Recently, I shared a Knit Star Plush Keychain Pattern, but that wasn’t the only keychain I’ve been working on. Behold, a knit bunny keychain made from repurposed fabric! This keychain was inspired by my Skzoo Quokka plush keychain which I have styled on my purse and belt loop. I was tempted to buy more as this trend has been all over my feed this year, but that’s unrealistic. So I thought, in Jeremy Clarkson fashion, how hard could it be?
This key chain was made by repurposing a pair of underwear, that was weirdly made without any stretch. They had no purpose but to be trashed, which I didn’t want to do because they were brand new and I liked the pattern and color story. So I wondered, could I translate this to a plushie and I could make this plushie into a keychain without buying any materials beyond the keychain hardware? The answer is yes!
I used a pen to draw pattern pieces onto the underwear by designating the fabric into four ear-pieces, two head-pieces, and a rectangle piece that would be used to connect the keychain hardware. The rest of the fabric was cut into small cut pieces that would be used as the stuffing. This worked like a dream!
I chose to sew this item by hand because of the small nature of the project. The pieces were too small and delicate to sew by machine with any semblance of control or care. It was a quick make and took one day to complete. I sewed 90% of the ears, turned them right side out, stuffed them, and then set the ears aside. Next, I repeated this process with the circle for the head and stuffed it. When I was certain that all the stuffing was divided between the three pieces adequately, I sewed closed the ears and head. Next, I attached the ears to the head. Finally, I sewed the rectangle and threaded it through the loop of the keychain before attaching it to the bunny plushie. I opted for an abstract look so I did not decorate the bunny plush with a face, therefore if it spins around it doesn’t matter what side is facing out.
Overall, this was a quick and thrifty project with the hardware coming in a pack of two for $2.99. I used the other clip on the knit star plush project. This type of plushie could be made with any scrap fabric you have and could be adapted into other animals. It would be an easy DIY gift too!
Stray Kids. More specifically, Felix’s hat on stage at the Music Bank Paris performance in 2023 and Hyunjin’s striped crochet beanie during a video in 2023.
The Plan
It seemed simple at first glance but then again, new knitting patterns can be a bit confusing so I did research, to be safe. The cat ear is a corner and the point or drape, depending on the structure of your beanie is created by the length of the hat horizontally across. Once I understood that the shape would be determined by these top corners it was easy to jump in!
So I cast on 50 stitches on size 8 needles with worsted-weight acrylic yarn (I’m allergic to wool) and alternated between olive green and teal every three rows. After 55 rows, I cast off and sewed the two panels together to form this lovely cat-ear beanie. Honestly, such a fun and easy project once the ear structure clicked. 🙂 I’d say if you are an intermediate knitter you could make this over a weekend for sure, potentially in 24 hours if you were in a super rush. As a beginner, I’d say give yourself a week and take your time to keep the stitches even across. Sew up the sides and top with a tapestry needle.
I think the trickiest part was choosing what colors of yarn to use for the striped pattern. I didn’t want to make an exact copy this time, well I couldn’t anyway because I don’t currently crochet, but I wanted to use a unique color palette from my existing stash. These colors are some of my favorites in my stash. I’ve found the color story versatile to style with both cool and warm-toned accessories. I think the earth tones help keep it neutral. I love it and reach for it the most out of all the hats I’ve made in 2023.
When I put this jacket top on for the first time, the finished piece, I felt this sense of completeness. What I used to sketch, what I would aspire to be, the aesthetics I was drawn to during those formative years of finding my personal style in the late 2000s and early 2010s before life got a bit weird, this was the type of fashion I wanted to be a part of. It’s the kind of thing I’ve been waiting for my skills to develop to reach the imagination held inside. Waiting for the chance to express itself in more than paper and pen, in thread and fabric and form!
My early projects were a product of the times, a year spent online instead of in the world, historical fashion, cottage core, and dark academia, but not the personal style I had cultivated. Big projects were hard, blazers seemed impossible. But they are so iconic. I crave structured pieces like that in my wardrobe, I mean I wrote an entire essay on the jackets and structured fashion that is the Don’t Stop Music Video by Ateez. That is 4 minutes of glorious outerwear inspiration!
