Category: fashion

#76 – Boredom in 2025

The biggest trend I think I’ve seen this year is the sentiment that everything feels boring right now. Whether it is fashion, film, or books, the art of storytelling is supposedly dead. This phenomenon has even crept into my unpredictable and exciting world of K-pop, and up until yesterday, I’d say I agreed. But as I sit here, I would like to put forth a different thesis.

Escapism from the Super Massive Blackhole

What if everything feels boring because you are running on empty? This year was the first time since discovering K-pop in 2022 that I felt bored and indifferent to my favorite bands. Some of this was due to outside forces beyond my control, like controversies, military service, and straight-up evil in the case of Taeil. Yet, some of this boredom, I believe, was caused by how much I was leaning on these safe spaces to find joy when nothing felt joyful or safe. There has been a constant pulse of uncertainty, like tectonic tremors, making us all question the point of it all. There is such a dreary air. A hopelessness, especially in people my age and younger, who are not able to reach milestones due to broken systems. Since I discovered the band Stray Kids, I run to their music for a safe place. But in 2025, I had stretches of time where even SKZ had no appeal. I had listened to every release over and over again until even their most addictive tracks had no appeal. I couldn’t believe how much I was craving a new album until a week before Karma released. As the week progressed, I could feel a hunger for a happy distraction. This year has been the first time my usual pick-me-ups have felt numb, and I wonder if one prong of this boredom we seem to be feeling isn’t coming from this exact situation.

To be honest, I think this could be why K-pop Demon Hunters exploded in popularity; it was new and fun when things seemed darker than ever. Same thing with Twice and their Lollapalooza performance, it was a night where everything felt normal for a second.

Have I Entertained You?

This attention economy is reminding me of that iconic line from Gladiator, and I don’t like what it is doing to art, music, storytelling, fashion, all of it. There is no room to reflect and craft something beautiful. We are pushing things too fast. I’ve been reflecting on this for a while. I see commentary on trends, relating to fashion, which usually goes something like – there is nothing new, everything and nothing is trending, yada, yada, yada. Sprinkle in a bit about clothing quality from the past, and the brain rot of the algorithm, which is killing creativity and subcultures because of a curated vitality. Like it’s a beast unleashed upon modernity, instead of stopping to think critically about it.

It’s obvious after some consideration that making things for vitality is not the same as making something to stand the test of time. Modern romance novels are being created for TikTok vitality first, and quickly, to keep up with the lazy decision of publishing houses to invest in AI over true writers. We blame the current author pool for a lack of creativity instead of holding publishing houses accountable for ruining their reputation through unethical practices. Because, truly, as an author, why would you feel inspired to create a story like Jane Austen when this is the current state of publishing? You could make a true work of art, and be rejected because they would rather steal work to create the same story through AI, or the publisher doesn’t want to take a chance on a good story when the algorithm is fickle and shallow.

Boring People Are Bored

AI is doing exactly what I expected; lazy people are becoming lazier, except that it is currently being rewarded. We used to know how to entertain ourselves. We used to know how to create, enjoy, and take pleasure in things, but I think AI is a snare that is making people boring, and it doesn’t have to. AI is an easy way out of daily life. It can be a friend, a relationship you don’t have to nurture, but is hollow. It can create art, but you will have no artistic skill of your own as a result. It can write you a book, without telling a story. It can create a music video, like JUMP for Blackpink, without any effort from the actual talent, and create a nightmare image of Rose with Jungkook’s facial structure. Do you see the pattern? It’s like cheating your way through school; it produces nothing and wastes precious resources, like time, or in the case of AI, drinking water and electricity.

Cringe > Innovation

What I have seen as the most flagrant accusation of boredom has been the dissonance of innovation and cringe. Let’s take, for example, Ceremony. It’s a song that has no chorus until the end of the song. It’s layered, has high production value, and features something new for Stray Kids and boy band offerings. But what do I see online? It’s awful. Stray Kids are braggy and loud, no talent. K-pop is boring; everything sounds the same. Except, Stray Kids, it’s too experimental. No wait, it sounds like all their other songs, yawn….etc. How can we have the audacity to complain about being bored while we punish bands for taking risks? It’s not just Stray Kids, I have seen similar criticism being launched at Nmixx, NCT, Ateez, Twice, Aespa…the list goes on.

It’s no different when it comes to the world of fiber arts. People complain about how crochet and knitting are getting boring and want new things to make, because everyone is knitting the same things, yet don’t branch out from a few massive pattern makers, like Sari Noorland, Petite Knit, and Andrea Mowry, to name a few. There are so many smaller creators crafting joyful patterns that would disrupt the slump, but no one wants to stand out these days.

