(HOP) SKZ HOP HIP TAPE: a Patchwork Quilt of Music and Family

This album was a slow burn for me, as I expected after it was released on December 13, 2024. I was still enthralled with Stray Kids’s recent Japanese release, Giant, which was released on November 13, 2024. This was on the heels of their collaboration with Tom Morello and Young Miko for Arcane’s Season Two Theme, “Come Play” which was released in October 2024 before the show’s release. “Come Play” was the crescendo of soundtracks being released in the fall for Stray Kids with “Night” and “Falling Up” announced for season two of the anime, Tower of God.

But this was two months after we in the STAY fandom were processing the quiet release of “Slash” for Deadpool and Wolverine’s soundtrack in August 2024, a month after their July 2024 release of ATE. ATE was their big release of the year so far after months of waiting for an album after the drops of “Lose My Breath” and “WHY?” a soundtrack for the J-Drama Re:Revenge being released in the first quarter of 2024.

L to R: I.N., Lee Know, Seungmin, Hyunjin, HAN, Changbin, Felix, and Bang Chan

Did I mention this was a busy year for Stray Kids and their listeners? In this year of endless highs, Stray Kids announced their contract renewal a year ahead of the deadline, confirming that all eight members would stay at JYP Entertainment, making music together for years to come. It’s fitting then, that the last release of the year “HOP” was a title with a little wordplay, using the Chinese Hanja character “Hop” which means unity. In K-Pop, groups come and go, just look at New Jeans (2022-2024) and their possible disbandment after leaving ADOR. Contract renewals by all members to the same label are not guaranteed, look at the current state of Blackpink with each member taking their solo careers to various labels.

There is also the logistics of Stray Kids being a boy group with 6 out of 8 members being Korean citizens heading into their mid-twenties. Mandatory military service completion looms, which comes with a period of complications for music production, tours, and storytelling. Currently, BTS is completing their military service as a group (J-Hope and Jin have completed their service as of writing this). NCT 127 is following a different path, sending their members in a delayed fashion, (currently their leader Taeyong and member Jaehyun are completing their service) while the remaining members have released an album and performed tour dates. Although the military service question comes up a lot in K-Pop fandoms, more than I think we should dwell on it, the impression “HOP” and Stray Kids’ contract renewal left on STAYs I would say is like a comforting hug.

I didn’t understand this fully until Stray Kids’ account shared moments from their SKZ 5 O’Clock fan meet where the members performed each other’s solo songs on stage. What does this have to do with SKZ HOP HIP TAPE? Well, HOP was different kind of album from their usual format. On a Stray Kids’ EP or full album, there is usually a title track or several and then B-Sides with all eight members or songs performed by sub-units, affectionately called Rachas. For example – 3Racha (Bang Chan, Changbin, HAN) is their production unit and rapline, vocalracha (Seungmin, I.N.) supply lead vocals, and danceracha (Lee Know, Hyunjin, Felix) the lead dancers of the group. Instead of following this format, HOP is more like a patchwork quilt in my opinion.

  1. Walkin’ On Water
  2. Bounce Back
  3. U (feat. TABLO)
  4. Walkin’ on Water (HIP Ver.)
  5. Railway (Bang Chan)
  6. Unfair (Felix)
  7. Hallucination (I.N.)
  8. Youth (Lee Know)
  9. So Good (Hyunjin)
  10. ULTRA (Changbin)
  11. Hold my hand (HAN)
  12. As we are (Seungmin)

These solo songs, the members perform on tour through solo stages, were songs I was not sure about upon the first listen. Instead of appreciating the music, all I could think of was – is this the end of eight as one? Is this signaling them “growing up and growing out” of their collaborative style?