This project at times seemed borderline cursed. I cut this jacket out the day I screwed up my tweed coat and notched lapel pattern by forgetting to mirror the pieces. Not the best start to a day of design work, but perseverance and clear-headedness prevailed to keep this pattern on track. But then, it sat in my stash waiting for me to get started. I hid from it in case I failed it.
One day, I put the pieces on the form and began to pin. The lines of a jacket, structured shoulders, and excess fabric hang around the collar, waiting for the traditional form to take shape. I pinned it exactly how I thought I wanted it, and the sewing process made a few edits for me and my plan. My machine took the lead and created the happy accident, the darts around the neckline. The collar was inserted with more attitude than my intention but I prefer the edge, the little twist on the blazer that has become the Marguerite Jacket.
With the wide lapels, I pinned them back against the jacket to create these triangle shapes on the body of the jacket top. I decided to lean into the attitude of the silhouette to add an exposed zipper and black buttons for a bit of a British punk little spice. I anchored the collar down in the front, balancing the chaos and structure into a garment that walks the line between blouse and blazer. It’s comfy, it’s fun, it’s versatile. I’ve styled it with flare, baggy jeans as pictured. I’ve styled it as a blazer over a cocktail-style dress. I know it will be fun to try it out over cargo pants, skirts, shorts, etc. I look forward to it! I also look forward to wear my designs evolve from here as moving forward I plan to become more cohesive in my aesthetics and collections.
The sweater vest. It was on my radar but did not become an item I dreamed of until I saw a lookbook from Steal the Spotlight styling Friends-inspired outfits, inspired by Chandler, the sweater vest king. I continued down the rabbit hole and to Katie’s K-pop Comeback Fashion review and I was done for. K-pop fashion, Korean fashion, and the sweater vest were a layering piece I knew I was going to make. Maybe it is the color combinations or the accessories, but how these sweater vests are styled across different boyband concepts just got me. It felt fresh and fun, not preppy or stuffy.
A year later, I was ready to tackle this project. After making a few sweater projects, and learning how to pattern from garment construction, I felt like I had a good understanding of the shape needed to make the sweater. At Joann’s, I found a non-wool tweed yarn and I knew this was the yarn I wanted to start with. It looked like garments I love from Irish Aran Jumpers and was a way to bridge my heritage and this new world I was exploring through K-pop. I like the garments I design to have a story and intentionality behind them.
The New Technique
With US Size 8 needles in hand and one skein of Big Twist tweed yarn awaiting a new form, I began by casting on 65 stitches. Working my way up I did the basic knit-purl stitch and gradually binding off on either side when I reached my desired length for the armhole. I chose to make a cropped sweater vest to accentuate my waist and break up my long torso. The big moment though came when I did some research and made the decision to branch out and knit the shoulder and neckline on two sets of needles. This required knitting, casting off in the middle, and continuing to knit on a second set of needles. It worked!
Learning new techniques is always worth the time and the trial because eventually it clicks and you have something new, you didn’t think you could do, but you can!
Making two instead of four pieces on my straight needles was a time-saver! Honestly, I see why having a teachable spirit is important in all aspects of life because I thought I had a good technique before, but dang, two pieces are such a better experience. Four pieces was a mental game, and I got bored. Hence why my previous sweater projects have taken months and months, and months because I distract myself with palette cleanser projects and then avoid finishing the four-piece projects.
Afterward, I sewed the two pieces together and knit two 65-stitch pieces of ribbed trim for the bottom. I liked how rustic the sweater looked without the ribbing on the neckline and armholes. It looks like an old-fashioned piece, and a bit like armor. Which is cool.
Sweater Vest Fits of 2023
This is how I have styled the finished garment so far! I like it over my black flannel and charcoal jeans for a moody look. It styled surprisingly well over this DIY project where I added a flared skirt to a cropped graphic long-sleeve shirt. This is where I saw the armor aesthetic come through. In 2024 I look forward to playing around with it even more!
