#76 – Boredom in 2025

The biggest trend I think I’ve seen this year is the sentiment that everything feels boring right now. Whether it is fashion, film, or books, the art of storytelling is supposedly dead. This phenomenon has even crept into my unpredictable and exciting world of K-pop, and up until yesterday, I’d say I agreed. But as I sit here, I would like to put forth a different thesis.

Escapism from the Super Massive Blackhole

What if everything feels boring because you are running on empty? This year was the first time since discovering K-pop in 2022 that I felt bored and indifferent to my favorite bands. Some of this was due to outside forces beyond my control, like controversies, military service, and straight-up evil in the case of Taeil. Yet, some of this boredom, I believe, was caused by how much I was leaning on these safe spaces to find joy when nothing felt joyful or safe. There has been a constant pulse of uncertainty, like tectonic tremors, making us all question the point of it all. There is such a dreary air. A hopelessness, especially in people my age and younger, who are not able to reach milestones due to broken systems. Since I discovered the band Stray Kids, I run to their music for a safe place. But in 2025, I had stretches of time where even SKZ had no appeal. I had listened to every release over and over again until even their most addictive tracks had no appeal. I couldn’t believe how much I was craving a new album until a week before Karma released. As the week progressed, I could feel a hunger for a happy distraction. This year has been the first time my usual pick-me-ups have felt numb, and I wonder if one prong of this boredom we seem to be feeling isn’t coming from this exact situation.

To be honest, I think this could be why K-pop Demon Hunters exploded in popularity; it was new and fun when things seemed darker than ever. Same thing with Twice and their Lollapalooza performance, it was a night where everything felt normal for a second.

Have I Entertained You?

This attention economy is reminding me of that iconic line from Gladiator, and I don’t like what it is doing to art, music, storytelling, fashion, all of it. There is no room to reflect and craft something beautiful. We are pushing things too fast. I’ve been reflecting on this for a while. I see commentary on trends, relating to fashion, which usually goes something like – there is nothing new, everything and nothing is trending, yada, yada, yada. Sprinkle in a bit about clothing quality from the past, and the brain rot of the algorithm, which is killing creativity and subcultures because of a curated vitality. Like it’s a beast unleashed upon modernity, instead of stopping to think critically about it.

It’s obvious after some consideration that making things for vitality is not the same as making something to stand the test of time. Modern romance novels are being created for TikTok vitality first, and quickly, to keep up with the lazy decision of publishing houses to invest in AI over true writers. We blame the current author pool for a lack of creativity instead of holding publishing houses accountable for ruining their reputation through unethical practices. Because, truly, as an author, why would you feel inspired to create a story like Jane Austen when this is the current state of publishing? You could make a true work of art, and be rejected because they would rather steal work to create the same story through AI, or the publisher doesn’t want to take a chance on a good story when the algorithm is fickle and shallow.

Boring People Are Bored

AI is doing exactly what I expected; lazy people are becoming lazier, except that it is currently being rewarded. We used to know how to entertain ourselves. We used to know how to create, enjoy, and take pleasure in things, but I think AI is a snare that is making people boring, and it doesn’t have to. AI is an easy way out of daily life. It can be a friend, a relationship you don’t have to nurture, but is hollow. It can create art, but you will have no artistic skill of your own as a result. It can write you a book, without telling a story. It can create a music video, like JUMP for Blackpink, without any effort from the actual talent, and create a nightmare image of Rose with Jungkook’s facial structure. Do you see the pattern? It’s like cheating your way through school; it produces nothing and wastes precious resources, like time, or in the case of AI, drinking water and electricity.

Cringe > Innovation

What I have seen as the most flagrant accusation of boredom has been the dissonance of innovation and cringe. Let’s take, for example, Ceremony. It’s a song that has no chorus until the end of the song. It’s layered, has high production value, and features something new for Stray Kids and boy band offerings. But what do I see online? It’s awful. Stray Kids are braggy and loud, no talent. K-pop is boring; everything sounds the same. Except, Stray Kids, it’s too experimental. No wait, it sounds like all their other songs, yawn….etc. How can we have the audacity to complain about being bored while we punish bands for taking risks? It’s not just Stray Kids, I have seen similar criticism being launched at Nmixx, NCT, Ateez, Twice, Aespa…the list goes on.

It’s no different when it comes to the world of fiber arts. People complain about how crochet and knitting are getting boring and want new things to make, because everyone is knitting the same things, yet don’t branch out from a few massive pattern makers, like Sari Noorland, Petite Knit, and Andrea Mowry, to name a few. There are so many smaller creators crafting joyful patterns that would disrupt the slump, but no one wants to stand out these days.