How silly is that? But in 2025, in our current friendship recession and drought of healthy communities, having deep friendship feels like something you have to “grow out of” to become a lonely “successful” adult. I think it says more about my life and my culture more than the album, to be honest. (Am I okay?) But then, I listened to the album again. And again. I watched the craftsmanship of the music videos and dove into the lyrics and I was impressed! The layers of talent – vocal range, dancing ability, lyricism, concept, etc. Each song has a personality unique to the member, you can clearly see them in the song but you can also feel Stray Kids in each song too.

This is not how I would describe most K-pop solo releases. Take NCT for example – Taeyong has released two EPs, Shalala (2023) and TAP (2024) which are not NCT 127 music. They showcase Taeyong and his unique talents – dancing, vocal range, and visuals. Mark of NCT 127 has released two singles, 200 (2024) and Fraktsiya (2024) which are again vastly different from NCT 127’s musical style. 200 is a casual love song and Fraktsiya is a rap focused song. Yuta of NCT 127 released an album in 2024 that deviates into J-Rock to celebrate his Japanese culture. Blackpink is another example of this, with Rose, Lisa, Jennie, and Jisoo going in completely different directions where they feel like different artists from their Blackpink performances.

For Stray Kids, their solos have range but through their 5 O’Clock Fan Meet performance swaps, it showed me that these songs are fully solos and fully Stray Kids which makes me interested in what the future holds. Will they release solo albums? Will they do sub-units? Will they do these solo mix tapes, like SKZ Replay of 2021, that featured previously unreleased solos and subunit songs? I think they truly just love creating, producing, and performing in an organic way that is synergistic in an unforced way. It’s like a harmony, even when they do their own things, they are still part of the whole without losing themselves. It is a family, a beautiful patchwork quilt, it is as the name “HOP” declares, unity. They do their own thing and some people hate it, but I love it. I’ve never had a band bring me as much musical joy as well as a sense of community as being a STAY.

All the releases of 2024 felt like a present for the fans, each one more exciting than the next, and that is why I think at first HOP did not grab me. There was an embarrassment of riches, too much to process, appreciate, or focus on. Three months later, I see the wonder of it all and hold HOP in regard as a unique experiment I’d enjoy listening to more of. They are always working on something new, what will 2025 hold? I look forward to finding out.

Following Fashion Week With New Excitement

This past fashion month (September) I actually was paying attention, something I haven’t done since college. I even watched clips from the shows, something I used to stream between classes at the library. So what made take a break? And what brought me back?

Vogue, Harper’s Bazaar, W, ANTM, and Project Runway

There’s no denying that in the 2000s fashion magazines were king. There was no TikTok, nor were there social media influencers or Instagram baddies. It was a time of slower trend cycles, compared to the cycle we have seen so far in the 2020s. (I’m talking about you, micro trends.) At the time, as a kid and then a teenager who dreamed of being in the fashion world one day there were a few ways to get acquainted – America’s Next Top Model, Project Runway, and fashion magazines.

America’s Next Top Model was my first foray into this world, with the second, third, fourth, fifth, and sixth seasons being particularly formative. In the third season, they went to Tokyo and introduced my mind to Japanese street fashion. The sixth season featured a finalist from my hometown. I practiced the poses, the smize, and my model walk with dreams of getting to Bryant Park either as a model or a designer. It wasn’t until I realized you needed to be 5’8″ or taller to be a runway model that I began to pivot to designing as my full-time dream, like Melanie in Sweet Home Alabama. I had been sketching since I was 10 when my friends and I decided to make our own fashion magazine. I was in charge of sketching collections and I’ve never stopped since. 🙂

In middle school I found Project Runway and was hooked on the design aspect of the fashion world, that’s when I knew I wanted to become a designer, and I wouldn’t be happy until I found a way to do it. With this newfound fascination with becoming a fashion designer instead of a high fashion model, I learned from Tim Gunn how important it is to understand the history of fashion, and from Michael Kors and Nina Garcia, I took note that I should understand the industry at large to plan how to make my mark in this world. That’s when I began seeking fashion magazines. My aunt gifted me a subscription to W magazine for Christmas and my mom gifted me subscriptions to Vogue and Harper’s Bazaar. She even took me to Barnes and Noble to track down French and Italian Vogue. Together my Mom and I became students of fashion. It was a blast.

