I find myself in an October slump which I discussed in a previous post. Last year I was much less productive with my writing goals in October than I wished, and its happening again! I’ve paused on sewing and have taken time to recharge, yet its still happening! I think I know why, the weather.
Since we were in Erie, my hometown has been having some pretty cool temps which has sent me into the knitting zone. I have been working on a cowl, some mittens, leg warmers, and reading up on how to make socks.
It’s been my trend for a while, I tend to focus on sewing fall/winter pieces in August and September to be prepared for the first cool days. Then in October when it drops and I get that first taste of cold hands or ears, I hurry to knit those cold-weather accessories. Like a light bulb goes off. It’s fun making things with the seasons too.
Stray Kids have been going insane with song releases so far this month too with two soundtrack releases for for the anime Tower of God and a third collaboration for Arcane on Netflix. Itzy and Ateez released new albums in October as well, plus Aespa’s upcoming release on the 21st, it’s been a distracting few weeks. Not to mention Mario Party Jamboree which I cannot wait to play tonight!
Currently, I’m dabbling in colorwork and its unlocking this whole world of possibilities for intricate storytelling across the canvas of wool.
I have a few knitting projects I excited to share that were the start of these colorwork projects. I just need to motivate myself to put down the needles and type.
Maybe I’ll do that now? Okay, I’ll meet you back here in a few. 🙂
Chk Chk Boom Music Video featuring guest appearances by Hugh Jackman as Wolverine and Ryan Reynolds as Deadpool.
Ryan Reynolds created a pre-movie short that played at certain theaters before Deadpool & Wolverine that showcased moments of his friendship with Stray Kids, including the confirmation that he planned to have them in the movie but had to nix it due to scheduling conflicts.
Skz Code 57 & 58 (Go! Poolside) in the pool with special water sports challenges and a guest appearance of Han Jisung’s unexpected water athletics and a water-logged ferret, Hyunjin.
NASA shared a photo of a supernova with K-pop references and puns including Chk Chk Boom, su-su-su-supernova, and Red Velvet as it was Cosmic.
Dance challenges with NCT 127 and Stray Kids at MBC Kpop.
Felix learns sign language before hanging out with Big Ocean the first hard of hearing Kpop boy group. They do a dance challenge together and Felix writes them a letter.
Marvel Korea brings Hugh Jackman, Ryan Reynolds, Bang Chan, and Felix together for a promotional interview.
Ateez Toward the Light Tour begins in the United States. At the Arlington, TX show at Global Life Field the Texas Rangers create Ateez personalized jerseys and baseballs.
Hongjoong interactions with Atiny and their phones at concert meet and greets.
Donatella shared highlights of Stray Kids at the I-Days music festival in Milan like a proud auntie.
Ryan Reynolds photoshopping moments from Stray Kids’ music video Megaverse into a promo for Deadpool & Wolverine
MTV interviewer asking if the OST for Deadpool & Wolverine featuring NSYNC, The Platters, Waylon Jennings, Patsy Cline, and Stray Kids is just a long con for Hugh and Ryan to join a K-pop group. Ryan and Hugh declare their band will be Stray Old Men.
Hulu announcing that subscribers can stream Lollapalooza in Chicago meaning I can watch the Killers and Stray Kids since the tickets sold out at once.
Jin returned from military service.
An Old English scholar translating the chorus from Work by Ateez into old English under a bardcore Ateez meme.
Something that I noticed this summer, is that Korean girl group (G)-IDLE’s July album release ‘I Sway’ felt disjointed and didn’t land. As I watched the beach dancing sequence in the music video, I thought I was the only one, but as I’ve browsed K-Pop subreddits, I am far from the only one feeling weird about this song and era.
I saw discussions about whether (G)-IDLE’s concept was going downhill or what was going on with this album. I have been confused by what a ‘klaxon’ is. Is it a made-up word? Is it a Korean word? Why did the trailer look like the song was going to be set in a city with old cars and instead we get cringe choreography on the beach while the members dance in swimsuits that feel so unoriginal and not true to (G)-IDLE’s normal aesthetic.
It’s vaguely Californian but honestly, the beach could be anywhere? The stage performance and dance challenge shorts feature the members in lifeguard-themed outfits that look like the lifeguard hoodies you can purchase at Wings at the Outer Banks. The dance challenges feel off, not even Changbin really got into it. Which I was looking forward to, as the weird sexual choreography where they pop their chest at the “honk honk” lyric sounded funny for a boy group member to do.
I did learn, from The Grand Tour ironically, that “Klaxon” is an old-fashioned turn for a car horn. Yeah, weird. A bit too niche. Maybe if the music video was more car-focused or the lyrics had built on that theme more the theme would have meshed well with the name and the choreography? 2Baddies and Faster from NCT 127 are two examples of car-focused songs and a car-focused music video that works well, a girl group building on this theme would have been cool!
