How to Use a French Curve

It’s a bit silly to think about now, but learning how to sew from Youtube meant that using all the correct drafting tools, was a process of failing in order to realize I needed them.

I made a series of pants and shorts in 2021, 2022, and 2023. Some were okay, many were awful, some turned out better than expected because of a pattern. What I was missing in my sewing tool kit though was the predictability of the french curve.

Once I began drafting with this wonderful comma, I saw an improvement in my pattern drafting, ease of wear for garments made with this tool, and a reduction of fabric waste from cutting the curve wrong.

Looking to the Future

This July has been the first time I’ve recognized that feeling of time passing. The year is halfway over, what do I want to do with these last six months to finish the year strong?

In May, I felt like my life was done, as I knew it. Like a video game, I was done, out of hearts, out of health, game over. June felt like an exciting adventure and a respawn of my little game character in a new environment but the same life. It was thrilling and overwhelming at times, there was so much to catch up on and so much to do to begin our life in our house. July however has been this month of my brain feeling like it is in hyperspeed. Now that I have a new space to create, I also have new creative energy. That two-month break spent packing, moving, and waiting, was like a creative refresh and since then July has been a sprint.

I think some of this wild energy has been all the excitement of this month as part of the STAY fandom, this has truly been a one-of-a-kind comeback, but also I’ve been seeking distraction. My mom is walking through a health condition that came out of nowhere and in a matter of a few weeks she went from my companion packing boxes to being unable to do much physical activity without her body sending off alarm bells. I’ve never seen her like this before, and if I stop to think about it too much, I freak out.

I’ve turned my attention to what the second half of the year could bring. There have been so many wonderful things on the horizon, my friend’s wedding, my sister-in-law’s new place, Kyle’s new woodshop, the possibility of adopting a rabbit from E.A.R.S, Shakerwoods, the Pittsburgh Renaissance Festival, apple picking, Pumpkinville, etc. I’ve begun planning Christmas presents for loved ones, trying to be more ambitious than ever to push myself to learn something new in the process. I’ve also been feeling the itch to actually sell my pieces. I think it’s time, I just have to figure out where and how.

The Curse of Rusty Twill

Like a slinking shadow, the smell crawled through the air, around corners, through doorways into my senses. A stench. Burnt, rotten, the stank of a memory I wanted to forget. Alive in the darkness, its origin story, a wasteland of fashion monsters of dye. But what was it that was haunting me? Is its origin or its nightmare of an olfactory bouquet?


It began one innocent day, the day I met the monster of rust and cotton. On an innocent bolt it dared to rest its head, in the middle of the broad day, have it no decency? It was a fabric unlike any other. It called to me. Upon its skin was a color shift, a creasing of sorts that changed it from a monotone to a cacophony of lighter wrinkles depending on its movement. Oh, little fool you were then, innocent, blind. Dreaming dreams of Japanese raw denim and its way of embossing life on its fiber with wear and time. This was no Japanese denim. This cotton twill, was its foil, a disappointment wrapped in the innocence of Hobby Lobby’s fabric aisle. A devil creeping.

But our devil wasn’t creeping, it was clever. It hid its true form, pretending to be normal, a kind soul of twill and natural fiber. A fabric you can count on for pants, jackets, a workhorse, a staple. These were my dreams before the nightmare began.

Maybe it achieved consciousness? An impatient menace, you waited in my fabric cabinet as we packed up and slumbered in our storage unit as time passed by. Did you act out because you thought you were forgotten?


How could I forget how we met? It was one golden summer day, a day full of promise. A new life began in 2×4 frame and carpeted meadows that roam my floor. A washer and a new dryer. As I invited you out of your slumbering resting place, your weave was rough, and a little stuffy, but I thought nothing of it.

That was your warning sign, a marker of what you are. We walked together. I carried you down the steps. I wanted to keep you safe. Gently I washed you with my hypo-allergenic laundry soap. There were no corners cut. I welcomed you into the fabric family but this was no ordinary wash. Something changed about you in that water. You became a monster. Swampy. A whiff smacked me across the face.

In horror, I smelled the washer. A stench emanated from the room. What could it be? My mind raced – did something crawl into the washer and die? Shaking off the fear, I placed you into the dryer which was a deal with Winifred Sanderson. A cauldron of heat and dry air transformed you into a thing of scent not even a dog could love.


With the dryer’s final squeal, I plucked you from your transformation machine. A stink with strength. Fortitude and funk. Your form was different. Your threads were softer, malleable, and even toned. But your evil had spread, and with fear, I pulled towels from the dryer. They became one of your covens, in a soft amber tone. The smell, it was pungent, accosting.