I think as this year enters its final act, we should decide what we value more: being entertained? Or being authentic? Do you want to truly discover something new? Do you want to dig deeper for something fresh? It requires us to act, to search, and to participate, because we are allowing ourselves to become boring people, and it is spreading across culture, where it will stay unless we choose to be interesting again. I get it. This year has been demoralizing, and it’s made me feel like giving up many times, but there is always a reason to keep going. What if your big idea is the thing that makes this dull and dreary world sparkle again? You could be the change we need, so stop scrolling and find something that ignites passion in your heart once again!

Playing Animal Crossing Has Improved My Style

As a kid, one of my favorite pastimes was designing. I loved the fashion styling flash games from Lizzie McGuire and My Scene. I designed my own catalog of clothes for a made-up brand with my friends in 4th grade, illustrating with my school supplies and piecing it together with scrap paper. Mary-Kate and Ashley’s movies captured my imagination through their use of clothes to characterize each sister’s personality.

That’s So Raven enveloped me in imagination, not from her psychic abilities, no, Raven Baxter’s closet pulled me in! Raven’s room was a stunner as well, like Zenon Kar’s space station cabin, and my Fashion Polly’s colorful playsets that folded out like Richard Hammond’s caravan. My friends and I discovered shows like What Not To Wear and Trading Spaces, which launched my sketches from clothing brands to interior design. I had a notebook full of room drawings. There were designs with slides, hammock beds, and intricate themes. I drew a Survivor-themed room with a tribal council area on the lower level, an outer space room with circular windows and futuristic lighting, even a beach room with a lofted bed, sunset paint scheme, and a pool placed in the middle of the floor. I wish I knew what happened to these sketches; it’s been such a long time.

When I discovered Animal Crossing in 2020, I was curious what the fuss was about, and later the next year, we bought a Nintendo Switch, opening a world of design I thought was lost to childhood. I was thrilled! Animal Crossing New Horizons debuted in March 2020, and because of the unique time, it had a huge following for its charming island life. You begin your game landing on a deserted island as part of a Nook Inc. Getaway Package, and assist Tom Nook in developing the island with the help of Timmy, Tommy, Dodo Airlines, Blathers, Isabelle, and the villagers who move to the island with you.

But what about the fashion and the home decor? This game first places you in a tent that you upgrade into a house, with subsequent expansions costing large sums, but with a relaxed payment policy. You also gain the ability to design custom things with Nook Mile redemption upgrades, craft unique recipes from resources on the island, and buy items from Nook’s Cranny and clothing items from Able Sisters. A ridiculous amount of my gameplay, even years later, comes from pairing and collecting new clothing items for my character to wear on her adventures. This game loves coordination!

As a player who is well-versed in the Animal Crossing fashion catalog, I wait and anticipate finding my favorite pieces with each new island. The game has four seasons, with clothing corresponding to the season at play, including specialty garments for holidays. Currently, as I play in June, it’s wedding season and Able Sisters is selling traditional Japanese wedding attire, Nook Shopping is selling Father’s Day items, and International Children’s Day pieces, which include a paper crown that is oh so cute!

How has this impacted my own personal style, though? Well, it has brought me back to the mindset of creating a full look. Working from home or working in professional painting at jobsites for most of my adult life has killed the style I used to have. I no longer felt the need to put together a look, but instead I got used to throwing on pieces and wearing things for function, not fashion. But that’s not who I really am, just what the environment of life drifted me into. I was missing intentionality, Animal Crossing lit that spark once again. My little character doesn’t just get dressed to do life; she wears a head-to-toe look with hats, bags, glasses, specialty socks, clever shoes, cute tools, and interestingly paired garments. This game got me out of jeans and a t-shirt, or a hoodie and leggings, because this game has trousers in many fabrics and shapes, shorts in colorful prints, skirts in a bouquet of fancy, coats, hats a plenty, tops that span the seasons – it’s a blast to explore! There are dresses – modern and traditional. I can where a kimono! I change her outfit at least once, maybe three times a session. You can also curate hairstyles and experiment with colors.

This exercise has shown me that pink hair is something I’d like to try. It’s my most-used fashion color. It has inspired me to introduce cute socks of varying heights and weights to my wardrobe, even making some of them. I’ve started wearing hats anytime I leave the house – it pulls the look together! My taste in bags has changed; no longer an option for a sleek purse that looks designer, instead give me a duck bag with feet. I love colorful knitwear, flowing skirts, and shoes that are beyond my comfort zone of boots and Converse. Taking those moments in the game to pair weird combinations together has positively impacted my design sensibility. When I plan a sewing or knitting project, I take into account what I’ve learned from dressing up my character, seeking to inject the whimsy and delightful wares of Animal Crossing into my real-life closet. I’m not the only one; I’ve seen this across Pinterest, YouTube, and Instagram.

But what about interior design? Well, this game not only presents the opportunity to design your house and the island, but you can also download Happy Home Paradise to design vacation homes for clients. This has really challenged me in a fun sandbox way to care about how a room is put together. I’ve become far more intentional about my furniture layout, what types of pieces I want to bring into my space, and how I want to pair pieces for a style that tells a story.

