Okay, so technically the math of this doesn’t quite work, because Zenon: Girl of the 21st Century came out when I was six, but I believe the Magic School Bus Gets Lost in Space was released before this, so I’m counting it. My first dream life plan, before fashion design became my dream, was to become an astronaut and live in a space station like Zenon. Her space station was in orbit above the Earth, so easily accessible that they were a shuttle flight away. The space station was a cool futuristic community with hologram teachers, neon and metallic clothing, interesting interior design, a cafeteria with windows that displayed the glory of outer space, and a view of the Earth below. They had zap pads that were a precursor to our modern-day smartphones. Zenon was resourceful, dumpster diving and DIY-ing jewelry, clothing, and art. It was so inspiring!
This dream was quickly brought to reality in 2003 when I watched the Columbia space shuttle explode. Space was not the perfect playground I imagined as a kid; it was dangerous, not glamorous, and certainly not as simple as a plane ride upwards. The Magic School Bus originally sparked this interest in space. Ms. Frizzle’s adventure across the galaxy made it seem easy! The bus transformed into a space shuttle and quickly travelled from the Earth through the inner planets of Venus and Mercury, passing the sun and moving beyond to the Moon, Mars, Saturn, Jupiter, Neptune, Uranus, and don’t fight me, Pluto. I will not comply. Pluto should be a planet. They easily landed on planets with ready-to-go pressurized air packs for exploration. How fun would that be? All in one day of school, it was the length of a field trip, not a 100+ years of travel. Wild.
It was not the scary vacuum of Gravity nor the challenge of Apollo 13. It seemed like a safe and wonderful place to exist. But as the star burns up in an explosion, so does the dream of life as a Super Nova girl at Protazoa’s concert in space. Before Aespa’s Supernova, this song was my only y2k-inspired Supernova jam. I hope you enjoy it. Have you ever watched Zenon: Girl of the 21st Century?
I was talking to my friend recently about fashion week, we bounced between NYFW and PFW in our discussions, primarily NYFW and we both remarked how the spark is gone. Growing up we both lived for those massive February and September issues of American Vogue, but as adults, neither of us read the fashion magazines nor are we swept up in watching a runway show stream on Youtube. In college I remember watching runway shows between classes, soaking up the atmosphere of the music, the makeup, the silhouettes strutting down the long walk away. Now, I hardly care about fashion week. My favorite moments of fashion week are no longer the collections and focus on Hyunjin’s interactions with Donatella at the Versace show and Felix’s runway passes for Nicholas Ghesquiere’s Louis Vuitton Women’s collection.
Out of the two of these collections – Versace and Louis Vuitton, I guess I pay attention to and prefer Donatella’s work, but I’m not looking at the collection, I’m focused on the spectacle anymore with these fashion shows. Versace shows at Milan Fashion Week, not Paris for clarification. I watched a highlight of PFW from Fashion Roadman and was underwhelmed. Even Alexander McQueen cannot get me hyped for the runway anymore. I saw there was a Carhartt collaboration with the brand Sacai which was quite frustrating to me. I’ve worn Carhartt before and it is not my vibe. Some shows reused old items, sorry they presented from the archive, from previous collections for “sustainability” and there was a collection addressing war, which feels a bit like that infamous scene in The Devil Wears Prada.
I know it sounds harsh, but I wish brands would do more for countries around the world than present a “statement” against war with military-inspired pieces when these brands are part of huge conglomerates that have the resources and influence to make a difference and instead, they use fashion to make money from exploited workers. And maybe that is why fashion in 2025 feels so off – fashion is not fun anymore. We know too much, the fashion machine has destroyed so much and is the capitalist monster filled with egos and performative greenwashing.
I’ve mentioned before that I find more inspiration from K-Pop than fashion magazines and that holds true for me in 2025. I’m more interested in customizing my wardrobe and making things personalized to my tastes than following the trend cycle because the trend cycle is regurgitating things from my lifetime that I’m already interested in, such as ballet flats, but assigning them an expiration date and I disagree. By the mid-2010s I was tired of ballet flats, but I had worn them for 10 years at that point and was interested in something new to replace my worn, falling-apart flats. I’d rather pick a reference and get inspired, like watching Seinfeld and writing notes for an outfit I’d like to emulate. But that doesn’t fit with the fashion cycles and seasons, so it’s making the fashion shows seem pointless to me.