Lost in thought I carried you upstairs and contemplated my fate. Was it the washer or perhaps the dryer? That old, squeaky dryer. What kind of mayhem did the dryer succumb to in its former life? Was it contagious? I shook the thoughts from my mind and tossed the towels back in the hamper, encrusted in a stench that made me question whether they were washed with soap or copper pennies.

But you, the problem, the evil in rust and twill, you, I placated with Febreze and time. I brought you back to my sewing studio and waited. Instead of getting to know the Febreze and fresh air, you woke me up to the stench of your fibers wafting from the room. You evangelized your rancid agenda and spread it throughout my room. A beast of smell, there you sat proudly, smirking at the work of your hands.

You were an enemy beyond my wildest dreams. A creature lurking in the depths of the nose. An odor I could taste, it lingered, it languished in my mind into paranoia. And that was what it was living with you after your second wash, you monster.


I tried to live with you, accept you for your true form but the stench of your dye was a war cry of all that comes from you. You lead the charge of fashion’s destruction of our peace. Rust is your form. Toxic, destructive, you had to go.

I thought you were going to win. Even with you out of my room, your smell lingered. A nightmare with no end. Burnt, acrid, copper pennies, a smell that dries out the senses like the desert of Fury Road. Why must you torment me?

You gaslit me. A smell that lived on. The towels held on to your evil. Third wash, a scream at the growing wall of your fortress. A sinister scent crept, it jumped from the towels to anything washed them with. An evil baked in. Will this nightmare end? What do you want from me? An enemy without logic but hungry for conquest.

The stench was set into the fiber of your being and I played right into your trap for revenge. Foolishly I gave you more to feed on, as I looked in sadness at the towels helplessly smelly lying on the floor. Could they be saved? How far would your campaign of olfactory pain carry on?!

Your rusty threads were a root system taking hold of me. I could feel them choking me in my dreams. A smell that could not be forgotten. A creature unwilling to die. An assassin of fiber. Mutated from fast fashion’s evil realm.


One day, when io began to lose all hope, a bright light, like a sword dropping from the heavens came to me. A plan. I hurried before you could imprison me forever in your devilish arms, running towards the light. I had to dispose of you and your ground zero stank.

With all my might, I held back your reach, your scaly hands from taking the towels with you. A splash of white vinegar. A bottle of vinegar. I drowned your sinister stench, I killed it in the name of all that is good and pleasing, fresh air rejoiced for the freedom to exist again.

Although you are dead and buried somewhere far away, I worry you’ll come back with your creeping stench. Rusty twill of my nightmares…I think you might be alive.

#57 – Home

Two months later, I’d say I’m finally settling back into a home again. As I get used to this new place, this unexpected blessing, these have been some of my favorite views. First off is the view out of my sewing room into the backyard. I like the trees, the green, the sky. It reminds me of where we used to live in Meadville before things went sideways. Moving to our current town, I liked the safety, like Stars Hollow, but the townies and their tightly wound suburban ways were not my vibe. Seeing all this green instead of houses, cars, etc, it’s just more chill, and because of that it is slowly becoming one of my favorite sites.

Secondly, is the sight of this pegboard organizer hung up and filled with sewing notions and little hints of K-pop. I’ve been waiting since Christmas 2021 to hang this up, and our house has the right kind of walls to support it. Packing up my K-pop posters and sewing tools was the saddest part of moving. I felt like I was packing up part of myself, not to be dramatic, but you know when you find something you are so passionate about and it becomes an extension of yourself? Making clothes has become that part of me. Seeing all my tools back, ready to create, it feels like home.

The third has been painting. Painting has been something we’ve wanted the chance to do again for years now, but not as a job, painting for ourselves. When Kyle and I met painting at our local colleges was our summer job and since graduating, it’s been less and less of a thing in our lives. But the act of cutting in and rolling walls is so nostalgic! I’ve wanted to go bold if I got the chance to make a house my own and this green did not disappoint me. Excited to see how the rest of the room pulls together once we’re done painting, and actually how the whole house does eventually once we paint it all. That will be a process.

Fourth is this view from my kitchen and front porch. I love sunsets and the previous rental had obscured views from the crowded block. I’m happy to be a bit less incorporated so that the beautiful sun as it dips lower and lower in the sky can show us its vivid splendor in the sky. With these few little moments, this house is starting to feel like home and I am incredibly grateful.

