#76 – Boredom in 2025

The biggest trend I think I’ve seen this year is the sentiment that everything feels boring right now. Whether it is fashion, film, or books, the art of storytelling is supposedly dead. This phenomenon has even crept into my unpredictable and exciting world of K-pop, and up until yesterday, I’d say I agreed. But as I sit here, I would like to put forth a different thesis.

Escapism from the Super Massive Blackhole

What if everything feels boring because you are running on empty? This year was the first time since discovering K-pop in 2022 that I felt bored and indifferent to my favorite bands. Some of this was due to outside forces beyond my control, like controversies, military service, and straight-up evil in the case of Taeil. Yet, some of this boredom, I believe, was caused by how much I was leaning on these safe spaces to find joy when nothing felt joyful or safe. There has been a constant pulse of uncertainty, like tectonic tremors, making us all question the point of it all. There is such a dreary air. A hopelessness, especially in people my age and younger, who are not able to reach milestones due to broken systems. Since I discovered the band Stray Kids, I run to their music for a safe place. But in 2025, I had stretches of time where even SKZ had no appeal. I had listened to every release over and over again until even their most addictive tracks had no appeal. I couldn’t believe how much I was craving a new album until a week before Karma released. As the week progressed, I could feel a hunger for a happy distraction. This year has been the first time my usual pick-me-ups have felt numb, and I wonder if one prong of this boredom we seem to be feeling isn’t coming from this exact situation.

To be honest, I think this could be why K-pop Demon Hunters exploded in popularity; it was new and fun when things seemed darker than ever. Same thing with Twice and their Lollapalooza performance, it was a night where everything felt normal for a second.

Have I Entertained You?

This attention economy is reminding me of that iconic line from Gladiator, and I don’t like what it is doing to art, music, storytelling, fashion, all of it. There is no room to reflect and craft something beautiful. We are pushing things too fast. I’ve been reflecting on this for a while. I see commentary on trends, relating to fashion, which usually goes something like – there is nothing new, everything and nothing is trending, yada, yada, yada. Sprinkle in a bit about clothing quality from the past, and the brain rot of the algorithm, which is killing creativity and subcultures because of a curated vitality. Like it’s a beast unleashed upon modernity, instead of stopping to think critically about it.

It’s obvious after some consideration that making things for vitality is not the same as making something to stand the test of time. Modern romance novels are being created for TikTok vitality first, and quickly, to keep up with the lazy decision of publishing houses to invest in AI over true writers. We blame the current author pool for a lack of creativity instead of holding publishing houses accountable for ruining their reputation through unethical practices. Because, truly, as an author, why would you feel inspired to create a story like Jane Austen when this is the current state of publishing? You could make a true work of art, and be rejected because they would rather steal work to create the same story through AI, or the publisher doesn’t want to take a chance on a good story when the algorithm is fickle and shallow.

Boring People Are Bored

AI is doing exactly what I expected; lazy people are becoming lazier, except that it is currently being rewarded. We used to know how to entertain ourselves. We used to know how to create, enjoy, and take pleasure in things, but I think AI is a snare that is making people boring, and it doesn’t have to. AI is an easy way out of daily life. It can be a friend, a relationship you don’t have to nurture, but is hollow. It can create art, but you will have no artistic skill of your own as a result. It can write you a book, without telling a story. It can create a music video, like JUMP for Blackpink, without any effort from the actual talent, and create a nightmare image of Rose with Jungkook’s facial structure. Do you see the pattern? It’s like cheating your way through school; it produces nothing and wastes precious resources, like time, or in the case of AI, drinking water and electricity.

Cringe > Innovation

What I have seen as the most flagrant accusation of boredom has been the dissonance of innovation and cringe. Let’s take, for example, Ceremony. It’s a song that has no chorus until the end of the song. It’s layered, has high production value, and features something new for Stray Kids and boy band offerings. But what do I see online? It’s awful. Stray Kids are braggy and loud, no talent. K-pop is boring; everything sounds the same. Except, Stray Kids, it’s too experimental. No wait, it sounds like all their other songs, yawn….etc. How can we have the audacity to complain about being bored while we punish bands for taking risks? It’s not just Stray Kids, I have seen similar criticism being launched at Nmixx, NCT, Ateez, Twice, Aespa…the list goes on.

It’s no different when it comes to the world of fiber arts. People complain about how crochet and knitting are getting boring and want new things to make, because everyone is knitting the same things, yet don’t branch out from a few massive pattern makers, like Sari Noorland, Petite Knit, and Andrea Mowry, to name a few. There are so many smaller creators crafting joyful patterns that would disrupt the slump, but no one wants to stand out these days.

