In 2023, the amount of good releases felt like a never-ceasing wave of music. It was an epic ride, and I’m sad to know the year is almost up. But hopefully, Year of the Dragon will be as generous as Year of the Rabbit was. Here are a few of my favorite b-sides (not title tracks) that made this year melodious and fun.
Also, congrats to 3RACHA for winning Best Creator at the 2023 Asia Artist Awards last night! They deserve it ❤
I alluded to my love of pirate-inspired looks in Piratecore, Lorelai Gilmore & Sportswear Influences but to be honest, I’ve been chasing after the pirate fashion feels since watching The Pirates of the Caribbean as a kid. The movies came out at a formative time for me, I was a tween and then a teen as the first three movies premiered ( I don’t count the fourth or fifth movies as part of the franchise for many reasons, quality being one, anyway) which is a time when you begin to discover inspirations and your individual style. I remember having a Pirates of the Caribbean locket charm bracelet from Claire’s that I wore often with boots for that pirate mood. It had a skull and crossbones and a cringe picture of Will Turner, my middle school fave inside. That was the beginning of this pirate journey.
In high school, I dabbled with the skulls and skeletons, including a Flogging Molly pirate graphic tee, but I had yet to find anything that truly captured the costuming of the movie. In college, I got a bit closer with a pair of over-the-knee Vince Camuto boots that had pirate cuffs and studs down the back. Now that I know how to sew, it’s time to get serious about this, right?
As an adult, I admire the costuming of Jack Sparrow and Elizabeth Swann more than Will Turner. Particularly the costumes from the third movie, At World’s End. This poster I’ve had this since middle school and it still inspires me today, I actually used it for the basis of my coat and plan to recreate a coat dress like Elizabeth Swann wears along with an accurate Jack Sparrow cosplay at some point in the future.
At this point in time, I knew that would require in-depth research of both the historical garment and the costumes created for the movie. I would also be taking on a greater cost by sourcing specific materials like linen or duck canvas for this project along with historical patterns and additional fastenings, stiffeners, and not a lot of expertise to fall back on if something went wrong. So I decided to do a modern interpretation. Something that would have a pirate essence but would not look costume-like.
I settled on this chocolate-brown corduroy that acquired from Joann’s clearance over a year ago. With four yards to work with, I knew I could make a long and oversized coat that would be lighter in weight but could accommodate a bulky sweater or hoodie underneath. I knew I also wanted a simple fastening and toyed with the idea of a belt, which I made, and a zipper, which I prefer as the primary closure.
To figure out what silhouette I wanted, I referenced the outerwear of several Ateez music videos, including Don’t Stop which puts a modern spin on the pirate aesthetic. Kim Hongjoong was my modern inspiration for the cut of this coat, down to the epaulette details on the shoulder. I wanted the coat to be boxy and cape-like, like a modern-day pirate captain. A future goal is to acquire an Ateez compass patch to sew on the arm and complete the Hongjoong reference.
This past fashion month (September) I actually was paying attention, something I haven’t done since college. I even watched clips from the shows, something I used to stream between classes at the library. So what made take a break? And what brought me back?
Vogue, Harper’s Bazaar, W, ANTM, and Project Runway
There’s no denying that in the 2000s fashion magazines were king. There was no TikTok, nor were there social media influencers or Instagram baddies. It was a time of slower trend cycles, compared to the cycle we have seen so far in the 2020s. (I’m talking about you, micro trends.) At the time, as a kid and then a teenager who dreamed of being in the fashion world one day there were a few ways to get acquainted – America’s Next Top Model, Project Runway, and fashion magazines.