Creating Sewing and Knitting Tutorials on Instagram

In February, I started sharing short content tutorials, micro-vlogs, and step-by-step knitting patterns for free on Instagram reels. After four months of content creation and thinking like an instructor, how has this changed my thoughts on my purpose? Has it changed my own sewing and knitting skills? Let’s jump in!

I began sharing my work on Instagram back in 2017 as a writer, as my interest in clothes-making pivoted in 2020, so did my Instagram. My intention was a portfolio and not a content creator because, to be honest, that term makes me uncomfortable. It has been a barrier to wanting to share videos consistently when actually making videos that share not just what I made but how I made it, bring me the most joy.

In 2024, I began seeking out a sewing community online, and through this, I found shining examples of creative women and men who yes were creating content but we incredibly passionate about sharing their knowledge and skills to help others create and learn. Instead of it being about a platform and social media fame, it was about education and community to keep art forms like sewing and knitting thriving while helping people see an alternative to fast fashion.

It had a purpose that aligned with where I felt called to be. I want to do more with these skills than just sell people something, I want to create change and equip others with life skills. That’s not to say I wouldn’t love to make fashion that people can and want to wear, that would be awesome! It’s complicated.

I have Potato Technology as a name for my “label” but it is more of an abstract than a business. I’d like to expand more on this at another time, but long story short, I’ve been wrestling with what my skills should be working towards. A business? A fashion line? A following on Instagram? What is success in 2024? What should I define myself with? What is my motivation? These are questions I’ve had and been uncertain how to answer.

What has been a breath of fresh air has been seeing how to apply these skills in a way that they can be useful. In practicing for months these little tutorials, I think I’m discovering why I believe sewing and knitting are vital skills to have. It’s been a journey of discovery! I love showing how I make something. From the tools and tips I have discovered over the past four years or what the process looks like, someone can feel inspired and hopefully confident to give sewing and knitting a try!

That matters to me. I learned to sew and knit through YouTube and it was a game changer. But a lot of things at the moment are being put behind paywalls with subscriptions, courses, memberships, etc. I feel like information that you used to be able to learn from your community or family members is slowly being lost and reshelved behind tipping screens. I don’t think it’s right or fair, nor is it good for our culture to lose art forms that are so vital to daily life. We all wear clothing, we all have garments that need repairs, etc. Making should be an option instead of buying being the only option.

My long-term goal is to find a way to share the tutorials here in a way that makes sense for the platform, as I continue to do I realize all this filming has distracted me from writing. Hopefully, I will find a better balance now that I am moved in and settling into new routines at our house. I’m excited to share more on that story too because it taught me so much about agape love, the kindness of strangers, and how important family and community is to making things go right.

Thank you, dear reader, for taking time for me today. I hope that you know that you are loved, you are worthy, and that without you this blog would be simply a girl with a computer typing into a void. Thank you for your support! I always appreciate it!

My Experience with PDF Sewing Patterns

Earlier this year, when I was planning what I wanted to make as additions to my wardrobe I found a brown, I believe it is taffeta fabric, in my stash. I’ve been at a loss of what to do with it since I got it because it’s so different than what I usually sew with, but that’s a good thing! I know it will push me out of my comfort zone with its hue and shiny finish, so I want that garment to be special when I finally make something out of it. I do not want a repeat of the pink scuba pants!

I’ve pondered using it as a lining fabric for my pirate coat, I’ve also considered using it as an underlayer for a sheer fabric I have in my stash, etc. So far nothing felt right, aside from an idea I saw while watching one of my favorite sewing channels on YouTube. She makes fabulous dresses from self-drafted, big four paper patterns, and buys indie PDF sewing patterns that all turn out so lovely, I want to try them all.

So on a whim, I went first to Mood Fabrics’ Sewciety page to see what they had to offer in their free selection and eventually found myself on Etsy, looking at the exact dress pattern she made on a video I was watching. Spontaneously, I clicked purchase on a dress pattern and clicked instant download. A dress, I thought, that would be perfect! I can style it up and down, in heat and in snow, it will be my go-to piece! To quote Lee Corso, not so fast!

It was mighty easy, but also mighty paper-hungry. This was something I was not expecting. You see, as far as PDF patterns go, I knew they required printing, but I always thought it was like 10 pages max. It seemed like something that would be straightforward. You know what I mean? To my surprise, it was 29 pages of just the pattern plus 5 more pages for the instruction and sizing. Um, holy lots of ink!

