Project Runway, I Have Notes

In August, Project Runway returned under a new network and reshuffled the format, hosts, and challenges to make a show I think was actually okay. Compared to where the show was left on Bravo in 2023, I think bringing back Heidi Klum was a good choice compared to the choice of Karlie Kloss, whom I didn’t see as an appropriate casting choice for a role that requires personality and colorfulness. It was boring. So were the new judges. The only new casting decision I was excited about at the time was Christian Siriano, my ult bias from the original show. So what was the good and the not-so-good, in my opinion, of season 21? And how has the show changed, for the better, yet in some ways, become less about fashion? These are my thoughts on my beloved Project Runway in 2025.

The Evolution of Project Runway

The original show premiered on Bravo in 2004 with host Heidi Klum, mentor Tim Gunn, and judges Nina Garcia and Michael Kors. It was filmed in NYC, at Parsons The New School for Design, where Tim was on staff, and the competition culminated in three finalists showing their work at NYFW Bryant Park. This format remained for the first five seasons, season four featuring Christian Siriano, who won his season.

After season 5, the show switched networks to Lifetime, where it remained until season 17. This change for season 6 also changed the location, with the show being filmed in Los Angeles at the FIDM campus until the finale, which was held at NYFW. Season 7 returned to Parsons and NYC, where the show stayed the course until season 11, when Zac Posen replaced Michael Kors. Zac Posen, Nina Garcia, Tim Gunn, and Heidi Klum remained through season 16.

Because of Harvey Swinestein being a producer of the show, and #Metoo movement addressing his depravity, Project Runway changed hands and returned to Bravo for season 17, sans the original cast. Karlie Kloss was the new Heidi, Christian Siriano the new Tim, and the judges were swapped for Elaine Welteroth and Brandon Maxwell.

The show remained this way through season 20, until the show changed again, switching to Freeform as its network, returning Heidi Klum to the host position, retaining Christian Siriano as mentor, and returning Nina Garcia to judge, with a new addition of Law Roach as the second judge. It’s a lot of change.

The Three Fashion Musketeers

When Project Runway moved back to Bravo in 2019, it was not the only fashion competition show in the American market; Netflix launched Next in Fashion for two seasons. Finally, Tim Gunn and Heidi Klum launched their own show on Amazon Prime, called Making the Cut, which was the equivalent of the original trio of Top Gear UK launching The Grand Tour on Amazon.

In my memory, from watching these three shows, Project Runway felt like a shell, undercut by Making the Cut, but losing the carefree fun of what Next in Fashion captured with hosts Alexa Chung and Tan France. All this change made me question what was the purpose of these shows anymore? With the rise of fast fashion and social media, it seemed like a relic. I could watch fashion design content on YouTube with varying points of view, to decide for myself what I thought was good fashion. Why would I care about the judges or the magazines anymore?

Project Runway in 2025

So now, six years later, what did the new Project Runway feel like? To be honest, it doesn’t have its own identity anymore, in my opinion. This could easily be RuPaul’s Drag Race with the amount of drama they packed into these episodes. The original format of challenge, runway, judging, and elimination was gone. Now you find out who goes home next week, which was unnecessary for me. I am tuning in each week, don’t make me have to, I want to, so just tell me who goes home so that the point of the show doesn’t seem like it’s an MTV reality show. It was hard to remember what challenge they were judging from last week. In some ways, I didn’t care; I just wanted the new challenge to be presented.

The contestants fought a lot, with Jesus and Veejay being a near constant. It was too much, and that leads me into one of my biggest gripes with the new season of the show. The editing was off. When Veejay was announced as the season 21 winner, I was confused. The final two eliminations before the finale were also edited strangely, because each time it seemed as though they were not going to keep Veejay, the judges’ critiques reflected this, and so it created this uncomfortable tension for the final three episodes, where it seemed like they were keeping Veejay in the competition so that she would become the first trans winner because of all the fighting.

That frustrated me because Veejay was doing good work, but then why make it seem like she was at the bottom, if the judges saw her work in high regard? It was really awkward. So was the out-of-control arguing between Veejay and the Estrada brothers, which I think the producers wrongfully kept in for a toxic series of episodes that is problematic, and I thought was manipulative. I wish for everyone’s sake that they would have paused the competition in a Tim Gunn fashion to unify the contestants again, because I liked this group of people. I can see where Jesus was coming from, and I can understand how bullying from the past can bring up past hurt, like Veejay expressed.

This is where the show shifted for me into a trash television show, such as Teen Mom, The Challenge, Real Housewives, or Keeping up with the Kardashians. Finally, the omission of NYFW for a quick 6-piece collection immediately after filming the bulk of the show felt lame. Every collection for me was a letdown, and this was the production’s fault once again. 8 out of 9 challenges were one-day challenges, so every other day, they were creating a brand new garment; it’s a recipe for burnout and mediocrity. The final runway show was like a fart instead of a spectacle of creativity, and it was underwhelming.