But the most off-putting thing I’ve seen this year is the discussion – ‘The Death of Personal Style’ which I have seen explored by Drew Joiner, Mina Le, and Nicky Reardon. This topic has been debated across the internet in spaces I don’t visit like X or TikTok, but I think people are bored and claiming personal style is dying because we need some fresh inspiration. I’ve been in a creative slump so far in 2025 with writing because the internet spaces I hang out in have been so negative this year. Like a communal ennui has rolled in, shrouding creative people in a fog. It’s been hard to not buy into the mindset and I’ve been a member of the club after seeing how worried my loved ones are that are facing being cut from their job or their career sector being gutted. Fiber artists and sewists are definitely in a delicate place right now, finding a new normal after Joann’s.
Yeah, it’s weird. I hate change, and I fear the past being repeated, but something struck me last night after watching two videos that have nothing to do with fashion but humor me. The YouTube creator Suibhne (Swee-nee) makes historical content about countries around the world, I in particular chose The History of Korea and The History of Japan to watch, and it’s heavy. What happened between Korea and Japan in the Sino-Japanese War has had lasting consequences, but so has European colonialism in Asia and America’s forced opening of Japan through Commodore Matthew Perry.
Watching these videos that recount the atrocities of WWII in the Pacific reminds me that the overall concern of what is happening politically in the world and in my home country is coming from a noble place. I think overreaction or potentially appropriate reaction is important to keep any bit of the past from being repeated. It’s staying vigilant, like the servants in Luke 12 who were waiting at the door for the master of the house to return. Complacency is never a good thing.
Stay dressed for action and keep your lamps burning, and be like men who are waiting for their master to come home from the wedding feast, so that they may open the door to him at once when he comes and knocks.
Luke 12:35-36 ESV
So instead of being concerned by the social worry of WWII attitudes re-emerging, I should see it as a positive that people are taking things seriously and are unwilling to let evil take root again for the good of all. Even when I consider how fashion seems so dark because of unethical labor practices, sometimes I wish I didn’t know about the darkness, and instead I should consider how knowledge is not the enemy, the unethical practices are the enemy. Shopping is not as fun, but why is my pleasure more important than the rights of garment workers? It’s not all about me. Knowing this information is not the end point either, we put the awareness into action for change. So fashion feels off, but I think we’re tilling up ground for something new, not destroying something joyful for us fashion lovers.
I wish you hope, joy, and peace wherever you are. Thank you for taking the time to spend it with me today, dear reader. Until next time ❤
At the beginning of January 2024, I made a post for fun predicting what I thought would become popular trends in 2024. Now that it’s December, how well did I do? I accurately guessed 6 out of 10 of the predictions I made! So what were these trends that I predicted and what did I get wrong? Let’s jump in!
Gameday Outfits
The NFL had a moment this year with the spotlight of Taylor Swift and Travis Kelce, and her gameday outfits became a source of public fascination. This created a wave of gameday outfit inspiration online, sparked by Blokecore in 2023. This carried on through WAG fashion and trickled into the mainstream. The Paris Olympics created fashion buzz, as did the movie Challengers. There was a rising fascination for F1 in the US. Not to mention the popularity of the team-branded baseball cap and Adidas soccer shorts paired with a button-down shirt. This one was a big deal and was unifying to be honest because who doesn’t like at least one of these sporting events? There is something for everyone.
Patches and Visible Mending
This definitely became a trend as DIY fashion and upcycling continue to grow in popularity online for sustainability and creative expression. Mending and learning to sew continues to rise in popularity as people choose to opt out of the fast fashion loop in search of clothing that will last all while standing out in a crowd. I think we can agree there was a hive mind within fashion since the Tik-Tok “core” aesthetics took off at the beginning of the decade and we are all looking for original ideas again.
Colorful Knit Accessories
Similarly, knitting along with crochet has continued to grow in popularity as hobbies and as a way to create DIY fashion by hand. It was so popular that chatGPT patterns and AI-created crochet and knit images cluttered the creative space. With Balletcore being popular, so were leg warmers and slouchy socks. Fingerless gloves, colorful hats, and brightly colored vests made 2024 what it was – a fiber artist paradise.
