Materials: 1.5 yards of stretch knit jersey. A remnant cut of fabric. This pattern was self-drafted by draping on myself and adjusting the lines with pen marking. As this was the first garment in this series, there was more trial and error with cutting pieces out of the fabric to reduce waste.
Inspiration: I was inspired by the iconic 1970s wrap dress, designed by Diane Von Furstenburg. I originally planned a wrap dress but scrapped the plan due to a lack of fabric. Because of this, there was probably 1/8 of a yard of fabric left over. With more practice, I’d like to reduce that amount to smaller pieces of scrap leftover.
Cherry Henley Ribbed Top
Materials: 2 yards of stretch knit jersey and 6 buttons. It is a heavier weight jersey and feels like a light sweater. This was a remnant cut. I developed my first official bodice pattern from this process.
Inspiration: 1900s men’s buttoned henley baselayer tops from the gold rush era in the United States. Think “old western” dramas, Deadwood, or Red Dead Redemption. I cut it oversized to carry the theme of it being a men’s garment. During the cutting process, I was able to utilize almost all the fabric with only 2-inch scraps being left over.
Stormy Seas V-Neck Tunic Top
Materials: 2 yards of stretch knit jersey. To utilize as much of the fabric as possible, I chose to get creative with my pattern cutting. To do this, I pieced together the bottom and portions of the sleeves to use up almost all of the remnant, with 2in or less scrap pieces left over.
Inspiration: I was inspired by the design lines of early medieval tunics. I like the simplicity of the lines and the lengthening effect it has on my proportions. For more information about Viking Age tunics, I recommend checking out Project Broad Axe for historical recreations and additional background on the history of Viking Age tunics.
Seungmin in the building! I am beyond excited that Loewe chose Seungmin of Stray Kids to be an ambassador because he flies under the radar but has fantastic potential in this role from his personality to his visuals, this is going to be a great combination.
Loewe was another brand that I learned about in 2024 that is quickly becoming a favorite. I first heard of the brand in a discussion on Fashion Roadman’s channel and didn’t believe it would be for me, but I was sorely wrong! This is next-level art.
I truly enjoy the textures of Jonathan Anderson’s designs. Like the texture on the collar of the leather blazer, the texture of the rolling garden behind the dog, or the fluffy cloud-like texture effervescently emerging from the bottom of his knitwear. Not to forget the carpet-like floor of the black sweater vest with a brown collar. There is fun, there is whimsy, how is it this sophisticated and fun at the same time? I like the way the clothing is draped from the pants to the layers of lightness on his blouses and coats. The stunner is the plaid dress that melts into a stripe and then a solid like Willy Wonka’s Three Course Gum. Have I found a new designer whose work inspires me to want to learn more and create more? Yes.
To be honest, before Johnny of NCT was appointed as a brand ambassador and flew out for Paris Fashion Week, I had no idea what Acne Studios was. Zip, nothing, nada. But holy moly, I love their style. Acne Studios is a Swedish luxury brand, based in Stockholm. Their creative director is Jonny Johansson, so there is a lot of Johnny’s involved here which is kind of funny to me, but anyway, I’d have to say Jonny is becoming one of my favorite creative directors of the time!
This collection is sculptural, wearable, and a lot of fun for showcasing a lot of neutrals. The knitwear is utilized refreshingly with cuffs on the dresses, full-length asymmetrical zipper coats, and a turtleneck crop top bustier. It showcases how versatile and capable the craft of knitting is.
My other favorites are the handbag dresses, the orange version is pictured below, for the kitschy zip-top closure and surreal nature of this design. It was out of the box and that is what these shows should be about. It is a fantasy. All these pieces fit in a fantasy world that can become our world, because of the attention to detail to make them still wearable. I’m a fan now!
An item that I added to my sewing tools in 2024 is brown craft paper and it has been a game changer! It’s not only transformed my creative process but has helped me create new garments that fit me better with less fabric waste. How cool is that?