I hope they get a bigger budget for season 22 because the show has captured its thing again, but the finale and shift to the focus on drama over scenes from the workroom was a poor choice in my opinion. When I think of good reality competitions that have carried on throughout the decades, Survivor and Great British Baking Show are great examples that I may dive into in a part two.

Have you ever watched Project Runway? Did you think it was about planes? That’s what I first thought when I heard about the show in the mid-2000s.

Playing Animal Crossing Has Improved My Style

As a kid, one of my favorite pastimes was designing. I loved the fashion styling flash games from Lizzie McGuire and My Scene. I designed my own catalog of clothes for a made-up brand with my friends in 4th grade, illustrating with my school supplies and piecing it together with scrap paper. Mary-Kate and Ashley’s movies captured my imagination through their use of clothes to characterize each sister’s personality.

That’s So Raven enveloped me in imagination, not from her psychic abilities, no, Raven Baxter’s closet pulled me in! Raven’s room was a stunner as well, like Zenon Kar’s space station cabin, and my Fashion Polly’s colorful playsets that folded out like Richard Hammond’s caravan. My friends and I discovered shows like What Not To Wear and Trading Spaces, which launched my sketches from clothing brands to interior design. I had a notebook full of room drawings. There were designs with slides, hammock beds, and intricate themes. I drew a Survivor-themed room with a tribal council area on the lower level, an outer space room with circular windows and futuristic lighting, even a beach room with a lofted bed, sunset paint scheme, and a pool placed in the middle of the floor. I wish I knew what happened to these sketches; it’s been such a long time.

When I discovered Animal Crossing in 2020, I was curious what the fuss was about, and later the next year, we bought a Nintendo Switch, opening a world of design I thought was lost to childhood. I was thrilled! Animal Crossing New Horizons debuted in March 2020, and because of the unique time, it had a huge following for its charming island life. You begin your game landing on a deserted island as part of a Nook Inc. Getaway Package, and assist Tom Nook in developing the island with the help of Timmy, Tommy, Dodo Airlines, Blathers, Isabelle, and the villagers who move to the island with you.

But what about the fashion and the home decor? This game first places you in a tent that you upgrade into a house, with subsequent expansions costing large sums, but with a relaxed payment policy. You also gain the ability to design custom things with Nook Mile redemption upgrades, craft unique recipes from resources on the island, and buy items from Nook’s Cranny and clothing items from Able Sisters. A ridiculous amount of my gameplay, even years later, comes from pairing and collecting new clothing items for my character to wear on her adventures. This game loves coordination!

As a player who is well-versed in the Animal Crossing fashion catalog, I wait and anticipate finding my favorite pieces with each new island. The game has four seasons, with clothing corresponding to the season at play, including specialty garments for holidays. Currently, as I play in June, it’s wedding season and Able Sisters is selling traditional Japanese wedding attire, Nook Shopping is selling Father’s Day items, and International Children’s Day pieces, which include a paper crown that is oh so cute!

How has this impacted my own personal style, though? Well, it has brought me back to the mindset of creating a full look. Working from home or working in professional painting at jobsites for most of my adult life has killed the style I used to have. I no longer felt the need to put together a look, but instead I got used to throwing on pieces and wearing things for function, not fashion. But that’s not who I really am, just what the environment of life drifted me into. I was missing intentionality, Animal Crossing lit that spark once again. My little character doesn’t just get dressed to do life; she wears a head-to-toe look with hats, bags, glasses, specialty socks, clever shoes, cute tools, and interestingly paired garments. This game got me out of jeans and a t-shirt, or a hoodie and leggings, because this game has trousers in many fabrics and shapes, shorts in colorful prints, skirts in a bouquet of fancy, coats, hats a plenty, tops that span the seasons – it’s a blast to explore! There are dresses – modern and traditional. I can where a kimono! I change her outfit at least once, maybe three times a session. You can also curate hairstyles and experiment with colors.

This exercise has shown me that pink hair is something I’d like to try. It’s my most-used fashion color. It has inspired me to introduce cute socks of varying heights and weights to my wardrobe, even making some of them. I’ve started wearing hats anytime I leave the house – it pulls the look together! My taste in bags has changed; no longer an option for a sleek purse that looks designer, instead give me a duck bag with feet. I love colorful knitwear, flowing skirts, and shoes that are beyond my comfort zone of boots and Converse. Taking those moments in the game to pair weird combinations together has positively impacted my design sensibility. When I plan a sewing or knitting project, I take into account what I’ve learned from dressing up my character, seeking to inject the whimsy and delightful wares of Animal Crossing into my real-life closet. I’m not the only one; I’ve seen this across Pinterest, YouTube, and Instagram.

But what about interior design? Well, this game not only presents the opportunity to design your house and the island, but you can also download Happy Home Paradise to design vacation homes for clients. This has really challenged me in a fun sandbox way to care about how a room is put together. I’ve become far more intentional about my furniture layout, what types of pieces I want to bring into my space, and how I want to pair pieces for a style that tells a story.

