Author: Magz

Making a Pocket for My New Phone

When I purchase fabric, I aim to use as much of it as I can. Whether this means altering the project to incorporate as many large scraps as possible, saving some scraps for future mending projects, or creating a secondary garment from the scraps – I’m in! My recent corduroy trouser project left behind a particular set of scraps, a set of pockets that I chose to leave out of the finished trousers. These made the perfect scraps to make an unexpected project for the new year!

Upgrading My Tech

Around Christmas, I saw an interesting sale – a discount on a phone with an impressive camera and quite attractive collaboration. Since leaving my family’s Verizon’s new every two for my own plan I’ve kept it cheap. I’ve had some bad spills with my phone like shattering my phone camera’s lens on I’m assuming my keys as it bounced around my bag. I also lost my most expensive phone, the LG Voyager back in 2009 by losing it in the ocean. I had it for a month when it dropped out of my pocket one fateful evening and made its way out to sea. The last thing I saw was the screen light go out as it was swallowed up by the incoming tide. So going above the USD 99-149 price range I was a bit nervous about myself and my propensity for mayhem.

This is the Galaxy S23 with the SL/BS JYP Entertainment Skzoo Collaboration case. I got it 50% off from Google Fi and bought the matching SKZOO Leebit Suitcard to theme the inside of my phone to match the case. It is also lilac, a shade of my favorite color purple. It was a delayed 30th Birthday present, to be honest, and a step forward to improve my photo-taking ability for my designs. The camera is absolutely crisp and sharp compared to my Moto Power which I thought was pretty nice for the $149 price tag. Was I swayed by the color, and Changbin’s song for this phone, yes, but it has shocked me how much the camera and integrated photo editing, like the magic eraser feature, have helped me capture better photos of my work on a budget. Safe to say I’ve been babying this phone – I do not want to ruin this one! 😉

A Pocket For My Phone

Because this is a newish phone, there was the upgrade of my wired headphones no longer being compatible – there is no audio jack. This means an adapter, which I wanted to keep organized while out and about with my earbuds and phone. Creating this little pocket made perfect sense!

To create the pocket, because of the corduroy fabric’s structure, I didn’t include a lining. I began with my two pocket pieces and cut one of them into a square and a semicircle. With three pieces, I matched the semicircle together and pinned and sewed the square onto the intact pocket piece, on three sides. This left an opening for the pocket. Next, I sewed the semicircles together. Lastly, I inserted a zipper to securely close the pocket. I love the finished product!

It’s a cute little pocket that is easy to place in my purse and in my pockets, it gives that extra layer of protection across the camera lenses and screen while keeping those loose little accessories in one place. This project has alleviated a lot of fear I had of breaking my phone in my purse again. As a result, I actually pull my phone out less unless I have a specific purpose for reaching for my phone like answering a text, a call, taking a photo, or listening to music. It’s subtly helping me be more present and in the moment which I greatly appreciate. 🙂

I also love the antique vibe of this pocket. It reminds me of pockets that used to be tied onto skirts in historical fashion. I guess this is the next version of the same concept, and it looks like a pattern from the 1800s, 1700s, etc. Always save your big scraps, they come in handy! If I had purchased a pouch for my phone, I’m sure it would have been fine but it’s an added expense that I want to cut out in 2024. It’s fun using the items at hand to make useful things and cut down on my spending while making use of the entire cut of fabric. Would you make a pocket like this?

#45 – Allergy and Winter Winds

I miss humidity, like I really, really do. My skin does. It struggles during this mid-winter stretch. I’m itchy, a desert instead of a moisture barrier, and all my skincare products seem to jump ship at this time of the year. I know I’m not the only one either, there are dozens of us!

Now back in January, we got our deep freeze and oh buddy, it was intense. Like two weeks of pure polar vortex, kind of out of nowhere, yet I always know this will happen. Yet I put off getting ready for it. And I certainly forget to moisturize! Until, POW I wake up to 0 degrees Fahrenheit with a real feel of -9, -18, and simply frigid dry air. My skin freaks out! My tried and true skincare starts to waver, and slowly my toner stops doing its job. Soon, my moisture barrier is a distant memory and my face is red and I’m thinking how did this happen?