America’s Next Top Model was my first foray into this world, with the second, third, fourth, fifth, and sixth seasons being particularly formative. In the third season, they went to Tokyo and introduced my mind to Japanese street fashion. The sixth season featured a finalist from my hometown. I practiced the poses, the smize, and my model walk with dreams of getting to Bryant Park either as a model or a designer. It wasn’t until I realized you needed to be 5’8″ or taller to be a runway model that I began to pivot to designing as my full-time dream, like Melanie in Sweet Home Alabama. I had been sketching since I was 10 when my friends and I decided to make our own fashion magazine. I was in charge of sketching collections and I’ve never stopped since. 🙂
In middle school I found Project Runway and was hooked on the design aspect of the fashion world, that’s when I knew I wanted to become a designer, and I wouldn’t be happy until I found a way to do it. With this newfound fascination with becoming a fashion designer instead of a high fashion model, I learned from Tim Gunn how important it is to understand the history of fashion, and from Michael Kors and Nina Garcia, I took note that I should understand the industry at large to plan how to make my mark in this world. That’s when I began seeking fashion magazines. My aunt gifted me a subscription to W magazine for Christmas and my mom gifted me subscriptions to Vogue and Harper’s Bazaar. She even took me to Barnes and Noble to track down French and Italian Vogue. Together my Mom and I became students of fashion. It was a blast.
Fashion in the 2010s
Social media and politics have taken fashion magazines on a weird bender, in my opinion, and by the mid-to-late 2010s, I was on a much tighter budget, with underwhelmed expectations for these once beacons of fashion. Social media through the platforms of Instagram, YouTube, and Pinterest were far more fashion-forward in my opinion by this point, and the best part was they were free. And so I swapped my magazines for social media pins, posts, and clips. From 2015 to 2019, I found fashion quite dull and overrun by minimalism and athleisure. With thrifting gaining popularity, searching through clothes that already existed to create fashion called to me more than the glossy pages of Vogue. It was such a weird swap, that at times made me feel confused. I always loved fashion, but the high fashion runways became boring to me during this time period, and I began to question the point of it all. And so I opted out.
I still learned about fashion through deep dives into fashion history but this was far from the runways I used to fawn over. At this time, Vogue seemed far behind the trends, but they still do, to be honest. Social media opened a world that wasn’t curated by fashion people, instead, it is the fashion of people.
Global Ambassadors and Kpop
Then I met K-pop which was a new way into fashion, an electric explosion of ideas fresher than my fashion magazines of old. With each comeback, performance, and music video slaying with a lot more fun than the Met Gala in my opinion. But there was this old ghost hanging in the background. Global Ambassadorships. When I began to listen to Blackpink it was quite evident that they were connected to the fashion world. With Jennie Kim working with Chanel, Rose with Saint Laurent, Lisa with Celine, and Jisoo with Dior. It was in the lyrics, the music videos, the posts. Everywhere. I paid attention a little, but not much.
Then I noticed Hong Joong from Ateez attending Balmain shows. Okay, my interest was piqued.
But the ultimate tipping point came this summer when Hyunjin was named an ambassador for Versace, a few weeks later Felix was given the same honor by Louis Vuitton. It was hinted that Lee Know was going to be at Milan Fashion Week for the Gucci show, unfortunately, a car accident occurred days before the show and both he and Hyunjin were unable to attend. Thankfully they are okay.
The ultimate tipping point for me to give in and watch Paris Fashion Week again was when I.N. was invited to attend Alexander McQueen’s show – and sit in the front row. Is this the dream collab for me? YES! Alexander McQueen is my all-time favorite designer. And so like me ten years ago, I watched the runway. I watched the McQueen show and clips of the Louis Vuitton show, of which Felix was front row. Who knew K-pop boy band ambassador appointments would reunite me with the world of high fashion. Life is a funny thing.
So what do I think of the runway since taking a 10-year break? I think my love of luxury fashion and fashion week has become refined. Instead of wanting to consume all of it, I now find myself enjoying specific designs and aesthetics. Maybe it’s maturity or maybe it is because I am working on my sewing and design sensibilities for myself. The clothing really has to speak to me for me to see them as high fashion now. Luxury no longer equates high fashion to me. Street style has just as much impact to me and I would rather consult Steal the Spotlight and Pinterest’s offerings than the runways exclusively. I can’t stop seeing the business side of fashion magazines and runways now. Some of these items, are blah and played out yet they get their face time simply because they have a label attached and that is stuffy to me now.
Will I check out the shows next year? Yes. Surprisingly, it still has a magic feeling about it. I love the spectacle. And maybe one day, I will be closer to the dream of showing my own collection.