Buying a house last year was the icing on the cake of this new foray into design, as we have painted rooms and dug the garden beds, I’ve felt like it is Animal Crossing come to life. I have this canvas to put my stamp on. Moving from rented landlord-beige homes to a space where we can be colorful, it has shown me that the little details do make a space more welcoming and conducive for creating. The simple act of moving our dining room table from one side of the room to the center, allowing for walkways on either side, has made the room a place I want to be instead of a place I pass through. By filling the empty gaps of cabinets in our kitchen with tables, shelves, and a microwave stand, we have transformed the empty space into a room that feels complete. The simple change of painting my sewing room lavender created an entire mood, a calming and happy vibe that makes me excited to work within those four walls. The garden beds and the screened-in porch have been works of dimension, the outdoor space has useful and designated spaces for us to use that make it more beautiful and purposeful.

I am filled with a sense of possibility again, like the girl who sketched those rooms in a notebook, instead of a person muddling through life. In this time when we feel burned out by AI and stale creativity, it’s been electric to feel the sparks of imagination. The crafting aspect of the game has inspired me to be more creative in my own house. We repurpose, re-finish, and build things in our house from scratch. Because of life’s twists and turns, I have a lot of second-hand pieces that at first felt like a let down, like I was poor, but now I see them as incredibly meaningful items that I have the pleasure of caring for in my home. The game’s customization tools, such as kits for sale or the custom services of Cyrus, demonstrate how a coat of paint truly pulls a room together without buying something new.

Did I think when I purchased Animal Crossing New Horizons that I would see an impact on my own design sensibility? Not at all, but it has been the gift that keeps on giving. It’s an incredibly cozy game, full of wonder that I have grown fond of, year over year. Four years later, I still look forward to running around the island, hunting for recipes, wishing on shooting stars, and besting those pesky Happy Home Academy judges. I hope that I never lose my zeal for dress up and design because it is such a fun little way to relax in this wild and wacky world.

Fashion Feels So Off in 2025

I was talking to my friend recently about fashion week, we bounced between NYFW and PFW in our discussions, primarily NYFW and we both remarked how the spark is gone. Growing up we both lived for those massive February and September issues of American Vogue, but as adults, neither of us read the fashion magazines nor are we swept up in watching a runway show stream on Youtube. In college I remember watching runway shows between classes, soaking up the atmosphere of the music, the makeup, the silhouettes strutting down the long walk away. Now, I hardly care about fashion week. My favorite moments of fashion week are no longer the collections and focus on Hyunjin’s interactions with Donatella at the Versace show and Felix’s runway passes for Nicholas Ghesquiere’s Louis Vuitton Women’s collection.

Out of the two of these collections – Versace and Louis Vuitton, I guess I pay attention to and prefer Donatella’s work, but I’m not looking at the collection, I’m focused on the spectacle anymore with these fashion shows. Versace shows at Milan Fashion Week, not Paris for clarification. I watched a highlight of PFW from Fashion Roadman and was underwhelmed. Even Alexander McQueen cannot get me hyped for the runway anymore. I saw there was a Carhartt collaboration with the brand Sacai which was quite frustrating to me. I’ve worn Carhartt before and it is not my vibe. Some shows reused old items, sorry they presented from the archive, from previous collections for “sustainability” and there was a collection addressing war, which feels a bit like that infamous scene in The Devil Wears Prada.

I know it sounds harsh, but I wish brands would do more for countries around the world than present a “statement” against war with military-inspired pieces when these brands are part of huge conglomerates that have the resources and influence to make a difference and instead, they use fashion to make money from exploited workers. And maybe that is why fashion in 2025 feels so off – fashion is not fun anymore. We know too much, the fashion machine has destroyed so much and is the capitalist monster filled with egos and performative greenwashing.

I’ve mentioned before that I find more inspiration from K-Pop than fashion magazines and that holds true for me in 2025. I’m more interested in customizing my wardrobe and making things personalized to my tastes than following the trend cycle because the trend cycle is regurgitating things from my lifetime that I’m already interested in, such as ballet flats, but assigning them an expiration date and I disagree. By the mid-2010s I was tired of ballet flats, but I had worn them for 10 years at that point and was interested in something new to replace my worn, falling-apart flats. I’d rather pick a reference and get inspired, like watching Seinfeld and writing notes for an outfit I’d like to emulate. But that doesn’t fit with the fashion cycles and seasons, so it’s making the fashion shows seem pointless to me.

But the most off-putting thing I’ve seen this year is the discussion – ‘The Death of Personal Style’ which I have seen explored by Drew Joiner, Mina Le, and Nicky Reardon. This topic has been debated across the internet in spaces I don’t visit like X or TikTok, but I think people are bored and claiming personal style is dying because we need some fresh inspiration. I’ve been in a creative slump so far in 2025 with writing because the internet spaces I hang out in have been so negative this year. Like a communal ennui has rolled in, shrouding creative people in a fog. It’s been hard to not buy into the mindset and I’ve been a member of the club after seeing how worried my loved ones are that are facing being cut from their job or their career sector being gutted. Fiber artists and sewists are definitely in a delicate place right now, finding a new normal after Joann’s.