Buying a house last year was the icing on the cake of this new foray into design, as we have painted rooms and dug the garden beds, I’ve felt like it is Animal Crossing come to life. I have this canvas to put my stamp on. Moving from rented landlord-beige homes to a space where we can be colorful, it has shown me that the little details do make a space more welcoming and conducive for creating. The simple act of moving our dining room table from one side of the room to the center, allowing for walkways on either side, has made the room a place I want to be instead of a place I pass through. By filling the empty gaps of cabinets in our kitchen with tables, shelves, and a microwave stand, we have transformed the empty space into a room that feels complete. The simple change of painting my sewing room lavender created an entire mood, a calming and happy vibe that makes me excited to work within those four walls. The garden beds and the screened-in porch have been works of dimension, the outdoor space has useful and designated spaces for us to use that make it more beautiful and purposeful.

I am filled with a sense of possibility again, like the girl who sketched those rooms in a notebook, instead of a person muddling through life. In this time when we feel burned out by AI and stale creativity, it’s been electric to feel the sparks of imagination. The crafting aspect of the game has inspired me to be more creative in my own house. We repurpose, re-finish, and build things in our house from scratch. Because of life’s twists and turns, I have a lot of second-hand pieces that at first felt like a let down, like I was poor, but now I see them as incredibly meaningful items that I have the pleasure of caring for in my home. The game’s customization tools, such as kits for sale or the custom services of Cyrus, demonstrate how a coat of paint truly pulls a room together without buying something new.

Did I think when I purchased Animal Crossing New Horizons that I would see an impact on my own design sensibility? Not at all, but it has been the gift that keeps on giving. It’s an incredibly cozy game, full of wonder that I have grown fond of, year over year. Four years later, I still look forward to running around the island, hunting for recipes, wishing on shooting stars, and besting those pesky Happy Home Academy judges. I hope that I never lose my zeal for dress up and design because it is such a fun little way to relax in this wild and wacky world.

Fashion Feels So Off in 2025

I was talking to my friend recently about fashion week, we bounced between NYFW and PFW in our discussions, primarily NYFW and we both remarked how the spark is gone. Growing up we both lived for those massive February and September issues of American Vogue, but as adults, neither of us read the fashion magazines nor are we swept up in watching a runway show stream on Youtube. In college I remember watching runway shows between classes, soaking up the atmosphere of the music, the makeup, the silhouettes strutting down the long walk away. Now, I hardly care about fashion week. My favorite moments of fashion week are no longer the collections and focus on Hyunjin’s interactions with Donatella at the Versace show and Felix’s runway passes for Nicholas Ghesquiere’s Louis Vuitton Women’s collection.

Out of the two of these collections – Versace and Louis Vuitton, I guess I pay attention to and prefer Donatella’s work, but I’m not looking at the collection, I’m focused on the spectacle anymore with these fashion shows. Versace shows at Milan Fashion Week, not Paris for clarification. I watched a highlight of PFW from Fashion Roadman and was underwhelmed. Even Alexander McQueen cannot get me hyped for the runway anymore. I saw there was a Carhartt collaboration with the brand Sacai which was quite frustrating to me. I’ve worn Carhartt before and it is not my vibe. Some shows reused old items, sorry they presented from the archive, from previous collections for “sustainability” and there was a collection addressing war, which feels a bit like that infamous scene in The Devil Wears Prada.

I know it sounds harsh, but I wish brands would do more for countries around the world than present a “statement” against war with military-inspired pieces when these brands are part of huge conglomerates that have the resources and influence to make a difference and instead, they use fashion to make money from exploited workers. And maybe that is why fashion in 2025 feels so off – fashion is not fun anymore. We know too much, the fashion machine has destroyed so much and is the capitalist monster filled with egos and performative greenwashing.

I’ve mentioned before that I find more inspiration from K-Pop than fashion magazines and that holds true for me in 2025. I’m more interested in customizing my wardrobe and making things personalized to my tastes than following the trend cycle because the trend cycle is regurgitating things from my lifetime that I’m already interested in, such as ballet flats, but assigning them an expiration date and I disagree. By the mid-2010s I was tired of ballet flats, but I had worn them for 10 years at that point and was interested in something new to replace my worn, falling-apart flats. I’d rather pick a reference and get inspired, like watching Seinfeld and writing notes for an outfit I’d like to emulate. But that doesn’t fit with the fashion cycles and seasons, so it’s making the fashion shows seem pointless to me.

But the most off-putting thing I’ve seen this year is the discussion – ‘The Death of Personal Style’ which I have seen explored by Drew Joiner, Mina Le, and Nicky Reardon. This topic has been debated across the internet in spaces I don’t visit like X or TikTok, but I think people are bored and claiming personal style is dying because we need some fresh inspiration. I’ve been in a creative slump so far in 2025 with writing because the internet spaces I hang out in have been so negative this year. Like a communal ennui has rolled in, shrouding creative people in a fog. It’s been hard to not buy into the mindset and I’ve been a member of the club after seeing how worried my loved ones are that are facing being cut from their job or their career sector being gutted. Fiber artists and sewists are definitely in a delicate place right now, finding a new normal after Joann’s.