I personally find this comeback disappointing because so far in 2024, (G)-IDLE has been one of my favorite bands. Super Lady and Wife were amazing concepts that challenged the norm without being trite. (G)-IDLE for years now has been so fantastically original and pushing back against the stereotypes women navigate. Hoping this is a fluke and not a full-on concept change.
Last Summer I had similar concerns about Aespa after their ‘Better Things” comeback which seemed to bop between a mermaid water concept and a sitcom “Friends” style. It was a different song for the band too, with a slower concept, less beat-heavy. In that way it reminds me of Stray Kids ‘Lose My Breath’ music video and concept from this year. Where Aespa was less successful than Stray Kids was that they couldn’t quite blend the conflicting aesthetics and song style together into something that landed. This song, Better Things, has grown on me in the months since they released it, but it isn’t one I listen to regularly.
I hope ‘Klaxon’ does the same. What surprises me the most with these concepts is that the coconut girl, mermaid-core, beach vibes aesthetic is not landing. You would think releasing this in the summer would be a hit, but these concepts just didn’t come to fruition in my opinion and other K-pop fans.
To be fair, I still don’t like the ‘Lose My Breath’ aesthetics, it was interesting but not a favorite compared to other Stray Kids concepts and maybe that is what ‘Better Things’ and ‘Klaxon’ are suffering from. Maybe the other stuff is so good, just peak concepts, that these good but not great concepts seem like flops?
I wanted to be quick and write this post before their full album release on Monday because the Supernova release has been one of the most fun comebacks they have had I think since Next Level in 2021, which was how I found Aespa initially. This song has dethroned “Supernova Girl” from Zenon: Girl of the 21st Century as my favorite futuristic, y2k, outer-space-themed song. That is no small compliment, I’ve loved that song and the styling of the movie since 1999. That being said, Aespa blew me away with their ‘that tick, tick, bomb’ bridge and funky mix of Portal 2 sounds, reminiscent of the lasers and aerial faith plates, layered over the signature production of Dem Jointz. I wasn’t expecting that signature “Incoming!” line that I find on most NCT albums. This was the fun noise music style I was missing from the current comebacks of Stray Kids, NCT’s solo work, and the releases of girl groups so far in 2024.
Four Distinct Looks
I love a music video with a good costume change, and this one gave me four! The stylist for Aespa hit it out of the park with these experimental yet familiar pieces giving the eye a tasting menu of throwback futuristic pieces yet styled in a way that felt now and new at the same time.
In one short story, we move from streetwear with mesh and bright colors, to light pastel pleather for that space-age feel, to vibrant, shocking, and furry accessories that look like the star exploding, to a y2k jeans look in gray tones as the supernova is complete. The girls are blown into the wind.
My favorite look of them all happens to be Winter’s pink tutu look with platform shoes. She resembles a magical faerie or modern-day superhero without the cringy Hollywood painted-on catsuit. Other details I appreciate are the vampire fangs, pointy nails, intricate braids, colorful eyeliner, bubble hems, dual eye colors, chunky jewelry that looks DIY in a good way, and Gisele’s bedazzled cast.
Imagery of Supernova
Each member seems to have special powers in this music video. Winter can fly, Ningning can fire bend, Gisele can change time, and Karina has superhuman strength. They have the power of the “Supernova” and are a unified force to be reckoned with. I love that Karina falls to earth like an asteroid to open the scene. There is imagery of heat and destruction, darkness and light, brokenness like the dying star, and birthdays like a star reborn through the explosion. They are like a storm but are also a source of power.
Aespa Lore – Returning to Concept
This comeback feels like Aespa’s lore and concept coming full circle where other bands have drifted off into randomness, Aespa is keeping the story of Kwangya, Black Mamba, Naevis, and the real world all in its premise. Some were disappointed with the shift to being in the real world with Spicy (2023) and Drama (2023) as falling prey to the 2000s nostalgia bug sweeping the 2020s.
But I see their comebacks as chapters in one story like Ateez does so well. For Savage and Girls they were in Kwangya, Kosmo, and the Flat. They have fought Black Mamba then coming into the real world with Naevis in My World, continuing the fight in Drama. For now, it seems like Supernova and Armageddon are returning the girls to the other dimension but reborn with powers instead of being consumed by the destruction. I am very excited for May 27th to behold what is in store for their first full album!
In 2023, the amount of good releases felt like a never-ceasing wave of music. It was an epic ride, and I’m sad to know the year is almost up. But hopefully, Year of the Dragon will be as generous as Year of the Rabbit was. Here are a few of my favorite b-sides (not title tracks) that made this year melodious and fun.
Also, congrats to 3RACHA for winning Best Creator at the 2023 Asia Artist Awards last night! They deserve it ❤
One Rabbit Riot 