Some things I plan on either finding or making, are basic layers I can wear under this vest. Currently, I have my flannels, that random diy-tunic, and maybe some long-sleeve tees but I’m not certain if they are long enough to layer out the bottom of the vest. This is the struggle of adding a brand new item to your wardrobe – how do you integrate it and style it well without buying a bunch of new things? Yeah, I’m figuring that out and until I do it’s going to be some time before I think I can make a truly amazing outfit with this piece. But I’d rather do this responsibly and be a patient person instead of draining my bank account for instant gratification. (Age has done me well in that respect because I used to do the opposite!)
2024 Project Update:
Since finishing the garment, I have either lost weight or the vest has stretched a bit from wear and one wash. It was not sitting well on my waist anymore but ballooning out so I took it in. I took it in at the arm hole seams and gradually took in the waist at the back so the garment has a back center seam which is not the look I was going for but the fit is on point again. Lastly, I knit another section of ribbed trim to lengthen the garment to keep it from riding up, in doing so I made the ribbed trim addition of 60 or 55 stitches, I forgot to take note when I made it, to pull the waist in even more. I like the fit and plan to make another version of this garment with a smaller adjusted pattern.
In mid-December and January, I tend to drop off into cozy land where all I want to wear are leggings, fuzzy socks, and hoodies. I feel unproductive and I don’t know what to wear. This is odd because, in terms of fashion, this is my favorite season for fabrics, garments, and occasions. I love layering coats, hats, scarves, boots, mittens, etc.
To fight the slump, I’m leaning into bright colors and bold prints.
I’m pushing myself this year to rediscover the love I used to have for dressing up when it got cold like I did in college. I still indulge a bit when I can pair cozy pieces with more polished items but they have to have more personality this year! I am setting a hard line with my clothing choices to break out of the athleisure slump.
To accomplish this goal, I’ve found myself reaching for my colorful knitwear! I’ve spent the time making the items, I need to wear them. This sweater dress is quickly becoming a favorite of mine. It is just as comforting as a hoodie but looks like a dress and can be worn over jeans or leggings depending on the occasion.
Going into the fall, I knew I wanted more knitwear and accessories but I was dubious about my design choices. Would they work together to form cohesive outfits? Well yes and no, it depends on a matter of taste.
To someone who wears neutrals and classic accessories, this might be a bit ugly. But to a maximalist, like myself I enjoy the color palettes and pops of color these pieces bring to the brown and gray landscape of early winter.
I prefer having that neutral coat and having that punch of accessories to bring the look together. Hats and scarves can say a lot in an outfit yet are easy to mix and match, it’s a hit of creativity for minimal effort.
I’ve been reaching for my cat-ear beanie like a staple which I have to be honest I was not expecting. I get some stares, good and bad, but for every weird look, there are two expressions of joy at the sight of the cat beanie. If I can dress to bring people joy by the color and unusual design then that is a win for me.
Another style I am dabbling in is the academic style of a collared shirt and a vest. In this version, I styled a mini dress over a long flannel (from the men’s tall section) to create what I say is a Chandler Bing outfit. This was an insanely comfortable outfit yet mixed up my casual style for the winter. Because the colors are a bit unusual for the academic silhouette I felt playful and more like me.
I’m happy to say I’ve reached for some of my handmade pieces on those cozy days I may have opted for leggings or sweatpants like this laundry day outfit of a flannel “cardigan” over a thermal crewneck and the patterned corduroy pants that drafted myself. It was an odd combo but the colorful patterns truly brightened up a gray and dark snowy day.
That’s not to say that I haven’t reached for the cozy staples but with more polish, like this Aran Jumper style sweater that my mom knit for me. It’s a stunner!
How do you dress in December and January? Like me, in this dark winter do you struggle to find the joy in getting dressed?
These outfits are a mix of handmade pieces and things I’ve picked up. Where I live it was a chilly fall, complete with snow and blustery, rainy days which is fine by me because I love cozy clothing. The weather provided the chance to get more wear out of my sweaters and knit accessories before winter even began!