This year’s gambit of skincare 2024 had a one-two punch of an allergic reaction to ibuprofen and Maybelline foundation. And boy, oh boy did it catch me by surprise. Big red blisters on my face! It was the strangest experience I’ve had. I didn’t feel like anything was wrong until I looked into the mirror one January night before bed and saw five blisters on my face, adorning my chin and nose. It gave me quite the jump scare!

I’ve had hives, I’ve accidentally layered the wrong skincare serums and given myself a chemical burn (that was last year), but I had never experienced blisters, and truly freaked me out. The blisters had only gotten worse because the Maybelline foundation I wore that day had been burning. I thought it was because my skin was parched and irritated until a quick Reddit search on Maybelline foundation shed light on a reaction that some people have to it.

The goofiest part of this whole experience is that it is always days before my birthday, like a weird tradition I’d like to leave behind but life continues to bring it to the party. Well, could be worse.

I’m thankful all reactions were minor, faded in a few days, and were relegated just to my face. I’m incredibly grateful to have never experienced a dangerous situation due to an allergic reaction. Does this happen to you though, after a situation like that where you feel like you can’t trust your tried and true products or medicine? For a few weeks after I feel like I am still on edge, waiting for it not to be the end. This morning I found razor bumps on my leg, and I was sure something else was making me sick! I feel so silly and yet I let myself wander down the road of what ifs.

If I could make one solid change this year, I’d like to leave my disposition to worry behind this year and move forward in emotional maturity, because I really don’t like how I let myself exist in worry when things are fine. I don’t want to be the kind of person who can’t be happy or ignores the good things right in front of me because the experience with those blisters scared me a bit.

Do you have a penchant for worrying? Are you level-headed and chill? If you are I’d love to be more like you! I hope wherever you are you know that you are safe and know that you are loved. Thanks, dear reader for giving me your time today. ❤

The Striped Cat Ear Beanie

The Inspiration

Stray Kids. More specifically, Felix’s hat on stage at the Music Bank Paris performance in 2023 and Hyunjin’s striped crochet beanie during a video in 2023.

The Plan

It seemed simple at first glance but then again, new knitting patterns can be a bit confusing so I did research, to be safe. The cat ear is a corner and the point or drape, depending on the structure of your beanie is created by the length of the hat horizontally across. Once I understood that the shape would be determined by these top corners it was easy to jump in!

So I cast on 50 stitches on size 8 needles with worsted-weight acrylic yarn (I’m allergic to wool) and alternated between olive green and teal every three rows. After 55 rows, I cast off and sewed the two panels together to form this lovely cat-ear beanie. Honestly, such a fun and easy project once the ear structure clicked. 🙂 I’d say if you are an intermediate knitter you could make this over a weekend for sure, potentially in 24 hours if you were in a super rush. As a beginner, I’d say give yourself a week and take your time to keep the stitches even across. Sew up the sides and top with a tapestry needle.

I think the trickiest part was choosing what colors of yarn to use for the striped pattern. I didn’t want to make an exact copy this time, well I couldn’t anyway because I don’t currently crochet, but I wanted to use a unique color palette from my existing stash. These colors are some of my favorites in my stash. I’ve found the color story versatile to style with both cool and warm-toned accessories. I think the earth tones help keep it neutral. I love it and reach for it the most out of all the hats I’ve made in 2023.

The Marguerite Jacket

When I put this jacket top on for the first time, the finished piece, I felt this sense of completeness. What I used to sketch, what I would aspire to be, the aesthetics I was drawn to during those formative years of finding my personal style in the late 2000s and early 2010s before life got a bit weird, this was the type of fashion I wanted to be a part of. It’s the kind of thing I’ve been waiting for my skills to develop to reach the imagination held inside. Waiting for the chance to express itself in more than paper and pen, in thread and fabric and form!

My early projects were a product of the times, a year spent online instead of in the world, historical fashion, cottage core, and dark academia, but not the personal style I had cultivated. Big projects were hard, blazers seemed impossible. But they are so iconic. I crave structured pieces like that in my wardrobe, I mean I wrote an entire essay on the jackets and structured fashion that is the Don’t Stop Music Video by Ateez. That is 4 minutes of glorious outerwear inspiration!