Yeah, it’s weird. I hate change, and I fear the past being repeated, but something struck me last night after watching two videos that have nothing to do with fashion but humor me. The YouTube creator Suibhne (Swee-nee) makes historical content about countries around the world, I in particular chose The History of Korea and The History of Japan to watch, and it’s heavy. What happened between Korea and Japan in the Sino-Japanese War has had lasting consequences, but so has European colonialism in Asia and America’s forced opening of Japan through Commodore Matthew Perry.

Watching these videos that recount the atrocities of WWII in the Pacific reminds me that the overall concern of what is happening politically in the world and in my home country is coming from a noble place. I think overreaction or potentially appropriate reaction is important to keep any bit of the past from being repeated. It’s staying vigilant, like the servants in Luke 12 who were waiting at the door for the master of the house to return. Complacency is never a good thing.

Stay dressed for action and keep your lamps burning, and be like men who are waiting for their master to come home from the wedding feast, so that they may open the door to him at once when he comes and knocks. 

Luke 12:35-36 ESV

So instead of being concerned by the social worry of WWII attitudes re-emerging, I should see it as a positive that people are taking things seriously and are unwilling to let evil take root again for the good of all. Even when I consider how fashion seems so dark because of unethical labor practices, sometimes I wish I didn’t know about the darkness, and instead I should consider how knowledge is not the enemy, the unethical practices are the enemy. Shopping is not as fun, but why is my pleasure more important than the rights of garment workers? It’s not all about me. Knowing this information is not the end point either, we put the awareness into action for change. So fashion feels off, but I think we’re tilling up ground for something new, not destroying something joyful for us fashion lovers.

I wish you hope, joy, and peace wherever you are. Thank you for taking the time to spend it with me today, dear reader. Until next time ❤

Bunny Plush Keychain

Recently, I shared a Knit Star Plush Keychain Pattern, but that wasn’t the only keychain I’ve been working on. Behold, a knit bunny keychain made from repurposed fabric! This keychain was inspired by my Skzoo Quokka plush keychain which I have styled on my purse and belt loop. I was tempted to buy more as this trend has been all over my feed this year, but that’s unrealistic. So I thought, in Jeremy Clarkson fashion, how hard could it be?

This key chain was made by repurposing a pair of underwear, that was weirdly made without any stretch. They had no purpose but to be trashed, which I didn’t want to do because they were brand new and I liked the pattern and color story. So I wondered, could I translate this to a plushie and I could make this plushie into a keychain without buying any materials beyond the keychain hardware? The answer is yes!

I used a pen to draw pattern pieces onto the underwear by designating the fabric into four ear-pieces, two head-pieces, and a rectangle piece that would be used to connect the keychain hardware. The rest of the fabric was cut into small cut pieces that would be used as the stuffing. This worked like a dream!

I chose to sew this item by hand because of the small nature of the project. The pieces were too small and delicate to sew by machine with any semblance of control or care. It was a quick make and took one day to complete. I sewed 90% of the ears, turned them right side out, stuffed them, and then set the ears aside. Next, I repeated this process with the circle for the head and stuffed it. When I was certain that all the stuffing was divided between the three pieces adequately, I sewed closed the ears and head. Next, I attached the ears to the head. Finally, I sewed the rectangle and threaded it through the loop of the keychain before attaching it to the bunny plushie. I opted for an abstract look so I did not decorate the bunny plush with a face, therefore if it spins around it doesn’t matter what side is facing out.

Overall, this was a quick and thrifty project with the hardware coming in a pack of two for $2.99. I used the other clip on the knit star plush project. This type of plushie could be made with any scrap fabric you have and could be adapted into other animals. It would be an easy DIY gift too!

Were My 2024 Fashion Predictions Accurate?

At the beginning of January 2024, I made a post for fun predicting what I thought would become popular trends in 2024. Now that it’s December, how well did I do? I accurately guessed 6 out of 10 of the predictions I made! So what were these trends that I predicted and what did I get wrong? Let’s jump in!

Gameday Outfits

The NFL had a moment this year with the spotlight of Taylor Swift and Travis Kelce, and her gameday outfits became a source of public fascination. This created a wave of gameday outfit inspiration online, sparked by Blokecore in 2023. This carried on through WAG fashion and trickled into the mainstream. The Paris Olympics created fashion buzz, as did the movie Challengers. There was a rising fascination for F1 in the US. Not to mention the popularity of the team-branded baseball cap and Adidas soccer shorts paired with a button-down shirt. This one was a big deal and was unifying to be honest because who doesn’t like at least one of these sporting events? There is something for everyone.

