when I decided I had to move on to a new section of the project, for my own sanity. Because I still didn’t know how the hood became misshapen in the fabrication process. None of it made sense. Going straight back into making a new hood when I didn’t know how to solve the problem would be a waste of time and resources. I only have one set of size 7 needles, there was no need to tie them up in another likely failed attempt.
I pivoted to the the length of the duster. To make the bottom have more structure I decided to knit this section in two pieces.
November’s Progress (11/16)
This was a good move. I made the first half 30 stitches wider than the previous body panels to create some drape around the hips and the results are cute. The sweater has this sophisticated little flare that accentuates the waist – I was not expecting that! 🙂
With this step in the right direction, I got to work and powered through the last two body panels and the second flare panel at the bottom. It was a lot of work but only took two weeks to complete with focus, stretching, and snacks.
I have a tendency to let the garment lead me. I like to see how the fabric or yarn responds to the vision I have in my head and adjust the design accordingly to the way the project is coming together. The flared panels at the bottom of the sweater inspired me to pivot again, to step back from the hood and long duster to a sweater coat cardigan that could be buttoned into a sweater dress if I would be inclined to wear it as such.
That’s where it stands now. I began drafting a sleeve and designing the color work I had planned for the stripes before I continued any further because I could change my mind and add more length. The hood is out through, it’s just not the vibe.
When will this project be done? I sure hope by the end of 2023, but we shall see.
After a wear test this past weekend I realized my Jack Sparrow-inspired coat needed a few more touches to truly pop. Including accessories which will be coming soon. As for the coat, it was missing that polish, you know? So I took the belt and chopped it into five rectangles to make the button tabs and the pocket flaps. I also added more buttons! Two more styles, actually. I added leather-inspired buttons for the chest tabs and a tortoiseshell set to the lapels and the pockets. The pockets have closing buttons for security which was desperately needed because I was close to losing my phone on Saturday due to those gaping pockets. For only having the yardage from the belt to work with this turned out well. Is it a complete project? Time will tell. 🙂
I alluded to my love of pirate-inspired looks in Piratecore, Lorelai Gilmore & Sportswear Influences but to be honest, I’ve been chasing after the pirate fashion feels since watching The Pirates of the Caribbean as a kid. The movies came out at a formative time for me, I was a tween and then a teen as the first three movies premiered ( I don’t count the fourth or fifth movies as part of the franchise for many reasons, quality being one, anyway) which is a time when you begin to discover inspirations and your individual style. I remember having a Pirates of the Caribbean locket charm bracelet from Claire’s that I wore often with boots for that pirate mood. It had a skull and crossbones and a cringe picture of Will Turner, my middle school fave inside. That was the beginning of this pirate journey.
In high school, I dabbled with the skulls and skeletons, including a Flogging Molly pirate graphic tee, but I had yet to find anything that truly captured the costuming of the movie. In college, I got a bit closer with a pair of over-the-knee Vince Camuto boots that had pirate cuffs and studs down the back. Now that I know how to sew, it’s time to get serious about this, right?
As an adult, I admire the costuming of Jack Sparrow and Elizabeth Swann more than Will Turner. Particularly the costumes from the third movie, At World’s End. This poster I’ve had this since middle school and it still inspires me today, I actually used it for the basis of my coat and plan to recreate a coat dress like Elizabeth Swann wears along with an accurate Jack Sparrow cosplay at some point in the future.
At this point in time, I knew that would require in-depth research of both the historical garment and the costumes created for the movie. I would also be taking on a greater cost by sourcing specific materials like linen or duck canvas for this project along with historical patterns and additional fastenings, stiffeners, and not a lot of expertise to fall back on if something went wrong. So I decided to do a modern interpretation. Something that would have a pirate essence but would not look costume-like.
I settled on this chocolate-brown corduroy that acquired from Joann’s clearance over a year ago. With four yards to work with, I knew I could make a long and oversized coat that would be lighter in weight but could accommodate a bulky sweater or hoodie underneath. I knew I also wanted a simple fastening and toyed with the idea of a belt, which I made, and a zipper, which I prefer as the primary closure.