This is a project purely inspired by Stray Kids and their Los Angeles shows from their 2023 Maniac Tour. I was fangirling hard for these hats, and so are a lot of people because even with a high price tag the hats have been sold out. I really wanted one that would emulate the joy that these hats create in my heart and so I decided to try making one. Now, I’m recreating what I can see in the image and because I am not using a pattern, I have no idea if my dimensions are correct at all. That part actually makes me feel better about recreating the Loverboy Bunny hat because I will have to put my own spin on it!
The Inspiration
Adorable, right? Their stylist killed it. I love how cartoonish the hat is yet at the same time it feels wearable and is warm. A casual staple for a maximalist. The middle photo is from the Maniac M/V which I forgot Seungmin wore this hat in the video. I probably have been wanting this hat for a year and a half without realizing it because I was obsessed with the fashion of the Maniac video in 2022.
The Process
This was not an easy thing to figure out. I referenced photos of Stray Kids members on stage and the actual photos on Loverboy’s site. I made the mistake of including the Amazon knockoff as a reference because the ears are far skinnier. I used the knockoff ears as a guide for my first attempt and finished two ears before realizing they were too narrow. Therefore I cut the knot and frogged my way back to a ball of yarn. Three attempts later I determined the correct ear width. Yes, four attempts. At times this project felt cursed!
I decided to rib knit the ears for two reasons, it was accurate to the original and I would not have to double layer the ears because the tension of the knit would help the ears to lay flat instead of rolling and losing the bunny ear effect. I wanted the ears to have a lightness to them so that they would move with me and even blow in the wind behind me like Lee Know. I have wanted to be a Leebit through this project, maybe that’s why this project was so chaotic.
The hat itself was a different story! This was the easiest process I’ve ever had with the hat and it by far took the least amount of time and fits me quite well. I made note of how wide the pattern was to be able to replicate this style of the hat again in future projects. Possibly another Loverboy hat.
Wrap Up
Overall I’m thrilled with how this turned out! It’s exactly what I was imagining and I am so happy when I wear it. Bunnies are a favorite animal of mine, especially lop-eared rabbits. I like the chaos of the ears and how they drape from the hat crown. I think I will get a lot of wear out of this. I’m looking forward to the cool weather to continue to style this into a look. Because of the reference, it also feels like a piece of merch from the band. I still regret not finding a way to see the Maniac world tour but it just wasn’t the time to go. The Oddinary comeback was my first experience and it remains a favorite for me.
If you have a crazy idea, go for it. You may just make something or make a memory that you will absolutely love. Now I’m going to try to make a mooncake for the first time. Until we meet again.
K-Pop. Boy bands, girl bands, flashy music videos, and complex choreography. BTS. Blackpink. PSY. It’s a genre growing in popularity in the West and you’ve probably heard of it. From the outside, it might not make a lot of sense. So where did this cultural wave of music and fashion originate? Well, we gotta go back a few decades. (Note: I became a fan in early 2022 so I am limited in my knowledge – I’m sorry if I don’t mention a band you stan <3)
Brief History of K-Pop
Western musical influences entered Korean culture in 1885 and continued throughout the 20th century after Korea’s liberation from Japanese occupation in 1945, due to the US military presence and the Korean War. USO tours brought artists such as Nat King Cole and Louis Armstrong to Korea, sparking interest in Western culture and music. This continued into the 1990s as Korean artists experimented with musical styles from other cultures and developed their own sounds. These included folk and rock ballads, with Korean musical groups, like the Kim Sisters performing in Las Vegas and on American television shows in the mid-20th century. J-Rock had an influence in the later 20th century.
The modern K-pop era began on April 11, 1992, when the band Teo Saiji and Boys debuted their first song “I Know” on Munhwa Broadcasting Corporation’s talent show. Their song showcased new jack swing inspirations from R&B and hip-hop which kicked off a wave of Korean hip-hop artists of the 1990s, such as Drunken Tiger. In June 2023, Stray Kids released the song Topline with Tiger JK of Drunken Tiger. Until 2012, K-pop was a success in Asia but hadn’t reached worldwide reach until PSY’s “Gangnam Style” followed by EXO’s debut in 2012, the debut of BTS in 2013, and finally, the debut of Blackpink in 2016. Blackpink would become the first K-pop group to headline at Coachella.