Learning is Hardwork
As with every new skill, the first phase of creating is messy and full of flaws, this was my creative process. You have to start and in starting you are an imperfect sewist, fitting and pattern cutting are tricky and this really bothered me to accept. I like getting things right the first time. Learning to accept that this was going to be a journey, was frustrating at first. I have a vision in my head but I can’t always execute the vision at this stage. These things are part of the learning process, like using existing patterns to learn the techniques and accepting that things are going to fit poorly until I can learn to tailor them. Which is happening! With each garment I make, I can see a progression toward the goal, slow and steady but still moving forward.
But there has been a process I did not expect and that is making pieces with my silhouette and my body type in mind, not just my measurements. Things I want to make may not look fantastic on my proportions. That was a time of trial and error in my creative process that I wasn’t expecting because when you go to a store and try on clothing, the design decisions are already made and you only have to decide on which silhouette you would like to choose. But with fashion design, self-drafting patterns in particular, I realized what was going to make me happy was experimentation. Trying a little bit of everything and playing around with different styles to see what I liked and what looked good on my body.
Sometimes just an inch here, a lowered line there, a rise adjustment, or nipping in a shoulder can transform a project from a flop to a success. It’s subtle yet effective and a skill I see you are only capable of learning from experience, either from your own by the process of being self-taught or from the instruction of more skilled designers. It is sculptural, artistic, and honestly sometimes like architecture or construction. It may be fabric and tread but the same principles apply. The foundation is crucial, and the foundation of any garment is the fabric and how you cut it.
Enter the Craft Paper
How do you replicate a project that works? You need a template, a jig, or a blueprint. A pattern. I thought that understanding the dimensions alone would suffice when I am cutting, but there is nothing like having the template to keep my cutlines accurate for curves and hem allowance. It takes the guesswork out of this process which if you are cutting blind is like a chess match with the fabric and your memory of what you have made before. It’s too difficult so I needed to work smarter and make my own pattern pieces out of paper. There were two tops that I had designed that fit me quite well out of a stretch knit and before they were properly sewn together, I took the pins out and traced them onto my craft paper.
Two bodice types – one scoop neck, one v-neck, and one sleeve template. From this inexpensive paper I have found a cipher to make things with more finesse. A tried and true bodice and sleeve that can be used for tops or dresses. A foundation to build upon that has streamlined my making process. You don’t have to be an expert at your craft to make a template, I thought I had to reach mastery before I was worthy to do this, it is simply part of the making process to make things with excellence in mind.
Fix On
I’ve watched a few creators for too long without questioning why “good enough” was their motto. I in turn also fell back on this type of approach to my designs as I learned because learning is hard work. Striving to be better is not fun, it’s maintaining a critical eye and raising your standards for yourself. In this sewing journey of learning and making, instant gratification and impatience are my Achilles heel. I want to do things quickly because everything is done quickly now. I get stuck in that loop of making more, making faster, chasing after goals, and feeling left behind because I am still not selling my patterns or garments, still.
But “good enough” is fine for Youtubers who have an established brand and following, but that’s not going to get me anywhere near my goals of design. I have to continually “fix on” as Mingi says, to the goal ahead and stop paying attention to what others have done to achieve their success. They are already in that space and that is the path their life has taken, I have to find my own thing and continue to work hard.
I’m sharing this to encourage you dear reader to not settle and to challenge yourself to be your own person. I believe that God gave you unique talents and has a plan tailor-made for your life so fight the hive mind of our current world and do the strange thing – work hard, strive for excellence, and be uniquely you! I hope that wherever you are today you remember that you are special, you are loved, and that you have potential for excellence. No matter what has happened in your life and how gray the skies are above you, there is still hope for a future.
People are ticked off regarding Selkie’s use of AI in their Valentine’s Day release, and I have to say, I can see their point! (Also, cupid, again? What is up with these dramatic “love-inspired” releases for 2024?)