Patches and Visible Mending

This definitely became a trend as DIY fashion and upcycling continue to grow in popularity online for sustainability and creative expression. Mending and learning to sew continues to rise in popularity as people choose to opt out of the fast fashion loop in search of clothing that will last all while standing out in a crowd. I think we can agree there was a hive mind within fashion since the Tik-Tok “core” aesthetics took off at the beginning of the decade and we are all looking for original ideas again.

Colorful Knit Accessories

Similarly, knitting along with crochet has continued to grow in popularity as hobbies and as a way to create DIY fashion by hand. It was so popular that chatGPT patterns and AI-created crochet and knit images cluttered the creative space. With Balletcore being popular, so were leg warmers and slouchy socks. Fingerless gloves, colorful hats, and brightly colored vests made 2024 what it was – a fiber artist paradise.

Exaggerated Tailoring

This was seen on the runway, with tailoring having a moment with trousers, vests, and blazers finding popularity once again. Dramatic shapes were popular on the runway. I also saw vests and dramatic trouser shapes in mainstream stores. I think this should always be in style so let’s keep in that way fashion trends. It’s a classic.

Resurgence of the Flip Flops

Yes, these were hailed the “It girl” shoe of the summer after Gisele Bundchen (yes I know I’m missing the umlauts) was seen wearing them. The specific flip-flop brand Havaianas, was the iconic style of 2024, but luxury brands tried to corner that market with $900+ flip-flops. I think it makes sense for these to come around again after how long the Birkenstock sandal has been the favorite choice, followed by Tevas, it’s the next logical evolution from clunky to delicate. Personally, all three of these drive my feet nuts but I’d probably choose the Teva for comfort or flip-flops for sheer chillness. Flip-flops were also worn by athletes at the Paris 2024 games.

Jersey Shore Nostalgia

Indeed Ed Hardy and Von Dutch did trend again this year! Mainly with teens and tweens, but this styling returned to the runway with Kim Petras’ Spring 2024 collection which featured Ed Hardy’s iconic designs. I’m excited for this era of fashion to return because I enjoyed the late 2000s-early 2010s fashion and the over-the-top spectacle of it. I’m certainly more for this than the mob wife styling of early 2024.

Parasols for Sun Relief

This one I thought, was a long shot but it made sense for it to become a trend because of how practical they are while protecting skin from UV damage. They are technically better for the planet than single-use sunscreen. I was not wrong. This market is projected to grow from 2024-2032 as the parasol or sun umbrella market is anticipated to grow globally. In 2024, there was significant growth as a trend for Japanese men. That’s a result! 🙂

What Did I Miss the Mark On?

  • ARMY-core was not a thing even though all BTS members were in the military this year, no trends emerged from this across the K-pop sphere. The only popular examples of camo I saw were from Chappell Roan’s ‘Midwest Princess’ camo hats from her tour and the Harris-Walz campaign hats which copied the same style.
  • Gilded Age Finery did not take off like I hoped. The only instances I found were Bad Bunny’s Met Gala look and Paris Fashion Week using late Victorian and Regency era opulence as inspiration for glamour.
  • Bonnets this was a flop except for two key shifts. One I hope I explain right because I am not familiar with the hair culture. According to a few articles I found black men styled bonnets as a protective hair style in 2024. Secondly, hats became popular again with rope hats and pillbox styles being the most talked about.
  • Cosmic Cowboy or Sailor Cowboy would have been accurate if I had dropped the qualifiers. Cowboy was the most iconic aesthetic of this year with cowboy styling, media, and country music being a key player in pop culture. Americana in general had a moment which is odd but hopefully a turning point for unification in my divided land.

What were your favorite style moments of 2024? And did you participate in any of these trends?

Sewist Reacts: What In the Vintage Inspiration Is This?!

Fast fashion is a problem for many reasons. The overconsumption. The exploitation of workers. The lack of quality in construction and fabric. Polluting water sources and landfills. Ruining thrift stores with Shein products. But one I hadn’t considered was how these fast fashion brands are watering down design to the point that they are misrepresenting fashion terms like corset, choosing the wrong fabrics for construction, and not even trying to pattern match. It’s becoming nonsensical!

Fall fashion trends and fall sales are in full swing here in the US. I’m seeing ads everywhere, in between Instagram stories, in my email inbox, on YouTube, on television advertisements, etc. It’s bonkers! You would think that we had empty closets and had never owned cold-weather clothing before! Each season you need to completely restock your wardrobe! Buy, buy, buy!

So I caved and I started to look at these websites. Looked, not purchased. That is the key here because I found some wacky things masquerading as vintage and historical-inspired pieces of fashion. These fashion brands are two that are quite popular in my neck of the woods.

