I want to start off by pleading with Pinterest, please don’t work with OpenAI. (I know this is purely a rumor, but even so, I think using the internet to voice opinions is important.) I have been using your platform since 2012, and it is so useful! It has become less useful over time, with the “purely financial” decisions of peppering in a multitude of advertising pins and allowing AI-generated art to invade the platform. Even so, it is still a platform I use and love to escape into for inspiration.
Without Pinterest, creative writing projects like Udal Cuain, knitting colorwork projects, sewing projects, and home decor ideas would have been more difficult to source and may not have been on my radar – ever. I’ve even learned simplified versions of songs to play on the piano before I bought proper books, for free through Pinterest. Now what about fandoms? On really difficult days, my Stray Kids board is filled with memes, SKZ Code, captured moments from lives, silly edits, and STAY inside jokes that would not exist in one place to make me smile.
I don’t want to leave Pinterest at all, but there comes a time when we must make a stand for what is right – if you integrate with OpenAI, as rumors have thrown around, many other like-minded individuals, and I will leave because, as artists, we will not stand for the theft being carried out by generative AI of our work. Art is human. Generative AI is regurgitation. Art is for an audience of many; AI-generated art is for an audience of one. Human-made art has emotion; AI-generated art is the result of algorithmic decisions. AI-generated things are not new; they are not groundbreaking. They are human effort and human creativity scraped by these computers and served up as “new” all while consuming vast amounts of electricity and clean water, for nothing but perceived “innovation” that makes these tech bros wealthier. It gives nothing to humanity; it feeds the greed of the few. Alright, that’s enough of looking into the abyss for me.
How do I plan to make this change if Pinterest is bought by OpenAI?
Crafting Books
Used Books, Magazines, and Catalogs
Respectful Fan Accounts on Instagram
Physical Notebooks
Migrating to Milanote
Blogs and Research
Building a Creative 3rd Place Elsewhere
Creating Your Own Charts
Physical Moodboards
Acknowledging Frustration
Diving into History
Utilizing Libraries
Yes, we’ll be going back to analog inspirations, like going back to the 1990s and 2000s. I’ll be crafting even slower, researching longer, and spending more time digging to learn how to do new techniques like fillet crochet or how to paint using gouache paints, but that’s okay. At least it will be honest inspiration. In time, we will all come back together through a new creative community platform, and it will be a bit of a waste of time. So, Pinterest, put these rumors to bed, please, because when it comes to AI, we artists mean business, and you will be left behind.
This is a new term for me, but it is genius. Craftivism is activism through crafting. It is using your art and everyday things to show what you believe and to speak out against injustice. And to use an internet term, this has completely “changed my brain chemistry” to think of using my knitting to say what I believe, just like art.
What made this a tangible thing for me to get started in community was the Welcome Blanket collection at my local yarn shop. Together, sections of knit and crochet squares would be collected and seamed into blankets, like receiving blankets, to welcome immigrants to the United States. With all the ICE-y conditions out there, it’s swimming against the current in a way that aligns with my beliefs and what we are called to do as Christians – love your neighbor and take care of immigrants. Not to worship power, money, and excuse racism like some so-called “Christians” in my country are doing. Seeing my crochet square stitched together with other like minded indivduals’ fiber art was powerful. It reminded me of how we are stronger together and how doing small things, as a community, makes a difference. I also enjoyed reflecting on my own immigrant heritage and sharing my story of how my family came to the US and why immigration is necessary.
As an American who is not Indigenous, every part of my family tree came from somewhere else. Some of my family came from Germany, I believe, in the early 1900s, since my great-grandmother, who was born in 1912 in the US, spoke German as her first language at home. Some of my family from Ireland left County Cork’s farmland during the potato famine to escape certain death from the genocide of starvation by Great Britain. Some of my family from County Armagh immigrated in the late 1800s to the US, went back to Ireland in the early 1900s, and came back again to the US during the Troubles. The rest of my family came from Canada in the 1960s. If we are not members of Indigenous nations, then we are all here because of immigration. To act like immigration is dangerous, un-American, and unwelcome is not American to me. We all came from somewhere else. Let’s love our neighbors and support them in this new chapter of their lives, which came about because of a very difficult decision.