Selkie made a creative, design choice. A big choice that may not have been the wisest decision for their brand reputation. As of three days after the announcement, the comment section is not pleased by the decision to use AI-developed patterns for their fabric instead of human artists to develop patterns for their newest crop of iconic dresses.
Now, right off the bat for me, I can see a contradiction in this decision just from an aesthetic standpoint. Selkie is a dress brand that took off in popularity in 2020, selling fantasy puff romantic dresses that evoke another time. They are fanciful, sometimes with corsetted bodices, other times they have high regency waistlines, but mostly they look like a dress to galavant around Versailles in with Marie Antoinette. They are not modern in the dream they sell, they have an intrinsic historical imagination.
They are princess dresses. Ladies of prestige in the modern time when none of them feel like princesses. Since the 1990s, we have seen a steep decline in formal fashion in our day-to-day life. Case in point, billionaire tech boys wear hoodies and t-shirts, not suits and hats like Carnegie and Vanderbilt. In 2020, this came to a head as remote work and social distancing created a new space of absolute nothingness when it came to fashion.
What was the point? You could wear pajamas and as long as you weren’t on a Zoom call, who would know? It was negligible. With face coverings, makeup became superfluous. Selkie, cottage-core, dark academia, etc. These movements in fashion revealed something deeper in our collective psyche. Although wearing pajamas and hanging out on our couches seemed like a dream, in reality, we were missing the fantasy of spectacle and splendor. Selkie is the typification of this.
AI pops the dream bubble. Suddenly the clouds of tulle and puff sleeves that carried us into a dream world of palaces, picnics, and girlhood, evaporate underneath us and the lifestyle falls back to reality. As much as AI sells a dream of fantasy, it is a tool of reality. The reality of cutting corners, fast fashion, and jobs being cut from creatives is to cut costs because AI is cheaper. But cheaper is not always cheerful. In the case of a lot of AI art and AI work, you are getting what you pay for. It’s not the real deal, something is just a bit off.
I’ve watched several videos in 2023 of creators I watch putting AI to the test, and in each case when it came to AI having to work in our space, in the humanities, it couldn’t hang. The results were surreal, not real. In these videos, AI was used to interpret history, recreate art in a historical style, create portraits in photography, show examples of historical dress, and give advice on how to give yourself a makeover. In each experiment, the AI was not able to replicate the human experience and seemed to get confused by things involving the story of humans.
With Selkie’s historical aesthetic being a key to its branding, it is not surprising to me that AI seems out of the aesthetic wheelhouse. This is an interesting reaction to me because it has appeared since the turn of the 20th century that we as humans have been lusting over technology as the ultimate fantasy until we have it and then the intoxication fades away like blood alcohol and late-night attraction.
It is an interesting time for fashion brands for sure because I think this may be the era that humanness and authenticity to the world the brand is selling may prove to be more valuable than gold. I appreciate the commitment to humanness and personal ethics that consumers are voicing. Especially when it comes to human artists. We can’t change the fact that AI is a thing and it is easy to replace humans with technology, all we can do is voice our opinion and make choices based on what we believe.
I’ve looked through the comments on Selkie’s newest release and there were echoes of disappointment and displeasure from consumers, a lot of them being artists themselves. There was a different tone in these comments than the commonplace cancel culture of our current age, there was genuine sadness. Like when a parent isn’t mad, just disappointed.
The criticism was delivered respectfully but firmly. This gave me hope that we can begin discussing things online with more frankness and kindness than in recent years. If you are a big proponent of AI, I ask dear reader that you don’t take my thoughts on the subject of AI personally. Maybe you can be the one to show us all what makes it great? 🙂
This post is inspired by videos created by Drew Joiner and Steal the Spotlight who offered their unique takes and got me thinking about where I could see fashion trends shifting as we move into a new year.