The Gap does Medieval Plate Armor

A brand I get a lot of ads from, which amuses me because I don’t like this brand, is the Gap. I probably see ads because I do buy occasionally from Old Navy and they are owned by the same company. If only the Gap knew how I feel about them, they would realize it is a lost cause. I think that the Gap cuts its patterns weirdly, is expensive for the quality, and is dry toast in terms of its aesthetic. So I wasn’t surprised to see a rather vanilla dress. What surprised me were the style lines of this dress and the fabric they chose.

This dress looks inspired by 16th-century plate armor, a breastplate specifically, but it is made out of what I would guess is a stretch jersey because there is no structure or fastenings in the photos. So a rigid garment, being made out of a stretch shapeless fabric, just isn’t right. There is something off about the shape of the bodice and how it hangs on the body. This is a missed opportunity. I think they could have added boning channels or made this out of a stiff woven fabric. Maybe a coordinating vest? Vests have come back in popularity. It’s a misrepresentation of the historical garment they were inspired by and as a dress historian, it bugs me. This dress is already an attempt at thinking outside the box, so why not do it properly and celebrate the design? 🙂

There is an exhibit at the Met, linked above showing a historical example of what I am talking about, featuring an exhibit of 16th-century armor with beautifully sculpted lines.

A Corset That is Not a Corset

This dress is not a corset. Maybe it is a Victoria’s Secret definition of a corset with the stretch smocking on the back, but this is not in form or function, what a corset is or was. The corset was a supportive undergarment, a foundation garment as they were called that shaped the body and supported the bust according to the specific standard of beauty at the time. The first iteration of the corset appeared in the 16th century, called a pair of bodies. This was followed by stays in the 17th and 18th centuries and the transition to the corset in the 19th century which held popularity until the 1920s when the corset began to fall out of fashion for other types of garments. This is a very quick overview and I probably oversimplified this so I would recommend checking out historical costuming YouTube for a better reference, also the V&A has an online exhibit featuring Victorian corsetry.

Because of the lack of familiarity, we have with the corset in our 21st-century mind, we tend to slap the word corset on any shape that looks like a formed bodice, which is what this is a bodice cut to accentuate the waist but will fall flat because it is not made with any structure to give the garment a shape. There is no lacing, cording, fake baleen, or steel to give this any shape beyond the body that will wear it. It is all smoke and mirrors. But that bugs me, because American Eagle, the maker of this dress, is a popular teenage and young adult brand that can shape the minds of the future by their experience with clothing!

So why not ride this wave of aesthetic TikTok dressing and go full-on corsetry? Tight lacing is not required, nor was it popular for most women historically, except for the Kim Kardashians of antiquity who did it for the spectacle, people of the past needed to move and breathe just like us so it could be a corseted bodice, and not be controversial! It’s just a thought. I do appreciate the trim on the skirt, it is very 1890s, and I like it.

This dress has the same problem, this is not a corset and this is barely a puff sleeve. This is bad marketing and bad fashion education. You could never corset an open-back dress and to puff a sleeve you need quite a lot of volume and possibly some Tarleton to help keep the sleeves voluminous. The Fashion Institute of Technology has an online exhibit featuring the Gigot sleeve, a beautifully puffed historical design.

When it comes to historical dress there are so many cool designs from the past, and with the amount of research that exists and abilities to connect through technology, there are endless ways to be inspired from the past but not screw it up. I think we should embrace the gift we have of historical dress knowledge and technology like sewing machines, the internet, etc to make something beautiful. These companies have so many resources at their disposal, that I wish they would try a bit harder to make good clothing. But alas, they are fast fashion, and this is one of the worst fast fashion blunders I have seen from these two brands, the Gap and American Eagle until I found this one pair of plaid pants, but that is another story!

Thank you, reader, for going on this adventure into historical dress with me. If you are as tired as I am of the current state of fashion, I encourage you to learn how to sew! It’s the best hack I’ve found.

Potato Technology’s Version of a Vintage Shirtwaist Dress

You will recognize this fabric if you’ve been here since I shared my Spring/Summer 2023 collection. I originally purchased it for a Christmas present project as part of my Autumn/Winter 2022 Collection for a pair of pants. I happened to not share it on the site. With the extra yardage, I made a blouse and a matching skirt I styled in 2023 as separates and a set.

This got me thinking, should I just make it a dress? So I did, I sewed the two together with mixed results. I liked the dramatic drape of the shoulders in contrast with the defined waist but the fabric is thin and I knew I wouldn’t wear it as a long sleeve garment. So I chopped the sleeves to a flutter sleeve option.

This felt even worse when I wore it as a short-sleeved dress. The dress was constructed well, the fabric of good quality, and the color scheme flattering but I did not reach for it. The sleeves made me feel weird and wide instead of cute. I didn’t feel like me. Have you ever experienced that with a garment or a project you have made? There’s nothing technically wrong with what you made or what you tried on, but it feels off. This left me with one more option. No sleeves.

So I chopped the sleeves entirely and that’s when I felt like I struck gold! It looks like a dress my Grandma used to wear. Shirtwaist dresses were her staple dress and I see why. They are versatile and practical. I can dress this up or down. I can layer over or under for different looks. It’s a dress I know I’ll be making again with a proper button placket and pockets for sure.

