If you were forced to wear one outfit over and over again, what would it be?
At the moment I would choose this combo because it makes me feel like I’m Elizabeth Swann in Pirates of the Caribbean. I love the way the vest turned out so it looks like a 17th-century men’s waistcoat but over this mini dress, it transforms and has a shift and stays kind of vibe. I feel like I am ready for an adventure!
This vest was inspired by Dani’s costume from Hocus Pocus. It is made from a cotton print with a buttoned bodice and flared-out waist. The dress was made from cotton vintage deadstock fabric that I was gifted from my Grandma Schlachter’s fabric stash.
Materials: 1.5 yards of stretch knit jersey. A remnant cut of fabric. This pattern was self-drafted by draping on myself and adjusting the lines with pen marking. As this was the first garment in this series, there was more trial and error with cutting pieces out of the fabric to reduce waste.
Inspiration: I was inspired by the iconic 1970s wrap dress, designed by Diane Von Furstenburg. I originally planned a wrap dress but scrapped the plan due to a lack of fabric. Because of this, there was probably 1/8 of a yard of fabric left over. With more practice, I’d like to reduce that amount to smaller pieces of scrap leftover.
Cherry Henley Ribbed Top
Materials: 2 yards of stretch knit jersey and 6 buttons. It is a heavier weight jersey and feels like a light sweater. This was a remnant cut. I developed my first official bodice pattern from this process.
Inspiration: 1900s men’s buttoned henley baselayer tops from the gold rush era in the United States. Think “old western” dramas, Deadwood, or Red Dead Redemption. I cut it oversized to carry the theme of it being a men’s garment. During the cutting process, I was able to utilize almost all the fabric with only 2-inch scraps being left over.
Stormy Seas V-Neck Tunic Top
Materials: 2 yards of stretch knit jersey. To utilize as much of the fabric as possible, I chose to get creative with my pattern cutting. To do this, I pieced together the bottom and portions of the sleeves to use up almost all of the remnant, with 2in or less scrap pieces left over.
Inspiration: I was inspired by the design lines of early medieval tunics. I like the simplicity of the lines and the lengthening effect it has on my proportions. For more information about Viking Age tunics, I recommend checking out Project Broad Axe for historical recreations and additional background on the history of Viking Age tunics.