Record Labels, Trainees & Survival Shows
So where do all these bands come from? After the success of Teo Saiji and Boys, first album, and a new appetite for the hip-hop and R&B musical style of these emerging 1990s K-Pop artists, three labels were started that continue to be some of the biggest labels today – SM Entertainment in 1995, YG Entertainment in 1996 (formed by a member of Teo Saiji and Boys), and JYP Entertainment in 1997. This shifted the K-pop industry’s focus to teen-centered music and idol bands that would capture the attention of teen boys and girls – the structure we still see today of boy groups and girl groups. The business was modeled after J-pop in Japan.
Trainees who want to debut as idols undergo rigorous auditions and training to learn singing and dancing skills, but also how to navigate the media by their etiquette and attitude, as well as knowledge, of the Korean language because not all K-pop idols are native Korean speakers. Current examples of this are Lisa of Blackpink, Johnny of NCT 127, and Felix of Stray Kids, who all became fluent in Korean through their idol training.
Another element of the debut process for some groups can involve reality tv style survival shows. The Mnet Survival Show became very popular in the 2010s and led to the formation of many groups including TWICE, Seventeen, ENYPHEN, Kep1er, Momoland, and Stray Kids. The trainees compete against each other while gradually being eliminated. The top seven of Twice’s survival show “Sixteen” were selected to debut along with an audience favorite and J.Y.P.’s selection for eight in total with members added later. The contestants went on to other projects, some debuting with other groups.
Maknaes, Leaders, and Visuals
Something that I found hard to follow at first was the term “maknae” meaning the youngest person in a group, but I’ve learned through time and research that it is a part of Korean culture to recognize who is oldest and youngest within a group. Each group has a recognized maknae, Jong-ho in Ateez, Yuna in ITZY, NingNing in Aespa, and our Maknae on Top – I.N. of Stray Kids.
The oldest or an older member of a group is usually the leader usually each group has a leader, except for some groups like Blackpink, K.A.R.D., New Jeans, etc. The leaders write music and contribute to the group’s concept alongside the producers but they are also the spokesperson for the group and keep the group in order. Some current K-pop group leaders are Taeyong of NCT 127, Mark Lee of NCT Dream, Hongjoong of Ateez, Chaewon of Le Sserafim, and Jihyo of Twice.
Another thing that threw me off was the designation of the visual in a group. There are many roles within these groups – leader, maknae, lead vocals, lead rapper, main vocalist, main rapper, main dancer, sub-vocalist, and the visual. Basically, the visual is the member who best represents Korean beauty standards within the group and has been a part of K-pop from the beginning. Jisoo is the visual of Blackpink, Hyunjin is the visual of Stray Kids, Yeosang is the visual of Ateez, and Miyeon is the visual of (G)-IDLE. There can be a lot of debate between fans on who is the visual and being the visual doesn’t keep you from serving in other roles.
Fandom Names, Lightsticks, Sub-units & Bias
Each group has a fan name with BTS’ fandom name probably being the most famous – ARMY. Blackpink fans call themselves Blinks. Stray Kids have STAY, Ateez stans are Atiny, and NCT fans call themselves NCTzens or NCTizens (pronounced N-citizens) as they are citizens of NCT City (Neo Culture Technology). Twice fans are called Once which I think is cute. EXO fans as a group are called EXO-L and fans individually are referred to as Stars. Itzy has MIDZY and TXT has MOA which stands for moments of alwaysness. Moments of Alwaysness as a name is quite poetic and dreamy. Fans are also referred to as stans, as you stan the group you are a fan of.
I thought lightsticks were pretty gimmicky until I saw videos of them at concerts and close-up videos of the lightstick designs – they are actually pretty cool and unique. I personally love Ateez’s lightstick concept the most, both version one and version two because they feature pirate motifs. I also love the cute and slightly menacing Blackpink double-sided heart hammer light stick as well as Cherry Bullet’s squirt gun light stick.
