Tag: sewing project

Remaking My First Sewing Project Four Years Later

Last September, I felt this aching in my creative heart to make what I didn’t make well the first go around. A project that some would say was insane to attempt as a beginner because of the difficult nature of velvet and the frustration that is sewing with stretch fabric. The dress pictured below was my first wearable garment. I saw the same purple stretch fabric on sale for Halloween at my local Joann’s and my heart skipped a beat. It still exists – I could try again!

You see the first dress I made was constructed so poorly that I ended up cutting it down into a skirt because I was embarrassed to continue wearing it out. After all, the bodice was bunching up and gathered strangely in the back. I lacked the confidence to keep going and try to alter the dress for success. I see now that it would have been an easy make to take out the gathers and bunches of fabric for clean seams, but that kind of thought came with trial and error. I needed a bit more experience and patience to make it right, and at the time in 2020, my younger self was not willing to wait.

But what if I am living in the past? My mind thought, maybe I should let it be and let the dress be a learning experience. I put the purple velvet down and left it, it was not on sale, it would be a sizeable impulse purchase at 15.99 a yard for 4 yards. I can’t justify 60 USD for a passing whim, that would be a poor use of money. So I left the daydream and moved on. Still thinking about that fabric. Another few weeks passed, finding myself in my local Joann’s again. It was my favorite place to explore. I went to the shopping plaza over the weekend where Joann’s remains live boarded up with the lights still on. It was eerie. I found myself thinking about what was blocked off inside? Was the fabric slumbering in the bolts, waiting to be made into something new? Would the yarn ever find a home in a fiber artist’s hands? It felt like a mistake, a bad dream, but it was not. It is over and now it is just a memory.

Anyway, on the second trip to Joann’s during the Halloween sales, I found my purple beloved. The bolt was still full, now marked down to 7 USD a yard. But this time I couldn’t get the project out of my mind. I’m glad I did give in to the creative urge or this project would be left without an ending. At the time, I had no idea Joann’s was going to go under. I thought I had plenty of time to remake this when in reality the window was closing. As I worked on this dress in 2025, I followed Joann’s story with frustration and weight of expectation. This remake is the final try, for this fabric I will never find again.

I made a different dress from the original and that surprised me. I believed going into the remake project that I would duplicate the same dress but with better technique. Instead, it was a project of feel. This time, I had a dress form I could drape the garment on. I had fabric clips with securely held the the slippery fabric together while on the dress form or for a quick test of fit on my own form. This time I understood proportion and where this dress would fit into my wardrobe instead of making a dress that only went with my moto jacket. I reinforced the shoulders and was thoughtful about my stitching, to make the garment strong. I added darts to pull the dress in where it was fitting baggy instead of leaving it like a velvet sack.

It became something new and I am okay with that. None of us are the same as we were years ago, we grow and evolve with every passing year. Making a dress for now, with the spirit and the fabric of my first garment, but with a new neckline and a new fit I think is an inevitability of learning and growth. I had the patience this time to try on the dress, mark what was not fitting right, and go back to work until it was correct. That was not something I was willing to do when I started, because it was all so new and confusing, but with time and practice, those new concepts became a familiar old friend. Like this tan carpet. It wasn’t until I looked at the 2020 mirror photo and the 2025 mirror photo that I saw it. The carpet in the house we bought looks just like the carpet in our apartment in Meadville. How random is that?

I have one more section of the purple velvet left over that I plan to make something with, possibly a mini dress, a blouse, or maybe a jacket. I think knowing this fabric is a relic now, makes me feel unwilling to finish this scrap project, because once it is done. I’m going to feel like my time experimenting with fabric from my first craft store is done. A chapter of my sewing life is over, and I hate saying goodbye. I’m a sentimental person. When things end, I take it hard. I dwell on the loss and muse on it. It might be unhealthy. It certainly makes life harder as a person who wants to keep things alive that are gone, it’s why I think I was drawn to study history in college.

As I keep making things, some of these projects become an archive of crafting past. What are some things in your own life that have moved from the present to part of your past? Does it surprise you to consider these things as your history instead of your current story? Thank you, reader, for joining me again down this sewing memory lane. I hope you have a wonderful day!

My Friday Night Dinner Outfit

The start of September feels like the start of the Gilmore Girls season. Probably because it used to start airing around this time of the year, but also the show follows a seasonal structure. Usually beginning before or during the school year as Rory embarks on her next academic chapter. A key aspect of Lorelai and Rory’s life is the Friday Night Dinners at Richard and Emily’s house, every week. Emily and Richard, being rather formal people, expect a dress code for their family dinners being formal. It reminds me a bit of dressing up for church as a kid.