Cosmic-Cowboy or Sailor-Cowboy
In 2023, we had the Coastal Cowboy aesthetic and Copper Cowboy hair color for Autumn. Cowboy will keep going strong, but there will be a twist. I could see a sailor-cowboy mashup influenced by One Piece or a glitz, chromed cosmic-cowboy. I picture a Vegas-esque cowboy with space accessories. I can see Brandon Flowers rocking this.
Gameday Fits
No matter how much I don’t like TS I have to admit that Taylor Swift’s presence at Kansas City Chief games is drawing attention to the gameday outfit. Athletes have been doing this for a while but for fans, this has been a niche thing. It’s not really “fashionable” just functional and decked out in team gear. But Taylor’s outfits have drawn attention and sparked the creative juices of sports attendees to add a little extra. Team this with the importance of the jersey in Blokette core in 2023 and I see this going strong in 2024!
Bonnets
Steal the Spotlight brought my attention to this trend through her deep dives into K-fashion and J-fashion. The knit bonnet, which looks like a headband that covers the ears and ties around the chin is a fascinating idea that has been styled in Japanese street fashion all the way back in the 1990s. I’d love for this to be explored further in 2024.
The Resurrection of Parasols
Skincare and anti-aging have become billion-dollar industries, with baby botox becoming a normal idea for teenagers. I believe that the idea of sun umbrellas or parasols, like how they use umbrellas in Korea, could trend so that we can keep those wrinkles at bay, per the beauty standard. I would be in favor of this because the sun hurts my pale blue eyes and vampire-esque skin.
The Return of the Flip-Flop
We’ve had Tevas, Crocs, Birkenstocks, etc and I’d say it’s time for the 2000s rubber flip-flop to have its moment again. The ones that were hugely popular in the States during the 2000s due to Old Navy’s $1 or $2 flip-flop sales. I used to also get these for free from Victoria’s Secret if I spent $50. Because of the economy and the shift away from maximalism brewing, I think these coming back would make a lot of sense.
Patches and Visible Mending
This has grown in popularity since 2020 but I think the DIY element of this will become more of a focus in 2024. It would be a vehicle for self-expression while focusing on sustainability, helping with no-buy years, and in general looking cool, as the tik-tok aesthetics desire.
ARMY-core
As of December 2023, all seven members of BTS are enlisted and completing their military service. To get ready for their return I could see military styles with a K-pop and BTS flair becoming popular as fans globally miss their Bangtan Boys. I could see this in garment styles and accessories, with a distinct BTS flavor. Outfits could be inspired by music videos, performances, album concepts, and color stories.
Gilded Age Finery
I think we are sleeping on the Gilded Age aesthetic. The fashion plates of the 1870s-1880s and the costumes of the show are stunning. I don’t understand why this is not taking off like Downton Abbey’s 1920s fashion or Regency-era styles from Bridgerton. Historical fashion communities have been growing in popularity since the late 2010s. I’d love to see people experiment with the silhouettes, fabrics, tailoring, and accessories!
Colorful Knit Accessories
Kawaii and K-pop influences have definitely had an effect on knit accessories this year from animal ears to stripey hats and arm warmers coming back. The hat and scarf connected combo was iconic. I don’t see this going anywhere in 2024.
Exaggerated Tailoring
I think with the rise of quiet luxury and minimalism due to the economy I think exaggerated and surreal tailoring will break these styles out of the blah and bring something to the table that we maximalists will hang on to in 2024. Personal style is beginning to dwarf the larger trends and what is a better way to stand out than flipping the script on traditional cuts and proportions.
Jersey Shore nostalgia
I’ve seen too many reels about this time period to not believe this is coming back in some way. Club fashion in the early 2010s was something unique. Good or bad it has left a mark and I think youth culture will want to explore the studs, the bandage dresses, the leopard print, the Affliction tees, and True Religion jeans with sunglasses and a poof. Extra points for Gym Tan Laundry.