Some groups have sub-units with the actual K-pop group concept and they will release albums within these sub-units while still being a part of the original group. These albums have different concepts than the original group. Notable Sub-units are NCT U, NCT 127, and NCT Dream all within the group NCT. The fandom name NCTzen or NCTizen can be applied to all. Girls Generation has a sub-unit called TTS or TaeTiSeo, Seventeen has BBS or BooSeokSoon, along with many, many other sub-units across K-pop.
Your bias, or selecting a bias is just selecting your favorite member for each group. Your bias wrecker is a member within that group that makes you want to switch your favorite member. At the moment, in Stray Kids, I’d say Felix is my bias and Changbin is my current bias wrecker. In Ateez, Hongjoong is my bias but Wooyoung is turning into a bias wrecker.
Comebacks, Music Videos, and Discography
I first got into the music by watching music videos while I rode my exercise bike, through this I learned to not sleep on K-pop music videos – they are integral to the concept as K-pop is quite visual from dancing to fashion, it is a part of the experience. My early favorites were Kick It by NCT 127, Kill This Love by Blackpink, Don’t Stop by Ateez, Maniac by Stray Kids, and That That by PSY & Suga. I love the aesthetics at play and how the members are styled for these videos. It is in my opinion more inspiring than reading Vogue or watching fashion week anymore.
Comebacks and discography were the most confusing to navigate, to be honest. Comebacks refer to the new release by a band, that includes the promotional material for the concept, photo cards, choreography sneak peeks and dance challenges, performances, the music video, and the single/ep/album being released. There is a lot involved! And to make it more confusing bands release full Japanese albums, compilation albums, and mixtapes that are all different. If you are going to buy a K-pop album I highly recommend doing research first.
I made that mistake with my first album purchase – I bought a BTS album second-hand and bought the wrong version. The store had three different versions of the Love Yourself album. I wanted the version that contained the track DNA, and out of the three versions I purchased the only version not to have DNA. Yep, I bought ‘Tear’ but it was a great learning experience and helped me explore their discography more.
Wrap Up
I hope this little guide is helpful to you if you have been curious about K-pop or have a loved one or friend who is a K-pop fan. It’s a fun world to escape into. There is so much more I could dive into but this post would just be endless so thanks for coming along on this journey with me.
I woke up this morning and was scrolling Instagram to wake up, I was feeling pretty groggy from a mediocre night’s sleep. Acid reflux got me again! Anyways, I saw a post from the Stray Kids official account with a dark square. I immediately had a sinking feeling. After the tragic loss of Moonbin, I knew that Bang Chan was struggling. I hoped everyone was okay. I scrolled down to see the English caption and found a puzzling series of paragraphs. I like many other Stays found this morning, an apology from Chan for his comments during his most recent live on Youtube, Chan’s Room. To be honest, even though I had seen the clip he was apologizing for, it took me a few minutes to register what he was talking about. That is the reason I am writing this, I think some things on social media are getting out of hand, especially for those of us with a gentle soul like Bang Chan. Since this drama was created by K-pop fans, I think as a K-pop fan I should do my part to counteract all the negativity being thrown around and show some love, Stray Kids fam style.
What do I mean by Stray Kids’ fam style? Well, it’s a bit of a tangent, but if you are not familiar with Stray Kids and their band culture – they are one big supportive family. They love “Stay” the fandom name for Stray Kids enthusiasts. They also love each other, showing up in the joyful moments and the hard ones. For example, when I.N., the youngest member, sang off-key at a K-pop competition called “Kingdom” he was so disappointed in himself that he was overcome with emotion that he cried back at the band’s apartment. When the other members, who were in the living room saw I.N. crying in the kitchen they went to him and enveloped him in a group hug, wanting to know what was wrong and how they could help. They are a really sweet group of guys. They are also quite passionate about their work, being one of the hardest-working bands at JYP Entertainment. Bang Chan who is the leader of the group, along with Han and Changbin write and produce the band’s music. He also hosts a weekly live stream on Youtube called Chan’s Room where he interacts with the fans through live chat.