Fall and Winter are my preferred seasons to build an outfit in simply for the textures, silhouettes, and possibilities. I like patterns, obviously. But I like pattern with darker colors which is not the best for those hot summer days when a lighter color is best. It’s been fun to build a wardrobe with a color palette this year. I’ve paid more attention to my silhouettes, particularly when it came to adding pants to my closet. I prefer options – baggy, flared, tailored, skinny, athleisure, etc. Give them all to me so I can play around with a new look.
The clearance section of a fabric store may be my biggest design inspiration. It is in the bolts of discounted fabrics from seasons past that you can find some real gems in my opinion. My brain gets a break from the items deemed trendy or seasonal for a moment to look for something new and at a reasonable price to justify taking a chance on something new. That is how I took a chance on this two-sided scuba fabric that is hot pink and light pink. Not really my cup of tea! But it was 2 USD per yard and honestly a fascinating texture and weight. It was worth the leap to try something new, so I did!
Now, do I always have a garment idea in mind when I pick out these cuts? Nope. Should I? Probably. But some magic can happen as they hang out in my fabric stash like inspiration finding its way to me, which is quite fun.
For this cut, in particular, I was a scuba newbie. The weight was hefty with a bit of stretch, so it needed to be a garment that could handle the heavier textile. The two-sided nature provided two color palettes in one. I considered a jacket, a coat dress maybe? The thing that was working against my creative brain was the Barbie movie. I did not want to make a Barbie cosplay, simply because Barbie was not my favorite toy. I was an American Girl Doll and a Fashion Polly girl through and through. Making a Barbie-inspired garment would not be authentically me nor would it be something I would wear because, did I mention I don’t really wear pink? Yeah, I don’t love pink, especially hot pink, so why did I buy hot pink fabric fabric? I think I like pushing myself to a place of adventure with the clothes I make. I don’t want to make boring clothes if my skills will allow me to do so. No matter what I did with this fabric it was not going to be boring.
One day I saw this photo of Hyunjin on Instagram and it hit me, why does this pink scuba fabric half to be made into a feminine Barbie cosplay? Hot pink looks fantastic in a masculine silhouette. Making a neutral garment, like a pair of pants could be just the thing I need to make this fabric feel accessible to me and my own personal style. A pink dress felt too on the nose for me to get any wear out of and that is a big thing for me. I don’t want to make things I am not going to wear just for the heck of it. Maybe one day if I have a way to sell things that aren’t my personal style but right now that would be a poor use of resources and excess clutter my closet doesn’t need.
I knew I wouldn’t be able to make a hot pink pair of jeans like Hyunjin is wearing, I simply don’t have a jeans pattern in my stash, but I do have a menswear trouser pattern. I chose to use that instead of free-handing a jeans pattern so this garment would have the best chance of success. Jeans have an incredible amount of details that make them distinct and classic. The pants I drafted were going to be far more simple as these would be my first attempt at sewing my own trousers. It was a big moment!
I altered the menswear trouser pattern I had for a better fit by raising the rise for a higher-waisted fit. I did this to fit my waist better and to give more room to my hips. I was nervous these were not going to fit me right because I was grading the pattern to my own design so I cut a generous seam allowance around each piece. (A little too generous I will find out later.) This fabric cut like butter and did not make a mess, which was a huge victory after my Jack Sparrow Inspired Coat corduroy left a layer of fluff on my floor that I still find remnants of today.
To match the crotch lines better, I tried something new from my previous shorts projects and sewed the front and back seams first and then I worked the inseams, working my way out the outside leg seams last. I don’t know if this is the proper technique for sewing trousers but it worked well for this project. I tried them on and the pants fit well, a little wonky at the front because I left too much seam allowance, but they looked like actual pants that an actual person would wear. It was around this point that I realized I needed to do more than just sew two leg tubes together, these trousers would need pockets, fastening, and belt loops to be a properly finished garment.
I recently learned how to make button holes which I shared in My First Buttondown Shirt and with this newfound knowledge I decided to go in a Spicy direction, literally like the Aespa Spicy M/V, I was going y2k! What was cooler than popstar fashion when I was a kid? Nothing. I wanted these to feel like Destiny’s Child or a backup dancer for Proto Zoa would wear.
