For two years, I’ve been mulling over how to dive into Stray Kids and their music, the way I’ve done with other K-pop artists, like aespa, Ateez, and i-dle. I sipped my toes in with My Tagline and Skz Hop Hip Tape, but I have not shared anything deeper, because dang, this band can be controversial, fan wars suck, and I also deeply love their music. It’s got me through rough patches and high highs; it is probably my neurodivergent special interest. It’s a spiderweb of music, funny moments, and an overall safe place to land, thanks to elements like Chan’s Room. Borrowing the Song-A-Day challenge format and filling out my own card seemed like the perfect way to get back into K-pop deep dives. (Then I hope – I can finally get myself to write about Kpop Demon Hunters!)

DAY 1 – My first experience with the eight-member Korean boy band, Stray Kids, was their song Maniac (2022). Shortly after Maniac and its album, Oddinary, were released in March 2022, the algorithm served me the Maniac music video, and my taste in music has been transformed. For good, I’d say!

DAY 2 – Case 143, released in October 2022, was my first official comeback experience. With the release of Maxident, I discovered Skz Code, compilations of funny moments, memes, etc. I dipped my toes into the world of Stay and haven’t looked back. Case 143 is one of their songs that challenges song structure, the whole way through. It’s complex.

DAY 3 – Creed. I think this because Karma was released at a time (August 2025) when I felt lost, pissed off, and in need of a song that captured how fed up I was feeling about the world. But I needed a song that was not one of my old standbys of Breaking Benjamin, Evanescence, System of a Down, or Nightwish. Stray Kids, no matter what emotion they explore, always have light in the darkness. I listened to this song like an emotional release through August, September, and in the culmination of stress in October. It just scratched that part of my brain that needed a song to echo all my big feelings.

DAY 4 – Novel is a fantastic, underrated song with a great high note. It’s from The Sound (February 2023), a Japanese release, so it flies under the radar until you dig into their discography. I found it this year while listening to the full The Sound album while tilling the garden.

DAY 5 – My favorite SKZ record is Want so Bad by Minsung, also known as Lee Know and Han. I love this song for its music, the happy feeling it brings me when I listen to it, and the thrill of these two pals getting to write a song just the two of them. This is not because I am shipping them. I’d also argue this song would be lovely in a K-drama similar to The Potato Lab or Business Proposal. It is instant dopamine, give it a listen! My final thought is, listening to this song again, Lee Know’s song Youth from the SKZ Hop album feels like a sequel to this song in their discography, which is varied and, to be honest, vast for only being a band for 8 years.

DAY 6 – Haven is a song about identity and courage, being yourself, and it is so comforting. All I want is the space to be myself. This song was released in 2020, but it didn’t hit my radar until 2024, when they performed it at Lollapalooza in Chicago, and it was like it hit me in my core. I felt like I had found a little virtual home in their music. A haven, literally. I’ve always felt like an outsider – a stray.

DAY 7 – My Pace is a no-skip; it is a song that, when it plays, I must listen and soak up all the vibes of this anthem. I love Changbin’s barking, aggressive rap lines. I want to jump around. It was another stunner from Lollapalooza that I hadn’t appreciated in its true form until I watched them perform it on a big stage. My Pace is an original, from their early days back in 2018, when Stray Kids were still rookies. They have always been good and always deeper than the “noise music” or “braggy” accusations.

DAY 8 – Divine, you have bewitched me body and soul, and I love you most ardently. There is not a boring song on ‘Do It’ (November 2025), to be clear, but this new song, Divine, has eclipsed Do It for me. Divine’s music video is such a fun ride if you like vintage Asian cinema or stories like Smallville, Lord of the Rings, etc. They face down a dark force and defeat it, turning their enemies into the scales of a sweeping dragon in a painting. The song showcases a Korean legend, with the lesson being not to escape away from reality too far and neglect your responsibilities. There is an old school hip-hop feel, random noises, and the electric energy of God’s Menu and Thunderous.

DAY 9 – Just one favorite B-side? That’s cruel. The b-sides are where Stray Kids really shine. I guess if I can only choose one, Leave (November 2023). It’s such a bop. It’s one of their softer, melodic songs that, in my opinion, marked the new era of Stray Kids. By 2023, they were fine-tuning their sound, and I could see where the possibilities could be long-term. The way they share the lyrics across the song, they truly are one band. One sound. Also, that chorus, “Lalalala la Lalalala x3, I’m missing you.” It’s haunting and beautiful. I could see how this band would be one I would keep listening to, as long as they want to put out music.