The second opportunity that brought Craftivism back on my radar was the Melt the Ice hat. This hat was used from protest by Norwegians in the 1940s during the Nazi occupation of Norway. Minnesotans, many of whom are descended from Norwegian immigrants, but now are a rich community of immigrants from all over the world, brought the hat pattern back to raise money for the Immigrant Rapid Response fund, which provides assistance for immediate needs – food, rent, etc. This fundraiser raised $650,000 with a $5 pattern during the Melt the Ice MAL in February 2026. If you are not aware of what has been going on in Minneapolis, there has been violence, there has been death, there has been kidnapping, and unlawful occupation of a city by federal forces in the name of corruption and power. Making the hat felt like there was a healthy place to channel my grief and anger over what is happening while bringing community together – Craftivism is powerful.
Have you ever heard of Craftivism? Would you participate in it?
I’ve shared several animal ear projects on the blog before, the Cat Ear Beanie, and my Loverboy re-creation Bunny Hat, but now, without further ado, may I present the Bat Ear Beanie! This was made with less than 100 grams of local spun wool I found at my farmer’s market, held double with less than 100 grams of Knit Picks Snuggle Puff yarn in Neptune. I decided to crochet this hat instead of knitting, as I did with previous projects, to have a bit more freedom in the creation. Crochet reminds me of sculpture or papier-mache. You can always add onto the stitches in ways that the tension of knit stitches does not allow, and for that, the bat ear project seemed like a great place to practice my crochet technique once again.
The hat was crocheted in the round – so much easier than knitting in the round, in my opinion, with double crochet stitches, and was knit like a normal hat. I don’t have an exact pattern for it, but you can easily make it to your measurements. The yarn I used, one strand Snuggle Puff, a heavy worsted, and one strand local wool, a DK weight, resulted in an Aran/Bulky-weight yarn. Because of this, I used a 5.5 mm hook to create my stitches. I chained the number of stitches I needed based on my head measurement and double crocheted around and around until the hat was long enough to cover my ears and most of my head, then I began my decreases. I wanted a gradual curve shape for the crown of this hat. Go slow, and remember, you can always frog and try again if the shape is not what you want. After the hat was complete, I plotted my bat ears.
What makes an animal hat special to me is the scale and placement. What I learned with my cat ear beanie was that you can make the ears too wide and too big, leading to a sloppy effect. With the bunny hat, I learned you can put them too close together, not allowing the ears to drape properly. The effect can change the entire character of the piece, so place your ears with care and think about how you want to wear it on your head so that the animal cuteness is achieved. For this hat, I was inspired by the hat Felix from Stray Kids wears at the beginning of the Creed music video from 2025.
I began my bat ears by picking up stitches on the outside of the hat. I also crocheted these in a round, to give these good structure. By crocheting these in a round, to keep the tension even across the ears, so that they would stay upward like a bat. I used single crochet stitches and tapered the ears accordingly, simply weaving in the end to the inside of the hat, with a tapestry needle.
Why did I choose a bat? To raise awareness for bats. Did you know that bats are not a nuisance, but an essential part of the ecosystem? But due to misunderstanding the nocturnal animal, mainly I would say due to vampire lore, they are seen as dangerous. Yes, they can carry rabies like many wild animals, but this is not a reason for the animal to go extinct. Their habitats are under threat, and they deserve the space to thrive. They eat pests, contribute to the pollination process, and help spread seeds.
When my go-to yarn, Big Twist, was temporarily discontinued in 2025, I felt adrift in a sea of unfamiliar yarns with unfamiliar prices. Which raised an interesting question: what will be my new tried and yarn? I thought I would share this journey with short reviews of the yarn I explored in search of a new favorite.
