Dear Grandma and Papa,

How are you doing? I know you guys are doing well. You’re together, and you’re not in pain anymore. You guys are not separate and are feeling the healing of that yourself.

It’s been a journey here without you guys. It got a bit scary for a while. Things got weird and frightening, but after four years, things are feeling familiar and more like usual. I didn’t think it could be possible, but I guess deep down I knew it could be, because you both found a new normal after losing your parents. I guess I felt guilty and strange letting my life go on without you for myself. It wasn’t what I wanted and I resisted healing for a season because I was in denial.

I found this composer, a fellow I think you with the proper introduction to his music, would be a person you guys would enjoy. He has the emotion and the beautiful storytelling in his music that I remember you both liking. His name is Joe Hisaishi. He composed the music for several films from a company called Studio Ghibli which I think you would prefer to Disney in this current moment. It took me a while to appreciate Hayao Miyazaki’s storytelling because it was so different from what the Disney formula is. The cultural parts, I think took the longest.

I know Japan was a bit of a mystery to you guys just based on your generation. You grew up with a different version – the Imperial Japan bombing of Pearl Harbor and the War in the Pacific were your first introduction as kids, growing up during WWII. It was a cultural relationship that did not have a chance to bloom.

My generation had a different introduction to their culture – sushi, ramen, Hello Kitty, anime, Studio Ghibli, Ninja Warrior, Harajuku fashion, and Nintendo. It was a different side of Japan. In college a professor you would know, Doyle, hosted a class about East Asian Film and Literature. It was quite the overview for one semester mind you, but in that short time he showed us some pieces of storytelling I still remember like Hero, Red Wall, and Princess Mononoke.

The last one, Princess Mononoke was a Ghibli film, my first one. The illustrations were incredible and the message felt so familar because of the region we all lived in – the rust belt. But what captured my admiration the most was the music. It was stirring, haunting, sad and hopeful, a courageous melody that swept over me in its beauty.

A few years later, Kyle and I watched My Neighbor Totoro which is such a heartwarming tale. This one set me on a new goal – I need to see Japan before I die so I can see those rural vistas captured in the illustrations of Totoro. I started learning Japanese since you’ve gone, which is a story for another time, but this probably sparked that journey.

This image from Totoro makes me think of the times we would go puddle jumping together, Papa, when I was a little kid. You made life so magical, both of you.

Anyways, there’s a song in particular, Grandma, that I think you would love. Actually I think you would love to play. The one recording of it on the album I was listening to has a piano solo by Hisaishi that has the same fervor and candence of the style you played in. I can close my eyes and pretend we’re in your piano room, you’re talking away as your playing it, and the room is filled the sound of the keys. This song is called the Merry-Go-Round of Life from the film Howl’s Moving Castle. (One I still need to watch.)

I wish I could play it for you. I wish I could play all of his songs for you. I wish we could listen to them on the boom box in the kitchen as Papa and I sat on the stools along the counter and tried to coax you, Grandma to just settle in and listen instead of tidying or cooking, or wandering around the way you used to.

I miss you. But I’m trying to not dwell on what I cannot change.

Love,

Magzie