Yeah, I was not expecting that from my first one. So I looked more closely at the Mood patterns I was browsing to see if those would be any better and I saw another flaw in my plan, the patterns specifically from Mood use a ridiculous amount of yardage. Like a mini dress was calling for 5 yards of 57″ across the fabric. I can make a mini dress in 3 yards or less. Is this just a ploy to sell fabric? Mood Fabrics’ average price is USD 14-18 per yard, multiplied by 5 and it is beginning to be a very expensive project if you follow the fabric suggestions. I have a lot of questions now.

But anyway, I went back to the Etsy PDF pattern and decided to throw caution to the wind and begin printing. And print we did! The gentle hum of the printer slider traveling to and through filled the room, with the chorus of the squeaky paper roller delivering page upon page of freshly printed pattern sections to be cut out and taped, onto the desk. As I sat, staring at the screen, I began to get fidgety. I began to look around the room and stare at my computer screen, eventually perusing the listing again, and I noticed one small potential problem in this plan. As the pattern maker was an American, I thought for sure the sizing would be in US sizes, but alas the numbers on the chart were slightly askew from the standard. And I realized two things I would have to face, comparing the yardage to the pattern and taking my measurements to determine my size.

It was a slip dress, so the 3.5 yards I had available on the opaque fabric seemed like an obvious choice. There certainly would be enough, surely there would be enough, but oh no, there wasn’t. The pattern wanted more. I also grabbed the measuring tape and prepared for battle because no matter how badly I didn’t want to care what those numbers said. Those numbers always intimidate me. So with butterflies in my stomach, I grabbed the tape measure and learned that it wasn’t going to be my weight that would keep me from being able to make this but my literal body proportions. My frame. My long torso. My straight up-and-down waist.

I didn’t fit into any size proportions, none. Going up or going down a size was all off. As the freshly-inked paper kept rolling off the presses I felt stress, uncertainty, and frustration at myself for being such a novice thinking this would be easy!

But why isn’t it simple? When I buy paper patterns from the big four it is simple! When I’ve looked at vintage patterns, yes there is a little bit of knowledge needed to understand the sizing – your measurements – but other than that simple! Was I really going to have to pattern hack or pattern grade specific pieces on this paid-for, already drafted pattern? Was it basically going to be as complicated as making my own from scratch?

In that moment, I was incredibly humbled. Here I was learning to sew, designing my own clothes, I want to turn it into a business with the most logical option seeming to be PDF sewing patterns, but my word, this is a tough product to produce! This is incredibly more difficult than I imagined and I don’t think this is how I want to contribute to fashion space. Because not only do you have to make the pattern, the instructions, and go through testing, but I think on a PDF format, if you don’t have a vast size range or even a curvy or athletic build variation, I don’t think the pattern is being done properly.

I could not make the slip dress pattern work because it was cut for an hourglass shape and I have a straight up and down waist, no matter how skinny I get, it’s never going to fit me properly without alterations to the lines of the dress. That discouraged me. I stopped the printing and chose to call it a mulligan. The same issues with standard sizing hit me like a wall in a place I never expected.

What the answer is, I don’t know. But I do know I think the PDF pattern market may be the same ship different day repackaged in a way that creates more work and potentially less waste? On that, I’m not convinced because it is so much ink and paper. I don’t know. It still felt like a lot of consumption was happening. It’s a shame. I feel like I accomplished nothing in the long run. I believe I’ve found a problem I’d like to address if/when I ever figure out how to make my own patterns. Thankfully there are a lot of creative people in this world who may be developing the solution already. I hope so.

What about you? Have you purchased an indie PDF sewing pattern? Were you pleased? Did you feel like it was easier than buying paper patterns or self-drafting? Thanks again for spending time with me today, dear reader. I hope you have a lovely day. ❤

My Spring 2024 Soundtrack

The Dawn Chorus – Robin at 5 am

Super Lady – (G) IDLE’s performance at the MLB Seoul Game

K.K. Bubblegum

Car doors shutting and opening

Japanese spoken in conversation – Coupy Camper Channel

Lose My Breath – Stray Kids (feat. Charlie Puth)