Fashion in the 2010s

Social media and politics have taken fashion magazines on a weird bender, in my opinion, and by the mid-to-late 2010s, I was on a much tighter budget, with underwhelmed expectations for these once beacons of fashion. Social media through the platforms of Instagram, YouTube, and Pinterest were far more fashion-forward in my opinion by this point, and the best part was they were free. And so I swapped my magazines for social media pins, posts, and clips. From 2015 to 2019, I found fashion quite dull and overrun by minimalism and athleisure. With thrifting gaining popularity, searching through clothes that already existed to create fashion called to me more than the glossy pages of Vogue. It was such a weird swap, that at times made me feel confused. I always loved fashion, but the high fashion runways became boring to me during this time period, and I began to question the point of it all. And so I opted out.

I still learned about fashion through deep dives into fashion history but this was far from the runways I used to fawn over. At this time, Vogue seemed far behind the trends, but they still do, to be honest. Social media opened a world that wasn’t curated by fashion people, instead, it is the fashion of people.

Global Ambassadors and Kpop

Then I met K-pop which was a new way into fashion, an electric explosion of ideas fresher than my fashion magazines of old. With each comeback, performance, and music video slaying with a lot more fun than the Met Gala in my opinion. But there was this old ghost hanging in the background. Global Ambassadorships. When I began to listen to Blackpink it was quite evident that they were connected to the fashion world. With Jennie Kim working with Chanel, Rose with Saint Laurent, Lisa with Celine, and Jisoo with Dior. It was in the lyrics, the music videos, the posts. Everywhere. I paid attention a little, but not much.

Then I noticed Hong Joong from Ateez attending Balmain shows. Okay, my interest was piqued.

But the ultimate tipping point came this summer when Hyunjin was named an ambassador for Versace, a few weeks later Felix was given the same honor by Louis Vuitton. It was hinted that Lee Know was going to be at Milan Fashion Week for the Gucci show, unfortunately, a car accident occurred days before the show and both he and Hyunjin were unable to attend. Thankfully they are okay.

The ultimate tipping point for me to give in and watch Paris Fashion Week again was when I.N. was invited to attend Alexander McQueen’s show – and sit in the front row. Is this the dream collab for me? YES! Alexander McQueen is my all-time favorite designer. And so like me ten years ago, I watched the runway. I watched the McQueen show and clips of the Louis Vuitton show, of which Felix was front row. Who knew K-pop boy band ambassador appointments would reunite me with the world of high fashion. Life is a funny thing.

So what do I think of the runway since taking a 10-year break? I think my love of luxury fashion and fashion week has become refined. Instead of wanting to consume all of it, I now find myself enjoying specific designs and aesthetics. Maybe it’s maturity or maybe it is because I am working on my sewing and design sensibilities for myself. The clothing really has to speak to me for me to see them as high fashion now. Luxury no longer equates high fashion to me. Street style has just as much impact to me and I would rather consult Steal the Spotlight and Pinterest’s offerings than the runways exclusively. I can’t stop seeing the business side of fashion magazines and runways now. Some of these items, are blah and played out yet they get their face time simply because they have a label attached and that is stuffy to me now.

Will I check out the shows next year? Yes. Surprisingly, it still has a magic feeling about it. I love the spectacle. And maybe one day, I will be closer to the dream of showing my own collection.

I Wanted To Learn More About Kpop

What is your favorite genre of music?