Yeah, it’s weird. I hate change, and I fear the past being repeated, but something struck me last night after watching two videos that have nothing to do with fashion but humor me. The YouTube creator Suibhne (Swee-nee) makes historical content about countries around the world, I in particular chose The History of Korea and The History of Japan to watch, and it’s heavy. What happened between Korea and Japan in the Sino-Japanese War has had lasting consequences, but so has European colonialism in Asia and America’s forced opening of Japan through Commodore Matthew Perry.

Watching these videos that recount the atrocities of WWII in the Pacific reminds me that the overall concern of what is happening politically in the world and in my home country is coming from a noble place. I think overreaction or potentially appropriate reaction is important to keep any bit of the past from being repeated. It’s staying vigilant, like the servants in Luke 12 who were waiting at the door for the master of the house to return. Complacency is never a good thing.

Stay dressed for action and keep your lamps burning, and be like men who are waiting for their master to come home from the wedding feast, so that they may open the door to him at once when he comes and knocks. 

Luke 12:35-36 ESV

So instead of being concerned by the social worry of WWII attitudes re-emerging, I should see it as a positive that people are taking things seriously and are unwilling to let evil take root again for the good of all. Even when I consider how fashion seems so dark because of unethical labor practices, sometimes I wish I didn’t know about the darkness, and instead I should consider how knowledge is not the enemy, the unethical practices are the enemy. Shopping is not as fun, but why is my pleasure more important than the rights of garment workers? It’s not all about me. Knowing this information is not the end point either, we put the awareness into action for change. So fashion feels off, but I think we’re tilling up ground for something new, not destroying something joyful for us fashion lovers.

I wish you hope, joy, and peace wherever you are. Thank you for taking the time to spend it with me today, dear reader. Until next time ❤

Character Design: Mabel Mora and Her Sweaters

Going into the show, Only Murders in the Building, I knew the concept of the show was intriguing. It’s set in New York City, in a classic building, where whodunnit murders take place which the trio solve through their of the time true-crime podcast. The age difference between Selena Gomez and the other two leads Martin Short and Steve Martin gave the story layers from the trailer alone. I was pleasantly surprised by the character design and the costuming which layered depth to each character’s story, like a real person would express through the clothing items they choose.

The most relatable to my taste is Mabel Mora because she not only “knits” as a plot device for “Bloody Mabel” but also wears clothing that looks like someone who knits. Her knitwear throughout season one looks like pieces made by someone who enjoys knitting. They are not your typical off-the-rack sweaters and appear to be knit by hand instead of machine. What makes it feel real to me is the weight of the yarn compared to the knitting needles shown in her apartment. The needle she says would be her self-defense weapon of choice is a thicker needle, for bulky weight yarn. My guess would be somewhere between a size 11 and size 13 needle which is appropriate for bulkier projects.

The wooden knitting bowls, the needles, and the unusual designs of the sweaters featured in this scene speak to the craftsmanship of a hand-knit sweater and place Mabel’s knitting needle in her world. They appear to be knitting which is not always the case in TV shows or movies that feature acts of knitting, the best example of this being Gromit from the Wallace and Gromit series.

Although we don’t see this craft as often in Mabel’s scenes as we see her paint or sketch, the evidence of this hobby is peppered throughout the show from her infamous dream, her carrying the needle in her bag when she jumps tie-dye guy or what lands her the moniker “Bloody Mabel” in season two. Movies and TV shows of the last five years have fallen into a telling not showing manner of character development. For example, in the 2022 remake of Persuasion, Anne Elliot breaks the fourth wall to tell views that she and Frederick Wentworth are “exes” instead of developing the story through interactions, long drawn-out glances as we see in Emma (2020), or Pride and Prejudice (2005 & 1995).

Only Murders in the Building did not take the bait, and instead showed what a 20-something knitter would wear in New York City winter – her handmade sweaters made with yarn colors that look like you could buy them from your local yarn shop. It was a clever character hobby to give Mabel as knitting was growing in popularity with people my age and beyond in the last decade, truly exploding in popularity with the rise of crochet in the 2020s. Every sweater she wears in seasons one and two looks like something you could find a pattern for on the site Ravelry.

It was such a great way to add nuance to Mabel’s character, because how many characters in TV shows knit that aren’t older? She’s a girl with a troubled and complex history, you would expect her to be a party girl or have a dark streak, like the characters of Effie Stonem, Serena Van Der Woodsen, or Jenny Humphrey, but instead, she paints, she knits, she is relatable in a plot that can be quite over the top compared to reality. Mabel is a character I can relate to, which pulled me in from the start to a show that doesn’t feel like it is a modern TV show because of how thoughtful the writing is. It never feels like a cash grab and that has given me hope that maybe this time of reboots and CGI reliance will go out of fashion for stories that once again feel handmade, like a good hand-knit sweater.

Have you watched Only Murders in the Building? Did you like it?