DAY 10 – LALALALA from the November 2023 album, Rockstar, is magnetic. LALALALA is language play. The original Chinese character Rak, pronounced slightly between la and ra (To the best of my understanding, I am not an expert.) and represents emotions – fear, sadness, anger, and happiness. The song’s journey gets rid of the rest until only happiness remains. Using the repetition of “Feel the rock” and “Let it rock” to bridge the gap between east and west, delicately weaving together this metaphor. The dance, oh, how I wish I could do it. The beat is so catchy. Such a good hype song!

DAY 11 – I’m a sucker for a Seungmin soundtrack. If I had a clear bias in the group (I’m an OT8 bias for reference), Seungmin would most likely be my bias wrecker for how I have grown to appreciate his vocal range since 2022. For all eight members, my favorite OST would be ‘Why?’ from January 2024, but overall, I am enamoured by My Destiny by Seungmin and the growth of his voice over the years. There is nowhere to hide in My Destiny; it is all vocals. So again to the haters, if you think Stray Kids are phonies, they are most certainly not! My Destiny is a romantic song with a subtle melody, perfect for the K-drama, The Potato Lab (March 2025).

DAY 12 – Ceremony (August 2025) is the best workout song, full stop. Try listening to it while doing cardio. The song doesn’t have a chorus until the end; it just keeps building and circling. It will push you, but it will feel like an exhilarating party.

DAY 13 – Parade is a Japanese release from the Hollow album (June 2025), which I’d love to see them circle back to with a music video. A full-scale production with a real parade, a band, confetti, floats, and excitement. Something like Ceremony would be fun.

DAY 14 – When Hollow (June 2025) came out, it changed me. It melted me, and I cried listening to the lyrics. Like ‘Golden’ and ‘This Is What It Sounds Like’, it broke me. One of my loved ones and I were fighting, and I was worried about their health. A former friend was really piling on their problems, and I was drained and feeling lonely. This song got it.

DAY 15 – I love singing along to Surfin’ even though I can only sing half the words, but dang, what a masterpiece from Lee Know, Changbin, and Felix back in 2021 from the No Easy album. It’s summertime. It’s upbeat. It’s got a rhythm that echoes the cadence of the waves and sea breezes. It’s one of a kind.

DAY 16 – I’d love to see them perform ‘Slash’ from Deadpool and Wolverine (August 2024) live on tour, or maybe a festival performance. I don’t think they have ever performed it. It was released quietly with the Deadpool and Wolverine theater release. To the best of what I’ve gathered from people who saw it, Disney didn’t even put it in the movie…because they suck. But like, what about a tiger, dual sword-wielding, superhero? Yes.

DAY 17 – I’d be interested in them re-releasing Hellevator (2017) with the music production and style they have now. It’s a fantastic song, but it does feel a bit 2010s and Chainsmoker-y in the production, as was popular at the time. No shade to the original.

DAY 18 – I’ve been trying to save God’s Menu (June 2020) and have no duplicates, but the opening sequence of God’s Menu goes

어서 오십시오
eoseo osibsio

이 가게는 참 메뉴가 고르기도 쉽죠
i gageneun cham menyuga goleugido swibjyo

and sounds like Changbin is saying “shit show.” I’ve shared this song with a loved one, and they literally have remarked, “Ah, it’s the shit show song” upon hearing it. Still the funniest misheard lyric for me.

DAY 19 – S-Class (June 2023) from the 5-Star Album was not my jam the first time around. It took multiple tries, and feeling a bit lost, until this song won me over. It was so different in structure. But that whistle, the chorus, and the music video eventually got me excited. Now this is one of my favorite title tracks for its signature Stray Kids randomness.

DAY 20 – Tortoise and the Hare (September 2020) for me is the most meme-worthy song because of one simple chorus swap – I know, you know, we know, Lee Know. This was reprised in the song Jjam in July 2024 from the album ATE. It is one of my favorite little easter eggs, especially when Lee Know encourages it with random Tortoise and the Hare references.

DAY 21 – Okay, this might be a weird pick to play for grandparents, but they were both into music. I’m choosing my maternal grandparents for this. Papa was in a quartet, and Grandma was a pianist who also taught. If I could catch their interest with good vocals, solid music, and the romance of the song, I could have opened the door to showing them more. My choice, if they were still here, is Waiting for Us from the album Oddinary (March 2023).