Looking to the Future

This July has been the first time I’ve recognized that feeling of time passing. The year is halfway over, what do I want to do with these last six months to finish the year strong?

In May, I felt like my life was done, as I knew it. Like a video game, I was done, out of hearts, out of health, game over. June felt like an exciting adventure and a respawn of my little game character in a new environment but the same life. It was thrilling and overwhelming at times, there was so much to catch up on and so much to do to begin our life in our house. July however has been this month of my brain feeling like it is in hyperspeed. Now that I have a new space to create, I also have new creative energy. That two-month break spent packing, moving, and waiting, was like a creative refresh and since then July has been a sprint.

I think some of this wild energy has been all the excitement of this month as part of the STAY fandom, this has truly been a one-of-a-kind comeback, but also I’ve been seeking distraction. My mom is walking through a health condition that came out of nowhere and in a matter of a few weeks she went from my companion packing boxes to being unable to do much physical activity without her body sending off alarm bells. I’ve never seen her like this before, and if I stop to think about it too much, I freak out.

I’ve turned my attention to what the second half of the year could bring. There have been so many wonderful things on the horizon, my friend’s wedding, my sister-in-law’s new place, Kyle’s new woodshop, the possibility of adopting a rabbit from E.A.R.S, Shakerwoods, the Pittsburgh Renaissance Festival, apple picking, Pumpkinville, etc. I’ve begun planning Christmas presents for loved ones, trying to be more ambitious than ever to push myself to learn something new in the process. I’ve also been feeling the itch to actually sell my pieces. I think it’s time, I just have to figure out where and how.

The Curse of Rusty Twill

Like a slinking shadow, the smell crawled through the air, around corners, through doorways into my senses. A stench. Burnt, rotten, the stank of a memory I wanted to forget. Alive in the darkness, its origin story, a wasteland of fashion monsters of dye. But what was it that was haunting me? Is its origin or its nightmare of an olfactory bouquet?

It began one innocent day, the day I met the monster of rust and cotton. On an innocent bolt it dared to rest its head, in the middle of the broad day, have it no decency? It was a fabric unlike any other. It called to me. Upon its skin was a color shift, a creasing of sorts that changed it from a monotone to a cacophony of lighter wrinkles depending on its movement. Oh, little fool you were then, innocent, blind. Dreaming dreams of Japanese raw denim and its way of embossing life on its fiber with wear and time. This was no Japanese denim. This cotton twill, was its foil, a disappointment wrapped in the innocence of Hobby Lobby’s fabric aisle. A devil creeping.

But our devil wasn’t creeping, it was clever. It hid its true form, pretending to be normal, a kind soul of twill and natural fiber. A fabric you can count on for pants, jackets, a workhorse, a staple. These were my dreams before the nightmare began.

Maybe it achieved consciousness? An impatient menace, you waited in my fabric cabinet as we packed up and slumbered in our storage unit as time passed by. Did you act out because you thought you were forgotten?

How could I forget how we met? It was one golden summer day, a day full of promise. A new life began in 2×4 frame and carpeted meadows that roam my floor. A washer and a new dryer. As I invited you out of your slumbering resting place, your weave was rough, and a little stuffy, but I thought nothing of it.

That was your warning sign, a marker of what you are. We walked together. I carried you down the steps. I wanted to keep you safe. Gently I washed you with my hypo-allergenic laundry soap. There were no corners cut. I welcomed you into the fabric family but this was no ordinary wash. Something changed about you in that water. You became a monster. Swampy. A whiff smacked me across the face.

In horror, I smelled the washer. A stench emanated from the room. What could it be? My mind raced – did something crawl into the washer and die? Shaking off the fear, I placed you into the dryer which was a deal with Winifred Sanderson. A cauldron of heat and dry air transformed you into a thing of scent not even a dog could love.

With the dryer’s final squeal, I plucked you from your transformation machine. A stink with strength. Fortitude and funk. Your form was different. Your threads were softer, malleable, and even toned. But your evil had spread, and with fear, I pulled towels from the dryer. They became one of your covens, in a soft amber tone. The smell, it was pungent, accosting.

Lost in thought I carried you upstairs and contemplated my fate. Was it the washer or perhaps the dryer? That old, squeaky dryer. What kind of mayhem did the dryer succumb to in its former life? Was it contagious? I shook the thoughts from my mind and tossed the towels back in the hamper, encrusted in a stench that made me question whether they were washed with soap or copper pennies.

But you, the problem, the evil in rust and twill, you, I placated with Febreze and time. I brought you back to my sewing studio and waited. Instead of getting to know the Febreze and fresh air, you woke me up to the stench of your fibers wafting from the room. You evangelized your rancid agenda and spread it throughout my room. A beast of smell, there you sat proudly, smirking at the work of your hands.