Exaggerated Tailoring
This was seen on the runway, with tailoring having a moment with trousers, vests, and blazers finding popularity once again. Dramatic shapes were popular on the runway. I also saw vests and dramatic trouser shapes in mainstream stores. I think this should always be in style so let’s keep in that way fashion trends. It’s a classic.
Resurgence of the Flip Flops
Yes, these were hailed the “It girl” shoe of the summer after Gisele Bundchen (yes I know I’m missing the umlauts) was seen wearing them. The specific flip-flop brand Havaianas, was the iconic style of 2024, but luxury brands tried to corner that market with $900+ flip-flops. I think it makes sense for these to come around again after how long the Birkenstock sandal has been the favorite choice, followed by Tevas, it’s the next logical evolution from clunky to delicate. Personally, all three of these drive my feet nuts but I’d probably choose the Teva for comfort or flip-flops for sheer chillness. Flip-flops were also worn by athletes at the Paris 2024 games.
Jersey Shore Nostalgia
Indeed Ed Hardy and Von Dutch did trend again this year! Mainly with teens and tweens, but this styling returned to the runway with Kim Petras’ Spring 2024 collection which featured Ed Hardy’s iconic designs. I’m excited for this era of fashion to return because I enjoyed the late 2000s-early 2010s fashion and the over-the-top spectacle of it. I’m certainly more for this than the mob wife styling of early 2024.
Parasols for Sun Relief
This one I thought, was a long shot but it made sense for it to become a trend because of how practical they are while protecting skin from UV damage. They are technically better for the planet than single-use sunscreen. I was not wrong. This market is projected to grow from 2024-2032 as the parasol or sun umbrella market is anticipated to grow globally. In 2024, there was significant growth as a trend for Japanese men. That’s a result! 🙂
What Did I Miss the Mark On?
ARMY-core was not a thing even though all BTS members were in the military this year, no trends emerged from this across the K-pop sphere. The only popular examples of camo I saw were from Chappell Roan’s ‘Midwest Princess’ camo hats from her tour and the Harris-Walz campaign hats which copied the same style.
Gilded Age Finery did not take off like I hoped. The only instances I found were Bad Bunny’s Met Gala look and Paris Fashion Week using late Victorian and Regency era opulence as inspiration for glamour.
Bonnets this was a flop except for two key shifts. One I hope I explain right because I am not familiar with the hair culture. According to a few articles I found black men styled bonnets as a protective hair style in 2024. Secondly, hats became popular again with rope hats and pillbox styles being the most talked about.
Cosmic Cowboy or Sailor Cowboy would have been accurate if I had dropped the qualifiers. Cowboy was the most iconic aesthetic of this year with cowboy styling, media, and country music being a key player in pop culture. Americana in general had a moment which is odd but hopefully a turning point for unification in my divided land.
What were your favorite style moments of 2024? And did you participate in any of these trends?
I remember sitting in Art class, the last class period of the day, half listening and half daydreaming, while my art teacher explained the fundamentals of art to my class. I recall perspective, positive and negative space, color, form, repetition, etc. I wished I had paid attention more because I realized I was forgetting an important one – the focal point.
As I previously mentioned in Koala Drawings in Pencil, I wanted to improve my drawing skills by sketching a muse that made me happy and would challenge me. I found my koala inspiration photos on Instagram from the account @gohachi__ which captured images of koalas with so much expression. In my first drawing Koala Scott in Oil Pastel, I mentioned I was thrilled by how it turned out! I loved how the inspiration photo gave me a great perspective of the image and was pleased with the oil pastels for the texture it gave to the image.
I hoped that my second koala drawing would produce the same result but this is not what happened, and it took me a while to figure out why. The original sketch had positive and negative space, and form, and had a focal point – the koala crawling across the main limb of the tree. But, once I added color through my oil pastels, the focal point became murky.