Yarn Criteria:
What am I looking for in a yarn? Big Twist was my favorite for a few key reasons – affordability, quality, color range, and ease of accessibility. Big Twist had a large selection of colors in a worsted weight that did not split easily or snag in knotted tangles. The skeins contained 380 yards, selling for 4.49 USD, which made sweater projects affordable. It was easy to source in person. Now I am not looking for in-person yarn purchases like I used to. It’s just not possible at this time.
Wool of the Andes
Wool, worsted weight, has a large color range, and can also be purchased in a superwash variety. This yarn is a Knit Picks, made from Peruvian Highland Wool is sold for 4.99 USD per 110-yard skein. I like how sticky this yarn is. When it is stitched up, it stays in place and has great stitch definition. It’s not too itchy. I am sensitive to wool, and I find this yarn to be fine. I also used the superwash for a hat, so that could be where the extra scratchy feeling came from. I think this is a great yarn for budget wool, and for beginners, the best part is that it arrives in a skein, not a hank that you have to unwind. Yes, I would buy this again. I just purchased this for an upcoming rabbit-related project.
Mighty Stitch
Silky and soft. This yarn had great sheen for an 80% acrylic, 20% wool fiber. It was labeled as worsted, but I found it to be too thin compared to my other worsted yarns, which created some issues in my project. This Knit Picks yarn is 7.99 USD for 208 yards. When I purchased this yarn, it was on sale, but still more than I am used to paying for acrylic. Due to the thinness of the yarn, I failed to meet the gauge. I found myself using a lot more than I thought I would. The most disappointing thing was the way it slides out of knots, which was a problem for the colorwork and color blocking sections. The yarn also doesn’t respond well to my husband’s beard. I found this out because I knit him a sweater, and the top was falling apart where it caught on his beard. Would I buy again? No. I don’t trust it not to pull out of the weave, and I felt let down by the price for the experience.
Lion Brand Pound of Love
I found these oversized yarn skeins at Michael’s, and I was thrilled. Lion Brand is a fantastic budget yarn that I used before on a previous sweater project. At 1020 yards for 11.99 USD, this yarn has been a game-changer for experimentation. I can try new projects, have room to mess up, or be able to make gifts, blankets, etc, on a budget. It does not split. I can knit or crochet easily, and it meets the gauge. My only negative critiques are the color range and the composition of the fiber. I wish there were more colors; the range is small compared to Knit Picks or Big Twist. I also wish acrylic were not made from plastic. I wish this were wool, and was kinder to the environment. Yes, I will buy this again. It is the best budget acrylic yarn I have found that is easy to purchase and would be a great beginner yarn to learn with.
Loops and Threads Soft Classic
Before Big Twist fully came back in Fall 2025, I thought Loops and Threads may be Michael’s brand expression of Big Twist, after they acquired Joann’s IP and the yarn vendor contracts, so I gave it a shot, and I have some mixed feelings. The color range is large, which I like. Some of the shades are lovely, and some are a bit garish. Some of the yarn dyeing is odd. Some of the texture of the acrylic fiber is also odd. It can be a bit limp, almost too soft. I love the mushroom and curry color ways. The black yarn I purchased, however, smelled like a cheap pleather purse- a bit fishy and a bit like burnt hair. I still can’t get the smell out of the yarn with airing out, Febreeze, and laundering. Maybe it was the chemical dye? For this reason, I have some pause. But you can’t beat the 3.99 USD price and 354 yards per skein. Let the creativity reign! Yes, I will buy again.
Palette
Palette Fingering Weight yarn from Knit Picks is a 100% Peruvian Highland wool yarn that has become my go-to winter accessory yarn. With its lightweight ply, I combine it with other yarns to create marled and warm hats, mittens, and socks. The hat to the left is three strands of Palette held together on US 7 needles. The hat to the right is made with two strands of worsted-weight acrylic (Big Twist) and one strand of Palette. It’s a non-superwash and has a lovely squish to the skeins. This yarn is already skeined up, no Hanks to unravel, and contains 231 yards for 5.49 USD per ball of yarn. I will rebuy. I actually panicked on New Year’s Eve, that I had drained my whole stash, to find they were at the bottom of a tote bag.