To figure out what silhouette I wanted, I referenced the outerwear of several Ateez music videos, including Don’t Stop which puts a modern spin on the pirate aesthetic. Kim Hongjoong was my modern inspiration for the cut of this coat, down to the epaulette details on the shoulder. I wanted the coat to be boxy and cape-like, like a modern-day pirate captain. A future goal is to acquire an Ateez compass patch to sew on the arm and complete the Hongjoong reference.
Last night, I decided to be productive. I gathered my scissors and descended on my fabric stash. To the cuts of fabric, I’d left for the first hint of 30 degrees, to make a tweed coat and plaid trousers. Oh how excited I was to have a tweed fabric that was free from wool, and on clearance no less. What a thrill!
For months, I browsed Pinterest through the forest of street-style pins to the flowing river of coat inspiration. I studied the silhouette, the collar, and the button placement. Oh yes, I was going to do this right. I referenced pattern against pattern, for the right feel. The right lapel.
For moral support, I played a fellow chaos sewist in the background, Stephanie Canada, and laid my fabric on the floor. I determined my cut lines and set them to work, as Stephanie set to work on her #grimgrinninggarb I set my scissors to work carving out the back coat panel.
With a smile, I draped it against my frame to see that the arm holes were placed correctly. The opening for the neck, cut as a slim yoke, compared to the wandering necklines of my past attempts.
Next the sleeves were ready to take shape, a careful gusset planned for the armpit. “What mobility I will have,” I thought, “sweaters, hoodies, flannels – none will be too bulky for this!”
But then the summit appeared in the distance. The jacket front and collar! It was time for the big hurrah, the moment I studied and planned for. I smoothed the yardage to the floor with care to ensure the edges were plumb. With a careful swoop, the arm holes were placed. I steadied myself for the neck opening and lapel.
I stood, I pondered, I cut. A neckline sloping down, reaching outward towards the heart. A lapel. Large enough to fold over and sit regal down the coat. With satisfaction brimming, I carried on to the collar. Easy peasy right? After such a feat! I referenced my pattern one more time and cut it. I placed. I saw what I have wanted to see for years now. A coat with collar, notch, and lapel to follow.
Alright! This is going to work. This is my dream coat. A piece of outerwear ready for Friday Night Dinner. It was sharp. It was, just one. But two? Where’s the second piece?
With horror, I realized my mistake. I laid the second piece to see that I once again forgot to mirror the pattern. It was perfectly cut, backward. The lovely lapel was inside out. I had two lefts and no right.
And I had no more yardage left, on a clearance find remnant. Game over.
No tweed coat. No coat project at all. It was over. Fin.
Sewing humbles me every time. I know one of these days all my practice and failures are going to produce something made with care and wisdom. But dang, I feel so dumb!
If you are feeling discouraged today, remember, that we’re all in this together. 🫶 Hopefully we can all find a way to laugh through our mistakes and keep looking toward what the future holds. We got this! 😁
This past fashion month (September) I actually was paying attention, something I haven’t done since college. I even watched clips from the shows, something I used to stream between classes at the library. So what made take a break? And what brought me back?
Vogue, Harper’s Bazaar, W, ANTM, and Project Runway
There’s no denying that in the 2000s fashion magazines were king. There was no TikTok, nor were there social media influencers or Instagram baddies. It was a time of slower trend cycles, compared to the cycle we have seen so far in the 2020s. (I’m talking about you, micro trends.) At the time, as a kid and then a teenager who dreamed of being in the fashion world one day there were a few ways to get acquainted – America’s Next Top Model, Project Runway, and fashion magazines.
