#21 – Sewing When I Lost the Love For It

A few weeks ago I shared part one of my Spring/Summer Collection for 2023. It’s not quite a capsule wardrobe, because I think I made too many pieces for it to count as a capsule but I used the capsule/collection philosophy. By this I mean, making a selection of clothing items with the intention of mixing and matching with the other created pieces and existing items in my wardrobe. Basically one complete thought. I chose to sew the new items instead of buying them for the experience and control over the aesthetic and silhouette I saw in my head.

This was different than my Fall/Winter Collection for 2022 of which I kept one piece, the rest being presents for family and friends. With that collection, I intended to shower love and tailoring on those who have encouraged me to pursue my dream of sewing. I found it easier to stay motivated in crafting the pieces I was giving away. The perfectionist in me was wrapped in ambition and drive to showcase the best possible garment. If I am doing something for myself though, the timetable gets a little scattered.

Stuck in My Head

I began the year 2023 with some setbacks, an injury to my hand, tendonitis in my fingers, my sewing machine had a gremlin in the tensioner, and I had a blow to my confidence.

Two members of my dysfunctional family accepted their gifts with some digs to my construction and design, requesting a whole new item at my cost. I felt like a failure. If my loved ones wouldn’t accept my designs, why should I bother chasing this fashion design dream? Wouldn’t I just end up in tears again? I sat with my fabric stash for a month, reviling it, wishing it would wander off in the night. Then I remembered the resources that were spent purchasing the fabric to make a summer & spring wardrobe. Yeah, I had to keep sewing. I was going to be extremely wasteful not to.

Armed with the encouragement of my husband and my best friend, they got me back in the design frame of mind. With it being the end of February, the Western Pennsylvania weather decided it was time to ride a roller coaster of seasons – one day spring, one day summer, next day winter. Winter for a week, summer for a week, and so forth. This truly lit a fire under me because I had donated or repurposed all the shorts that didn’t fit me for the opportunity to design my own. I budgeted for fabric not shopping – it was time to stop wallowing and figure out how to design some dang shorts!

Scrap Fabric to Shorts

These were the first pair, out of scrap material from the Antrim Coat. I figured out the cut lines for the seat and leg holes from The Essentials Club on Youtube, adapting my waistband for a drawstring of a shoelace. They are a little big but I love how floaty the leg openings are!

New Found Confidence in the Skill, not the Audience

I learned that sometimes the best way to bounce back from discouragement is to keep moving forward. I sewed through it, with the right people behind me. I determined why I was sewing – not to find approval from two family members that can be fickle but instead to finish what I started. Commitment to the craft, and commitment to learning. Actually being my own customer helped me define what I like and who I want to be. Who I want to be is not a business owner with an atelier or a designer that is unconnected to hard work. Starting a shop, which was my goal in 2023, is now a thing of the past.

Sharing my clothes as gifts was a fun idea, but selling is not where I feel called to be right now. Sewing every day, although it was fun before Christmas, wrecks my shoulders and back. I actually hate it and don’t want to do it. It changed my perspective on what being a sewist and fashion designer can mean, but more on that later.

Anyways, my point is, sometimes a closed door is a waypoint for a better thing on the horizon. A setback is not always a bad thing. They reveal what we are and who we want to be. I think the important thing is to remain teachable and ready for the twists to become a better version of ourselves.

#12 – Pyjamas

As a kid, I used to sketch clothing. My friends and I imagined our own fashion brands and collected these sketches into booklets, like homemade catalogs dreaming of our Delia’s. We were obsessed with Mary-Kate and Ashley Olsen, Sister Sister, Lizzie McGuire, Totally Spies, Destiny’s Child coordinated outfits, The Cheetah Girls, etc. If it had a fashion twist, we were lining up to consume it. We excitedly watched What Not To Wear, America’s Next Top Model, and Project Runway, hoping one day that we would be a fashion force to reckon with. I gravitated to the design side while my friends were more interested in modeling, stylist, and it-girl/influencer ideal. To be honest, I think that girl of 11 would not believe the garment that would solidify my feeling of a true designer would be a set of loungewear instead of an avant-garde gown.

My sewing plan for 2022 had been simple, make, make, and make some more. I scoured Joann’s clearance bins and drooled over Mood’s selection of prints itching to make something of a higher caliber than my previous tries. I had drafted my own coat, tried some vintage patterns, and successfully made lounge pants for my husband yet had struggled with fitting my own pants. I had dabbled in tops but didn’t understand shoulder seams or hoods. I was still quite green! But I needed some new pajamas and thought hey, let’s do this. So I dug out of my fabric stash this cheerful blue gingham in soft cotton shirting. It felt like being wrapped in a hug with a little drape. I was feeling cocky after sewing two vintage patterned dresses earlier in 2022 and thought, how hard could it be to make myself some pants. I figured out that 1940s pattern, I got this. And actually, it turned out to be one of my favorite early pieces!

This set was made of a pair of high-waisted drawstring pants with oversized balloon-style pants that tapered into a cuffed ankle. The matching crop top featured a generous hood and long sleeves with a boxy fit that just felt so relaxed and cool. With the hood up I felt like Princess Leia in her original white dress. The geometric pattern and unusual silhouette gave me the confidence to seek out my own style with sewing, not just be a vintage hobbity cottage-core girl that was so popular around this time. This helped me to remember to be playful with my designs and inspire the little girl who sketched clothes while she was supposed to be taking notes in class. It reminded me of the Cheetah Girls matching track-suits and avant-garde silhouettes I craved from street style.

What made this feel full circle was not just how good I felt in the garment, but the doors it opened up. My cousin’s daughter fell in love with the piece and wanted me to make her one. That was the first time I had made something that people wanted to buy. It felt incredible! But also taught me that the vision of what I dreamed of becoming, was not that far off from those designs I sketched as a kid. They weren’t show-pieces for a runway, they were real-life clothing that was playful and useful for living life in. I realized I do have a place in the fashion space even if I’m not in a fashion capital, running a brand. The world right now doesn’t need more ballgowns or high fashion editorial pieces, it needs functional clothing made locally and created with love for the people we love. I could be a fashion designer who could make humble pieces a little more special. That’s where Potato Technology became a tangible idea instead of a pipe dream.

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