This project at times seemed borderline cursed. I cut this jacket out the day I screwed up my tweed coat and notched lapel pattern by forgetting to mirror the pieces. Not the best start to a day of design work, but perseverance and clear-headedness prevailed to keep this pattern on track. But then, it sat in my stash waiting for me to get started. I hid from it in case I failed it.

One day, I put the pieces on the form and began to pin. The lines of a jacket, structured shoulders, and excess fabric hang around the collar, waiting for the traditional form to take shape. I pinned it exactly how I thought I wanted it, and the sewing process made a few edits for me and my plan. My machine took the lead and created the happy accident, the darts around the neckline. The collar was inserted with more attitude than my intention but I prefer the edge, the little twist on the blazer that has become the Marguerite Jacket.

With the wide lapels, I pinned them back against the jacket to create these triangle shapes on the body of the jacket top. I decided to lean into the attitude of the silhouette to add an exposed zipper and black buttons for a bit of a British punk little spice. I anchored the collar down in the front, balancing the chaos and structure into a garment that walks the line between blouse and blazer. It’s comfy, it’s fun, it’s versatile. I’ve styled it with flare, baggy jeans as pictured. I’ve styled it as a blazer over a cocktail-style dress. I know it will be fun to try it out over cargo pants, skirts, shorts, etc. I look forward to it! I also look forward to wear my designs evolve from here as moving forward I plan to become more cohesive in my aesthetics and collections.

Squirrel: Quick Sketch

A portrait of a squirrel, with bushy tail curled, to create a wind barrier against the chilling breeze.

This is my last project using watercolor paints, for the immediate future. I’m interested in going back to acrylic and want to pursue pastel, pencil, and charcoal drawings in 2024.

Tweed Yarn Sweater Vest

The sweater vest. It was on my radar but did not become an item I dreamed of until I saw a lookbook from Steal the Spotlight styling Friends-inspired outfits, inspired by Chandler, the sweater vest king. I continued down the rabbit hole and to Katie’s K-pop Comeback Fashion review and I was done for. K-pop fashion, Korean fashion, and the sweater vest were a layering piece I knew I was going to make. Maybe it is the color combinations or the accessories, but how these sweater vests are styled across different boyband concepts just got me. It felt fresh and fun, not preppy or stuffy.

A year later, I was ready to tackle this project. After making a few sweater projects, and learning how to pattern from garment construction, I felt like I had a good understanding of the shape needed to make the sweater. At Joann’s, I found a non-wool tweed yarn and I knew this was the yarn I wanted to start with. It looked like garments I love from Irish Aran Jumpers and was a way to bridge my heritage and this new world I was exploring through K-pop. I like the garments I design to have a story and intentionality behind them.

The New Technique

With US Size 8 needles in hand and one skein of Big Twist tweed yarn awaiting a new form, I began by casting on 65 stitches. Working my way up I did the basic knit-purl stitch and gradually binding off on either side when I reached my desired length for the armhole. I chose to make a cropped sweater vest to accentuate my waist and break up my long torso. The big moment though came when I did some research and made the decision to branch out and knit the shoulder and neckline on two sets of needles. This required knitting, casting off in the middle, and continuing to knit on a second set of needles. It worked!

Learning new techniques is always worth the time and the trial because eventually it clicks and you have something new, you didn’t think you could do, but you can!

Making two instead of four pieces on my straight needles was a time-saver! Honestly, I see why having a teachable spirit is important in all aspects of life because I thought I had a good technique before, but dang, two pieces are such a better experience. Four pieces was a mental game, and I got bored. Hence why my previous sweater projects have taken months and months, and months because I distract myself with palette cleanser projects and then avoid finishing the four-piece projects.

Afterward, I sewed the two pieces together and knit two 65-stitch pieces of ribbed trim for the bottom. I liked how rustic the sweater looked without the ribbing on the neckline and armholes. It looks like an old-fashioned piece, and a bit like armor. Which is cool.

