Oil Pastel on paper. Sketched in pencil. Wildflower, rock, and weeds as I remember them on a late April day or early May day. To be honest, this month has been so chaotic I can’t remember when I went to the creek to sketch.
This drawing was sketched with a live subject, on the trail beside the creek in real life with the real soundtrack of water, birds, and insects buzzing. It was the first time in many years that I had sketched in nature like that and it was wonderful.
Drawing in nature, not only cleared my mind but helped me immerse my mind in what I was doing. This process slowed everything down for me and reminded me to go back to basics in my artistic approach. To take the extra time to draw careful pencil lines to indicate details I wanted to preserve, like the levels of the rock. To have that impression committed to pencil and paper instead of relying on an image from a phone or drawing something from my imagination.
From muddy base to jagged peaks where the moss grows to the lines of the leaves on the Great Trillium plant. It helped me remember where the light was washing across the form and what was hidden by shadow. If you would like to see more of the wildflowers from that trail check out April Wildflowers.
What is your favorite thing to sketch outside? Do you like to draw small details or sweeping impressions of landscapes? Are you more of a still-life or landscape person? I’m a sucker for flowers. I love their infinite imagination and stunning wardrobe.
I remember sitting in Art class, the last class period of the day, half listening and half daydreaming, while my art teacher explained the fundamentals of art to my class. I recall perspective, positive and negative space, color, form, repetition, etc. I wished I had paid attention more because I realized I was forgetting an important one – the focal point.
As I previously mentioned in Koala Drawings in Pencil, I wanted to improve my drawing skills by sketching a muse that made me happy and would challenge me. I found my koala inspiration photos on Instagram from the account @gohachi__ which captured images of koalas with so much expression. In my first drawing Koala Scott in Oil Pastel, I mentioned I was thrilled by how it turned out! I loved how the inspiration photo gave me a great perspective of the image and was pleased with the oil pastels for the texture it gave to the image.
I hoped that my second koala drawing would produce the same result but this is not what happened, and it took me a while to figure out why. The original sketch had positive and negative space, and form, and had a focal point – the koala crawling across the main limb of the tree. But, once I added color through my oil pastels, the focal point became murky.
Now is this because I used the wrong medium to add color? Possibly. Or it could be that there are so many details in the original photo and I let those details distract from the focal point of the drawing. Art and photography are related, but different. They are mediums of expression that capture moments but in different ways. Photography creates a scene or captures a moment in time, whereas art can live in a world of imagination. When we look at art it gives us an illusion, connects to an emotion, and gives us an impression of a moment. It’s not a one-for-one match-up. I realized my mistake was that I forgot to think like an artist, instead, I focused on replicating the image which is not going to provide the same emotive qualities that good art does! In my Koala Scott drawing, replicating the koala was the right move because the focal point was clear.
The photograph I used was zoomed in and focused on the koala and its expression. I could let the background fade out of focus and let the koala’s emotions and communication be the star. But the koala crawling across the limb, framed with smaller branches, added clutter to the image. As a photograph, it works because the composition is made for it. As a sketch it was fine, but as a piece of art with color and texture it falls flat. I’m not satisfied with it.
Final Thoughts
As a perfectionist, I hate making mistakes, but as a student, I know that making mistakes is an opportunity to learn! Comparing the two finished drawings I can see how I can improve and that’s exciting.
I think we should be more open to looking at our work, mistakes and all, and look at what went right and what we can improve on. It doesn’t mean we have failed. Learning is messy but practice is how we grow so don’t give up if you’re frustrated with your progress on a skill. Growing takes time. Don’t compare yourself to others, judge your work by your past work and see how you have grown! I hope this encourages you to keep trying and keep growing in whatever endeavors you are embarking on. You got this! ❤
Sorry, I have been a bit absent on here for the last two weeks. I can’t wait until I can explain why I have been distracted because it is a really good story. Thanks for taking time with me dear reader and I wish you a wonderful weekend. Until next time 🙂
I finished my koala portrait from Koala Drawings in Pencil in a new medium, well a new old medium, a medium I haven’t used in 10 years, oil pastel! I forgot how good oil pastels are for color payoff and texture without being messy like chalk pastels or watercolors. I felt in control of the pigment while being able to direct shadows and highlights over the piece. I’m hooked!
This koala was inspired by a photo I found on Instagram from a creator with the handle @hidenoritsuzuki. Why was this image so special to me? The hand posture and facial expression reminded me so much of my stepdad and his favorite goofy way to feign exasperation. It was the hand! Totally brightened my day. 🙂
My go-to inspiration in high school was this daily calendar my mom had in her office. Each day featured a photograph from a scene in Ireland, and each day, at the end of the day, my mom would bring the paper home and give me the photograph to draw from. Before the days of Pinterest and Instagram, it was a bit tricky to find beautiful images to practice with. There were magazines of course and books, not to mention literally the world around you, but this was a game changer to get daily inspiration. In the 2000s, it was before the supremacy of the touchscreen smartphone with apps galore and fantastic cameras to snap photos in that you could carry around in your pocket. If you took photos for inspiration, you had to print them and it was not cheap. Printing even on printer paper was not cheap and trust me, parents did not like us wasting ink.
This is a taste of what the images featured via a modern source – Unsplash.
What is special to me about the framed image above is that I didn’t frame it. My grandparents did. It was a piece that I guess spoke to them and they framed it and hung it in their bedroom. Something I didn’t appreciate at the time, as a moody teenager I was embarrassed by it. Now in 2024, it hangs in the hallway outside my bedroom and when I see it hanging there proudly in its frame I remember how much they believed in my art, my writing, my fashion sense. I wish I could show them all that I am doing now. I think they would be proud.
This was a sketch from memory, of my first bunny, Midnight. She was a great listener. A companion who liked quiet, just like me. I loved watching her ears move as she perceived the world around her. This was a quick sketch directly in chalk pastel with minimal blending.
The first in a series where I will be studying the rabbit and its likeness through my sketches. This bunny is eating cilantro, listening, and is loafed. Inspired by Netherland dwarf rabbits.
Just like that the season has changed. On Halloween night, big fluffy flakes appeared on our door step. Frosting the fallen orange leaves with a marshmallow wrapping of snow. It was magical, snow globe-esque.
As morning dawned the fall livelry was swapped for a dazzling white coating my little world in snowflake robes. It was crunchy beneath my shoe, squeaky even.
From the gloomy shades of autumn and their spooky splendor to the bright, starkness of winter in one night. A remnant of autumn hangings on in the trees beyond my street. The lovely yellow leaves I saw through my window. A bright, hopeful contrast from the pine, the branch, and the white. This was my inspiration.
One Rabbit Riot 