There is also a silhouette to the outfits each of the Gilmore Girls wear. They wear a lot of dresses with small cardigans over top, but they also pair fitted blouses with a knee length skirt, usually flared for Rory or a pencil skirt for Lorelai. Rory dresses with a more demure style, that reflects her academic personality where as Lorelai is a bit bold with her patterns, textiles, and colors. It matches her personality of being independent and need to separate her life from her parents’ world.

I thought this combination married both the silhouette of Rory’s style with the bold and playful textiles of Lorelai’s personal style. The blazer is not a Potato Technology piece, I ordered it from YesStyle, but the bustier top and skirt are my own designs. The Floral Print Grafitti Bustier Tank, I designed in 2023 from 1/2 a yard of fabric. This piece was draped and cut on the form. I wish I had known about making craft paper patterns at the time because it’s going to be a challenge to reproduce. The Expressions and Lines Skirt is a new design from this summer. It is a satin graphic print that for the first time, I was able to cut out the pattern directionally without any mishaps! I’m so pleased. 😀

I think the combination of pieces look a bit 2000s, mid 2000s for sure, and capture the essence of the time period. The blend of Lorelai and Rory’s style is a reflection of how I consume the show now. Which character I relate to is a blend as I get closer to Lorelai’s age when the show begins instead of Rory’s age, which is so weird to realize. I’ve truly grown up with this story, being just 12 when I first watched it. Lorelai’s story finds me more each time I watch it.

Making a Pocket for My New Phone

When I purchase fabric, I aim to use as much of it as I can. Whether this means altering the project to incorporate as many large scraps as possible, saving some scraps for future mending projects, or creating a secondary garment from the scraps – I’m in! My recent corduroy trouser project left behind a particular set of scraps, a set of pockets that I chose to leave out of the finished trousers. These made the perfect scraps to make an unexpected project for the new year!

Upgrading My Tech

Around Christmas, I saw an interesting sale – a discount on a phone with an impressive camera and quite attractive collaboration. Since leaving my family’s Verizon’s new every two for my own plan I’ve kept it cheap. I’ve had some bad spills with my phone like shattering my phone camera’s lens on I’m assuming my keys as it bounced around my bag. I also lost my most expensive phone, the LG Voyager back in 2009 by losing it in the ocean. I had it for a month when it dropped out of my pocket one fateful evening and made its way out to sea. The last thing I saw was the screen light go out as it was swallowed up by the incoming tide. So going above the USD 99-149 price range I was a bit nervous about myself and my propensity for mayhem.

This is the Galaxy S23 with the SL/BS JYP Entertainment Skzoo Collaboration case. I got it 50% off from Google Fi and bought the matching SKZOO Leebit Suitcard to theme the inside of my phone to match the case. It is also lilac, a shade of my favorite color purple. It was a delayed 30th Birthday present, to be honest, and a step forward to improve my photo-taking ability for my designs. The camera is absolutely crisp and sharp compared to my Moto Power which I thought was pretty nice for the $149 price tag. Was I swayed by the color, and Changbin’s song for this phone, yes, but it has shocked me how much the camera and integrated photo editing, like the magic eraser feature, have helped me capture better photos of my work on a budget. Safe to say I’ve been babying this phone – I do not want to ruin this one! 😉

A Pocket For My Phone

Because this is a newish phone, there was the upgrade of my wired headphones no longer being compatible – there is no audio jack. This means an adapter, which I wanted to keep organized while out and about with my earbuds and phone. Creating this little pocket made perfect sense!

To create the pocket, because of the corduroy fabric’s structure, I didn’t include a lining. I began with my two pocket pieces and cut one of them into a square and a semicircle. With three pieces, I matched the semicircle together and pinned and sewed the square onto the intact pocket piece, on three sides. This left an opening for the pocket. Next, I sewed the semicircles together. Lastly, I inserted a zipper to securely close the pocket. I love the finished product!

It’s a cute little pocket that is easy to place in my purse and in my pockets, it gives that extra layer of protection across the camera lenses and screen while keeping those loose little accessories in one place. This project has alleviated a lot of fear I had of breaking my phone in my purse again. As a result, I actually pull my phone out less unless I have a specific purpose for reaching for my phone like answering a text, a call, taking a photo, or listening to music. It’s subtly helping me be more present and in the moment which I greatly appreciate. 🙂

I also love the antique vibe of this pocket. It reminds me of pockets that used to be tied onto skirts in historical fashion. I guess this is the next version of the same concept, and it looks like a pattern from the 1800s, 1700s, etc. Always save your big scraps, they come in handy! If I had purchased a pouch for my phone, I’m sure it would have been fine but it’s an added expense that I want to cut out in 2024. It’s fun using the items at hand to make useful things and cut down on my spending while making use of the entire cut of fabric. Would you make a pocket like this?

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