What do you think will be trending in 2024? I hope you enjoyed this just-for-fun list of things I think would be enjoyable to see. I wish you a wonderful new year full of peace and love. I’ll see you in the new year, friends. ❤
My go-to in school, during sermons growing up (being honest here), or even while watching television was to have a notebook in hand and to sketch. Usually, my hand would gravitate first to flowers or stars and then sweep towards the runway and I would sketch fashion designs. I did this from 11 years onward until, I think I started sewing which is ironic because you’d think I’d sketch more now. Lately, during phone conversations, I’ve noticed if I’m not doing chores like dishes or folding laundry while catching up with friends and family or knitting, my hand gets an itch to draw. Yesterday as I sat in my husband’s home office while video calling I grabbed random scrap paper and his pen in order to make sweeping gowns. Why? I think old habits and dang, I noticed my listening skills go up when my hands are busy.
I wouldn’t say I struggle to sit still, I think my mind just tends to wander as I conversate with others, and with the random creative energy swirling in my mind, I begin to feel restless. But as I grabbed that familiar pen and began to sketch my mind became clear and tuned to the topic at hand.
I remember my notebooks in school were adorned with dresses, jackets, and full-collections down the side of my history notes interspersed with a flourish of stars and flowers. When I used to watch movies with my mom growing up I would sketch my favorite pieces from the costume design. I think that’s why I fell in love with Joe Wright’s 2005 version of Pride and Prejudice. I know, that the pieces used in the movies are painfully not Regency Era fashion, but those moments of costume design sparked my imagination as a teenager who loved history and fashion.
I didn’t realize I had stopped doing this as a habit until yesterday, and honestly, I don’t want to stop sketching like that again. I think a new goal in 2024 will be to continue sketching when I watch instead of filling my hands with knitting. There’s a special creativity that seems to come from these moments.
Do you like to multi-task like this? What’s your go-to way to relax?
I’ve been sewing for three years as a full-time apprentice after being laid off. I’ve mentioned this before in #1 – Welcome and #3 – First Sewing Project and it’s been a quick learning curve from hand-sewing, paper patterns, pattern drafting, and machine sewing, but one skill has eluded me for three years. That is the working buttonhole with professional-looking buttonholes! Not my crappy buttonholes that look like an animal chewed a hole through the fabric and I hastily sewed some thread around it, no I’m talking about secure, there for the long haul, even button holes. Well-anchored and secure fasteners of fashion! Well, I figured it out thanks to YouTube and I am incredibly happy!
This shirt has a working placket of buttons and buttonholes, with a self-drafted shirt front and back panels, collar, and sleeves with a gusset for a more fitted sleeve shape. I finished the sleeves with a cuff for added pizazz. This shirt is made from buffalo plaid flannel from Mood Fabrics that sat in my fabric stash for 11 months waiting for the right project. At first, I bought it to make a two-piece pj set, which then was revised into matching pj pants for Kyle and me, and was further revised into pj pants for Kyle and a flannel shirt for me.
I love this print because it has Canadian Geese, Caribou, and Elk. Elk hold a special place in my heart because of where my husband is from, Caribou makes me think of the song Long Time Running by The Tragically Hip, the red plaid makes me think of my Canadian heritage, and Canadian Geese are my comfort animals.
I’m sure that sounds weird but I will elaborate. When I was 10, my mom had this amazing opportunity to go to Ireland through her work. Although it was only for 10 days, it really scared me because I had never been away from her that long. I was used to not seeing my dad for months, but my mom was always there for me. On the day her trip began, my grandparents took me mini-golfing and while we were there this little baby Canadian Goose, gosling I guess, followed me around through our entire game. It was my little buddy. I named it Popcorn. The owners of the course said they had never seen this happen before. If it hadn’t been a wild animal, I would have asked to adopt it.
Fast forward fifteen years later and I’m living in Savannah, Georgia. I moved closer to get to know my dad who lived in Savannah and I had a falling out with my mom in the process. My grandparents are now sick and I’m feeling lost. Each time I went to prayer meeting at Compassion Christian there was a flock of Canadian Geese in the parking lot. It was July and August, not prime migration time. It was odd, and I felt like they were there for me. A reminder that God was with me even when I was feeling lost and homesick.