I decided the best way to accomplish this would be to make cargo pockets for a funky twist and place them higher like you would normal pockets, to hide the weird fit around the front of the pants. These pockets I designed to be usable, big enough for my phone, and secure, with proper button closures. This was my first attempt at cargo pockets and belt loops and I have to say, they were not as scary to make as I thought, especially with the use of my heavy-duty sewing machine.
Final Thoughts
So as far as my first pair of proper pants, not just lounge pants, I am supremely pleased with how they fit. I can see the flare leg starting at the knee. I like how they fall around my hips. I like the length and the rise of the waistline. The pockets were stronger than I anticipated and the belt loops were functional, which came in handy because these pants were a bit big and continued to stretch as I wore them. Styling them was a bit of a challenge, as I realized I didn’t own much in my existing wardrobe that paired well in color and proportion to the silhouette of these pants. Shoes were also a challenge, I opted for a pair of Converse high tops since I believe they go with almost anything.
This is where things got interesting. I wanted to show my mom and my excitement bested my judgment. I unwisely decided to wear these pants out and about for a day of running errands in Wexford. This was my first mistake. My second mistake came from my unwise decision to cut the pieces with an extra seam allowance that made the front of the pants fit weird. The waistband was a bit big which I thought I could remedy with a belt. It did work for a bit until the fabric began to stretch, and stretch it did! The belt stopped working which was awkward, as every few minutes I had to adjust the belt.
My third mistake was not inserting a zipper to take the waistband in, which I should have planned for. I got excited and sewed the seams before I remembered the zipper. This scuba fabric showed every hole, whether pin or needle, therefore seam ripping and inserting the zipper worried me because the fabric was weaker in those spots. I was concerned the pants would rip (foreshadowing) so I left the pants as is to depend on that belt for structure. The side was the only place to put the zipper because the front was fitting so weirdly I did not want a zipper shining a big spotlight on that error.
Herein lies my final boss of mistakes, the fabric versus my thread tension. It was a mele. With thick fabric, I raise the thread tension because it helps the needle sew through the thicker fabric. Being unfamiliar with scuba I didn’t know how the scuba would respond. The scuba did not like the high tension nor did it like being sewn. I was able to get the pants, the pockets, the waistband, buttons, and belt loops on, but there were times I could barely get a needle through. The tension came back to bite me in the butt as my wear test went on. By the end of the day, I was incredibly thankful we headed home early. The thread on structural seams, like the main ones in the front, back, and sides had begun to rip through the fabric. The seams were on their last leg.
I’ve never had this happen with a project before! I was incredibly frustrated as this project took days to sew. My fingers were scratched up from the pins and the needle accidentally stabbed me as I hand sewed the buttons. There was no way to fix them, they were toast.
And so ends the journey of the pink pants. They had a good day out. A one-time adventure. They were good pants that deserved better. In my short time with them, they taught me a lot. Thank you pink pants and random scuba fabric. I will never purchase scuba again!
My first comeback experience for the South Korean boy band ATEEZ was for their single Don’t Stop. I gave their music a try thanks to the recommendation of Katie from Steal the Spotlight. What was at the time a random song pick, has become a piece of fashion inspiration that I could watch on repeat and my journey to becoming a new member of Atiny.
Ateez debuted on October 24, 2018, with the song ‘Pirate King’ and incorporated the pirate aesthetic into their lightstick, insignias, and this video, ‘Don’t Stop’. I love the pirate aesthetic, with The Pirates of the Caribbean series being one of my favorites for costume design. In the music video ‘Don’t Stop’ the pirate aesthetic is mixed with an Ocean’s Eleven style heist framework making this a perfect match for me!
Pirates on a Quest for Redemption
The scene begins with a beaten and bruised Mingi being thrown from a car that later blows up. Cut to Hongjoong, seated at a grand piano in a pirate-esque coat with a compass insignia looking at a pirate ship model, with the implication of loss and frustration.