I think as this year enters its final act, we should decide what we value more: being entertained? Or being authentic? Do you want to truly discover something new? Do you want to dig deeper for something fresh? It requires us to act, to search, and to participate, because we are allowing ourselves to become boring people, and it is spreading across culture, where it will stay unless we choose to be interesting again. I get it. This year has been demoralizing, and it’s made me feel like giving up many times, but there is always a reason to keep going. What if your big idea is the thing that makes this dull and dreary world sparkle again? You could be the change we need, so stop scrolling and find something that ignites passion in your heart once again!

Slow It Down, Make It Bouncy

I think the only thing bouncy here is me feeling like I’m bouncing off the walls of my creative box after setting a goal in 2024. This goal was to get serious about my sewing and knitting Instagram account, use the creator metric tools, and learn how to use my digital marketing background to create engagement.

The Focus

I wanted a lifestyle change, an actual commitment to taking this seriously and it has worked. Follower count is a garbage stat on Instagram as mine hops around like a binkying rabbit, but engagement, interactions, and reach have been insightful tools to see how this can grow and what I should be working towards.

Now that it is Q4, um, I am creatively burnt out. So many reels, so much video recording, so many moments having to stare at my own face and body because I am the model, and try not to get body dysmorphia or feel self-absorbed. Yikes it messes with the head. The way some pieces of content have huge runs of traffic and some fall flat must be what it feels like to find the crab and miss the crab on the same string of pots. It’s wild.

My Internal Monologue

I spend time tracking and comparing one piece of content against another one that performed better on a different day or was posted at the same hour, so why did it perform differently? Did I use the right tags? How do I capture the same magic in a new piece of content? Should I use a formula for my pictures or videos? Oh no! Am I one note? How do I mix it up? Was that the right song? Should I create more content with trendy sounds? Was it my hair? Is it because I haven’t painted my sewing room yet? If I paint it a color I like will it perform better or worse? Should I paint it a sad beige? No that’s insane.

I miss the days of making content that didn’t feature my face, or my designs, and was not solely based on my own deadlines. But I hated that job?! Why do I miss the days of launching that Employee App or writing for an internal corporate magazine that was employee propaganda? I think its the artistic blues mixed with the echo chamber of the algorithim. When I get stuck in the metrics and the trends, I’ve noticed I have blinders to the things that are going well. Instead of appreciating any person who takes the time to watch my reels or like my posts, I refuse to let myself feel happiness.

It’s really unhealthy. It’s killing my mindset and keeping me from feeling inspired to create or to write. I’m just bottling it all up because I’m embarrassed of how this is getting to me. I feel silly. And because I am building something, and don’t feel like I have something to show for it, even though I do because it is on the internet. But how else in 2024 can you reach people in our world of technological disruption to our sense of community? So its not silly. It is work and can lead to something.

Wake Up

It’s time I creatively refresh and slow down. I’ve accomplished my goal of making it a habit and learning how to grow engagement. It’s time to shift gears. It’s October and I’ve barely written a piece of fiction or poetry. My artistic practice has slowed, my sketchbook gathering dust. What about Japanese, Korean, and the language of the piano? So dusty.

How about my goal to knit socks? It’d be nice to try at least one before 2025.

So as October, November, and December stretch out to the horizon, I’m looking forward to finishing this year strong and with renewed purpose. This blog is for all my hobbies; unfortunately, sewing is my coping mechanism. And when that landlord said we had to buy or get out, I went into a full-on sewing spiral.

It’s been a fun time. I’ve sewn so much more than I’ve even had the time to share on Instagram or the blog. It’s starting to get lost, all those moments, with haste instead of being shared with patience and proper love.

So I’m going to start. This afternoon I sat down and learned how to play the beginning of Für Elise. Tomorrow I hope to write and to feel free to create slowly. To be intentional with my time and pull my mind back into writing and the things I want to write about in my heart. Maybe some yoga thrown in there too.

Creating Sewing and Knitting Tutorials on Instagram

In February, I started sharing short content tutorials, micro-vlogs, and step-by-step knitting patterns for free on Instagram reels. After four months of content creation and thinking like an instructor, how has this changed my thoughts on my purpose? Has it changed my own sewing and knitting skills? Let’s jump in!

I began sharing my work on Instagram back in 2017 as a writer, as my interest in clothes-making pivoted in 2020, so did my Instagram. My intention was a portfolio and not a content creator because, to be honest, that term makes me uncomfortable. It has been a barrier to wanting to share videos consistently when actually making videos that share not just what I made but how I made it, bring me the most joy.