Now is this because I used the wrong medium to add color? Possibly. Or it could be that there are so many details in the original photo and I let those details distract from the focal point of the drawing. Art and photography are related, but different. They are mediums of expression that capture moments but in different ways. Photography creates a scene or captures a moment in time, whereas art can live in a world of imagination. When we look at art it gives us an illusion, connects to an emotion, and gives us an impression of a moment. It’s not a one-for-one match-up. I realized my mistake was that I forgot to think like an artist, instead, I focused on replicating the image which is not going to provide the same emotive qualities that good art does! In my Koala Scott drawing, replicating the koala was the right move because the focal point was clear.
The photograph I used was zoomed in and focused on the koala and its expression. I could let the background fade out of focus and let the koala’s emotions and communication be the star. But the koala crawling across the limb, framed with smaller branches, added clutter to the image. As a photograph, it works because the composition is made for it. As a sketch it was fine, but as a piece of art with color and texture it falls flat. I’m not satisfied with it.
Final Thoughts
As a perfectionist, I hate making mistakes, but as a student, I know that making mistakes is an opportunity to learn! Comparing the two finished drawings I can see how I can improve and that’s exciting.
I think we should be more open to looking at our work, mistakes and all, and look at what went right and what we can improve on. It doesn’t mean we have failed. Learning is messy but practice is how we grow so don’t give up if you’re frustrated with your progress on a skill. Growing takes time. Don’t compare yourself to others, judge your work by your past work and see how you have grown! I hope this encourages you to keep trying and keep growing in whatever endeavors you are embarking on. You got this! ❤
Sorry, I have been a bit absent on here for the last two weeks. I can’t wait until I can explain why I have been distracted because it is a really good story. Thanks for taking time with me dear reader and I wish you a wonderful weekend. Until next time 🙂
Sean McGirr’s debut collection at Paris Fashion Week 2024 – Womenswear Fall/Winter 2024-2025 show was the most anticipated collection for me because of how bored I was by Sarah Burton’s creative direction. Sarah Burton took over after the death of Alexander McQueen in 2009. Although Sean McGirr’s appointment to Alexander McQueen has been a controversial move, and that’s fine, that is an opinion but not my opinion. I think he has talent and his debut collection, and for me, it has injected a new interest in the Alexander McQueen brand. If I.N. from Stray Kids had not been appointed as a Global Ambassador for the brand, I probably wouldn’t be as excited either, to be honest, I love the collaboration and how I.N. looks in the McQueen silhouettes.
Now, this collection was exciting for one reason, it was weird and was a refreshing expression of knitwear, dresses with pockets, suits, turtlenecks, and what should be worn – like broken glass! I loved how bizarre the fur turtlenecks were for covering the face and the goblet-esque shape. Pockets on the chest for dresses and jackets just seem cozy and a challenge to the norm. The exaggerated and absurdly oversized sweaters are fun and stylish despite the possibility of swallowing the silhouette of the wearer. I think we worry too much about how our bodies look at all times and the usual silhouettes of this collection are a challenge to the standard, I would love for this to go mainstream. I’m sick of leggings and the tight-fitting clothes of recent years. Give me more of this.
Little details that I appreciated the most were the ties at the ankles and arms on suits, the tie bag show covers, and the use of fluffy textures on the front of the body mixed with delicate tulle. I enjoyed the knit skirts, broken glass textures, the pairing of tailoring and oversized drapes that break up the lines of the body in odd ways, and the mix of shine and floof for lack of a better term. I’m optimistic about the future for McQueen under McGirr’s direction. His show was well designed and I loved the music.
This month has straight up stunk. It was a pinball of coming off those allergic reactions I mentioned in #45 – Allergy and Winter Winds, coming down with a cold or a cold, getting better, having an allergic reaction to my eyeshadow, getting another cold, discovering my body wash and loofah combo was giving me irritation, in the form of friction hives, and having to stop drinking camomille to get the hives to go away. I was stuck in this loop of discouragement and I definitely let it live in my mind leading to worry and feeling stuck, basically, like this gif when Kim and Ron switch bodies because of Drakken’s body-switching machine. It was one flip to another flop, nothing progressing, just stuck.