K-Pop. Boy bands, girl bands, flashy music videos, and complex choreography. BTS. Blackpink. PSY. It’s a genre growing in popularity in the West and you’ve probably heard of it. From the outside, it might not make a lot of sense. So where did this cultural wave of music and fashion originate? Well, we gotta go back a few decades. (Note: I became a fan in early 2022 so I am limited in my knowledge – I’m sorry if I don’t mention a band you stan <3)

Brief History of K-Pop

Western musical influences entered Korean culture in 1885 and continued throughout the 20th century after Korea’s liberation from Japanese occupation in 1945, due to the US military presence and the Korean War. USO tours brought artists such as Nat King Cole and Louis Armstrong to Korea, sparking interest in Western culture and music. This continued into the 1990s as Korean artists experimented with musical styles from other cultures and developed their own sounds. These included folk and rock ballads, with Korean musical groups, like the Kim Sisters performing in Las Vegas and on American television shows in the mid-20th century. J-Rock had an influence in the later 20th century.

The modern K-pop era began on April 11, 1992, when the band Teo Saiji and Boys debuted their first song “I Know” on Munhwa Broadcasting Corporation’s talent show. Their song showcased new jack swing inspirations from R&B and hip-hop which kicked off a wave of Korean hip-hop artists of the 1990s, such as Drunken Tiger. In June 2023, Stray Kids released the song Topline with Tiger JK of Drunken Tiger. Until 2012, K-pop was a success in Asia but hadn’t reached worldwide reach until PSY’s “Gangnam Style” followed by EXO’s debut in 2012, the debut of BTS in 2013, and finally, the debut of Blackpink in 2016. Blackpink would become the first K-pop group to headline at Coachella.

Record Labels, Trainees & Survival Shows

So where do all these bands come from? After the success of Teo Saiji and Boys, first album, and a new appetite for the hip-hop and R&B musical style of these emerging 1990s K-Pop artists, three labels were started that continue to be some of the biggest labels today – SM Entertainment in 1995, YG Entertainment in 1996 (formed by a member of Teo Saiji and Boys), and JYP Entertainment in 1997. This shifted the K-pop industry’s focus to teen-centered music and idol bands that would capture the attention of teen boys and girls – the structure we still see today of boy groups and girl groups. The business was modeled after J-pop in Japan.

Trainees who want to debut as idols undergo rigorous auditions and training to learn singing and dancing skills, but also how to navigate the media by their etiquette and attitude, as well as knowledge, of the Korean language because not all K-pop idols are native Korean speakers. Current examples of this are Lisa of Blackpink, Johnny of NCT 127, and Felix of Stray Kids, who all became fluent in Korean through their idol training.

Another element of the debut process for some groups can involve reality tv style survival shows. The Mnet Survival Show became very popular in the 2010s and led to the formation of many groups including TWICE, Seventeen, ENYPHEN, Kep1er, Momoland, and Stray Kids. The trainees compete against each other while gradually being eliminated. The top seven of Twice’s survival show “Sixteen” were selected to debut along with an audience favorite and J.Y.P.’s selection for eight in total with members added later. The contestants went on to other projects, some debuting with other groups.

Maknaes, Leaders, and Visuals

Something that I found hard to follow at first was the term “maknae” meaning the youngest person in a group, but I’ve learned through time and research that it is a part of Korean culture to recognize who is oldest and youngest within a group. Each group has a recognized maknae, Jong-ho in Ateez, Yuna in ITZY, NingNing in Aespa, and our Maknae on Top – I.N. of Stray Kids.

The oldest or an older member of a group is usually the leader usually each group has a leader, except for some groups like Blackpink, K.A.R.D., New Jeans, etc. The leaders write music and contribute to the group’s concept alongside the producers but they are also the spokesperson for the group and keep the group in order. Some current K-pop group leaders are Taeyong of NCT 127, Mark Lee of NCT Dream, Hongjoong of Ateez, Chaewon of Le Sserafim, and Jihyo of Twice.

Another thing that threw me off was the designation of the visual in a group. There are many roles within these groups – leader, maknae, lead vocals, lead rapper, main vocalist, main rapper, main dancer, sub-vocalist, and the visual. Basically, the visual is the member who best represents Korean beauty standards within the group and has been a part of K-pop from the beginning. Jisoo is the visual of Blackpink, Hyunjin is the visual of Stray Kids, Yeosang is the visual of Ateez, and Miyeon is the visual of (G)-IDLE. There can be a lot of debate between fans on who is the visual and being the visual doesn’t keep you from serving in other roles.