A New Project ft. Kyle

When my husband (Kyle) and I bought this house, we were looking for a place that would provide enough room to have a garden. We wanted it to be flat, have good sun, a little shade, and offer room to build the garden we have been planning for years. In our first apartment, we grew shamrocks and a tomato plant with varying results.

With each new place we moved the garden grew bigger. At our place in Meadville, on a steep hill of a plot of land, we bought a Green Stalk system to maximize our vertical potential. In the house before this one, we created a garden of containers utilizing totes we had from moving and five-gallon buckets. It was better but not the best it could be.

Container garden from 2022.

We craved something less plastic, more grounded. And so with 2025 spreading out before us, we have been planning a new project – an in-ground garden full of plants selected carefully, but Kyle can share more details about that in his own words.

I’m excited to read his thoughts here as a contributing writer because his passion for gardening has taught me so much in our 11 years together. As I mentioned in my very first post, this blog is a little of this and a little of that. I’m excited to share more about life beyond the yarn and the thread, it should be inspiring scenery for sketching! Which I have not done since we moved but I am craving to do once again. Here’s a snapshot of what we grew in our container garden several years ago. I hope you will join us on this adventure. 🙂

Socks: An Update

Several months ago, I started a new side quest in knitting – making socks. It’s a windy and treacherous climb, fraught with new equipment and an entirely new approach from a garment like a sweater. At the beginning it’s like casting on a mitten or a small hat, yet as time goes on you realize you are somewhere between a knitter and a sculptor, looking for the heel shape in your amphorous block of yarn. It is the most challenging garment I’ve made, culminating in going over the waterfall, at least that’s what turning the heel felt like at times.

What makes this ubiquitous garment so hard to learn? It’s a project of multi-tasking, like dribbling a basketball and moving at the same time. You are not only knitting a pattern – a sock, but you are also learning it on a new court – double pointed needles or with a magic loop configuration on circular knitting needles. There is also the third option, the one I leaned on when I was baffled by hitting gauge on my project and fed up with ripping out my progress over and over, knit flat tube socks that are sewn together to form the tubular shape.

My first two completed sets of socks were made this way, with straight needles to help me process all I was learning from these new techniques. It was the confidence boost I needed to keep going and finish the sock. I get overwhelmed in new projects when nothing is familiar but taking one part, flat knitting, and keeping that as the control part of the experiment let me knit and see how it should look and feel when the socks are completed. To better understand what I was working towards on double pointed needles or circular needles. Flat knitting also gave me the chance to try something I’ve never done before as a knitter, I cast on two socks at a time on my needles. It was incredibly satisfying to finish each sock at the same time!

With this new found confidence I carried on and cast back onto the straight needles, making a brown pair of socks from recycled acrylic that wash and wear well. These green socks above are a blend that is mostly wool with a hint of acrylic in the yarn and they are hand wash or steam only for me. I wash them gently with either shampoo or conditioner in the sink, carefully to prevent felting. For my next project I wanted to explore fiber content, so I cast on a sock with three strands – two fingering weight wool and one acrylic. I chose this composition to test wear and washability, to make these a sock I could worry less about washing yet would insulate my foot, this was during a month long stretch of cold weather, dipping into the negatives fahrenheit so my mind was on cold weather. I decided to make these chunky socks into a sock I would use to insulate my L.L.Bean duck boots which are waterproof but are canvas, not insulated at all. They are a boot I want to wear for cold weather and snow, but they make my feet cold even with two pairs of socks.

As I got to the heel portion, I knit these socks cuff down, I made a last second decision and transfered my project to my round needles, joining the row into a round a stitches. With my heel turning reference book in hand I began turning that heel! It wasn’t as bad as I thought it would be! I don’t think I executed it perfectly, but I conquered a fear. Now, the tough part of the process is that my handwork for circular knitting is subpar. I hold my stitches too tight and the tension hurts my fingers the longer I knit on a project. The only way to improve this is to keep practicing, yet I don’t want to practice. The second sock is cast on but I have yet to make progress on project because I am dreading the circular process and those tight stitches that come from inexperience.

Is this sock the best fitting sock I’ve ever made? Yes! Is it better than store bought ones? A 1000% yes, and I’m a novice so they are going to get better with practice. It’s an art form we wear everyday without thought, but it is truly a sculpture of yarn. Next time you put on a sock, have a moment of appreciation for the geometry, the symmetry, and the sculpture adorning your foot.

#67 – Decorating, Snow, and Small Upgrades

Christmas knitting is full swing and I am yet again behind! This happens every year to me. Oh well. But, this is one of my favorite seasons of the year and I wanted to share some tidbits that have made this year a little merrier.

This is the first Christmas in our house. It was special moment unboxing our decorations that have moved with us from apartment to apartment that can now be rested here. Some are heirloom pieces that lived a life long before I was born, such as the nativity my Grandma cast in the 1970s. Others are ornaments given by piano students.

The Christmas village was my mom’s and I remember putting it out in on the third floor, our little apartment within my grandparents’ house. I can’t believe the journey it has been on with me through my life. I am also excited to have a staircase to decorate with garland like my mom and Grandma have done each Christmas. It makes it feel like home.