Two years later, my grandpa passed away, the world was shut down and I felt lonely and lost in Meadville, unsure of how to feel home again. My grandma was now a widow and grieving, we didn’t know it yet but she was starting to move towards heaven, as she would in December of that year. I began to notice something each day at 4 pm, a lone goose or a flying V of Canadian Geese will fly directly over our house. Every day. This continues for a year. I even moved to a new place within that year and it still happened. When that goose or group of geese approached my house, I would hear the honk and I would run outside to watch it fly. In that moment I felt a feeling of comfort, like I could feel God’s presence with me so intensely. Just like a parent’s presence can make you feel safe, I felt that.
I’d say this is probably my favorite item in my wardrobe right now. Thank you, dear reader, for hanging out with me today. I hope you feel safe and loved today.
*Trigger Warning – weight, self-worth, ED, sizing* No worries if this one is not for you ❤
I wasn’t planning to write about this, mainly because I felt so ashamed a month ago when I visited my local outlets with an expectant heart to find the perfect baggy jeans to match my YesStyle inspiration photos, instead of finding what I wanted I got my butt handed to me by the un-standardization of standardized sizing and underwhelming offerings of American denim in 2023. Yeah, it was that kind of trip.
Rude Awakening
So I knew I would not find exactly what I was looking for because I was inspired by the offerings of Korean brands YesStyle and Acubi Club, and American fashion is different. I also knew that the reflection in the mirror would not look like what the photos looked like because I’m Irish-German-Canadian and not Korean, I am built differently. That was fine. I’m also not the same size as most K-pop idols because I’m not in my late teens-early twenties, plus the addition of age, stress, and developing intolerance to milk and casein protein, my body put on some weight. I’m not happy about it but I’m working on it so that I can lose the weight and keep it off.
With all that in mind, I forgot that there has been a shift in the desired body type since the last time I bought jeans. Slim-thick and curvy hips are out, heroin chic is in. Yikes. I say yikes because the last time this body type was during the y2k era and 2000s, but at least we had stretchy hip hugger jeans. Some of these jeans I tried on that were for Fall 2023 had the 1990s baggy shape but with ridged denim and were cut exclusively for a straight up and down body shape. One of the stores I found the most disappointing was Aeropostale. Now I know this is skewed to junior’s sizing, but it had the most potential because of the aesthetic of the styles they advertized across their store. There is an Acubi and K-fashion vibe to it, including a variety of cargo pants, compared to American Eagle which was also at my outlet but had an entirely different aesthetic. But, Aeropostale was frustrating for one reason alone – inconsistent sizing.
As I combed through the denim offerings, looking for the biggest size to have the most oversized look I could, I overheard a group of high schoolers who had just tried on jeans and were worriedly sifting through the pants for a bigger size. Two to three sizes bigger as the very slim teenagers worried nothing was going to fit them. I should have heeded this warning, but instead I loaded my arm with options and headed to the dressing room, much like Mort as he scampers, unaware up the beach as the shark tried to bite him.
It did not go well. One pair I got somewhat on my body but it was nowhere near close to zippering. The other ones simply would not go over my thighs, the so-called baggy jeans feeling a lot more like a recycled mom jeans pattern from 2019 instead of the baggy skater jeans of the late 1990s and early 2000s. (Trust me, I remember wearing both and the mom jeans were heckin’ uncomfortable.)
Confidence in Tatters
I kept calm and carried on to Wrangler which was a mistake because the women’s jeans were fitted, hourglass-shaped, and no longer stretchy. Can someone explain how curve-hugging jeans are supposed to do that when they are rigid denim? Anyways. The men’s jeans fit fine, but not what I was looking for. With the wind out of my sails, Kyle suggested Old Navy. At this point, I was afraid of jeans and women’s sizing. As I walked through Old Navy I grabbed sizes bigger than I ever tried before, grasping at straws in hopes that something would work. Ironically last season’s jeans gave me what I was looking for. I found success in the clearance section and purchased my Acubi-style jeans for $10. It was a screamin’ deal. It also was an ego gut punch as I bought jeans three sizes up from where I thought I would be. I selected two pairs and they are each a different size yet they fit me the same. Please, make it make sense!