Sweater Vest Fits of 2023

This is how I have styled the finished garment so far! I like it over my black flannel and charcoal jeans for a moody look. It styled surprisingly well over this DIY project where I added a flared skirt to a cropped graphic long-sleeve shirt. This is where I saw the armor aesthetic come through. In 2024 I look forward to playing around with it even more!

Some things I plan on either finding or making, are basic layers I can wear under this vest. Currently, I have my flannels, that random diy-tunic, and maybe some long-sleeve tees but I’m not certain if they are long enough to layer out the bottom of the vest. This is the struggle of adding a brand new item to your wardrobe – how do you integrate it and style it well without buying a bunch of new things? Yeah, I’m figuring that out and until I do it’s going to be some time before I think I can make a truly amazing outfit with this piece. But I’d rather do this responsibly and be a patient person instead of draining my bank account for instant gratification. (Age has done me well in that respect because I used to do the opposite!)

2024 Project Update:

Since finishing the garment, I have either lost weight or the vest has stretched a bit from wear and one wash. It was not sitting well on my waist anymore but ballooning out so I took it in. I took it in at the arm hole seams and gradually took in the waist at the back so the garment has a back center seam which is not the look I was going for but the fit is on point again. Lastly, I knit another section of ribbed trim to lengthen the garment to keep it from riding up, in doing so I made the ribbed trim addition of 60 or 55 stitches, I forgot to take note when I made it, to pull the waist in even more. I like the fit and plan to make another version of this garment with a smaller adjusted pattern.

A Pearl, a Girl, and an Oath

Write about your first name: its meaning, significance, etymology, etc.

My name Margaret, and middle name Elizabeth were chosen by my mom for her maternal grandmother, Margaret Elizabeth.

As a kid, I truly didn’t enjoy my name. Especially at roll call or meeting a new teacher, there was the Margaret haze that hungover the introduction. My classmates found it to be a funny, old lady name and in response I refused to go by it for years.

It was Maggie or Magz. I couldn’t see the beauty of the gift of the name. It wasn’t a curse, it was a connection to the past.

With maturity, I’ve grown to truly appreciate this name. I’m honored to carry both Margaret and Elizabeth of my great-grandma and grandma. I’ve discovered since those school days that I like being unique. I don’t meet a lot of Margarets. I’ve also had the opportunity to learn that I am a lot like Margaret Elizabeth I and Elizabeth. They both had a passion for sewing, and that has carried down to me.

I researched that Margaret traces back to Old Iranian and means pearl, and Elizabeth derives from the Hebrew Elisheva which means God is my oath.

Selkie Dresses and the AI-Generated Backlash

People are ticked off regarding Selkie’s use of AI in their Valentine’s Day release, and I have to say, I can see their point! (Also, cupid, again? What is up with these dramatic “love-inspired” releases for 2024?)

Selkie made a creative, design choice. A big choice that may not have been the wisest decision for their brand reputation. As of three days after the announcement, the comment section is not pleased by the decision to use AI-developed patterns for their fabric instead of human artists to develop patterns for their newest crop of iconic dresses. 

Now, right off the bat for me, I can see a contradiction in this decision just from an aesthetic standpoint. Selkie is a dress brand that took off in popularity in 2020, selling fantasy puff romantic dresses that evoke another time. They are fanciful, sometimes with corsetted bodices, other times they have high regency waistlines, but mostly they look like a dress to galavant around Versailles in with Marie Antoinette. They are not modern in the dream they sell, they have an intrinsic historical imagination. 

They are princess dresses. Ladies of prestige in the modern time when none of them feel like princesses. Since the 1990s, we have seen a steep decline in formal fashion in our day-to-day life. Case in point, billionaire tech boys wear hoodies and t-shirts, not suits and hats like Carnegie and Vanderbilt. In 2020, this came to a head as remote work and social distancing created a new space of absolute nothingness when it came to fashion.

What was the point? You could wear pajamas and as long as you weren’t on a Zoom call, who would know? It was negligible. With face coverings, makeup became superfluous. Selkie, cottage-core, dark academia, etc. These movements in fashion revealed something deeper in our collective psyche. Although wearing pajamas and hanging out on our couches seemed like a dream, in reality, we were missing the fantasy of spectacle and splendor. Selkie is the typification of this. 