DAY 22 – Cheese is a go-to sing for me when I have chores to do around the house and zero motivation. This song is from No Easy (2021) and has so much attitude. I love it. This song has a misheard lyric for me – “Hook ya? Cheese!” It’s also a song that makes me think of my dog Sully, who loved cheese.

DAY 23 – Since I already used God’s Menu, and I refuse to duplicate with this many songs to choose from, I say Thunderous from No Easy (2021). This song has swagger. I listened to this song second, after Maniac, with maybe God’s Menu or Venom afterwards. Upon watching the Thunderous music video, I thought, “How freaking cool is this band?!” I’d never heard a band blend modern and traditional with such skill before.

DAY 24 – DLMLU or Don’t Let Me Love You (2023) is one of their great, slightly problematic love songs. They do a fantastic job of capturing the dysfunction of relationships, and this song is just that, a song fighting the undeniable pull the narrator feels. It’s got a great beat, and doesn’t get the attention of other Stray Kids songs, such as I Like It or Collision. Honorable mention: Venom (2022), which gets sidelined for Maniac but is complex, satisfying, and has a fun music video.

DAY 25 – In 2023, the University of Illinois Urbana-Champaign covered All In by Stray Kids at a halftime show, and it was so flipping satisfying. I have been waiting for their music to show up like this, and when it did, I was over the moon. All In is a high-energy Japanese release from October 2020.

DAY 26 – Cover Me from 2023’s Rockstar album stood out for many reasons, one of them being the harmonizing, the slow pace, and the one-take high note from Seungmin that is phenomenal. But the lyrics got me; they captured the feelings I’ve felt for so long. Being the kid on the fringe. All my friends had two parents, didn’t live with their grandparents, had siblings with the same mom and dad, didn’t have childhood trauma, and now I understand the outside thing I felt was also because of neurodivergence. I’ve never quite fit anywhere, only in passing, and this song gets all of those feelings. Thank you, Hyunjin, for this gem.

DAY 27 – Rama Giant! That’s how Han’s recording sounds, and I love it. It’s supposed to be “I’m a giant.” I also love this music video, as the meaning is deeper than it seems. Han’s sneeze. The clever line of “do re me fa King giant!” This title track, Giant came out in October 2024, on an album of the same name. I’m not over this song. It was one of my most listened to albums of 2025. It’s a Japanese release, so it gets less notoriety, but that’s okay. I hope one day they add it to the regular set.

DAY 28 – Domino is iconic. It’s also a great car jam because there is no weird stuff in the background, as Kyle says. He doesn’t like how much chaos, sirens, etc, they add to the back track for driving, and I get it. It does create mental chaos. Domino, from No Easy (2021), has been a favorite since my first listen. The cadence, the creativity. I just love listening to it, but especially in the car on a zippy and winding road.

DAY 29 – Chan’s solo, Railway (2024), would be my choice for a superhero theme, maybe an odd choice, but I could see it working for a complex, maybe misunderstood superhero? Watching Smallville has shown me the levels, and somewhere underneath, Clark Kent is here in this song, in the moments when he feels like an outsider. Maybe a show where both Railway and Escape were the title credits and ending credits? That could be satisfying.

DAY 30 – Night (2024) is an original soundtrack, but dang, this song is so good. It’s like a rock opera. The guitar, the piano, the range of the vocals, and the orchestral swell of it all into a final crescendo. This song could easily be just a song for an album. I really want them to keep exploring J-rock and these big opus-type songs. It brings everything I love about classical music into the mix. I crave more.

DAY 31 – Chk Chk Boom has currently dethroned Miroh for me as the Stray Kids anthem, please Stay, don’t hate me. It’s just been the song that has had such massive reach for the past year with awards, the Dominate tour, and even the satisfying feature of Ryan Reynolds in the music video. It shows how much they have accomplished, and it is also a fantastic song.

Phew! I did it. That was a lot of decisions, and I could probably keep revising and revising. I truly love their discography; it’s self-produced, written by them, and choreographed by them. They recently won the Daesang (album of the year) at MAMA 2025. They broke the Billboard 200 record for No. 1 album debuts with Karma, and extended the record to 8 with Do It. It’s truly impressive. In this world of increasing convenience, AI slop, and conformity, you can still excel and be yourself. That’s what they have done.