I think as this year enters its final act, we should decide what we value more: being entertained? Or being authentic? Do you want to truly discover something new? Do you want to dig deeper for something fresh? It requires us to act, to search, and to participate, because we are allowing ourselves to become boring people, and it is spreading across culture, where it will stay unless we choose to be interesting again. I get it. This year has been demoralizing, and it’s made me feel like giving up many times, but there is always a reason to keep going. What if your big idea is the thing that makes this dull and dreary world sparkle again? You could be the change we need, so stop scrolling and find something that ignites passion in your heart once again!

I Learned How to Crochet

The 2020s have brought many trends and crafts to my attention, but the one craft that has caught my attention, and kept me craving the ability to do it, has been crochet. I love the loops, the lace holes/open weave of its stitching structure, the texture, the projects’ talented crocheters’ design, and most importantly, the granny square projects! I am a colorful knitter, and the granny square scratches that artistic place in my brain. It brings me instant happiness.

In Spring 2024, I made my first attempt to crochet, and it was doomed from the start. I bought a cheap hook, neither ergonomic nor very hooked. The hook failed over and over again to grab the loops. The yarn over motion became yarn slip away, which made the process of learning how to execute crochet stitches dang near impossible! I was busy, not in the headspace to learn a new skill. My frazzled mind became evident in my tight, tortured stitches so snug the hook would not easily pull up a loop. So I set aside my desire for crochet for over a year.

During that time, I recentered my mind and learned new skills that I can see now, in hindsight, that made learning crochet in July 2025 so much easier! I slowed down my sewing and focused on fiber arts, mainly knitting, in the year that followed. During this year of reset, I tried new things that prepared me to be a better student of crochet. I knit socks, I learned colorwork, circular knitting, and explored new fibers and stitches. I learned how to work with my tension, and adapt to a looser weave for colorwork and circular knitting. I learned how to pick up stitches and new ways to construct knit garments. I suspended what I thought yarn crafting was, opening my mind to new techniques, which I believe prepared me to learn a completely different approach – crochet.

Why is crochet such a big jump from knitting? Well, I think for me, because I learned knitting first, my muscle memory was guiding my approach. My brain was shifting into its comfort zone when I would pick up that first crochet hook and reject the notion of using one tool, instead of two needles. My thinking was rigid, just as it was when I first began my language learning journey into the world of Japanese. When learning, we have to hold what we know and what we have done loosely, all while inviting a new guest to the party. A teachable spirit is really a mind of hospitality for the new skill.

I think a good teacher and good exposure also help. When I first tried to learn in 2024, I went to a former neighbor who crocheted and asked her for advice. She let me borrow a book, but didn’t offer much more than that. Although we were in the same town, on the same street, we never crafted together, and when I asked for advice when I got stuck, but she didn’t respond. It sucked. This time around, I went to a tried and true source – TLYarnCrafts, the wonderful Toni Lipsey. Her tutorials saved me when I got overwhelmed by the instructions in my library book. My library was a great source of inspiration, though – I borrowed ‘A Modern Guide to Granny Squares’ by Celine Semaan and Leonie Morgan. This book helped me understand the magic loop and had lovely diagrams to get me started.

Three other crafters who helped me get excited to crochet are YouTube creators – Lizfoolery, Blondie Knots, and Mark Vogel. Mark’s recent granny square vest project was so lovely, I was determined to learn crochet just to make that piece. But it’s not just wearables that have motivated me. I want to make a seashell basket, a flower bookmark, a fish potholder, a pie purse, and blankets! The classic Chevron to replace the one that my great-grandma made, which was lost in 2021, and the star blanket by Betty McKnit. I have also downloaded the hexi-granny cardigan pattern from TLYarnCrafts for a fun, cool weather wearable.

To wrap up, I’ve been crocheting for two weeks now and have made two wonky granny squares, a pair of crochet stays/vest that is 90% done, and a sweater that is cast on with a few inches complete. It feels surreal and also so natural. I love crocheting! Maybe because it is new to me, but I look forward to getting a few rows done each day. It’s become my fun crafting, where I can relax and get lost in the rhythm of loops and yarning over.

Have you ever crocheted? What helped you get through the process of beginning to do the thing? I hope you have a lovely day, dear reader. Thanks for spending a little time here with me in this [I hope] cozy corner of the internet. You make these little moments of reflection an exciting part of my making process. ❤

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