AI pops the dream bubble. Suddenly the clouds of tulle and puff sleeves that carried us into a dream world of palaces, picnics, and girlhood, evaporate underneath us and the lifestyle falls back to reality. As much as AI sells a dream of fantasy, it is a tool of reality. The reality of cutting corners, fast fashion, and jobs being cut from creatives is to cut costs because AI is cheaper. But cheaper is not always cheerful. In the case of a lot of AI art and AI work, you are getting what you pay for. It’s not the real deal, something is just a bit off. 

I’ve watched several videos in 2023 of creators I watch putting AI to the test, and in each case when it came to AI having to work in our space, in the humanities, it couldn’t hang. The results were surreal, not real. In these videos, AI was used to interpret history, recreate art in a historical style, create portraits in photography, show examples of historical dress, and give advice on how to give yourself a makeover. In each experiment, the AI was not able to replicate the human experience and seemed to get confused by things involving the story of humans. 

With Selkie’s historical aesthetic being a key to its branding, it is not surprising to me that AI seems out of the aesthetic wheelhouse. This is an interesting reaction to me because it has appeared since the turn of the 20th century that we as humans have been lusting over technology as the ultimate fantasy until we have it and then the intoxication fades away like blood alcohol and late-night attraction. 

It is an interesting time for fashion brands for sure because I think this may be the era that humanness and authenticity to the world the brand is selling may prove to be more valuable than gold. I appreciate the commitment to humanness and personal ethics that consumers are voicing. Especially when it comes to human artists. We can’t change the fact that AI is a thing and it is easy to replace humans with technology, all we can do is voice our opinion and make choices based on what we believe.

I’ve looked through the comments on Selkie’s newest release and there were echoes of disappointment and displeasure from consumers, a lot of them being artists themselves. There was a different tone in these comments than the commonplace cancel culture of our current age, there was genuine sadness. Like when a parent isn’t mad, just disappointed.

The criticism was delivered respectfully but firmly. This gave me hope that we can begin discussing things online with more frankness and kindness than in recent years. If you are a big proponent of AI, I ask dear reader that you don’t take my thoughts on the subject of AI personally. Maybe you can be the one to show us all what makes it great? 🙂

I Found My Missing Manuscript

I have exciting news! Yesterday, while I was transferring larger video files from my phone to my Google Drive, something amazing happened. Honestly, it was one of the most surreal things I can remember happening to me.

As the files transferred, a folder with several documents that I swore were deleted, showed up in my cloud. At first, I thought they must be just showing the recent files I had looked at because, to be honest, I don’t go into my drive very often. I saw old work documents I deleted and Udal Cuain. So, as a joke, I clicked on it expecting my drive to tell me that the file did not exist anymore. But to my surprise, that’s not what happened!

I found every draft version of my unfinished manuscript from 2018 – Udal Cuain in this folder. It had the original version, the version with an updated timeline and calendar, the version when I divided the document into two books, and the draft where I began revising and changed the beginning.

It was all there, but it shouldn’t be. I clearly remember deleting it. I remember deciding I never wanted to work on it again. And dang, after looking through all the work I put into this story over two years, I am so glad that whatever glitch happened, did happen because I regretted deleting it. I really did.

I looked at the word count yesterday, around 124,000 words or 250+ pages single-spaced. There’s too much work there to abandon. I have to revise it, right? If I took out the dark directions it drifted towards and reengineered those motifs to a place that reflects who I am instead of who I was trying to be, it could work. It could really work!

I already had a non-fiction book idea I was planning to write this year, so I guess, what is one more project? 🙂

I’m grateful and excited to get started on the revising process because this shouldn’t have happened and I am pleasantly surprised that it did. It makes those lost years of confusion and wandering in a desert of shut doors feel like they were all for something important, something that started that I should have never given up on just because I got a job.

I never thought I would see that project again, and in some way, that’s what I needed for a time, but in 2023, I began to question if I made the right choice abandoning it. I wish I hadn’t but learned to accept that I made a choice and that was that. It’s taught me to keep hold of things, and wait and see instead of making snap decisions. I guess it’s maturity. But, I’m getting a second chance here and that’s pretty freaking awesome!

Create a website or blog at WordPress.com

Up ↑