As a fan, not knowing him personally, he comes across as a very dear person, truly caring for the fans. His responses to questions are so thoughtful. He genuinely does not seem affected by their fame, it is one of the reasons why Stray Kids is so popular. That is why this whole controversy is so bizarre to me. Okay with context established, so a fan on the live asked about an event called Music Bank Paris that happened in April, I believe. There were a lot of bands at the event, and at these events, the bands have some interaction. They at least greet each other and are generally friendly. I mean for them it’s literally a work event, being friendly just seems natural. Chan mentioned that it was frustrating to see some younger bands not greet the older bands, which he claimed he may sound like a “boomer” for admitting. He never mentioned names, he did not call out anyone in particular and he was respectful in how he shared his thoughts.
That’s pretty typical of Chan, he is professional and respectful when he shares his opinions. He is not aggressive in his delivery, this is why I was caught off guard by his apology. I’m not the only one! Most of the comments below the apology expressed confusion and disappointment in the pot-stirring fans who created rumors about who Chan was referring to, creating the drama. The fans also expressed frustration at JYP Entertainment for their role in the apology and called JYP out for not doing a better job at handling this when K-pop idols are pushed to do these live-stream shows by the company. I have to agree, this was all blown out of proportion by social media. Just like a rumor mill in a small town, a few gossipy viewers decided to assume which bands Chan was referring to and ran with those ideas, inventing the entire thing. That’s poor behavior. They are the ones that should be apologizing, in my opinion.
Because Chan is such a sensitive person, he conveyed in the apology how much he was grieved by this situation and never meant to hurt anyone. I love that about him, but I don’t think he hurt anyone. I think the random commenters who decided to figure out the band Chan was referring to did the hurting. And to be honest, respecting your elders in many cultures, especially Korean culture is a big deal. So greeting the older bands at events like Music Bank Paris seems like a no-brainer to me just like being respectful and kind. The fact that none of the drama-crafting fans stopped to consider the cultural side baffles me.
This whole situation points to a deeper problem for me, as a fellow sensitive person, with a few sensitive and gentle friends – why does it seem like the people who are genuinely nice seem to be ripped apart on social media more than the aggressors? Do you know why? Cause I see it all the time. It’s why I don’t have Twitter or TikTok. There is a growing culture of nastiness on these platforms that is trickling into the culture. And it concerns me. Why does our social media society seem to reward rudeness and hearsay? I don’t think we should have to respect the mob mentality that dictates that might is right. Social media clout lacks wisdom and generosity of spirit, which are key ingredients that make communities function in a healthy state. Take a look at what happened to the girls in the viral “Baseball Mean Girls” TikTok video, they were doxxed because the cloud of social media outrage descended into their personal lives, although the girls made it right with the woman they flipped off in the video outside of TikTok, none of this seems to matter to those carrying forth the social media justice. And I digress, my point is that Chan’s apology is a symptom of a bigger problem of the heart we are seeing in the people within our societies, and if we don’t address the heart and start acting in kindness and grace toward others when you think someone has made a mistake, we are in for a lot of strife.
Thank you Chan for being Stray Kids’ best leader! The music you create with 3racha and the rest of Skz has truly made such a positive impact on my life. Even if you make mistakes, this Stay will show you grace and love.
My first comeback experience for the South Korean boy band ATEEZ was for their single Don’t Stop. I gave their music a try thanks to the recommendation of Katie from Steal the Spotlight. What was at the time a random song pick, has become a piece of fashion inspiration that I could watch on repeat and my journey to becoming a new member of Atiny.
Ateez debuted on October 24, 2018, with the song ‘Pirate King’ and incorporated the pirate aesthetic into their lightstick, insignias, and this video, ‘Don’t Stop’. I love the pirate aesthetic, with The Pirates of the Caribbean series being one of my favorites for costume design. In the music video ‘Don’t Stop’ the pirate aesthetic is mixed with an Ocean’s Eleven style heist framework making this a perfect match for me!
Pirates on a Quest for Redemption
The scene begins with a beaten and bruised Mingi being thrown from a car that later blows up. Cut to Hongjoong, seated at a grand piano in a pirate-esque coat with a compass insignia looking at a pirate ship model, with the implication of loss and frustration.