Caron Cakes
I have worked with two Caron Cake varieties in 2025 – Blossom Cakes and Big Cakes. The Blossom Cakes are a blend of 61% cotton and 31% acrylic fibers. They are variegated, worsted-weight cakes of 481 yards that sell for 14.99 USD per cake. They tend to do a BOGO sale at Michael’s, so I get them on sale, or else I would be less enthused about this item. The Big Cakes are also worsted-weight acrylic yarn, which is self-striping. I love the quality of the yarn, but the striping is a bit tricky. I am currently using them for blankets, but I did consider separating the sections of color to make something different. The Big Cakes contain 603 yards, which are sold for 14.99 USD. On a sale, you can make a blanket for a great price. For this reason, I will try the cakes again, with the proper project. They are complicated, and without a plan, they feel like a waste of money. With a good plan, they are a great resource.
Final Thoughts:
I found more options than I expected last year, and this led me to actually be happy that I had to find a new option for my tried-and-true yarn. Moving forward, I don’t have a sole favorite; instead, I feel like a nuanced palette of tastes is the better way to describe it. If you are a new knitter or curious about trying some of these yarns, I hope my thoughts helped. These are all my opinions, and all the yarn was purchased with my own money.
If you missed it, I made a Game of Wool Bingo card for episodes 1-3, because in my opinion, this show should not be taken seriously. I’ve given up watching, interacting with recaps, etc. I’m not going to watch beyond episode 3, and that is because hate-watching is validation in the attention economy of 2025. That got me thinking, what do I wish Game of Wool was instead of what it is? Game of Wool, just like Project Runway, I have notes!
No Kits or Internet Dressing Projects
I don’t want any themed-making kits sold per episode. They have been doing this for the episodes I have watched, each week partnering with a big yarn company, honestly making kits that serve no purpose other than a cash grab. I also don’t want to watch weekly episodes with challenges that create useless items. Useless from a practical and technical standpoint.
Crochet and knit swimwear is dumb. You can’t wear it other than for a photo shoot, which places it in the “internet dressing” category. It’s for a photo. It’s not even practical for a music festival. But it does resemble a “Coachella” look.
A crochet deck chair had potential, but it was not used within the materials provided or the time frame.
A dog sweater with a required hat is not kind or practical for dogs. The sweater is comfortable, but the hat is not comfortable for the dog. Again, it is for a photo. Washability was not discussed either.
The mohair sweater was the only challenge that was the closest to being a useful challenge, for design teamwork and wearability, but they ruined it with the ridiculous time frame.
A couch cover is useless, because I have thought about constructing one for my own couch to stash bust, but it’s just not practical for anything other than a showpiece. Which is how they judged it, so a lot of wool was wasted to make a big, useless swath of fabric.
The fair isle vest misrepresented a heritage craft of the region they were filming in. Why not just film a historical film set in the Renaissance, and put the actresses in Victorian corsets without a chemise, tight-laced? Same level of idiocy to be flashy!
This Game of Wool presents everything that late-stage capitalism is in relation to crafting and hobbies, thanks to greed, social media, and the attention economy. The British farmers could use the income; how about sourcing locally? What about sustainability and slow fashion? Yeah, 12-hour challenges do not represent anything but hustle culture. Girl boss, slay!
How Would I Fix It?
Real experts, not these two ladies.
Either all amateurs or all expert contestants. Pick a lane. Either be the Bake-Off or be Project Runway and offer a CFDA mentorship kind of prize.
Bring in a real mentor to help in the wool barn.
Take them on field trips to see wool being processed, dyed, and spun. Same with flax for linen.
Tell the story of why textiles matter and why fair trade for the animals, farmers, and ethical standards matter.
Explain why local matters for the economy and the ecology of the region.
Teach the history of cottage industries.
Teach the history of how knitting has changed the world, such as the development of textile machinery and the creation of the binary code. Essentially, fill in the gap of what Sci Show failed to do.
Set real challenges that teach, showcase the skill of the fiber artists, and show innovation.
Do a challenge that involves unravelling sweaters for yarn and teach the world about this amazing, sustainable possibility.