That is life, it kicks our butts, leaves us discouraged, and some days feel like a bunch of little things going wrong are going to give us death by a thousand paper cuts. But honestly, that’s part of the journey of existence. Life does not give us any guarantees that each day is going to be sunshine and rainbows, some days are like a tsunami, and other days are like tripping, repeatedly. I’m thankful that it was only a bunch of small little things breaking my focus, instead of one of those big things that shake us to our core. As a highly sensitive person, I can let the little things swirl around in my head until they are big, shakeable problems that tower over me. These little setbacks taught me something pretty important, I need people in my life. I crave it more than my introverted nature is willing to admit.
On those days, when I felt frustrated and down, lost in the worry of my own head, the thing that pulled me back to the light were people. They helped me remember that I wasn’t alone, but instead that I am loved and needed by others in return. There is purpose and worth in the person I am in being there for others in my life.
It was the small things, Kyle taking care of me when I was feeling really crumby, like asking if I had taken medicine or refilling my water bottle before I realized it was empty. Him doing the dishes, cooking dinner, and making me tea in the morning as I was super slow pulling myself out of bed. Those are huge when you are feeling sick and he is so patient with me. Or my neighbor, who texted me one morning because our Amazon packages got mixed up, remembering she is next door and always there if I need a friend. A phone conversation with a friend, talking about anything or nothing, but the connection of catching up after a while and spending time in that bubble together is such a refreshing reset. Having one of those low-maintenance friendships where she texts me out of the blue and we spend time catching up writing digital letters to each other until the conversation fades, knowing we’ll pick it back up later on. Admitting to my mom that I was scared because she was having complications from her surgery this past summer, saying the fear aloud and facing that I didn’t want anything bad to happen to her. A quick chat with my stepdad, talking nonsense but having a blast doing it. My brother-in-law video calling me out of the blue to catch up as we both cook dinner.
Those little moments of community, pull me out of the funk I was in faster than I realized. We really need people. This modern life is lonely. If nothing else, from this month, I learned how dissatisfied I am with the digital barriers there are to the community and how I don’t want to settle anymore. Because people matter and we need them even if we get peopled out easily. Goodbye, February, my relentless gremlin and ironically, the frank teacher I needed.
When I put this jacket top on for the first time, the finished piece, I felt this sense of completeness. What I used to sketch, what I would aspire to be, the aesthetics I was drawn to during those formative years of finding my personal style in the late 2000s and early 2010s before life got a bit weird, this was the type of fashion I wanted to be a part of. It’s the kind of thing I’ve been waiting for my skills to develop to reach the imagination held inside. Waiting for the chance to express itself in more than paper and pen, in thread and fabric and form!
My early projects were a product of the times, a year spent online instead of in the world, historical fashion, cottage core, and dark academia, but not the personal style I had cultivated. Big projects were hard, blazers seemed impossible. But they are so iconic. I crave structured pieces like that in my wardrobe, I mean I wrote an entire essay on the jackets and structured fashion that is the Don’t Stop Music Video by Ateez. That is 4 minutes of glorious outerwear inspiration!
This project at times seemed borderline cursed. I cut this jacket out the day I screwed up my tweed coat and notched lapel pattern by forgetting to mirror the pieces. Not the best start to a day of design work, but perseverance and clear-headedness prevailed to keep this pattern on track. But then, it sat in my stash waiting for me to get started. I hid from it in case I failed it.
One day, I put the pieces on the form and began to pin. The lines of a jacket, structured shoulders, and excess fabric hang around the collar, waiting for the traditional form to take shape. I pinned it exactly how I thought I wanted it, and the sewing process made a few edits for me and my plan. My machine took the lead and created the happy accident, the darts around the neckline. The collar was inserted with more attitude than my intention but I prefer the edge, the little twist on the blazer that has become the Marguerite Jacket.
With the wide lapels, I pinned them back against the jacket to create these triangle shapes on the body of the jacket top. I decided to lean into the attitude of the silhouette to add an exposed zipper and black buttons for a bit of a British punk little spice. I anchored the collar down in the front, balancing the chaos and structure into a garment that walks the line between blouse and blazer. It’s comfy, it’s fun, it’s versatile. I’ve styled it with flare, baggy jeans as pictured. I’ve styled it as a blazer over a cocktail-style dress. I know it will be fun to try it out over cargo pants, skirts, shorts, etc. I look forward to it! I also look forward to wear my designs evolve from here as moving forward I plan to become more cohesive in my aesthetics and collections.
One Rabbit Riot 