The next thing that has filled this time with joy, has been the fresh paint of my sewing room. Kyle graciously primed the woodwork and painted this room while I was sick. It satisfyingly looks like the color scheme of my bedroom at my mom’s before an ice dam melted through my ceiling in 2015, destroying it. I’ve missed this mauve-lavender color. I took the opportunity to rest my Stray Kids, NCT, and Aespa posters. I like the minimalist cozy atmosphere this room radiates now with this simple makeover. It was a room I kinda hated before with its janky woodwork and boring walls. Now it looks complete!

We’ve been blessed with a little lake effect snow and it has been a marshmallow world. The views here become serene and open without the leaves. Some may see this as bleak but I love the transformation of snow and the peaceful slumber of the nature for the winter months. I hope we get more moments like this.

Lastly, we made some upgrades to our first floor before Thanksgiving. Our daybed’s framework broke. Instead of buying new furniture, Kyle set to work on designing a whole new base frame for the couch, complete with storage drawers! We also updated our front door with stained glass window film. Cheap? Yes, but, it allowed us to remove the broken blind that was an eyesore while maintaing privacy until we decide on a permanent solution for this door.

At 20 USD it was an affordable way to create character to a pretty ugly door. We’re making slow progress on updating the house, but as time goes by I realize, it’s part of the fun and changing everything all at once, if we had the money (which we don’t) would be pretty boring! Anyways, I hope wherever you are you have a lovely day and thanks for stopping by my little blog. Now, time to get back to Christmas knitting. I can’t wait to show you what I’m making! 😁

Were My 2024 Fashion Predictions Accurate?

At the beginning of January 2024, I made a post for fun predicting what I thought would become popular trends in 2024. Now that it’s December, how well did I do? I accurately guessed 6 out of 10 of the predictions I made! So what were these trends that I predicted and what did I get wrong? Let’s jump in!

Gameday Outfits

The NFL had a moment this year with the spotlight of Taylor Swift and Travis Kelce, and her gameday outfits became a source of public fascination. This created a wave of gameday outfit inspiration online, sparked by Blokecore in 2023. This carried on through WAG fashion and trickled into the mainstream. The Paris Olympics created fashion buzz, as did the movie Challengers. There was a rising fascination for F1 in the US. Not to mention the popularity of the team-branded baseball cap and Adidas soccer shorts paired with a button-down shirt. This one was a big deal and was unifying to be honest because who doesn’t like at least one of these sporting events? There is something for everyone.

Patches and Visible Mending

This definitely became a trend as DIY fashion and upcycling continue to grow in popularity online for sustainability and creative expression. Mending and learning to sew continues to rise in popularity as people choose to opt out of the fast fashion loop in search of clothing that will last all while standing out in a crowd. I think we can agree there was a hive mind within fashion since the Tik-Tok “core” aesthetics took off at the beginning of the decade and we are all looking for original ideas again.

Colorful Knit Accessories

Similarly, knitting along with crochet has continued to grow in popularity as hobbies and as a way to create DIY fashion by hand. It was so popular that chatGPT patterns and AI-created crochet and knit images cluttered the creative space. With Balletcore being popular, so were leg warmers and slouchy socks. Fingerless gloves, colorful hats, and brightly colored vests made 2024 what it was – a fiber artist paradise.

Exaggerated Tailoring

This was seen on the runway, with tailoring having a moment with trousers, vests, and blazers finding popularity once again. Dramatic shapes were popular on the runway. I also saw vests and dramatic trouser shapes in mainstream stores. I think this should always be in style so let’s keep in that way fashion trends. It’s a classic.

Resurgence of the Flip Flops

Yes, these were hailed the “It girl” shoe of the summer after Gisele Bundchen (yes I know I’m missing the umlauts) was seen wearing them. The specific flip-flop brand Havaianas, was the iconic style of 2024, but luxury brands tried to corner that market with $900+ flip-flops. I think it makes sense for these to come around again after how long the Birkenstock sandal has been the favorite choice, followed by Tevas, it’s the next logical evolution from clunky to delicate. Personally, all three of these drive my feet nuts but I’d probably choose the Teva for comfort or flip-flops for sheer chillness. Flip-flops were also worn by athletes at the Paris 2024 games.

Jersey Shore Nostalgia

Indeed Ed Hardy and Von Dutch did trend again this year! Mainly with teens and tweens, but this styling returned to the runway with Kim Petras’ Spring 2024 collection which featured Ed Hardy’s iconic designs. I’m excited for this era of fashion to return because I enjoyed the late 2000s-early 2010s fashion and the over-the-top spectacle of it. I’m certainly more for this than the mob wife styling of early 2024.

Parasols for Sun Relief

This one I thought, was a long shot but it made sense for it to become a trend because of how practical they are while protecting skin from UV damage. They are technically better for the planet than single-use sunscreen. I was not wrong. This market is projected to grow from 2024-2032 as the parasol or sun umbrella market is anticipated to grow globally. In 2024, there was significant growth as a trend for Japanese men. That’s a result! 🙂

What Did I Miss the Mark On?