Fandom Names, Lightsticks, Sub-units & Bias

Each group has a fan name with BTS’ fandom name probably being the most famous – ARMY. Blackpink fans call themselves Blinks. Stray Kids have STAY, Ateez stans are Atiny, and NCT fans call themselves NCTzens or NCTizens (pronounced N-citizens) as they are citizens of NCT City (Neo Culture Technology). Twice fans are called Once which I think is cute. EXO fans as a group are called EXO-L and fans individually are referred to as Stars. Itzy has MIDZY and TXT has MOA which stands for moments of alwaysness. Moments of Alwaysness as a name is quite poetic and dreamy. Fans are also referred to as stans, as you stan the group you are a fan of.

I thought lightsticks were pretty gimmicky until I saw videos of them at concerts and close-up videos of the lightstick designs – they are actually pretty cool and unique. I personally love Ateez’s lightstick concept the most, both version one and version two because they feature pirate motifs. I also love the cute and slightly menacing Blackpink double-sided heart hammer light stick as well as Cherry Bullet’s squirt gun light stick.

Some groups have sub-units with the actual K-pop group concept and they will release albums within these sub-units while still being a part of the original group. These albums have different concepts than the original group. Notable Sub-units are NCT U, NCT 127, and NCT Dream all within the group NCT. The fandom name NCTzen or NCTizen can be applied to all. Girls Generation has a sub-unit called TTS or TaeTiSeo, Seventeen has BBS or BooSeokSoon, along with many, many other sub-units across K-pop.

Your bias, or selecting a bias is just selecting your favorite member for each group. Your bias wrecker is a member within that group that makes you want to switch your favorite member. At the moment, in Stray Kids, I’d say Felix is my bias and Changbin is my current bias wrecker. In Ateez, Hongjoong is my bias but Wooyoung is turning into a bias wrecker.

Comebacks, Music Videos, and Discography

I first got into the music by watching music videos while I rode my exercise bike, through this I learned to not sleep on K-pop music videos – they are integral to the concept as K-pop is quite visual from dancing to fashion, it is a part of the experience. My early favorites were Kick It by NCT 127, Kill This Love by Blackpink, Don’t Stop by Ateez, Maniac by Stray Kids, and That That by PSY & Suga. I love the aesthetics at play and how the members are styled for these videos. It is in my opinion more inspiring than reading Vogue or watching fashion week anymore.

Comebacks and discography were the most confusing to navigate, to be honest. Comebacks refer to the new release by a band, that includes the promotional material for the concept, photo cards, choreography sneak peeks and dance challenges, performances, the music video, and the single/ep/album being released. There is a lot involved! And to make it more confusing bands release full Japanese albums, compilation albums, and mixtapes that are all different. If you are going to buy a K-pop album I highly recommend doing research first.

I made that mistake with my first album purchase – I bought a BTS album second-hand and bought the wrong version. The store had three different versions of the Love Yourself album. I wanted the version that contained the track DNA, and out of the three versions I purchased the only version not to have DNA. Yep, I bought ‘Tear’ but it was a great learning experience and helped me explore their discography more.

Wrap Up

I hope this little guide is helpful to you if you have been curious about K-pop or have a loved one or friend who is a K-pop fan. It’s a fun world to escape into. There is so much more I could dive into but this post would just be endless so thanks for coming along on this journey with me.