America’s Next Top Model was my first foray into this world, with the second, third, fourth, fifth, and sixth seasons being particularly formative. In the third season, they went to Tokyo and introduced my mind to Japanese street fashion. The sixth season featured a finalist from my hometown. I practiced the poses, the smize, and my model walk with dreams of getting to Bryant Park either as a model or a designer. It wasn’t until I realized you needed to be 5’8″ or taller to be a runway model that I began to pivot to designing as my full-time dream, like Melanie in Sweet Home Alabama. I had been sketching since I was 10 when my friends and I decided to make our own fashion magazine. I was in charge of sketching collections and I’ve never stopped since. 🙂
In middle school I found Project Runway and was hooked on the design aspect of the fashion world, that’s when I knew I wanted to become a designer, and I wouldn’t be happy until I found a way to do it. With this newfound fascination with becoming a fashion designer instead of a high fashion model, I learned from Tim Gunn how important it is to understand the history of fashion, and from Michael Kors and Nina Garcia, I took note that I should understand the industry at large to plan how to make my mark in this world. That’s when I began seeking fashion magazines. My aunt gifted me a subscription to W magazine for Christmas and my mom gifted me subscriptions to Vogue and Harper’s Bazaar. She even took me to Barnes and Noble to track down French and Italian Vogue. Together my Mom and I became students of fashion. It was a blast.
Fashion in the 2010s
Social media and politics have taken fashion magazines on a weird bender, in my opinion, and by the mid-to-late 2010s, I was on a much tighter budget, with underwhelmed expectations for these once beacons of fashion. Social media through the platforms of Instagram, YouTube, and Pinterest were far more fashion-forward in my opinion by this point, and the best part was they were free. And so I swapped my magazines for social media pins, posts, and clips. From 2015 to 2019, I found fashion quite dull and overrun by minimalism and athleisure. With thrifting gaining popularity, searching through clothes that already existed to create fashion called to me more than the glossy pages of Vogue. It was such a weird swap, that at times made me feel confused. I always loved fashion, but the high fashion runways became boring to me during this time period, and I began to question the point of it all. And so I opted out.
I still learned about fashion through deep dives into fashion history but this was far from the runways I used to fawn over. At this time, Vogue seemed far behind the trends, but they still do, to be honest. Social media opened a world that wasn’t curated by fashion people, instead, it is the fashion of people.
Global Ambassadors and Kpop
Then I met K-pop which was a new way into fashion, an electric explosion of ideas fresher than my fashion magazines of old. With each comeback, performance, and music video slaying with a lot more fun than the Met Gala in my opinion. But there was this old ghost hanging in the background. Global Ambassadorships. When I began to listen to Blackpink it was quite evident that they were connected to the fashion world. With Jennie Kim working with Chanel, Rose with Saint Laurent, Lisa with Celine, and Jisoo with Dior. It was in the lyrics, the music videos, the posts. Everywhere. I paid attention a little, but not much.
Then I noticed Hong Joong from Ateez attending Balmain shows. Okay, my interest was piqued.
But the ultimate tipping point came this summer when Hyunjin was named an ambassador for Versace, a few weeks later Felix was given the same honor by Louis Vuitton. It was hinted that Lee Know was going to be at Milan Fashion Week for the Gucci show, unfortunately, a car accident occurred days before the show and both he and Hyunjin were unable to attend. Thankfully they are okay.
The ultimate tipping point for me to give in and watch Paris Fashion Week again was when I.N. was invited to attend Alexander McQueen’s show – and sit in the front row. Is this the dream collab for me? YES! Alexander McQueen is my all-time favorite designer. And so like me ten years ago, I watched the runway. I watched the McQueen show and clips of the Louis Vuitton show, of which Felix was front row. Who knew K-pop boy band ambassador appointments would reunite me with the world of high fashion. Life is a funny thing.
So what do I think of the runway since taking a 10-year break? I think my love of luxury fashion and fashion week has become refined. Instead of wanting to consume all of it, I now find myself enjoying specific designs and aesthetics. Maybe it’s maturity or maybe it is because I am working on my sewing and design sensibilities for myself. The clothing really has to speak to me for me to see them as high fashion now. Luxury no longer equates high fashion to me. Street style has just as much impact to me and I would rather consult Steal the Spotlight and Pinterest’s offerings than the runways exclusively. I can’t stop seeing the business side of fashion magazines and runways now. Some of these items, are blah and played out yet they get their face time simply because they have a label attached and that is stuffy to me now.
Will I check out the shows next year? Yes. Surprisingly, it still has a magic feeling about it. I love the spectacle. And maybe one day, I will be closer to the dream of showing my own collection.
One Rabbit Riot 