In 2024, I began seeking out a sewing community online, and through this, I found shining examples of creative women and men who yes were creating content but we incredibly passionate about sharing their knowledge and skills to help others create and learn. Instead of it being about a platform and social media fame, it was about education and community to keep art forms like sewing and knitting thriving while helping people see an alternative to fast fashion.

It had a purpose that aligned with where I felt called to be. I want to do more with these skills than just sell people something, I want to create change and equip others with life skills. That’s not to say I wouldn’t love to make fashion that people can and want to wear, that would be awesome! It’s complicated.

I have Potato Technology as a name for my “label” but it is more of an abstract than a business. I’d like to expand more on this at another time, but long story short, I’ve been wrestling with what my skills should be working towards. A business? A fashion line? A following on Instagram? What is success in 2024? What should I define myself with? What is my motivation? These are questions I’ve had and been uncertain how to answer.

What has been a breath of fresh air has been seeing how to apply these skills in a way that they can be useful. In practicing for months these little tutorials, I think I’m discovering why I believe sewing and knitting are vital skills to have. It’s been a journey of discovery! I love showing how I make something. From the tools and tips I have discovered over the past four years or what the process looks like, someone can feel inspired and hopefully confident to give sewing and knitting a try!

That matters to me. I learned to sew and knit through YouTube and it was a game changer. But a lot of things at the moment are being put behind paywalls with subscriptions, courses, memberships, etc. I feel like information that you used to be able to learn from your community or family members is slowly being lost and reshelved behind tipping screens. I don’t think it’s right or fair, nor is it good for our culture to lose art forms that are so vital to daily life. We all wear clothing, we all have garments that need repairs, etc. Making should be an option instead of buying being the only option.

My long-term goal is to find a way to share the tutorials here in a way that makes sense for the platform, as I continue to do I realize all this filming has distracted me from writing. Hopefully, I will find a better balance now that I am moved in and settling into new routines at our house. I’m excited to share more on that story too because it taught me so much about agape love, the kindness of strangers, and how important family and community is to making things go right.

Thank you, dear reader, for taking time for me today. I hope that you know that you are loved, you are worthy, and that without you this blog would be simply a girl with a computer typing into a void. Thank you for your support! I always appreciate it!

Making a Star Plush by Knitting

To continue my 2024 yarn stash-busting, I got a little creative with my process. I present this little mint-colored star! I’m so proud of her. I made this intending to make multiple stars to decorate my new noise-canceling headphones.

I didn’t have high hopes when I started this project because well, I don’t see many small objects being created through knit, it’s usually crochet. But I decided to give the technique a go, why not?

It turned out to be a fun little project that gives me joy each time I look at it. To start, I cast on one stitch, next row expand to two, next three, then four, and onto five. I knit another row of five and began reducing. I reduced one stitch on each row until I was back to one. Time to cast off.

You are left with a diamond. I made four more of these diamonds. Next, it was time to sew them together into a star shape. I joined the ends at the center and anchored the edges together to make the star. I repeated the entire process until I had two stars.

Finally, I sewed them together, with the sewing sides on the inside, and finished sides out. It actually worked! It even looked like my crochet reference photo!

Making a Pocket for My New Phone

When I purchase fabric, I aim to use as much of it as I can. Whether this means altering the project to incorporate as many large scraps as possible, saving some scraps for future mending projects, or creating a secondary garment from the scraps – I’m in! My recent corduroy trouser project left behind a particular set of scraps, a set of pockets that I chose to leave out of the finished trousers. These made the perfect scraps to make an unexpected project for the new year!

Upgrading My Tech

Around Christmas, I saw an interesting sale – a discount on a phone with an impressive camera and quite attractive collaboration. Since leaving my family’s Verizon’s new every two for my own plan I’ve kept it cheap. I’ve had some bad spills with my phone like shattering my phone camera’s lens on I’m assuming my keys as it bounced around my bag. I also lost my most expensive phone, the LG Voyager back in 2009 by losing it in the ocean. I had it for a month when it dropped out of my pocket one fateful evening and made its way out to sea. The last thing I saw was the screen light go out as it was swallowed up by the incoming tide. So going above the USD 99-149 price range I was a bit nervous about myself and my propensity for mayhem.