  • ARMY-core was not a thing even though all BTS members were in the military this year, no trends emerged from this across the K-pop sphere. The only popular examples of camo I saw were from Chappell Roan’s ‘Midwest Princess’ camo hats from her tour and the Harris-Walz campaign hats which copied the same style.
  • Gilded Age Finery did not take off like I hoped. The only instances I found were Bad Bunny’s Met Gala look and Paris Fashion Week using late Victorian and Regency era opulence as inspiration for glamour.
  • Bonnets this was a flop except for two key shifts. One I hope I explain right because I am not familiar with the hair culture. According to a few articles I found black men styled bonnets as a protective hair style in 2024. Secondly, hats became popular again with rope hats and pillbox styles being the most talked about.
  • Cosmic Cowboy or Sailor Cowboy would have been accurate if I had dropped the qualifiers. Cowboy was the most iconic aesthetic of this year with cowboy styling, media, and country music being a key player in pop culture. Americana in general had a moment which is odd but hopefully a turning point for unification in my divided land.

What were your favorite style moments of 2024? And did you participate in any of these trends?

Black Friday and Cyber Monday in 2024

Have you claimed your deal yet? What are you waiting for? Has every platform, company, or application on your device prompted you to check out their coupon code for an amazing, one-time-only deal?

This year has felt different. Maybe it’s the economy of the United States in 2024, or perhaps it’s the fatigue of advertisements from how many ways we see them nowadays. The Christmas shopping season took on a new flavor in 2020. Sales migrated online, and shopping days—Black Friday and Cyber Monday—became “Black Friday all month” and “Cyber Week.” I feel like Charlie Brown, I’m aghast at the rampant consumerism, which leads me to believe I have changed.

I think it is the amazing work of normal people who have started talking about the current tour-de-force of consumerism that is becoming normalized in first-world nations. I started taking serious note of this during Fashion Roadman live streams, where he discussed the voracious gains of the conglomerates – Kering and LVMH to grow every quarter. While growth was sought, prices soared, and quality took a nosedive. How was this happening? This was a never-ending I sought to learn more about throughout 2024, and along the way, I discovered the web of destruction that almost every company is caught in. Cheaper materials, cheaper production, the global south, slave labor conditions, child labor, toxic chemicals, microplastics, lithium mining, and planned obsolescence. That is as concise as I can get, and trust me, there is so much I’d like to write about on this topic.

How does this connect to Black Friday and Cyber Monday? Well, I used to have a bit of a shopping addiction. This season used to wreck my bank account. Saying no to things I didn’t need because I like clothes was difficult, as dumb as it sounds. It was my way of hiding from my problems by giving me a little treat. I wasted a lot of money and time working to make up for the financial consequences of my actions. Most importantly, it never gave me true happiness. So, if you are struggling with all these sales being shoved in your face, I feel you.

I did go to my local Premier Outlets on Black Friday to pick up a gift for my stepdad and was immediately tempted by the sales and a cute pair of pants I had seen the day before from Old Navy. That’s where being aware of how and where our clothing is being made can really help to wake up to the noise – I remembered where Old Navy makes their clothing in the global south in countries like Bangladesh, where labor conditions are despicable. I snapped out of it. Does this mean I will never shop from Old Navy or another company like them? No, because the system is broken, and all clothing and manufacturing are tainted right now by the Temu and Shein models. But it is helping to only buy if I need something and try to upcycle or make the garment so I can understand how much goes into the process of the garment worker.

Ironically, as I was leaving I saw a sign on the Forever 21 store that they accept Shein returns. We all know where those are going.

This brings me to what actually sparked this post today, it was an email I received from Converse, which advertised a Cyber Monday 75% off sale on everything! Yeah, that’s what the email said. Dubiously, I clicked the link to check it out. I had heard that Nike (the owner of Converse) had a slow 3rd quarter and is falling behind Adidas in the 2020s due to the popularity of the Samba and Blokecore in recent years. Maybe it was true to make Q4 a success? I was surprised by what I saw!

I was surprised to see nothing even approaching 75% off. Either there were a few items that sold out, and the 75% off is gone, or this deal was carefully worded to get traffic. I was disappointed. This goes along with many deals I saw this year on Black Friday and today on Cyber Monday. It’s lackluster. I was looking at colors to touch up my roots and saw that Arctic Fox was running a cyber deal through Amazon, and it was more expensive than the price it was advertised when I purchased it. So what is my point? Be wise and buy what you need when you can afford it, but don’t let the talons of consumerism dig into your wallet this year because there is a cost, and we can’t afford the cost of hyperconsumerism on our fellow humans in the global south, the planet, or our finances.

I saw a short clip someone shared that said on Black Friday, everything is being sold for the price they want. I can attest to receiving junky quality items that were being sold as Black Friday and Cyber Monday deals. It’s a web, but let’s marinate on the problems being brought to light and fight together to solve this problem. I think in time we can sort this out.