#23 – Soundtrack of Life, My Mood Boost

BOOMBAYAH – Blackpink

Sugar Rush Ride – TOMORROW X TOGETHER

Blue Hour – TOMORROW X TOGETHER

Wonderland – ATEEZ

Maknae on Top – I.N. feat. Bang Chan & Changbin)

The Real (Heung Ver.) – ATEEZ

Not Shy – ITZY

THAT THAT – Psy feat. Suga of BTS

Sticker – NCT 127

DNA – BTS

Feel Special – TWICE

Thunderous – Stray Kids

Whistle – Blackpink

God’s Menu – Stray Kids

Pirate King – ATEEZ

Fancy – TWICE

Dynamite – BTS

ANTIFRAGILE – LE SSERAFIM

Back Door – Stray Kids

Faster – NCT 127

9 And Three Quarters (Run Away) – TOMORROW X TOGETHER

Kick It – NCT 127

Next Level – aespa

Case 143 – Stray Kids

Butter – BTS

Spicy – aespa

#10 – K-Pop, Fashion and Working Out

How did I find K-pop? Simple. It found me. And I am so glad it did!

Last January, I needed a change so we bought an exercise bike. I hoped it would help me get through the cabin fever of winter that dragged me into a mood of malaise and would get me to finally shape up. My twenties had been so rough on my metabolism and the person I saw in the mirror was not what I wanted to see. I saw this girl was worn down by the stress of the last six years, wound up with tension in her muscles, and angry by how these emotions seemed bottled with no release. I needed to move my body like I used to in college. You know when you can see you are unhappy with your posture? It was like my body was afraid to stand up straight in case I got knocked down. It’s a weird place to be because the only way to make it better is to work on it, but when life pulls you away from healthy habits you lose those familiar patterns and get lost.

In need of a dose of joyful movement and a good burn, I did a quick search for a fun workout on Youtube. I found this channel called Emi Wong and thought, sure I’ll give this Blackpink workout a try. I had heard Kill This Love before and knew how hyped up the music is, plus it was a 4-minute workout – no big deal. Oh my, this was euphoric. The music, the quick pace. I was sold on this whole “working out” thing everyone in the world seems jazzed about. This led me down a pretty pumped rabbit trail of Fancy by Twice and Dynamite by BTS. These workouts were so joyful! I hadn’t heard music like this before. It gave me “The Feels” pun intended, for the y2k groups my friends and I would learn the choreography for when we were in elementary school. I was so happy and needed to live in this bubble so I gave riding the bike a try while listening to the music videos.

Then my mind was blown. I saw Fruits Magazine, Totally Spies, and dream fashion combos on the K-pop idols, both men and women! It was pretty much love at first site. As I obsessed over the fashion I rode the bike with an inspired commitment I hadn’t seen of myself before. The tempo pushed me further and further until it was a highlight of my routine. A year later, I love working out. I’ve moved beyond the K-pop 4-minute workouts to Emi Wong’s longer videos, I love how much stronger and healthier I feel from my muscles to my mind. Now I listen to K-pop pretty much every day, if I’m not listening to worship music it’s K-pop. The music has inspired both my own style combos and what I dream of sewing and the bands give me such energy while I’m sewing or writing, like right now I’m listening to Stray Kids.

So what’s my point other than sharing something that is dear to my heart? Exercise is not universal, and the approach that most people take might be why it seems overwhelming. Like, if I have to go to a gym, I’m not going to do it. I don’t want the expense, the commute to the location, or having to work out in front of others. I’m a pretty shy person and I’d rather move my body in the privacy of my own home. It has helped me get into my own rhythm and regime according to my goals not what a trainer is pushing me into. I’m not surprised that my hook into working out was somehow a fashion lure. It’s what I’m interested in. I hope you can find what inspires you so we can all get some healthy movement in today. But don’t be concerned I’m not a 5-am routine kind of girl, and I’m not going to ever do the “lifestyle inspiration” thing. This is just my unexpected love story with exercise and K-pop.

My K-pop Favorites for High Energy

  • Stray Kids
  • NCT 127
  • Red Velvet
  • BTS
  • Twice
  • Aespa
  • HyunA (& Dawn)
  • Ateez
  • Itzy
  • Blackpink
  • PSY & Suga
  • TXT

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