This is the Galaxy S23 with the SL/BS JYP Entertainment Skzoo Collaboration case. I got it 50% off from Google Fi and bought the matching SKZOO Leebit Suitcard to theme the inside of my phone to match the case. It is also lilac, a shade of my favorite color purple. It was a delayed 30th Birthday present, to be honest, and a step forward to improve my photo-taking ability for my designs. The camera is absolutely crisp and sharp compared to my Moto Power which I thought was pretty nice for the $149 price tag. Was I swayed by the color, and Changbin’s song for this phone, yes, but it has shocked me how much the camera and integrated photo editing, like the magic eraser feature, have helped me capture better photos of my work on a budget. Safe to say I’ve been babying this phone – I do not want to ruin this one! 😉

A Pocket For My Phone

Because this is a newish phone, there was the upgrade of my wired headphones no longer being compatible – there is no audio jack. This means an adapter, which I wanted to keep organized while out and about with my earbuds and phone. Creating this little pocket made perfect sense!

To create the pocket, because of the corduroy fabric’s structure, I didn’t include a lining. I began with my two pocket pieces and cut one of them into a square and a semicircle. With three pieces, I matched the semicircle together and pinned and sewed the square onto the intact pocket piece, on three sides. This left an opening for the pocket. Next, I sewed the semicircles together. Lastly, I inserted a zipper to securely close the pocket. I love the finished product!

It’s a cute little pocket that is easy to place in my purse and in my pockets, it gives that extra layer of protection across the camera lenses and screen while keeping those loose little accessories in one place. This project has alleviated a lot of fear I had of breaking my phone in my purse again. As a result, I actually pull my phone out less unless I have a specific purpose for reaching for my phone like answering a text, a call, taking a photo, or listening to music. It’s subtly helping me be more present and in the moment which I greatly appreciate. 🙂

I also love the antique vibe of this pocket. It reminds me of pockets that used to be tied onto skirts in historical fashion. I guess this is the next version of the same concept, and it looks like a pattern from the 1800s, 1700s, etc. Always save your big scraps, they come in handy! If I had purchased a pouch for my phone, I’m sure it would have been fine but it’s an added expense that I want to cut out in 2024. It’s fun using the items at hand to make useful things and cut down on my spending while making use of the entire cut of fabric. Would you make a pocket like this?

Selkie Dresses and the AI-Generated Backlash

People are ticked off regarding Selkie’s use of AI in their Valentine’s Day release, and I have to say, I can see their point! (Also, cupid, again? What is up with these dramatic “love-inspired” releases for 2024?)

Selkie made a creative, design choice. A big choice that may not have been the wisest decision for their brand reputation. As of three days after the announcement, the comment section is not pleased by the decision to use AI-developed patterns for their fabric instead of human artists to develop patterns for their newest crop of iconic dresses. 

Now, right off the bat for me, I can see a contradiction in this decision just from an aesthetic standpoint. Selkie is a dress brand that took off in popularity in 2020, selling fantasy puff romantic dresses that evoke another time. They are fanciful, sometimes with corsetted bodices, other times they have high regency waistlines, but mostly they look like a dress to galavant around Versailles in with Marie Antoinette. They are not modern in the dream they sell, they have an intrinsic historical imagination. 

They are princess dresses. Ladies of prestige in the modern time when none of them feel like princesses. Since the 1990s, we have seen a steep decline in formal fashion in our day-to-day life. Case in point, billionaire tech boys wear hoodies and t-shirts, not suits and hats like Carnegie and Vanderbilt. In 2020, this came to a head as remote work and social distancing created a new space of absolute nothingness when it came to fashion.

What was the point? You could wear pajamas and as long as you weren’t on a Zoom call, who would know? It was negligible. With face coverings, makeup became superfluous. Selkie, cottage-core, dark academia, etc. These movements in fashion revealed something deeper in our collective psyche. Although wearing pajamas and hanging out on our couches seemed like a dream, in reality, we were missing the fantasy of spectacle and splendor. Selkie is the typification of this. 

AI pops the dream bubble. Suddenly the clouds of tulle and puff sleeves that carried us into a dream world of palaces, picnics, and girlhood, evaporate underneath us and the lifestyle falls back to reality. As much as AI sells a dream of fantasy, it is a tool of reality. The reality of cutting corners, fast fashion, and jobs being cut from creatives is to cut costs because AI is cheaper. But cheaper is not always cheerful. In the case of a lot of AI art and AI work, you are getting what you pay for. It’s not the real deal, something is just a bit off. 

I’ve watched several videos in 2023 of creators I watch putting AI to the test, and in each case when it came to AI having to work in our space, in the humanities, it couldn’t hang. The results were surreal, not real. In these videos, AI was used to interpret history, recreate art in a historical style, create portraits in photography, show examples of historical dress, and give advice on how to give yourself a makeover. In each experiment, the AI was not able to replicate the human experience and seemed to get confused by things involving the story of humans. 