I hope wherever you are, you are feeling warm (if you are a Northern Hemisphere person, winter is in full force here!) and know that you were made for a purpose. Thank you for spending time with me today. ❤

Sewist Reacts: What In the Vintage Inspiration Is This?!

Fast fashion is a problem for many reasons. The overconsumption. The exploitation of workers. The lack of quality in construction and fabric. Polluting water sources and landfills. Ruining thrift stores with Shein products. But one I hadn’t considered was how these fast fashion brands are watering down design to the point that they are misrepresenting fashion terms like corset, choosing the wrong fabrics for construction, and not even trying to pattern match. It’s becoming nonsensical!

Fall fashion trends and fall sales are in full swing here in the US. I’m seeing ads everywhere, in between Instagram stories, in my email inbox, on YouTube, on television advertisements, etc. It’s bonkers! You would think that we had empty closets and had never owned cold-weather clothing before! Each season you need to completely restock your wardrobe! Buy, buy, buy!

So I caved and I started to look at these websites. Looked, not purchased. That is the key here because I found some wacky things masquerading as vintage and historical-inspired pieces of fashion. These fashion brands are two that are quite popular in my neck of the woods.

The Gap does Medieval Plate Armor

A brand I get a lot of ads from, which amuses me because I don’t like this brand, is the Gap. I probably see ads because I do buy occasionally from Old Navy and they are owned by the same company. If only the Gap knew how I feel about them, they would realize it is a lost cause. I think that the Gap cuts its patterns weirdly, is expensive for the quality, and is dry toast in terms of its aesthetic. So I wasn’t surprised to see a rather vanilla dress. What surprised me were the style lines of this dress and the fabric they chose.

This dress looks inspired by 16th-century plate armor, a breastplate specifically, but it is made out of what I would guess is a stretch jersey because there is no structure or fastenings in the photos. So a rigid garment, being made out of a stretch shapeless fabric, just isn’t right. There is something off about the shape of the bodice and how it hangs on the body. This is a missed opportunity. I think they could have added boning channels or made this out of a stiff woven fabric. Maybe a coordinating vest? Vests have come back in popularity. It’s a misrepresentation of the historical garment they were inspired by and as a dress historian, it bugs me. This dress is already an attempt at thinking outside the box, so why not do it properly and celebrate the design? 🙂

There is an exhibit at the Met, linked above showing a historical example of what I am talking about, featuring an exhibit of 16th-century armor with beautifully sculpted lines.

A Corset That is Not a Corset

This dress is not a corset. Maybe it is a Victoria’s Secret definition of a corset with the stretch smocking on the back, but this is not in form or function, what a corset is or was. The corset was a supportive undergarment, a foundation garment as they were called that shaped the body and supported the bust according to the specific standard of beauty at the time. The first iteration of the corset appeared in the 16th century, called a pair of bodies. This was followed by stays in the 17th and 18th centuries and the transition to the corset in the 19th century which held popularity until the 1920s when the corset began to fall out of fashion for other types of garments. This is a very quick overview and I probably oversimplified this so I would recommend checking out historical costuming YouTube for a better reference, also the V&A has an online exhibit featuring Victorian corsetry.

Because of the lack of familiarity, we have with the corset in our 21st-century mind, we tend to slap the word corset on any shape that looks like a formed bodice, which is what this is a bodice cut to accentuate the waist but will fall flat because it is not made with any structure to give the garment a shape. There is no lacing, cording, fake baleen, or steel to give this any shape beyond the body that will wear it. It is all smoke and mirrors. But that bugs me, because American Eagle, the maker of this dress, is a popular teenage and young adult brand that can shape the minds of the future by their experience with clothing!

So why not ride this wave of aesthetic TikTok dressing and go full-on corsetry? Tight lacing is not required, nor was it popular for most women historically, except for the Kim Kardashians of antiquity who did it for the spectacle, people of the past needed to move and breathe just like us so it could be a corseted bodice, and not be controversial! It’s just a thought. I do appreciate the trim on the skirt, it is very 1890s, and I like it.

This dress has the same problem, this is not a corset and this is barely a puff sleeve. This is bad marketing and bad fashion education. You could never corset an open-back dress and to puff a sleeve you need quite a lot of volume and possibly some Tarleton to help keep the sleeves voluminous. The Fashion Institute of Technology has an online exhibit featuring the Gigot sleeve, a beautifully puffed historical design.

When it comes to historical dress there are so many cool designs from the past, and with the amount of research that exists and abilities to connect through technology, there are endless ways to be inspired from the past but not screw it up. I think we should embrace the gift we have of historical dress knowledge and technology like sewing machines, the internet, etc to make something beautiful. These companies have so many resources at their disposal, that I wish they would try a bit harder to make good clothing. But alas, they are fast fashion, and this is one of the worst fast fashion blunders I have seen from these two brands, the Gap and American Eagle until I found this one pair of plaid pants, but that is another story!

Thank you, reader, for going on this adventure into historical dress with me. If you are as tired as I am of the current state of fashion, I encourage you to learn how to sew! It’s the best hack I’ve found.

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