Although I was happy to have found a style dupe, I felt this sense of dread about the other pants in my wardrobe. Was it the clothing or had my body changed again? Were my handcrafted, self-drafted, un-sized clothing pieces wrecking my ability to feel comfortable in standardized sizing? It left me in a terrible headspace where I pinballed between unworthiness and an unhinged desire to punish my body with intense workouts and restrictive diets. All over vanity. I don’t like how easily I put my worth in my outward appearance. This trivial experience weighed on my mind and affected my August.
I no longer wanted to catalog styling my handmade pieces. I felt like hiding from the blog as my inner monologue was pretty nasty towards myself, I didn’t feel comfortable in my own skin. I just wanted to hide until I could force my body into the current shape of the moment. I felt old and fat. I’m neither of those things, but the inner critic consumed me.
The Plan
For the next week, I pushed myself to dial back my bad habits, portion down my plate, and cut back on sweets. I took it a little too far and had to let myself have a cookie because I realized I was spiraling to a really unhealthy place where I believed I needed to earn my food (90s American diet culture, anyone?)
One positive that came from this diet push was to break free from the fear of tracking my calories burned and distance on the exercise bike, instead of it being restrictive I found it motivating. I even reached a pace of 3 min/mile. It was so exciting! The experience showed me that I needed to make simple swaps because my cardio was good and the muscles underneath some of my chubby bits were getting strong, I just needed to tone and get leaner.
Now of course, just as we make progress in life, discouragement rears its ugly head. I cut my leg on the bike so I had to pause riding for a week, which of course broke the habit I built. I began lifting the set of weights we had for exercise instead and hit myself on the shoulder. I got an angry ingrown toenail making my planks painful and a stomach bug to boot. All in the span of 10 days, life is good. But in the meantime I started doing wall sits every day and planks most days. I can do a wall sit for 1 minute to 1 minute and 30 seconds. My plank time has also increased from 30 seconds to a minute. My posture is improving, my mind is growing stronger, and I am seeing results in my arms, legs, and waistline. I don’t mind the portion control at all actually I’ve enjoyed getting healthier and eating more fruit like bananas with my oatmeal. Popcorn is my go-to evening snack and I let myself have a piece of dark chocolate or two in the afternoon slump.
I feel agency again in my own body. I’ve learned that the weight I put on is not out of my control, and I can change the shape of my body with discipline, not restriction and punishment. Exercising is more of a mental thing than a physical task, and when I am struggling to stay motivated to push myself I remind myself that I can do anything for 30 seconds. I’m going to apply that mindset to life when it gets scary.
I’ve found there is something serene about mending your own clothes. I find it almost a joy to launder the items and collect them in a pile for a day of slow, methodical stitches and problem solving. It makes the chaos of holes and rips into the calm of rejoined fabric and orderly hems. There is a satisfaction in fixing an item that was broken, making it as good as new. It reminds me that in life when the problems come, and there will be problems big and small, that it’s not over when trouble comes.
Like last night, when a scratching and rustling sound echoed from our chimney to the fireplace below. All I could picture was that scene in National Lampoon’s Christmas Vacation when the squirrel terrorizes the living room, scurrying from table to chair, knocking things over and crawling on Clark.
Of course this happened after dark, naturally as it does, when the stores are closed and the exterminator or animal control would be closed. In a frenzy we grabbed a sheet of plywood from the wood shop and covered the hearth opening. I called my neighbor, who has become like framily (friend-family) to me. They shared advice from their own experience with critters in their house, wrapped me in a hug and calmed me down with some good laughs. When I came back home, although the bat or squirrel or whatever it is, may still be on the other side that plywood I felt okay.