You were an enemy beyond my wildest dreams. A creature lurking in the depths of the nose. An odor I could taste, it lingered, it languished in my mind into paranoia. And that was what it was living with you after your second wash, you monster.

I tried to live with you, accept you for your true form but the stench of your dye was a war cry of all that comes from you. You lead the charge of fashion’s destruction of our peace. Rust is your form. Toxic, destructive, you had to go.

I thought you were going to win. Even with you out of my room, your smell lingered. A nightmare with no end. Burnt, acrid, copper pennies, a smell that dries out the senses like the desert of Fury Road. Why must you torment me?

You gaslit me. A smell that lived on. The towels held on to your evil. Third wash, a scream at the growing wall of your fortress. A sinister scent crept, it jumped from the towels to anything washed them with. An evil baked in. Will this nightmare end? What do you want from me? An enemy without logic but hungry for conquest.

The stench was set into the fiber of your being and I played right into your trap for revenge. Foolishly I gave you more to feed on, as I looked in sadness at the towels helplessly smelly lying on the floor. Could they be saved? How far would your campaign of olfactory pain carry on?!

Your rusty threads were a root system taking hold of me. I could feel them choking me in my dreams. A smell that could not be forgotten. A creature unwilling to die. An assassin of fiber. Mutated from fast fashion’s evil realm.

One day, when io began to lose all hope, a bright light, like a sword dropping from the heavens came to me. A plan. I hurried before you could imprison me forever in your devilish arms, running towards the light. I had to dispose of you and your ground zero stank.

With all my might, I held back your reach, your scaly hands from taking the towels with you. A splash of white vinegar. A bottle of vinegar. I drowned your sinister stench, I killed it in the name of all that is good and pleasing, fresh air rejoiced for the freedom to exist again.

Although you are dead and buried somewhere far away, I worry you’ll come back with your creeping stench. Rusty twill of my nightmares…I think you might be alive.

Aespa’s Supernova MV is an Explosion of Imagination

I wanted to be quick and write this post before their full album release on Monday because the Supernova release has been one of the most fun comebacks they have had I think since Next Level in 2021, which was how I found Aespa initially. This song has dethroned “Supernova Girl” from Zenon: Girl of the 21st Century as my favorite futuristic, y2k, outer-space-themed song. That is no small compliment, I’ve loved that song and the styling of the movie since 1999. That being said, Aespa blew me away with their ‘that tick, tick, bomb’ bridge and funky mix of Portal 2 sounds, reminiscent of the lasers and aerial faith plates, layered over the signature production of Dem Jointz. I wasn’t expecting that signature “Incoming!” line that I find on most NCT albums. This was the fun noise music style I was missing from the current comebacks of Stray Kids, NCT’s solo work, and the releases of girl groups so far in 2024.

Four Distinct Looks

I love a music video with a good costume change, and this one gave me four! The stylist for Aespa hit it out of the park with these experimental yet familiar pieces giving the eye a tasting menu of throwback futuristic pieces yet styled in a way that felt now and new at the same time.

In one short story, we move from streetwear with mesh and bright colors, to light pastel pleather for that space-age feel, to vibrant, shocking, and furry accessories that look like the star exploding, to a y2k jeans look in gray tones as the supernova is complete. The girls are blown into the wind.

My favorite look of them all happens to be Winter’s pink tutu look with platform shoes. She resembles a magical faerie or modern-day superhero without the cringy Hollywood painted-on catsuit. Other details I appreciate are the vampire fangs, pointy nails, intricate braids, colorful eyeliner, bubble hems, dual eye colors, chunky jewelry that looks DIY in a good way, and Gisele’s bedazzled cast.

Imagery of Supernova

Each member seems to have special powers in this music video. Winter can fly, Ningning can fire bend, Gisele can change time, and Karina has superhuman strength. They have the power of the “Supernova” and are a unified force to be reckoned with. I love that Karina falls to earth like an asteroid to open the scene. There is imagery of heat and destruction, darkness and light, brokenness like the dying star, and birthdays like a star reborn through the explosion. They are like a storm but are also a source of power.

Aespa Lore – Returning to Concept

This comeback feels like Aespa’s lore and concept coming full circle where other bands have drifted off into randomness, Aespa is keeping the story of Kwangya, Black Mamba, Naevis, and the real world all in its premise. Some were disappointed with the shift to being in the real world with Spicy (2023) and Drama (2023) as falling prey to the 2000s nostalgia bug sweeping the 2020s.

But I see their comebacks as chapters in one story like Ateez does so well. For Savage and Girls they were in Kwangya, Kosmo, and the Flat. They have fought Black Mamba then coming into the real world with Naevis in My World, continuing the fight in Drama. For now, it seems like Supernova and Armageddon are returning the girls to the other dimension but reborn with powers instead of being consumed by the destruction. I am very excited for May 27th to behold what is in store for their first full album!

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