Task the fiber artists to design patterns, and explore what goes into design and proper pattern writing, because it is a technical skill.
Make things that will be auctioned off for charity.
Bring in people as guest judges who will bring professional connections and opportunities for the fiber artists.
Set realistic deadlines, and slow down the pace of the show. Follow a timeline like Mind of a Chef that explores moments of cooking over an entire season.
Let the makers make, unencumbered by the pace of the internet. Take note from Bernadette Banner and other makers out there that celebrate true craftsmanship and sustainability in the heyday of microplastics.
I’m tired of this show discounting a skill that has been tossed aside as a Grandma hobby since the Industrial Revolution. In these weird and wacky times, slow fashion and an appreciation of craftsmanship are in short supply in the media. This show had such potential! But they are truly chasing the money over integrity.
It’s that time of year when the holidays kick in, motivating me to dream of all that I can make before Christmas. But this year I am doing this a little differently.
Stitch/Life Balance
I started working and planning earlier. I usually think about what I want to make around Thanksgiving, a month or less before Christmas which is an impossible deadline. Last year I made a temperature basket and pushed to finish it in three weeks, it was tedious and down right miserable.
Create Better
I had better out comes with smaller projects, like mittens for my mom. This year I am also using distinct inspirations, so the projects are easier to execute well.
Started Earlier
I started my Christmas planning in August and began work in September, a first for me. I am debating on whether to gift a fully completed sweater or keep it, it was made without a clear goal and is a cozy crochet cardigan. If I choose to gift it then, I actually started in July which is the ideal timeline for me. I would like to start making as early as possible next year.
Holding Projects for January
I have made one Halloween project, but other than that I have been focused on making for other people this fall and it feels great. No stress.
There are several projects in my mind, but I am holding them for later. January feels like this depressing months of “after” all the excitement of the holidays. This usually includes a lapse of creativity too. I tend to push myself to make all my winter stuff in fall. To be honest, it’s dumb.
It can frost as late as June where I live, and snow in earlier May. It is cold for at least the first quarter of the year so why limit my timeline?
I am hoping this new creative strategy will lead to better makes and a happier maker.
Soul Crushing Dread
I am struggling this week to not feel down. The Federal Government shutdown and Pennsylvania Government shutdown is causing havoc for a lot of people. SNAP benefits are being paused Nov 1, so is a program in Pennsylvania which helps people pay for heating costs. You can see the blood of the RSF genocide in Sudan from space. ICE is being spotted more in my state. Every thing is gnarly, to quote Katseye. There are some personal things being worked through behind the scenes, that can drag me down, and I just feel sad. My heart is heavy. I would like evil to disappear. As corny as it sounds, I’d like world peace for Christmas.
I hope you are doing well, and know that you are loved. Hang in there. I am struggling as a sensitive person in these overstimulating times.
Every October, I feel more alive. I don’t mean to sound like a cringe, halloween obsessed person. I think, October fills me with life because it is the first wave of chilly air, and gray, rainy skies. Summer’s heat and bright sun, is great, but I feel burnt out from the stimulation by the end of August. It’s a time to reset and rest, in the spooky season and colorful leaves.
For another reason, I’ve realized this year, Halloween feels like a recharging time, because it is a holiday that is just about fun. There is no family meal, no presents, no longing or ache for those who have died. It is a holiday that does have a focus more on death but in this healthier other space.
It gives me room to breathe before Thanksgiving and Christmas, and the anniversary of my Grandma’s passing, to feel free from this heaviness. For a moment, things feel simple and joyful again.
So to honor this time, I made my first Halloween themed garment with a self-drafted pattern using granny stitches, double crochet, and treble crochet to make this pullover vest breathable.
Purple, black, and orange are colors that work with my existing wardrobe so I believe this piece will fit in all year around…aside from the summer, for obvious reasons.
This is just one of many Halloween inspired creations, I am brewing up. I excited to see those come to life soon!
As a fellow neurodivergent person, or a neurotypical, do you look to October as a time to recharge? What’s your favorite “ber” month?