In the shadow of night, we meet Seonghwa, Jongho, Yeosang, and Yunho as they break into a pawn shop. This is no ordinary pawn shop but one containing a pirate-style sword and a skull. In pure Ocean’s Eleven style, they break into the vault of I assume the guys who took Mingi to retrieve the title for their pirate ship. I believe Yunho wears the jacket with a skeleton motif, evoking to me the skull and crossbones of a pirate flag but also the ghost pirates of ‘The Curse of the Black Pearl.’
Meanwhile, Wooyoung and San try to take the baddies in a rigged poker game for their spyglass.
Things begin to turn, from the ashes of the blown-up car, Mingi finds a compass that matches the patch on Hongjoong’s coat.
In a fit of despair, Hongjoong, aka the Captain, throws an oil lantern off the piano he stands on, next to the pirate ship, and it looks as though he is going down with the ship in a sea of fire. It’s a visually stunning image. Instead, he throws the small pirate ship into the flames that have consumed the piano. The ship shatters, sending an ember upwards into his eye. In spite of the destruction, within the flames and remains of the tiny ship, a skeleton key is seen at the feet of Hongjoong.
The video culminates with Mingi being picked up by Seonghwa, Jongho, Yeosang, and Yunho in an armored car with a pirate king hood ornament reminiscent of the siren on the bow of a pirate ship. San and Wooyoung, winners of the game go to claim their prize but not before the gang seizes the spyglass. At this moment the armored car erupts through the wall to save San and Wooyoung.
When we see Hoongjoong next, he takes his full form as the pirate king with an eye patch. He stumbles down an empty road, in the distance from where he came smoke billows upward. As darkness falls, the crew reunites with Hongjoong to reveal their bounty – the compass, the title to the ship, the looking glass, and a bag full of cash. The video ends with all eight members, changed to pirate-inspired garb, walking towards the camera, past the camera, in search of something bigger. In the distance we see beached on a desert dune, the stern of their pirate ship.
The Fashion is Rich in Details
There are a lot of looks I would like to recreate from this video. By far the standout piece for me is the yellow plaid pants with faux skirt worn by Mingi. They are like punk plaid pants mixed with a kilt in the best way possible. I hope to figure out the pattern someday so that I can sew my own version. Seriously, why is this not a style seen on the runway or the street? It’s such a versatile statement piece.
The lapels, length, and overall cut of Hongjoong’s pirate coat is such a classic outerwear silhouette but with the twist of the graphic print and edgy styling, it looks like a brand-new kind of coat. Because of how much work goes into the tailoring process of making an outerwear garment I love seeing how the right styling can make a piece even more wearable.
San’s sweater with the axe motif and color-blocked sleeves is one of the most unique sweaters I have seen. I hope as my knitting skills improve I can attempt to make a sweater using the techniques and make my own version of his look at the poker game.
Yunho’s skeleton-inspired letterman jacket would be such a great thrift flip. As a girl who grew up with the Pirates of the Caribbean franchise and the “rawr” aesthetic of ‘scene’ being quite popular in my teen years, I have an appreciation for skulls. I even have an Alexander McQueen skull scarf that I think would fit perfectly in the music video.
San and Wooyoung’s final looks of the video shine for me as the pirate core aesthetic has emerged in 2022/2023. It is such a clean and modern interpretation of the romanticized pirate style this aesthetic celebrates. San’s vest to me evokes those little details of the Spanish galleon. The vertical lacing looks like bones from a Jolly Roger flag. The criss-cross lacing evokes the stays and early corsetry of the pirate era and the rigging of the sails.
Wooyoung’s half vest looks like a piece of armor, reminiscent of a holster, but it also bridges the gap between East Asian pirates and Western pirates of the Atlantic. The lacing on his shoulder adds the subtle detail of the classic men’s shirt of the period worn by Western pirates. I also enjoy the contrast of the white shirt, like a sail, and the black of the half vest, like the black flag being raised for an attack.
All in all, I love the fantasy of this music video. Fashion and music can bring out the best in each other when there is a clear vision. The stylist for Ateez continually inspires me to push my own style further and excites me for the day when I can construct garments with the level of care that is seen on the band members.
One Rabbit Riot 