With Selkie’s historical aesthetic being a key to its branding, it is not surprising to me that AI seems out of the aesthetic wheelhouse. This is an interesting reaction to me because it has appeared since the turn of the 20th century that we as humans have been lusting over technology as the ultimate fantasy until we have it and then the intoxication fades away like blood alcohol and late-night attraction. 

It is an interesting time for fashion brands for sure because I think this may be the era that humanness and authenticity to the world the brand is selling may prove to be more valuable than gold. I appreciate the commitment to humanness and personal ethics that consumers are voicing. Especially when it comes to human artists. We can’t change the fact that AI is a thing and it is easy to replace humans with technology, all we can do is voice our opinion and make choices based on what we believe.

I’ve looked through the comments on Selkie’s newest release and there were echoes of disappointment and displeasure from consumers, a lot of them being artists themselves. There was a different tone in these comments than the commonplace cancel culture of our current age, there was genuine sadness. Like when a parent isn’t mad, just disappointed.

The criticism was delivered respectfully but firmly. This gave me hope that we can begin discussing things online with more frankness and kindness than in recent years. If you are a big proponent of AI, I ask dear reader that you don’t take my thoughts on the subject of AI personally. Maybe you can be the one to show us all what makes it great? 🙂

#43 – Sketching While I Listen

My go-to in school, during sermons growing up (being honest here), or even while watching television was to have a notebook in hand and to sketch. Usually, my hand would gravitate first to flowers or stars and then sweep towards the runway and I would sketch fashion designs. I did this from 11 years onward until, I think I started sewing which is ironic because you’d think I’d sketch more now. Lately, during phone conversations, I’ve noticed if I’m not doing chores like dishes or folding laundry while catching up with friends and family or knitting, my hand gets an itch to draw. Yesterday as I sat in my husband’s home office while video calling I grabbed random scrap paper and his pen in order to make sweeping gowns. Why? I think old habits and dang, I noticed my listening skills go up when my hands are busy.

I wouldn’t say I struggle to sit still, I think my mind just tends to wander as I conversate with others, and with the random creative energy swirling in my mind, I begin to feel restless. But as I grabbed that familiar pen and began to sketch my mind became clear and tuned to the topic at hand.

I remember my notebooks in school were adorned with dresses, jackets, and full-collections down the side of my history notes interspersed with a flourish of stars and flowers. When I used to watch movies with my mom growing up I would sketch my favorite pieces from the costume design. I think that’s why I fell in love with Joe Wright’s 2005 version of Pride and Prejudice. I know, that the pieces used in the movies are painfully not Regency Era fashion, but those moments of costume design sparked my imagination as a teenager who loved history and fashion.

I didn’t realize I had stopped doing this as a habit until yesterday, and honestly, I don’t want to stop sketching like that again. I think a new goal in 2024 will be to continue sketching when I watch instead of filling my hands with knitting. There’s a special creativity that seems to come from these moments.

Do you like to multi-task like this? What’s your go-to way to relax?

#41 – Cut Out Cookies

Whenever I am feeling a bit glum, I think of baking. I learned this from my Grandma. Her mom, who lost her parents at a young age and grew up quite poor would make herself “feel” rich by baking a cake.

I think this is such a sweet sentiment to hold because baking is something you can do with a little money or a lot of money. You can make something for yourself for a little pick me up or can brighten someone else’s day. It is shareable, communal, and made with love.

Baking is a moment of connection for me. A connection through the generations. So much about our present world is different from what it has been in the past, except for food. Food bridges those time gaps.

It even bridges distance and time. As I baked last Monday evening, on the other end of the phone my sister-in-law had just finished baking her own cookies and was making dinner. It was like we were together in a shared experience.

Mixing, resting, rolling. The process of rolling the dough to a thin layer, dunking the shaped cutter in flour, and pressing a new image into the dough was timeless. I could have been four or fourteen or thirty and made these cookies with my mom. We always did every year, every Christmas time. I sent her pictures of the cookies and we reminisced about years past.

The dough, the cookie dough reminds me of meals at Eat’n Park and their free smiley cookies. It’s childhood, cozy in a bite. It makes me feel rich in memories and moments spent with people I love.

Baking is my cozy corner of retreat, cut-out cookies my warm fuzzy blanket. I think that is what makes The Great British Bake Off irresistible. What a wonderful place of solace in a gloomy world.

Thank you, dear reader, for spending time with me today. I wish you love and comfort wherever you are.

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