This is an interesting reflection for me, because granny squares, and crochet in general was my crafting white whale. Since their rise in popularity in the 2020s, the granny square technique, with its colorful bursts of color called to me.
They looked so different from the form and function of knitting. I found myself bamboozled by their craftsmanship, yet enamored by their novelty and variety. Which brings me to a shocking revelation – I don’t think I like them after all.
Yeah…I was not expecting this to be my reaction after crocheting four squares with a brand new colorburst square pattern for a halloween sweater I am working on.
The Importance of Design Point of View
So why, as soon as I made dedicated granny squares for a halloween project, did I not like them? I spent hours learning the colorburst granny square pattern. I struggled with the techniques of the cluster stitch, and the treble crochet corners, but didn’t give up. I expected to feel a sense of accomplishment and excitement, but instead I felt unsatisfied.
This surprised me. The squares and the design of the crochet cardigan with the squares added, didn’t feel like me. I didn’t like wearing them. It clashed with my own personal design point of view.
There was nothing wrong with the design, it just wasn’t me, and neither are the granny squares. And so, I think this is part of being an artist and the process. Learning the new skill is not a waste of time, even though it felt like I was wasting my week working on this design. If I want to be a designer and find my thing, I have to try things that won’t always feel like me, and adjust accordingly.
Have you ever wanted to look like you emerged from a cozy video game? Maybe you’d like to wear a hat that reminds you of spooky season? Behold my new crochet adventure, not my first hat, but the second stitched together for this autumnal season.
This hat is inspired by the pointed witch hats, either sewn or made from yarn, that make an appearance in October, either in patterns that I see advertised or inspiration sources online. I didn’t want to make anything too witchy. I am not aiming to be a witch; I am looking for something fantastical. My hat is more of an allusion to the pointed, wide-brimmed headwear, while also aiming to be something a bit historical, rural, maybe hobbity in form.
The inspiration image I used for this project is a hat from Animal Crossing: New Horizons – the frugal hat. It is a subtle nod to a scarecrow, while it could belong in the wizarding world. I chose to crochet this project for the ability to sculpt the hat in a way that is freeform. I love how crochet lets you create without managing all the stitches on a needle; instead, I was able to switch from the hat portion to the bill with ease. I crocheted onto the side of the hat and used varying stitches of single crochet, double crochet, and granny stitch to add the frilly volume to the bottom.
Another reason I chose to crochet, over knitting this hat, was to provide the hat with more structure than knit stitches. Crochet stitches have more body to them. This was a scrap project, using leftover yarn from my first sweater dress, now a cardigan, made in 2023. Which was also scrap yarn, from a previous scrap yarn project – my cat ear beanie from 2024. As time passes, and I make more things, I love seeing how projects are connected through materials over time, because scrap yarn is kind of magical. It’s always worth it, in my opinion, to hold on to the extras for these random projects that call for just a little bit of yarn.
Finally, this hat project was inspired by one other seasonal topic, the state of my country. It just never stops right now….ahhhh!!!
Am I living in the 1950s? No, but dang was this what McCarthyism was like? I’m sick of the FBI telling Black Americans not to mourn Assata Shakur. Charlie Kirk is being touted as a martyr by MAGA and the primarily white church, tainting the message of the gospel with that Nationalist sham of a funeral, complete with Hitler-esque photos by the orange man. It’s getting ICY in a lot of places nationwide. So, I made a witch hat, because the Salem Witch Trials of 1692 and 1693 were not about witchcraft.
Instead, they were about religious extremism, sumptuary laws, xenophobia, and social tension. It was profitable to report your neighbor as a witch. You could gain financial and political power by reporting people who did nothing wrong. So I made a witch hat, because I am done with the injustices being played off as not that serious, and I am tired of our own political witch hunts. I feel helpless and angry all the time because of the Idiocracy. So I made a hat to try to do something creative with my feelings.
This forest creature hat, named by my sibling, was designed by me and created using worsted-weight acrylic yarn with a 5.5 mm crochet hook.
One Rabbit Riot 