Great White Trillium with Mossy Rock

Oil Pastel on paper. Sketched in pencil. Wildflower, rock, and weeds as I remember them on a late April day or early May day. To be honest, this month has been so chaotic I can’t remember when I went to the creek to sketch.

This drawing was sketched with a live subject, on the trail beside the creek in real life with the real soundtrack of water, birds, and insects buzzing. It was the first time in many years that I had sketched in nature like that and it was wonderful.

Drawing in nature, not only cleared my mind but helped me immerse my mind in what I was doing. This process slowed everything down for me and reminded me to go back to basics in my artistic approach. To take the extra time to draw careful pencil lines to indicate details I wanted to preserve, like the levels of the rock. To have that impression committed to pencil and paper instead of relying on an image from a phone or drawing something from my imagination.

From muddy base to jagged peaks where the moss grows to the lines of the leaves on the Great Trillium plant. It helped me remember where the light was washing across the form and what was hidden by shadow. If you would like to see more of the wildflowers from that trail check out April Wildflowers.

What is your favorite thing to sketch outside? Do you like to draw small details or sweeping impressions of landscapes? Are you more of a still-life or landscape person? I’m a sucker for flowers. I love their infinite imagination and stunning wardrobe.

Focal Point: A Learning Process in Art

I remember sitting in Art class, the last class period of the day, half listening and half daydreaming, while my art teacher explained the fundamentals of art to my class. I recall perspective, positive and negative space, color, form, repetition, etc. I wished I had paid attention more because I realized I was forgetting an important one – the focal point.

As I previously mentioned in Koala Drawings in Pencil, I wanted to improve my drawing skills by sketching a muse that made me happy and would challenge me. I found my koala inspiration photos on Instagram from the account @gohachi__ which captured images of koalas with so much expression. In my first drawing Koala Scott in Oil Pastel, I mentioned I was thrilled by how it turned out! I loved how the inspiration photo gave me a great perspective of the image and was pleased with the oil pastels for the texture it gave to the image.

I hoped that my second koala drawing would produce the same result but this is not what happened, and it took me a while to figure out why. The original sketch had positive and negative space, and form, and had a focal point – the koala crawling across the main limb of the tree. But, once I added color through my oil pastels, the focal point became murky.

Now is this because I used the wrong medium to add color? Possibly. Or it could be that there are so many details in the original photo and I let those details distract from the focal point of the drawing. Art and photography are related, but different. They are mediums of expression that capture moments but in different ways. Photography creates a scene or captures a moment in time, whereas art can live in a world of imagination. When we look at art it gives us an illusion, connects to an emotion, and gives us an impression of a moment. It’s not a one-for-one match-up. I realized my mistake was that I forgot to think like an artist, instead, I focused on replicating the image which is not going to provide the same emotive qualities that good art does! In my Koala Scott drawing, replicating the koala was the right move because the focal point was clear.

The photograph I used was zoomed in and focused on the koala and its expression. I could let the background fade out of focus and let the koala’s emotions and communication be the star. But the koala crawling across the limb, framed with smaller branches, added clutter to the image. As a photograph, it works because the composition is made for it. As a sketch it was fine, but as a piece of art with color and texture it falls flat. I’m not satisfied with it.

Final Thoughts

As a perfectionist, I hate making mistakes, but as a student, I know that making mistakes is an opportunity to learn! Comparing the two finished drawings I can see how I can improve and that’s exciting.

I think we should be more open to looking at our work, mistakes and all, and look at what went right and what we can improve on. It doesn’t mean we have failed. Learning is messy but practice is how we grow so don’t give up if you’re frustrated with your progress on a skill. Growing takes time. Don’t compare yourself to others, judge your work by your past work and see how you have grown! I hope this encourages you to keep trying and keep growing in whatever endeavors you are embarking on. You got this! ❤

Sorry, I have been a bit absent on here for the last two weeks. I can’t wait until I can explain why I have been distracted because it is a really good story. Thanks for taking time with me dear reader and I wish you a wonderful weekend. Until next time 🙂

Koala Scott in Oil Pastel

I finished my koala portrait from Koala Drawings in Pencil in a new medium, well a new old medium, a medium I haven’t used in 10 years, oil pastel! I forgot how good oil pastels are for color payoff and texture without being messy like chalk pastels or watercolors. I felt in control of the pigment while being able to direct shadows and highlights over the piece. I’m hooked!

This koala was inspired by a photo I found on Instagram from a creator with the handle @hidenoritsuzuki. Why was this image so special to me? The hand posture and facial expression reminded me so much of my stepdad and his favorite goofy way to feign exasperation. It was the hand! Totally brightened my day. 🙂

Rediscovering Techniques in Color Theory

When you walk away from a discipline some of the knowledge stays with you, in the forefront of your mind. You can pick up where you left off, no matter how long it has been, like riding a bike. It is a core skill, a talent, an extension of yourself that stays with you regardless of what your hopes and dreams are in your current life.

For me personally, art in the mediums of watercolor, chalk pastel, acrylic, and block printing are forever imprinted in my brain. What has not stayed in the forefront though is how to make things look refined.

I used to possess this skill, but like a muscle group this skill needs to be practiced in order to stay toned or honed I guess is a better way to say that. To be sharp, one must sharpen through effort and practice.

As I continue to get my sketchbook out, I’ve noticed a plateau and a desire to make the image on the page pop. Something to make it feel real, or call to me from within the composed piece. I’ve experimented with movement and pointillism. I’ve been blending, shading, and highlighting.

I like the highlighting, but have noticed that I am going through my white pastel at a higher speed than the rest which got me thinking. Did I always, when I was taking art classes, defer to white to make those highlights? Is there another way I have lost since I stopped practicing, that I am missing?

What about color theory? I used to mix acrylic paints in this way to achieve specific hues and richer colors that subtly told the story in my brush strokes. It added three-dimensionality to a 2D image. But, I thought to myself, how did I do that with pastels?

And so from there I have been getting in my sketchbook and shading swatches of color. I do these swatches in groups. Next, I shade a contrasting color on top and see what happens. What I am seeing is making me quite pleased. I see depth. Earthiness. I see more natural hues with darker and lighter colors blending in the swatch.

With this re-claimed knowledge, I am inspired to continue down this path of discovery to re-acquaint myself with these lost skills. I didn’t realize how much I missed art as a form of expression and coping. It brings me joy. I feel at home, but a home I haven’t visited in many years if that makes sense.

It’s interesting what sticks with us from childhood, and what becomes part of our identity. Being willing to accept who I am who is not a boss babe but a sensitive creative with a lot of ideas floating around in this noggin. I should give that part of me more time to explore, reflect, and create.

Do you have any hobbies that you have done since you were a child? If so, what motivates you to keep pursuing them?

Clouds Above A Field | 01

Do you ever look up at the clouds and get struck by wonder? How can they be so vivid and fluffy yet intangible? They are not the plush spaces in the sky that we dreamed of as a kid. Nor are they driveable like on Mario Kart. Yet still they are perfect in their ever-changing form.

The Details:

Lake Erie Bluffs – 2023

A memory captured on a recent visit to Lake Erie with my family. I’ve been here twice and the view was stunningly different each time. I could stare at that horizon forever.

The Details:

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