Having caring and friends who love and support you is the mending thread of our lives when things get weird.
Seams and a New Gadget
Today’s mending agenda consisted of re-attaching a missed seam on a pair of underwear I bought from a big brand, the pieces of fabric were connected across the seat seam with a serger aka overlocking machine and it either ripped the fabric which dislodged it from the seam or the pieces did not get sewn together in the first place. I have a love-hate relationship with the practice of serging ends and seams. I know it saves time and uses less fabric to finish seams but dang, they tend to unravel like nothing else. So, is it really better? I’m not sure. But that’s my opinion.
I’m doing a repair on a tank that I made from a burnt orange knit fabric. I made an unwise decision to take it in at the armhole which made the fit around the bust odd. It’s pulling and the stitches are placing too much stress on the knit fabric, which I saw the aftermath of while unpicking the stitches that made the armhole smaller. There were some big rips! Now the underside of each armhole looks like it was chewed up. Which to honest made me feel a bit stressed out because I enjoy wearing this piece and I don’t have any more fabric to patch the whole with. Thankfully my new gadget made this process of closing each rip easier – the palm thimble!
As I mentioned before in #21 – Sewing When I Lost the Love For It I have developed tendinitis in the knuckle of my middle finger of my sewing hand. This is what drove me to stop hand sewing in general and get used to using my Heavy Duty Singer machine. But alas, there are still times when you need to sew by hand like when inserting a zipper, mending rips and holes in fabric, and button and buttonhole insertion. I ran into this problem whilst completing this vest for my father-in-law. Just a few hours of hand sewing these buttons and button holes, awaken my injury and my knuckle was not happy. It’s made hand sewing a bit tense for me because what if it keeps getting worse? I love doing this, I don’t want to stop making things or knitting.
But, I was browsing my Instagram feed a few days later and behold a creator I follow named Geri In Stitches was sporting an intriguing accessory – the Sashiko thimble by which she pushed the needles through the fabric with her palm instead of putting stress on her finger. I used mine today for mending and it was a completely difference experience! My finger is not in pain, the knuckle is not inflamed or swollen. It worked! I’m over the moon excited about it.
Taking in Garments
Along with mending today, I also took in three pairs of shorts that were just draped to the point of looking silly. It’s an interesting feeling when I have to take items in because there is that feeling of, dang, now I have to fix something that wasn’t even broken just for the right fit. And there is also a feeling of accomplishment because I have been getting healthier.
I’m tackling my inflammation from food allergy and stress, toning up through interval training sessions, and making healthier choices that is helping me slim down a bit. I went through a decade of gaining weight and not understanding why I couldn’t lose it. It was frustrating and discouraging to feel so out of control. If only I had the wisdom to see how much the mind and the body are connected. The food allergy was giving my body anxiety and inflammation, making it difficult to maintain let alone get in better shape. Mind was so foggy from the stress and emotions of that time period that I didn’t want to take care of myself because I thought – what is the point?
When I have the opportunity to do these alterations, it’s this little moment of progress without having to weigh myself on a scale which is my ultimate trigger into a unhealthy spiral, but also to feel this moment of this will be an easy sewing project today. The item is already completed, and well loved. It’s relaxing compared to garment construction when I can still screw things up.
Later on today, I have another round of alterations, replacing a waistband tie on a pair of shorts and adjusting the fit on another pair of shorts. And then it will be time to put my thimble away and leave process for the next time. But with each wear I will remember the time and love put into these clothes to keep them in good order. A well loved closet.
Do you mend your own clothes? Have you ever taken a garment to be altered or do you just make it work? Before learning to sew, I would just accept my fate if items broke or stopped fitting. It’s a freeing feeling to not be stuck in letting the clothes decide for you. I’d recommend giving it a try or finding someone who can help you with their own sewing skills. It truly makes a difference.