In the shadow of night, we meet Seonghwa, Jongho, Yeosang, and Yunho as they break into a pawn shop. This is no ordinary pawn shop but one containing a pirate-style sword and a skull. In pure Ocean’s Eleven style, they break into the vault of I assume the guys who took Mingi to retrieve the title for their pirate ship. I believe Yunho wears the jacket with a skeleton motif, evoking to me the skull and crossbones of a pirate flag but also the ghost pirates of ‘The Curse of the Black Pearl.’
Meanwhile, Wooyoung and San try to take the baddies in a rigged poker game for their spyglass.
Things begin to turn, from the ashes of the blown-up car, Mingi finds a compass that matches the patch on Hongjoong’s coat.
In a fit of despair, Hongjoong, aka the Captain, throws an oil lantern off the piano he stands on, next to the pirate ship, and it looks as though he is going down with the ship in a sea of fire. It’s a visually stunning image. Instead, he throws the small pirate ship into the flames that have consumed the piano. The ship shatters, sending an ember upwards into his eye. In spite of the destruction, within the flames and remains of the tiny ship, a skeleton key is seen at the feet of Hongjoong.
The video culminates with Mingi being picked up by Seonghwa, Jongho, Yeosang, and Yunho in an armored car with a pirate king hood ornament reminiscent of the siren on the bow of a pirate ship. San and Wooyoung, winners of the game go to claim their prize but not before the gang seizes the spyglass. At this moment the armored car erupts through the wall to save San and Wooyoung.
When we see Hoongjoong next, he takes his full form as the pirate king with an eye patch. He stumbles down an empty road, in the distance from where he came smoke billows upward. As darkness falls, the crew reunites with Hongjoong to reveal their bounty – the compass, the title to the ship, the looking glass, and a bag full of cash. The video ends with all eight members, changed to pirate-inspired garb, walking towards the camera, past the camera, in search of something bigger. In the distance we see beached on a desert dune, the stern of their pirate ship.
The Fashion is Rich in Details
There are a lot of looks I would like to recreate from this video. By far the standout piece for me is the yellow plaid pants with faux skirt worn by Mingi. They are like punk plaid pants mixed with a kilt in the best way possible. I hope to figure out the pattern someday so that I can sew my own version. Seriously, why is this not a style seen on the runway or the street? It’s such a versatile statement piece.
The lapels, length, and overall cut of Hongjoong’s pirate coat is such a classic outerwear silhouette but with the twist of the graphic print and edgy styling, it looks like a brand-new kind of coat. Because of how much work goes into the tailoring process of making an outerwear garment I love seeing how the right styling can make a piece even more wearable.
San’s sweater with the axe motif and color-blocked sleeves is one of the most unique sweaters I have seen. I hope as my knitting skills improve I can attempt to make a sweater using the techniques and make my own version of his look at the poker game.
Yunho’s skeleton-inspired letterman jacket would be such a great thrift flip. As a girl who grew up with the Pirates of the Caribbean franchise and the “rawr” aesthetic of ‘scene’ being quite popular in my teen years, I have an appreciation for skulls. I even have an Alexander McQueen skull scarf that I think would fit perfectly in the music video.
San and Wooyoung’s final looks of the video shine for me as the pirate core aesthetic has emerged in 2022/2023. It is such a clean and modern interpretation of the romanticized pirate style this aesthetic celebrates. San’s vest to me evokes those little details of the Spanish galleon. The vertical lacing looks like bones from a Jolly Roger flag. The criss-cross lacing evokes the stays and early corsetry of the pirate era and the rigging of the sails.
Wooyoung’s half vest looks like a piece of armor, reminiscent of a holster, but it also bridges the gap between East Asian pirates and Western pirates of the Atlantic. The lacing on his shoulder adds the subtle detail of the classic men’s shirt of the period worn by Western pirates. I also enjoy the contrast of the white shirt, like a sail, and the black of the half vest, like the black flag being raised for an attack.
All in all, I love the fantasy of this music video. Fashion and music can bring out the best in each other when there is a clear vision. The stylist for Ateez continually inspires me to push my own style further and excites me for the day when I can construct garments with the level of care that is seen on the band members.
One Rabbit Riot 