Bamboo Knitting Needles & the pulling sound of yarn leaving a skein of yarn

Endless Phone Calls – Samsung S23

Endless Text Notifications – Hala Hala by Ateez

S-Class Whistle – by Felix

A tin lid opening – Rooibos tea tin

Suicide is Painless – M*A*S*H

Wife – (G)IDLE

The rushing current of Wolf Creek tripping over rocks and weeds

Buzzing of bees and other insects pollinating wildflowers

Old WW2 jeep noises – TFL Classics

Dogs barking endlessly

Tap – by Taeyong

The sound of nothing – noise-canceling headphones

The sound of paper being shuffled while I organize

Fabric being cut by pinking sheers

A gentle clicking noise – Grammy’s Rotary Cutter

Arriba and Jongho’s high note – Ateez at Coachella

Slow even rhythm of a properly tensioned sewing machine

Sigh of frustration at Google’s AI Results update

Dash – by NMIXX

Branches swaying in the breeze

That’s very noice! – Felix, Hyunjin, and Chan

Scratching sound of pastel against paper

K.K. Soul

Killin’ It – P1 Harmony

Clarkson’s Farm Season Three Theme

Potato Technology: Back to Basics Collection

Almond Ribbed Wrap Top

Materials: 1.5 yards of stretch knit jersey. A remnant cut of fabric. This pattern was self-drafted by draping on myself and adjusting the lines with pen marking. As this was the first garment in this series, there was more trial and error with cutting pieces out of the fabric to reduce waste.

Inspiration: I was inspired by the iconic 1970s wrap dress, designed by Diane Von Furstenburg. I originally planned a wrap dress but scrapped the plan due to a lack of fabric. Because of this, there was probably 1/8 of a yard of fabric left over. With more practice, I’d like to reduce that amount to smaller pieces of scrap leftover.

Cherry Henley Ribbed Top

Materials: 2 yards of stretch knit jersey and 6 buttons. It is a heavier weight jersey and feels like a light sweater. This was a remnant cut. I developed my first official bodice pattern from this process.

Inspiration: 1900s men’s buttoned henley baselayer tops from the gold rush era in the United States. Think “old western” dramas, Deadwood, or Red Dead Redemption. I cut it oversized to carry the theme of it being a men’s garment. During the cutting process, I was able to utilize almost all the fabric with only 2-inch scraps being left over.

Stormy Seas V-Neck Tunic Top

Materials: 2 yards of stretch knit jersey. To utilize as much of the fabric as possible, I chose to get creative with my pattern cutting. To do this, I pieced together the bottom and portions of the sleeves to use up almost all of the remnant, with 2in or less scrap pieces left over.

Inspiration: I was inspired by the design lines of early medieval tunics. I like the simplicity of the lines and the lengthening effect it has on my proportions. For more information about Viking Age tunics, I recommend checking out Project Broad Axe for historical recreations and additional background on the history of Viking Age tunics.

Getting Creative with My Stash: The Black Raspberry Slip Dress

I’ve been challenging myself to be a more frugal sewist this year, using up my stash of fabric and resisting buying fabric that catches my eye. It has been harder than I thought. Mood Fabrics is pretty relentless with its advertisements, Hobby Lobby’s every two-week fabric sale calls, and Joann Fabrics sends me flyers and coupons on the regular, but I had this feeling I needed to be more budget-conscious this year and it is starting to make sense why (more on that later).

To do this, I rolled up my sleeves and dug into my storage closet, to my Gram’s quilting fabric stash and got creative. These two fabrics spoke to me, but the yardage of the ditzy floral was small maybe a half yard? This is the most frustrating thing about using deadstock fabrics, vintage or remnants, you get the yardage left and that’s that. I wanted to play around with bias tape finishing with a contrast fabric, which I thought the black floral would compliment the ditzy floral. Originally my plan was to make a camisole top, but the more I thought about I questioned if I would wear it and with what? Instead, I pivoted and used the rest of the black floral to lengthen the top into a dress. To keep it cohesive I color-blocked the fabrics – black floral straps, ditzy floral bodice, black floral skirt, and lower ditzy floral skirt.

This was a new style for me, I usually stick to one fabric but this was fun and from this experience, I feel more inspired to design garments from a scrapy style. It opens up a whole crayon box of possibilities for remnants, smaller yardage purchases, pattern mixing, and contrast piping! This is going to be a fun new world!

I decided to draft my own pattern for this dress by draping the bodice on the form. I created the straps by joining the pieces of bias tape at the top of the triangle bust piece for a seamless transition and to add strength. I added a side zipper to tailor the garment closer to the body but account for the zero amount of stretch in this fabric. It reminds me of a slip dress but I feel more comfortable in it because it is a cotton fabric. There is more structure and opacity. The dress has a more casual vibe where I can style it with a t-shirt underneath if I desire to.

I think subconsciously, I was inspired by Lorelai Gilmore’s dress styling in these episodes. I love her style and I have found that the styles she wears on the show suit my body type and personality more than Rory’s dresses. It’s a dress style I hope to experiment with more by using different fabrics and textures.

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